Tuning in to the neo-avant-garde :: experimental radio plays in the postwar period /
"Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium's significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the...
Gespeichert in:
| Weitere Verfasser: | , , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester :
Manchester University Press,
2021.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium's significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres - radio play, feature, electroacoustic music, radiophonic poem, radio opera - to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo- )avant-garde."-- |
| Beschreibung: | 1 online resource (xii, 258 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781526155702 1526155702 9781526155726 1526155729 |
Internformat
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| 245 | 0 | 0 | |a Tuning in to the neo-avant-garde : |b experimental radio plays in the postwar period / |c edited by Inge Arteel, Lars Bernaerts, Siebe Bluijs, and Pim Verhulst. |
| 264 | 1 | |a Manchester : |b Manchester University Press, |c 2021. | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (xii, 258 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium's significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres - radio play, feature, electroacoustic music, radiophonic poem, radio opera - to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo- )avant-garde."-- |c Provided by publisher | ||
| 505 | 0 | |a Part I: The poetics of the radiophonic neo-avant-garde1 Transnational, untranslatable: Apollinaire in Freddy de Vree's multilingual radiophonic composition <i>A Pollen in the Air</i> -- Lars Bernaerts2 Radiophonic art and electroacoustic music: an aesthetic controversy during the establishment of the BBC Radiophonic Workshop and the radiophonic poem <i>Private Dreams and Public Nightmares</i> -- Tatiana Eichenberger3 A forefront in the aftermath? Recorded sound and the state of audio play on post-'golden age' US network radio -- Harry Heuser4 Croaks and calls: posthuman sound ecologies in the neo-avant-garde -- Jesper Olsson5 Textual and audiophonic collage in Dutch and Flemish radio plays -- Siebe Bluijs6 'Ja, ja, so schön klingt das Schreckliche': an audionarratological analysis of Andreas Ammer and FM Einheit's <i>Lost & Found: Das Paradies </i>- Jarmila MildorfPart II: The acoustic neo-avant-garde between theatre, music and poetry7 Poetry on the Austrian radio: sound, voice and intermediality -- Daniel Gilfillan8 Gerhard Rühm's radiophonic poetry -- Roland Innerhofer<i>9 </i>A theatre of choric voices: Jandl and Mayröcker's radio play <i>Spaltungen </i><i>-</i> Inge Arteel10 Language, sound and textuality: Caryl Churchill's <i>Identical Twins</i> as neo-avant-garde (radio) drama -- Pim Verhulst11 Studio audience: Glenn Gould's contrapuntal radio -- Adam J. FrankIndex | |
| 650 | 0 | |a Radio plays |x History and criticism. | |
| 650 | 0 | |a Experimental drama |x History and criticism. | |
| 650 | 6 | |a Audiodrames |x Histoire et critique. | |
| 650 | 6 | |a Théâtre expérimental |x Histoire et critique. | |
| 650 | 7 | |a LITERARY CRITICISM / Modern / 20th Century . |2 bisacsh | |
| 650 | 7 | |a Experimental drama |2 fast | |
| 650 | 7 | |a Radio plays |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Arteel, Inge, |e editor. | |
| 700 | 1 | |a Bernaerts, Lars, |d 1980- |e editor. |0 http://id.loc.gov/authorities/names/no2011160419 | |
| 700 | 1 | |a Bluijs, Siebe, |e editor. | |
| 700 | 1 | |a Verhulst, Pim, |e editor. | |
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Datensatz im Suchindex
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|---|---|
| _version_ | 1816882546943721472 |
| adam_text | |
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| author2 | Arteel, Inge Bernaerts, Lars, 1980- Bluijs, Siebe Verhulst, Pim |
| author2_role | edt edt edt edt |
| author2_variant | i a ia l b lb s b sb p v pv |
| author_GND | http://id.loc.gov/authorities/names/no2011160419 |
| author_facet | Arteel, Inge Bernaerts, Lars, 1980- Bluijs, Siebe Verhulst, Pim |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1991 |
| callnumber-raw | PN1991.65 .T86 2021 |
| callnumber-search | PN1991.65 .T86 2021 |
| callnumber-sort | PN 41991.65 T86 42021 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Part I: The poetics of the radiophonic neo-avant-garde1 Transnational, untranslatable: Apollinaire in Freddy de Vree's multilingual radiophonic composition <i>A Pollen in the Air</i> -- Lars Bernaerts2 Radiophonic art and electroacoustic music: an aesthetic controversy during the establishment of the BBC Radiophonic Workshop and the radiophonic poem <i>Private Dreams and Public Nightmares</i> -- Tatiana Eichenberger3 A forefront in the aftermath? Recorded sound and the state of audio play on post-'golden age' US network radio -- Harry Heuser4 Croaks and calls: posthuman sound ecologies in the neo-avant-garde -- Jesper Olsson5 Textual and audiophonic collage in Dutch and Flemish radio plays -- Siebe Bluijs6 'Ja, ja, so schön klingt das Schreckliche': an audionarratological analysis of Andreas Ammer and FM Einheit's <i>Lost & Found: Das Paradies </i>- Jarmila MildorfPart II: The acoustic neo-avant-garde between theatre, music and poetry7 Poetry on the Austrian radio: sound, voice and intermediality -- Daniel Gilfillan8 Gerhard Rühm's radiophonic poetry -- Roland Innerhofer<i>9 </i>A theatre of choric voices: Jandl and Mayröcker's radio play <i>Spaltungen </i><i>-</i> Inge Arteel10 Language, sound and textuality: Caryl Churchill's <i>Identical Twins</i> as neo-avant-garde (radio) drama -- Pim Verhulst11 Studio audience: Glenn Gould's contrapuntal radio -- Adam J. FrankIndex |
| ctrlnum | (OCoLC)1259673784 |
| dewey-full | 809.2/22 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809.2/22 |
| dewey-search | 809.2/22 |
| dewey-sort | 3809.2 222 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| format | Electronic eBook |
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| genre | Electronic books. Criticism, interpretation, etc. fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. |
| id | ZDB-4-EBA-on1259673784 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:20Z |
| institution | BVB |
| isbn | 9781526155702 1526155702 9781526155726 1526155729 |
| language | English |
| oclc_num | 1259673784 |
| open_access_boolean | |
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| physical | 1 online resource (xii, 258 pages) : illustrations |
| psigel | ZDB-4-EBA |
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| publisher | Manchester University Press, |
| record_format | marc |
| spelling | Tuning in to the neo-avant-garde : experimental radio plays in the postwar period / edited by Inge Arteel, Lars Bernaerts, Siebe Bluijs, and Pim Verhulst. Manchester : Manchester University Press, 2021. ©2021 1 online resource (xii, 258 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. Includes bibliographical references and index. "Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium's significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres - radio play, feature, electroacoustic music, radiophonic poem, radio opera - to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo- )avant-garde."-- Provided by publisher Part I: The poetics of the radiophonic neo-avant-garde1 Transnational, untranslatable: Apollinaire in Freddy de Vree's multilingual radiophonic composition <i>A Pollen in the Air</i> -- Lars Bernaerts2 Radiophonic art and electroacoustic music: an aesthetic controversy during the establishment of the BBC Radiophonic Workshop and the radiophonic poem <i>Private Dreams and Public Nightmares</i> -- Tatiana Eichenberger3 A forefront in the aftermath? Recorded sound and the state of audio play on post-'golden age' US network radio -- Harry Heuser4 Croaks and calls: posthuman sound ecologies in the neo-avant-garde -- Jesper Olsson5 Textual and audiophonic collage in Dutch and Flemish radio plays -- Siebe Bluijs6 'Ja, ja, so schön klingt das Schreckliche': an audionarratological analysis of Andreas Ammer and FM Einheit's <i>Lost & Found: Das Paradies </i>- Jarmila MildorfPart II: The acoustic neo-avant-garde between theatre, music and poetry7 Poetry on the Austrian radio: sound, voice and intermediality -- Daniel Gilfillan8 Gerhard Rühm's radiophonic poetry -- Roland Innerhofer<i>9 </i>A theatre of choric voices: Jandl and Mayröcker's radio play <i>Spaltungen </i><i>-</i> Inge Arteel10 Language, sound and textuality: Caryl Churchill's <i>Identical Twins</i> as neo-avant-garde (radio) drama -- Pim Verhulst11 Studio audience: Glenn Gould's contrapuntal radio -- Adam J. FrankIndex Radio plays History and criticism. Experimental drama History and criticism. Audiodrames Histoire et critique. Théâtre expérimental Histoire et critique. LITERARY CRITICISM / Modern / 20th Century . bisacsh Experimental drama fast Radio plays fast Electronic books. Criticism, interpretation, etc. fast Arteel, Inge, editor. Bernaerts, Lars, 1980- editor. http://id.loc.gov/authorities/names/no2011160419 Bluijs, Siebe, editor. Verhulst, Pim, editor. has work: Tuning in to the neo-avant-garde (Text) https://id.oclc.org/worldcat/entity/E39PCFTBQyDVwhXqDHDjbhGQ4m https://id.oclc.org/worldcat/ontology/hasWork Print version: 1526155710 9781526155719 (OCoLC)1225287097 Print version: Tuning in to the neo-avant-garde. Manchester : Manchester University Press, 2021 9781526155719 (OCoLC)1255844063 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2961918 Volltext |
| spellingShingle | Tuning in to the neo-avant-garde : experimental radio plays in the postwar period / Part I: The poetics of the radiophonic neo-avant-garde1 Transnational, untranslatable: Apollinaire in Freddy de Vree's multilingual radiophonic composition <i>A Pollen in the Air</i> -- Lars Bernaerts2 Radiophonic art and electroacoustic music: an aesthetic controversy during the establishment of the BBC Radiophonic Workshop and the radiophonic poem <i>Private Dreams and Public Nightmares</i> -- Tatiana Eichenberger3 A forefront in the aftermath? Recorded sound and the state of audio play on post-'golden age' US network radio -- Harry Heuser4 Croaks and calls: posthuman sound ecologies in the neo-avant-garde -- Jesper Olsson5 Textual and audiophonic collage in Dutch and Flemish radio plays -- Siebe Bluijs6 'Ja, ja, so schön klingt das Schreckliche': an audionarratological analysis of Andreas Ammer and FM Einheit's <i>Lost & Found: Das Paradies </i>- Jarmila MildorfPart II: The acoustic neo-avant-garde between theatre, music and poetry7 Poetry on the Austrian radio: sound, voice and intermediality -- Daniel Gilfillan8 Gerhard Rühm's radiophonic poetry -- Roland Innerhofer<i>9 </i>A theatre of choric voices: Jandl and Mayröcker's radio play <i>Spaltungen </i><i>-</i> Inge Arteel10 Language, sound and textuality: Caryl Churchill's <i>Identical Twins</i> as neo-avant-garde (radio) drama -- Pim Verhulst11 Studio audience: Glenn Gould's contrapuntal radio -- Adam J. FrankIndex Radio plays History and criticism. Experimental drama History and criticism. Audiodrames Histoire et critique. Théâtre expérimental Histoire et critique. LITERARY CRITICISM / Modern / 20th Century . bisacsh Experimental drama fast Radio plays fast |
| title | Tuning in to the neo-avant-garde : experimental radio plays in the postwar period / |
| title_auth | Tuning in to the neo-avant-garde : experimental radio plays in the postwar period / |
| title_exact_search | Tuning in to the neo-avant-garde : experimental radio plays in the postwar period / |
| title_full | Tuning in to the neo-avant-garde : experimental radio plays in the postwar period / edited by Inge Arteel, Lars Bernaerts, Siebe Bluijs, and Pim Verhulst. |
| title_fullStr | Tuning in to the neo-avant-garde : experimental radio plays in the postwar period / edited by Inge Arteel, Lars Bernaerts, Siebe Bluijs, and Pim Verhulst. |
| title_full_unstemmed | Tuning in to the neo-avant-garde : experimental radio plays in the postwar period / edited by Inge Arteel, Lars Bernaerts, Siebe Bluijs, and Pim Verhulst. |
| title_short | Tuning in to the neo-avant-garde : |
| title_sort | tuning in to the neo avant garde experimental radio plays in the postwar period |
| title_sub | experimental radio plays in the postwar period / |
| topic | Radio plays History and criticism. Experimental drama History and criticism. Audiodrames Histoire et critique. Théâtre expérimental Histoire et critique. LITERARY CRITICISM / Modern / 20th Century . bisacsh Experimental drama fast Radio plays fast |
| topic_facet | Radio plays History and criticism. Experimental drama History and criticism. Audiodrames Histoire et critique. Théâtre expérimental Histoire et critique. LITERARY CRITICISM / Modern / 20th Century . Experimental drama Radio plays Electronic books. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2961918 |
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