Portrait cultures of the early modern Cardinal /:
The visual legacy of early modern cardinals constitutes a vast and extremely rich body of artworks, many of superb quality, in a variety of media, often by well-known artists and skilled craftsmen. Yet cardinal portraits have primarily been analysed within biographical studies of the represented ind...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam :
Amsterdam University Press,
[2021]
|
| Schriftenreihe: | Visual and material culture, 1300-1700.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The visual legacy of early modern cardinals constitutes a vast and extremely rich body of artworks, many of superb quality, in a variety of media, often by well-known artists and skilled craftsmen. Yet cardinal portraits have primarily been analysed within biographical studies of the represented individual, in relation to the artists who created them, or within the broader genre of portraiture. No more profound investigation of these as a specific category of object has ever been attempted. This volume addresses questions surrounding the production, collection, and status of the cardinal portrait, covering diverse geographies and varied media. Examining the development of cardinals' imagery in terms of their multi-layered identities, this volume considers portraits of 'princes of the Church' as a specific cultural phenomenon reflecting cardinals' unique social and political position. |
| Beschreibung: | Plate 6 Detail of Leandro Bassano, Honorius III Approving the Rule of St. Dominic in 1216, 1607-1608, (© Venice, Fondazione Giorgio Cini-Matteo de Fina). |
| Beschreibung: | 1 online resource (392 pages : illustrations (chiefly color)) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789048544561 9048544564 |
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| 245 | 0 | 0 | |a Portrait cultures of the early modern Cardinal / |c edited by Piers Baker-Bates and Irene Brooke. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2021] | |
| 300 | |a 1 online resource (392 pages : |b illustrations (chiefly color)) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Visual and Material Culture, 1300-1700 | |
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a The visual legacy of early modern cardinals constitutes a vast and extremely rich body of artworks, many of superb quality, in a variety of media, often by well-known artists and skilled craftsmen. Yet cardinal portraits have primarily been analysed within biographical studies of the represented individual, in relation to the artists who created them, or within the broader genre of portraiture. No more profound investigation of these as a specific category of object has ever been attempted. This volume addresses questions surrounding the production, collection, and status of the cardinal portrait, covering diverse geographies and varied media. Examining the development of cardinals' imagery in terms of their multi-layered identities, this volume considers portraits of 'princes of the Church' as a specific cultural phenomenon reflecting cardinals' unique social and political position. | |
| 505 | 0 | |a Cover -- Table of Contents -- Abbreviations -- Acknowledgements -- Introduction -- Cardinals and their Images -- 1. Portraying the Princes of the Church -- Piers Baker-Bates and Irene Brooke -- 2. The Early Modern Cardinal -- An Historical Appraisal -- Miles Pattenden -- Part I. Individuality and Identity -- Florence and Rome -- 3. Visual and Verbal Portraits of Cardinals in Fifteenth-Century Florence -- Brian Jeffrey Maxson -- 4. Dead Ringers -- Carol M. Richardson -- Part II. Divided Loyalties -- Venice and Rome -- 5. The Role of Cardinals' Portraits in Venice -- Sarah Ferrari | |
| 505 | 8 | |a 6. Role Playing -- Alessandra Pattanaro -- Part III. Collecting and Display -- Portraits and Worldly Goods -- 7. Renaissance Cardinals and Pontifical Mules -- Philippa Jackson -- 8. Portraits as Symbols -- Thomas-Leo True -- 9. Portraits as a Sign of Possession -- Arnold Witte -- Part IV. Post-Tridentine Piety -- The Devout Cardinal -- 10. Group Portraits of Cardinal Bembo and his Friends in the Wake of Trent -- Irene Brooke -- 11. Two Cardinal Portraits by Scipione Pulzone in the Harvard Art Museums and their Related Versions -- Danielle Carrabino | |
| 505 | 8 | |a 12. Miracle-Working Portraits of a Cardinal Saint -- Minou Schraven -- Conclusion -- Cardinal Portraits beyond Italy -- 13. Portraying the Ideal Spanish Tridentine Prelate -- Piers Baker-Bates -- Index -- Illustrations -- Colour plates -- Plate 1 Bastiano di Niccolò, Matteo and Bartolomeo Torelli, historiated initial and border with AngeloAcciaiuoli's portrait from the cardinal's missal, 1402-1405, MS. 30, Cambridge, The Fitzwilliam Museum(© The Fitzwilliam Museum, Cambridge). | |
| 505 | 8 | |a Plate 2 Titian, Cardinal Pietro Bembo, c. 1540, oil on canvas, Washington, DC, The National Gallery of Art (©National Gallery of Art, Washington). -- Plate 3 Unknown artist (Palma il Giovane?), Double Portrait of Cardinals Domenico and Marino Grimani, latesixteenth century, oil on canvas, Venice, Gallerie dell'Accademia (© Gallerie dell'Accademia di Venezia). Plate 4 -- Plate 3 Unknown artist (Palma il Giovane?), Double Portrait of Cardinals Domenico and Marino Grimani, latesixteenth century, oil on canvas, Venice, Gallerie dell'Accademia (© Gallerie dell'Accademia di Venezia). | |
| 505 | 8 | |a Plate 4 Raphael, Meeting of Leo I with Attila, 1514, fresco, Vatican City, Musei Vaticani (© Scala). -- Plate 5 Leandro Bassano, Honorius III Approving the Rule of St. Dominic in 1216, 1607-1608, oil on canvas, Venice, Santi Giovanni e Paolo, Sacristy (© Venice, Fondazione Giorgio Cini-Matteo de Fina). Plate 6 -- Plate 5 Leandro Bassano, Honorius III Approving the Rule of St. Dominic in 1216, 1607-1608, oil on canvas, Venice, Santi Giovanni e Paolo, Sacristy (© Venice, Fondazione Giorgio Cini-Matteo de Fina). | |
| 500 | |a Plate 6 Detail of Leandro Bassano, Honorius III Approving the Rule of St. Dominic in 1216, 1607-1608, (© Venice, Fondazione Giorgio Cini-Matteo de Fina). | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on January 18, 2022). | |
| 546 | |a In English. | ||
| 650 | 0 | |a Cardinals in art. |0 http://id.loc.gov/authorities/subjects/sh96012274 | |
| 650 | 0 | |a Cardinals |x Portraits |x History and criticism. | |
| 650 | 0 | |a Christianity and art |x Catholic Church. |0 http://id.loc.gov/authorities/subjects/sh85021195 | |
| 650 | 6 | |a Cardinaux |x Portraits |x Histoire et critique. | |
| 650 | 6 | |a Christianisme et art |x Église catholique. | |
| 650 | 7 | |a ART |x History |x Renaissance. |2 bisacsh | |
| 650 | 7 | |a Cardinals in art |2 fast | |
| 650 | 7 | |a Christianity and art |x Catholic Church |2 fast | |
| 650 | 7 | |a History of art and design styles: c 1400 to c 1600. |2 bicssc | |
| 650 | 7 | |a Social and cultural history. |2 bicssc | |
| 653 | |a Cardinals, Early Modern, Portrait, Catholic Church, Portraiture. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Baker-Bates, Piers, |e editor. | |
| 700 | 1 | |a Brooke, Irene, |e editor. | |
| 758 | |i has work: |a Portrait Cultures of the Early Modern Cardinal (Text) |1 https://id.oclc.org/worldcat/entity/E39PCYvxgGXff76gXjtJVYvkfy |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Baker-Bates, Piers. |t Portrait Cultures of the Early Modern Cardinal. |d Amsterdam : Amsterdam University Press, ©2021 |
| 830 | 0 | |a Visual and material culture, 1300-1700. |0 http://id.loc.gov/authorities/names/no2017099120 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1265461101 |
|---|---|
| _version_ | 1816882549148876800 |
| adam_text | |
| any_adam_object | |
| author2 | Baker-Bates, Piers Brooke, Irene |
| author2_role | edt edt |
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| author_facet | Baker-Bates, Piers Brooke, Irene |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N8180 |
| callnumber-raw | N8180 .P67 2021 |
| callnumber-search | N8180 .P67 2021 |
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| contents | Cover -- Table of Contents -- Abbreviations -- Acknowledgements -- Introduction -- Cardinals and their Images -- 1. Portraying the Princes of the Church -- Piers Baker-Bates and Irene Brooke -- 2. The Early Modern Cardinal -- An Historical Appraisal -- Miles Pattenden -- Part I. Individuality and Identity -- Florence and Rome -- 3. Visual and Verbal Portraits of Cardinals in Fifteenth-Century Florence -- Brian Jeffrey Maxson -- 4. Dead Ringers -- Carol M. Richardson -- Part II. Divided Loyalties -- Venice and Rome -- 5. The Role of Cardinals' Portraits in Venice -- Sarah Ferrari 6. Role Playing -- Alessandra Pattanaro -- Part III. Collecting and Display -- Portraits and Worldly Goods -- 7. Renaissance Cardinals and Pontifical Mules -- Philippa Jackson -- 8. Portraits as Symbols -- Thomas-Leo True -- 9. Portraits as a Sign of Possession -- Arnold Witte -- Part IV. Post-Tridentine Piety -- The Devout Cardinal -- 10. Group Portraits of Cardinal Bembo and his Friends in the Wake of Trent -- Irene Brooke -- 11. Two Cardinal Portraits by Scipione Pulzone in the Harvard Art Museums and their Related Versions -- Danielle Carrabino 12. Miracle-Working Portraits of a Cardinal Saint -- Minou Schraven -- Conclusion -- Cardinal Portraits beyond Italy -- 13. Portraying the Ideal Spanish Tridentine Prelate -- Piers Baker-Bates -- Index -- Illustrations -- Colour plates -- Plate 1 Bastiano di Niccolò, Matteo and Bartolomeo Torelli, historiated initial and border with AngeloAcciaiuoli's portrait from the cardinal's missal, 1402-1405, MS. 30, Cambridge, The Fitzwilliam Museum(© The Fitzwilliam Museum, Cambridge). Plate 2 Titian, Cardinal Pietro Bembo, c. 1540, oil on canvas, Washington, DC, The National Gallery of Art (©National Gallery of Art, Washington). -- Plate 3 Unknown artist (Palma il Giovane?), Double Portrait of Cardinals Domenico and Marino Grimani, latesixteenth century, oil on canvas, Venice, Gallerie dell'Accademia (© Gallerie dell'Accademia di Venezia). Plate 4 -- Plate 3 Unknown artist (Palma il Giovane?), Double Portrait of Cardinals Domenico and Marino Grimani, latesixteenth century, oil on canvas, Venice, Gallerie dell'Accademia (© Gallerie dell'Accademia di Venezia). Plate 4 Raphael, Meeting of Leo I with Attila, 1514, fresco, Vatican City, Musei Vaticani (© Scala). -- Plate 5 Leandro Bassano, Honorius III Approving the Rule of St. Dominic in 1216, 1607-1608, oil on canvas, Venice, Santi Giovanni e Paolo, Sacristy (© Venice, Fondazione Giorgio Cini-Matteo de Fina). Plate 6 -- Plate 5 Leandro Bassano, Honorius III Approving the Rule of St. Dominic in 1216, 1607-1608, oil on canvas, Venice, Santi Giovanni e Paolo, Sacristy (© Venice, Fondazione Giorgio Cini-Matteo de Fina). |
| ctrlnum | (OCoLC)1265461101 |
| dewey-full | 704.9482 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 704 - Special topics in fine and decorative arts |
| dewey-raw | 704.9482 |
| dewey-search | 704.9482 |
| dewey-sort | 3704.9482 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-on1265461101 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:22Z |
| institution | BVB |
| isbn | 9789048544561 9048544564 |
| language | English |
| oclc_num | 1265461101 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (392 pages : illustrations (chiefly color)) |
| psigel | ZDB-4-EBA |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Amsterdam University Press, |
| record_format | marc |
| series | Visual and material culture, 1300-1700. |
| series2 | Visual and Material Culture, 1300-1700 |
| spelling | Portrait cultures of the early modern Cardinal / edited by Piers Baker-Bates and Irene Brooke. Amsterdam : Amsterdam University Press, [2021] 1 online resource (392 pages : illustrations (chiefly color)) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file Visual and Material Culture, 1300-1700 Print version record. Includes bibliographical references and index. The visual legacy of early modern cardinals constitutes a vast and extremely rich body of artworks, many of superb quality, in a variety of media, often by well-known artists and skilled craftsmen. Yet cardinal portraits have primarily been analysed within biographical studies of the represented individual, in relation to the artists who created them, or within the broader genre of portraiture. No more profound investigation of these as a specific category of object has ever been attempted. This volume addresses questions surrounding the production, collection, and status of the cardinal portrait, covering diverse geographies and varied media. Examining the development of cardinals' imagery in terms of their multi-layered identities, this volume considers portraits of 'princes of the Church' as a specific cultural phenomenon reflecting cardinals' unique social and political position. Cover -- Table of Contents -- Abbreviations -- Acknowledgements -- Introduction -- Cardinals and their Images -- 1. Portraying the Princes of the Church -- Piers Baker-Bates and Irene Brooke -- 2. The Early Modern Cardinal -- An Historical Appraisal -- Miles Pattenden -- Part I. Individuality and Identity -- Florence and Rome -- 3. Visual and Verbal Portraits of Cardinals in Fifteenth-Century Florence -- Brian Jeffrey Maxson -- 4. Dead Ringers -- Carol M. Richardson -- Part II. Divided Loyalties -- Venice and Rome -- 5. The Role of Cardinals' Portraits in Venice -- Sarah Ferrari 6. Role Playing -- Alessandra Pattanaro -- Part III. Collecting and Display -- Portraits and Worldly Goods -- 7. Renaissance Cardinals and Pontifical Mules -- Philippa Jackson -- 8. Portraits as Symbols -- Thomas-Leo True -- 9. Portraits as a Sign of Possession -- Arnold Witte -- Part IV. Post-Tridentine Piety -- The Devout Cardinal -- 10. Group Portraits of Cardinal Bembo and his Friends in the Wake of Trent -- Irene Brooke -- 11. Two Cardinal Portraits by Scipione Pulzone in the Harvard Art Museums and their Related Versions -- Danielle Carrabino 12. Miracle-Working Portraits of a Cardinal Saint -- Minou Schraven -- Conclusion -- Cardinal Portraits beyond Italy -- 13. Portraying the Ideal Spanish Tridentine Prelate -- Piers Baker-Bates -- Index -- Illustrations -- Colour plates -- Plate 1 Bastiano di Niccolò, Matteo and Bartolomeo Torelli, historiated initial and border with AngeloAcciaiuoli's portrait from the cardinal's missal, 1402-1405, MS. 30, Cambridge, The Fitzwilliam Museum(© The Fitzwilliam Museum, Cambridge). Plate 2 Titian, Cardinal Pietro Bembo, c. 1540, oil on canvas, Washington, DC, The National Gallery of Art (©National Gallery of Art, Washington). -- Plate 3 Unknown artist (Palma il Giovane?), Double Portrait of Cardinals Domenico and Marino Grimani, latesixteenth century, oil on canvas, Venice, Gallerie dell'Accademia (© Gallerie dell'Accademia di Venezia). Plate 4 -- Plate 3 Unknown artist (Palma il Giovane?), Double Portrait of Cardinals Domenico and Marino Grimani, latesixteenth century, oil on canvas, Venice, Gallerie dell'Accademia (© Gallerie dell'Accademia di Venezia). Plate 4 Raphael, Meeting of Leo I with Attila, 1514, fresco, Vatican City, Musei Vaticani (© Scala). -- Plate 5 Leandro Bassano, Honorius III Approving the Rule of St. Dominic in 1216, 1607-1608, oil on canvas, Venice, Santi Giovanni e Paolo, Sacristy (© Venice, Fondazione Giorgio Cini-Matteo de Fina). Plate 6 -- Plate 5 Leandro Bassano, Honorius III Approving the Rule of St. Dominic in 1216, 1607-1608, oil on canvas, Venice, Santi Giovanni e Paolo, Sacristy (© Venice, Fondazione Giorgio Cini-Matteo de Fina). Plate 6 Detail of Leandro Bassano, Honorius III Approving the Rule of St. Dominic in 1216, 1607-1608, (© Venice, Fondazione Giorgio Cini-Matteo de Fina). Online resource; title from digital title page (viewed on January 18, 2022). In English. Cardinals in art. http://id.loc.gov/authorities/subjects/sh96012274 Cardinals Portraits History and criticism. Christianity and art Catholic Church. http://id.loc.gov/authorities/subjects/sh85021195 Cardinaux Portraits Histoire et critique. Christianisme et art Église catholique. ART History Renaissance. bisacsh Cardinals in art fast Christianity and art Catholic Church fast History of art and design styles: c 1400 to c 1600. bicssc Social and cultural history. bicssc Cardinals, Early Modern, Portrait, Catholic Church, Portraiture. Criticism, interpretation, etc. fast Baker-Bates, Piers, editor. Brooke, Irene, editor. has work: Portrait Cultures of the Early Modern Cardinal (Text) https://id.oclc.org/worldcat/entity/E39PCYvxgGXff76gXjtJVYvkfy https://id.oclc.org/worldcat/ontology/hasWork Print version: Baker-Bates, Piers. Portrait Cultures of the Early Modern Cardinal. Amsterdam : Amsterdam University Press, ©2021 Visual and material culture, 1300-1700. http://id.loc.gov/authorities/names/no2017099120 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3017090 Volltext |
| spellingShingle | Portrait cultures of the early modern Cardinal / Visual and material culture, 1300-1700. Cover -- Table of Contents -- Abbreviations -- Acknowledgements -- Introduction -- Cardinals and their Images -- 1. Portraying the Princes of the Church -- Piers Baker-Bates and Irene Brooke -- 2. The Early Modern Cardinal -- An Historical Appraisal -- Miles Pattenden -- Part I. Individuality and Identity -- Florence and Rome -- 3. Visual and Verbal Portraits of Cardinals in Fifteenth-Century Florence -- Brian Jeffrey Maxson -- 4. Dead Ringers -- Carol M. Richardson -- Part II. Divided Loyalties -- Venice and Rome -- 5. The Role of Cardinals' Portraits in Venice -- Sarah Ferrari 6. Role Playing -- Alessandra Pattanaro -- Part III. Collecting and Display -- Portraits and Worldly Goods -- 7. Renaissance Cardinals and Pontifical Mules -- Philippa Jackson -- 8. Portraits as Symbols -- Thomas-Leo True -- 9. Portraits as a Sign of Possession -- Arnold Witte -- Part IV. Post-Tridentine Piety -- The Devout Cardinal -- 10. Group Portraits of Cardinal Bembo and his Friends in the Wake of Trent -- Irene Brooke -- 11. Two Cardinal Portraits by Scipione Pulzone in the Harvard Art Museums and their Related Versions -- Danielle Carrabino 12. Miracle-Working Portraits of a Cardinal Saint -- Minou Schraven -- Conclusion -- Cardinal Portraits beyond Italy -- 13. Portraying the Ideal Spanish Tridentine Prelate -- Piers Baker-Bates -- Index -- Illustrations -- Colour plates -- Plate 1 Bastiano di Niccolò, Matteo and Bartolomeo Torelli, historiated initial and border with AngeloAcciaiuoli's portrait from the cardinal's missal, 1402-1405, MS. 30, Cambridge, The Fitzwilliam Museum(© The Fitzwilliam Museum, Cambridge). Plate 2 Titian, Cardinal Pietro Bembo, c. 1540, oil on canvas, Washington, DC, The National Gallery of Art (©National Gallery of Art, Washington). -- Plate 3 Unknown artist (Palma il Giovane?), Double Portrait of Cardinals Domenico and Marino Grimani, latesixteenth century, oil on canvas, Venice, Gallerie dell'Accademia (© Gallerie dell'Accademia di Venezia). Plate 4 -- Plate 3 Unknown artist (Palma il Giovane?), Double Portrait of Cardinals Domenico and Marino Grimani, latesixteenth century, oil on canvas, Venice, Gallerie dell'Accademia (© Gallerie dell'Accademia di Venezia). Plate 4 Raphael, Meeting of Leo I with Attila, 1514, fresco, Vatican City, Musei Vaticani (© Scala). -- Plate 5 Leandro Bassano, Honorius III Approving the Rule of St. Dominic in 1216, 1607-1608, oil on canvas, Venice, Santi Giovanni e Paolo, Sacristy (© Venice, Fondazione Giorgio Cini-Matteo de Fina). Plate 6 -- Plate 5 Leandro Bassano, Honorius III Approving the Rule of St. Dominic in 1216, 1607-1608, oil on canvas, Venice, Santi Giovanni e Paolo, Sacristy (© Venice, Fondazione Giorgio Cini-Matteo de Fina). Cardinals in art. http://id.loc.gov/authorities/subjects/sh96012274 Cardinals Portraits History and criticism. Christianity and art Catholic Church. http://id.loc.gov/authorities/subjects/sh85021195 Cardinaux Portraits Histoire et critique. Christianisme et art Église catholique. ART History Renaissance. bisacsh Cardinals in art fast Christianity and art Catholic Church fast History of art and design styles: c 1400 to c 1600. bicssc Social and cultural history. bicssc |
| subject_GND | http://id.loc.gov/authorities/subjects/sh96012274 http://id.loc.gov/authorities/subjects/sh85021195 |
| title | Portrait cultures of the early modern Cardinal / |
| title_auth | Portrait cultures of the early modern Cardinal / |
| title_exact_search | Portrait cultures of the early modern Cardinal / |
| title_full | Portrait cultures of the early modern Cardinal / edited by Piers Baker-Bates and Irene Brooke. |
| title_fullStr | Portrait cultures of the early modern Cardinal / edited by Piers Baker-Bates and Irene Brooke. |
| title_full_unstemmed | Portrait cultures of the early modern Cardinal / edited by Piers Baker-Bates and Irene Brooke. |
| title_short | Portrait cultures of the early modern Cardinal / |
| title_sort | portrait cultures of the early modern cardinal |
| topic | Cardinals in art. http://id.loc.gov/authorities/subjects/sh96012274 Cardinals Portraits History and criticism. Christianity and art Catholic Church. http://id.loc.gov/authorities/subjects/sh85021195 Cardinaux Portraits Histoire et critique. Christianisme et art Église catholique. ART History Renaissance. bisacsh Cardinals in art fast Christianity and art Catholic Church fast History of art and design styles: c 1400 to c 1600. bicssc Social and cultural history. bicssc |
| topic_facet | Cardinals in art. Cardinals Portraits History and criticism. Christianity and art Catholic Church. Cardinaux Portraits Histoire et critique. Christianisme et art Église catholique. ART History Renaissance. Cardinals in art Christianity and art Catholic Church History of art and design styles: c 1400 to c 1600. Social and cultural history. Criticism, interpretation, etc. |
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