Time, Media, and Visuality in Post-Revolutionary France:
"The radical break with the past heralded by the French Revolution in 1789 has become one of the mythic narratives of our time. Yet in the drawn-out afterlife of the Revolution, and through subsequent periods of Empire, Restoration, and Republic, the question of what such a temporal transformat...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Bloomsbury Publishing USA,
2021.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "The radical break with the past heralded by the French Revolution in 1789 has become one of the mythic narratives of our time. Yet in the drawn-out afterlife of the Revolution, and through subsequent periods of Empire, Restoration, and Republic, the question of what such a temporal transformation might involve found complex, often unresolved expression in visual and material culture. This diverse collection of essays draws attention to the multiple points of view and refracted forms of visuality that emerged in France from the beginning of the French Revolution through to the end of the July Monarchy in 1848. It offers a new account of the story of French art's modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and restorers, as they worked out what it meant to be ?post-revolutionary.?."-- |
| Beschreibung: | Description based upon print version of record. |
| Beschreibung: | 1 online resource (313 p.) |
| ISBN: | 1501348418 9781501348419 |
Internformat
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| 245 | 1 | 0 | |a Time, Media, and Visuality in Post-Revolutionary France |h [electronic resource]. |
| 260 | |a New York : |b Bloomsbury Publishing USA, |c 2021. | ||
| 300 | |a 1 online resource (313 p.) | ||
| 500 | |a Description based upon print version of record. | ||
| 505 | 0 | |a Introduction. (Iris Moon, The Metropolitan Museum of Art, USA and Richard Taws, University College London, UK) -- 1.Miniature style 1789.1815 / (Jann Matlock, University College London, UK) -- 2. Rupture, interrupted: Rococo recursions and political futures in Percier and Fontaine's Napoleon fan / (Iris Moon, The Metropolitan Museum of Art, USA) -- 3. A draughtsman's contract: court and country in the work of Louis Lafitte / (Stephen Bann, University of Bristol, UK) -- 4. Jean-Baptiste Huet's lions and the look of the captive in post-revolutionary France / (Katie Hornstein, Dartmouth College, USA) -- 5. First as farce, then as tragedy: art, vaudeville and modern painting after the French Revolution / (Steven Adams, University of Hertfordshire, UK) -- 6. Monsieur Crouton, the shop sign painter: the unexceptional artist in early nineteenth-century satirical print / (Kathryn Desplanque, University of North Carolina, USA) -- 7. Medium as museum: Marie-Victoire Jacquotot's Porcelain painting and post-revolutionary fantasies of preservation / (Daniel Harkett, Colby College, USA) -- 8. The cultural politics of fashion and the French Revolution of 1830 / (Susan L. Siegfried, University of Michigan, USA) -- 9. A storm is coming: Georges Michel in the wind / (Richard Taws, University College London, UK). | |
| 520 | |a "The radical break with the past heralded by the French Revolution in 1789 has become one of the mythic narratives of our time. Yet in the drawn-out afterlife of the Revolution, and through subsequent periods of Empire, Restoration, and Republic, the question of what such a temporal transformation might involve found complex, often unresolved expression in visual and material culture. This diverse collection of essays draws attention to the multiple points of view and refracted forms of visuality that emerged in France from the beginning of the French Revolution through to the end of the July Monarchy in 1848. It offers a new account of the story of French art's modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and restorers, as they worked out what it meant to be ?post-revolutionary.?."-- |c Provided by publisher. | ||
| 650 | 0 | |a Art |z France |x History |y Revolution, 1789-1799. | |
| 651 | 0 | |a France |x History |y Revolution, 1789-1799. |0 http://id.loc.gov/authorities/subjects/sh85051319 | |
| 650 | 7 | |a History of art / art & design styles. |2 bicssc | |
| 650 | 7 | |a Art |2 fast | |
| 651 | 7 | |a France |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP | |
| 647 | 7 | |a Revolution |c (France : |d 1789-1799) |2 fast |0 (OCoLC)fst01354514 |1 https://id.oclc.org/worldcat/entity/E39Qhp4vB9WRTvCqwjRK8jJqvb | |
| 648 | 7 | |a 1789-1799 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Taws, Richard. | |
| 776 | 0 | 8 | |i Print version: |a Moon, Iris |t Time, Media, and Visuality in Post-Revolutionary France |d New York : Bloomsbury Publishing USA,c2021 |
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| _version_ | 1816882545537581056 |
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| author | Moon, Iris |
| author2 | Taws, Richard |
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| callnumber-first | N - Fine Arts |
| callnumber-label | N6846 |
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| collection | ZDB-4-EBA |
| contents | Introduction. (Iris Moon, The Metropolitan Museum of Art, USA and Richard Taws, University College London, UK) -- 1.Miniature style 1789.1815 / (Jann Matlock, University College London, UK) -- 2. Rupture, interrupted: Rococo recursions and political futures in Percier and Fontaine's Napoleon fan / (Iris Moon, The Metropolitan Museum of Art, USA) -- 3. A draughtsman's contract: court and country in the work of Louis Lafitte / (Stephen Bann, University of Bristol, UK) -- 4. Jean-Baptiste Huet's lions and the look of the captive in post-revolutionary France / (Katie Hornstein, Dartmouth College, USA) -- 5. First as farce, then as tragedy: art, vaudeville and modern painting after the French Revolution / (Steven Adams, University of Hertfordshire, UK) -- 6. Monsieur Crouton, the shop sign painter: the unexceptional artist in early nineteenth-century satirical print / (Kathryn Desplanque, University of North Carolina, USA) -- 7. Medium as museum: Marie-Victoire Jacquotot's Porcelain painting and post-revolutionary fantasies of preservation / (Daniel Harkett, Colby College, USA) -- 8. The cultural politics of fashion and the French Revolution of 1830 / (Susan L. Siegfried, University of Michigan, USA) -- 9. A storm is coming: Georges Michel in the wind / (Richard Taws, University College London, UK). |
| ctrlnum | (OCoLC)1256238761 |
| dewey-full | 709.4409034 |
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| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.4409034 |
| dewey-search | 709.4409034 |
| dewey-sort | 3709.4409034 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | 1789-1799 fast |
| era_facet | 1789-1799 |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | France History Revolution, 1789-1799. http://id.loc.gov/authorities/subjects/sh85051319 France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP |
| geographic_facet | France History Revolution, 1789-1799. France |
| id | ZDB-4-EBA-on1256238761 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:30:19Z |
| institution | BVB |
| isbn | 1501348418 9781501348419 |
| language | English |
| oclc_num | 1256238761 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (313 p.) |
| psigel | ZDB-4-EBA |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Bloomsbury Publishing USA, |
| record_format | marc |
| spelling | Moon, Iris. Time, Media, and Visuality in Post-Revolutionary France [electronic resource]. New York : Bloomsbury Publishing USA, 2021. 1 online resource (313 p.) Description based upon print version of record. Introduction. (Iris Moon, The Metropolitan Museum of Art, USA and Richard Taws, University College London, UK) -- 1.Miniature style 1789.1815 / (Jann Matlock, University College London, UK) -- 2. Rupture, interrupted: Rococo recursions and political futures in Percier and Fontaine's Napoleon fan / (Iris Moon, The Metropolitan Museum of Art, USA) -- 3. A draughtsman's contract: court and country in the work of Louis Lafitte / (Stephen Bann, University of Bristol, UK) -- 4. Jean-Baptiste Huet's lions and the look of the captive in post-revolutionary France / (Katie Hornstein, Dartmouth College, USA) -- 5. First as farce, then as tragedy: art, vaudeville and modern painting after the French Revolution / (Steven Adams, University of Hertfordshire, UK) -- 6. Monsieur Crouton, the shop sign painter: the unexceptional artist in early nineteenth-century satirical print / (Kathryn Desplanque, University of North Carolina, USA) -- 7. Medium as museum: Marie-Victoire Jacquotot's Porcelain painting and post-revolutionary fantasies of preservation / (Daniel Harkett, Colby College, USA) -- 8. The cultural politics of fashion and the French Revolution of 1830 / (Susan L. Siegfried, University of Michigan, USA) -- 9. A storm is coming: Georges Michel in the wind / (Richard Taws, University College London, UK). "The radical break with the past heralded by the French Revolution in 1789 has become one of the mythic narratives of our time. Yet in the drawn-out afterlife of the Revolution, and through subsequent periods of Empire, Restoration, and Republic, the question of what such a temporal transformation might involve found complex, often unresolved expression in visual and material culture. This diverse collection of essays draws attention to the multiple points of view and refracted forms of visuality that emerged in France from the beginning of the French Revolution through to the end of the July Monarchy in 1848. It offers a new account of the story of French art's modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and restorers, as they worked out what it meant to be ?post-revolutionary.?."-- Provided by publisher. Art France History Revolution, 1789-1799. France History Revolution, 1789-1799. http://id.loc.gov/authorities/subjects/sh85051319 History of art / art & design styles. bicssc Art fast France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP Revolution (France : 1789-1799) fast (OCoLC)fst01354514 https://id.oclc.org/worldcat/entity/E39Qhp4vB9WRTvCqwjRK8jJqvb 1789-1799 fast History fast Taws, Richard. Print version: Moon, Iris Time, Media, and Visuality in Post-Revolutionary France New York : Bloomsbury Publishing USA,c2021 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2943279 Volltext |
| spellingShingle | Moon, Iris Time, Media, and Visuality in Post-Revolutionary France Introduction. (Iris Moon, The Metropolitan Museum of Art, USA and Richard Taws, University College London, UK) -- 1.Miniature style 1789.1815 / (Jann Matlock, University College London, UK) -- 2. Rupture, interrupted: Rococo recursions and political futures in Percier and Fontaine's Napoleon fan / (Iris Moon, The Metropolitan Museum of Art, USA) -- 3. A draughtsman's contract: court and country in the work of Louis Lafitte / (Stephen Bann, University of Bristol, UK) -- 4. Jean-Baptiste Huet's lions and the look of the captive in post-revolutionary France / (Katie Hornstein, Dartmouth College, USA) -- 5. First as farce, then as tragedy: art, vaudeville and modern painting after the French Revolution / (Steven Adams, University of Hertfordshire, UK) -- 6. Monsieur Crouton, the shop sign painter: the unexceptional artist in early nineteenth-century satirical print / (Kathryn Desplanque, University of North Carolina, USA) -- 7. Medium as museum: Marie-Victoire Jacquotot's Porcelain painting and post-revolutionary fantasies of preservation / (Daniel Harkett, Colby College, USA) -- 8. The cultural politics of fashion and the French Revolution of 1830 / (Susan L. Siegfried, University of Michigan, USA) -- 9. A storm is coming: Georges Michel in the wind / (Richard Taws, University College London, UK). Art France History Revolution, 1789-1799. History of art / art & design styles. bicssc Art fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85051319 (OCoLC)fst01354514 |
| title | Time, Media, and Visuality in Post-Revolutionary France |
| title_auth | Time, Media, and Visuality in Post-Revolutionary France |
| title_exact_search | Time, Media, and Visuality in Post-Revolutionary France |
| title_full | Time, Media, and Visuality in Post-Revolutionary France [electronic resource]. |
| title_fullStr | Time, Media, and Visuality in Post-Revolutionary France [electronic resource]. |
| title_full_unstemmed | Time, Media, and Visuality in Post-Revolutionary France [electronic resource]. |
| title_short | Time, Media, and Visuality in Post-Revolutionary France |
| title_sort | time media and visuality in post revolutionary france |
| topic | Art France History Revolution, 1789-1799. History of art / art & design styles. bicssc Art fast |
| topic_facet | Art France History Revolution, 1789-1799. France History Revolution, 1789-1799. History of art / art & design styles. Art France History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2943279 |
| work_keys_str_mv | AT mooniris timemediaandvisualityinpostrevolutionaryfrance AT tawsrichard timemediaandvisualityinpostrevolutionaryfrance |