Antagonistic cooperation :: jazz, collage, fiction, and the shaping of African American culture /
"Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Columbia University Press,
[2022]
|
| Schriftenreihe: | University seminars/Leonard Hastings Schoff memorial lectures.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"-- |
| Beschreibung: | 1 online resource (xiii, 275 pages, 8 unnumbered pages of plates) : illustrations (chiefly color). |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780231548212 0231548214 |
Internformat
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| 100 | 1 | |a O'Meally, Robert G., |d 1948- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjwrwQ6YdGDFMJCbxF6qPP |0 http://id.loc.gov/authorities/names/n80027800 | |
| 245 | 1 | 0 | |a Antagonistic cooperation : |b jazz, collage, fiction, and the shaping of African American culture / |c Robert G. O'Meally. |
| 264 | 1 | |a New York : |b Columbia University Press, |c [2022] | |
| 264 | 4 | |c ©2022 | |
| 300 | |a 1 online resource (xiii, 275 pages, 8 unnumbered pages of plates) : |b illustrations (chiefly color). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 347 | |a text file |2 rdaft | ||
| 490 | 1 | |a University seminars/Leonard Hastings Schoff memorial lectures | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a This music demanded action : Ellison, Armstrong, and the imperatives of jazz -- We are all a collage : Armstrong's operatic blues, Bearden's Black odyssey, and Morrison's jazz -- The "open corner" of Black community and creativity : from Romare Bearden to Duke Ellington and Toni Morrison -- Hare and bear : the racial profiles of Satchmo's smile -- The white trombone and the unruly Black cosmopolitan trumpet, or how Paris blues came to be unfinished. | |
| 520 | |a "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"-- |c Provided by publisher. | ||
| 545 | 0 | |a Robert G. O'Meally is the Zora Neale Hurston Professor of English and Comparative Literature at Columbia University. | |
| 588 | 0 | |a Online resource; title from PDF title page (De Gruyter platform, viewed May 15, 2024). | |
| 650 | 0 | |a Jazz |x History and criticism. | |
| 650 | 0 | |a African American art. |0 http://id.loc.gov/authorities/subjects/sh85001790 | |
| 650 | 0 | |a American literature |x African American authors |x History and criticism. | |
| 650 | 0 | |a African Americans |x Social life and customs. |0 http://id.loc.gov/authorities/subjects/sh85001987 | |
| 650 | 0 | |a Music and literature. |0 http://id.loc.gov/authorities/subjects/sh85088886 | |
| 650 | 0 | |a Art and music. |0 http://id.loc.gov/authorities/subjects/sh85007967 | |
| 650 | 0 | |a Collage. |0 http://id.loc.gov/authorities/subjects/sh85027965 | |
| 650 | 6 | |a Art noir américain. | |
| 650 | 6 | |a Noirs américains |x Murs et coutumes. | |
| 650 | 6 | |a Musique et littérature. | |
| 650 | 6 | |a Art et musique. | |
| 650 | 6 | |a Collage (Art) | |
| 650 | 7 | |a collage (technique) |2 aat | |
| 650 | 7 | |a LITERARY CRITICISM |x American |x African-American. |2 bisacsh | |
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| 655 | 7 | |a Conférences. |2 rvmgf | |
| 758 | |i has work: |a Antagonistic cooperation (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH7DyVRqTVBkQYvbyXwGf3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a O'Meally, Robert G., 1948- |t Antagonistic cooperation. |d New York : Columbia University Press, 2022 |z 9780231189187 |w (DLC) 2021022525 |w (OCoLC)1253443411 |
| 830 | 0 | |a University seminars/Leonard Hastings Schoff memorial lectures. |0 http://id.loc.gov/authorities/names/n96045845 | |
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Datensatz im Suchindex
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| author | O'Meally, Robert G., 1948- |
| author_GND | http://id.loc.gov/authorities/names/n80027800 |
| author_facet | O'Meally, Robert G., 1948- |
| author_role | aut |
| author_sort | O'Meally, Robert G., 1948- |
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| callnumber-first | M - Music |
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| callnumber-search | ML3508 .O48 2022eb |
| callnumber-sort | ML 43508 O48 42022EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | This music demanded action : Ellison, Armstrong, and the imperatives of jazz -- We are all a collage : Armstrong's operatic blues, Bearden's Black odyssey, and Morrison's jazz -- The "open corner" of Black community and creativity : from Romare Bearden to Duke Ellington and Toni Morrison -- Hare and bear : the racial profiles of Satchmo's smile -- The white trombone and the unruly Black cosmopolitan trumpet, or how Paris blues came to be unfinished. |
| ctrlnum | (OCoLC)1253442369 |
| dewey-full | 781.650973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.650973 |
| dewey-search | 781.650973 |
| dewey-sort | 3781.650973 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre_facet | Lecture lectures. Criticism, interpretation, etc. Lectures Lectures. Conférences. |
| id | ZDB-4-EBA-on1253442369 |
| illustrated | Illustrated |
| indexdate | 2024-10-25T15:51:05Z |
| institution | BVB |
| isbn | 9780231548212 0231548214 |
| language | English |
| lccn | 2021022526 |
| oclc_num | 1253442369 |
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| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource (xiii, 275 pages, 8 unnumbered pages of plates) : illustrations (chiefly color). |
| psigel | ZDB-4-EBA |
| publishDate | 2022 |
| publishDateSearch | 2022 |
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| publisher | Columbia University Press, |
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| series | University seminars/Leonard Hastings Schoff memorial lectures. |
| series2 | University seminars/Leonard Hastings Schoff memorial lectures |
| spelling | O'Meally, Robert G., 1948- author. https://id.oclc.org/worldcat/entity/E39PCjwrwQ6YdGDFMJCbxF6qPP http://id.loc.gov/authorities/names/n80027800 Antagonistic cooperation : jazz, collage, fiction, and the shaping of African American culture / Robert G. O'Meally. New York : Columbia University Press, [2022] ©2022 1 online resource (xiii, 275 pages, 8 unnumbered pages of plates) : illustrations (chiefly color). text txt rdacontent still image sti rdacontent computer c rdamedia online resource cr rdacarrier text file rdaft University seminars/Leonard Hastings Schoff memorial lectures Includes bibliographical references and index. This music demanded action : Ellison, Armstrong, and the imperatives of jazz -- We are all a collage : Armstrong's operatic blues, Bearden's Black odyssey, and Morrison's jazz -- The "open corner" of Black community and creativity : from Romare Bearden to Duke Ellington and Toni Morrison -- Hare and bear : the racial profiles of Satchmo's smile -- The white trombone and the unruly Black cosmopolitan trumpet, or how Paris blues came to be unfinished. "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"-- Provided by publisher. Robert G. O'Meally is the Zora Neale Hurston Professor of English and Comparative Literature at Columbia University. Online resource; title from PDF title page (De Gruyter platform, viewed May 15, 2024). Jazz History and criticism. African American art. http://id.loc.gov/authorities/subjects/sh85001790 American literature African American authors History and criticism. African Americans Social life and customs. http://id.loc.gov/authorities/subjects/sh85001987 Music and literature. http://id.loc.gov/authorities/subjects/sh85088886 Art and music. http://id.loc.gov/authorities/subjects/sh85007967 Collage. http://id.loc.gov/authorities/subjects/sh85027965 Art noir américain. Noirs américains Murs et coutumes. Musique et littérature. Art et musique. Collage (Art) collage (technique) aat LITERARY CRITICISM American African-American. bisacsh African American art fast African Americans Social life and customs fast American literature African American authors fast Art and music fast Collage fast Jazz fast Music and literature fast Lecture https://id.nlm.nih.gov/mesh/D019531 lectures. aat Criticism, interpretation, etc. fast Lectures fast Lectures. lcgft http://id.loc.gov/authorities/genreForms/gf2014026122 Conférences. rvmgf has work: Antagonistic cooperation (Text) https://id.oclc.org/worldcat/entity/E39PCH7DyVRqTVBkQYvbyXwGf3 https://id.oclc.org/worldcat/ontology/hasWork Print version: O'Meally, Robert G., 1948- Antagonistic cooperation. New York : Columbia University Press, 2022 9780231189187 (DLC) 2021022525 (OCoLC)1253443411 University seminars/Leonard Hastings Schoff memorial lectures. http://id.loc.gov/authorities/names/n96045845 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2700017 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2700017 Volltext |
| spellingShingle | O'Meally, Robert G., 1948- Antagonistic cooperation : jazz, collage, fiction, and the shaping of African American culture / University seminars/Leonard Hastings Schoff memorial lectures. This music demanded action : Ellison, Armstrong, and the imperatives of jazz -- We are all a collage : Armstrong's operatic blues, Bearden's Black odyssey, and Morrison's jazz -- The "open corner" of Black community and creativity : from Romare Bearden to Duke Ellington and Toni Morrison -- Hare and bear : the racial profiles of Satchmo's smile -- The white trombone and the unruly Black cosmopolitan trumpet, or how Paris blues came to be unfinished. Jazz History and criticism. African American art. http://id.loc.gov/authorities/subjects/sh85001790 American literature African American authors History and criticism. African Americans Social life and customs. http://id.loc.gov/authorities/subjects/sh85001987 Music and literature. http://id.loc.gov/authorities/subjects/sh85088886 Art and music. http://id.loc.gov/authorities/subjects/sh85007967 Collage. http://id.loc.gov/authorities/subjects/sh85027965 Art noir américain. Noirs américains Murs et coutumes. Musique et littérature. Art et musique. Collage (Art) collage (technique) aat LITERARY CRITICISM American African-American. bisacsh African American art fast African Americans Social life and customs fast American literature African American authors fast Art and music fast Collage fast Jazz fast Music and literature fast |
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| title | Antagonistic cooperation : jazz, collage, fiction, and the shaping of African American culture / |
| title_auth | Antagonistic cooperation : jazz, collage, fiction, and the shaping of African American culture / |
| title_exact_search | Antagonistic cooperation : jazz, collage, fiction, and the shaping of African American culture / |
| title_full | Antagonistic cooperation : jazz, collage, fiction, and the shaping of African American culture / Robert G. O'Meally. |
| title_fullStr | Antagonistic cooperation : jazz, collage, fiction, and the shaping of African American culture / Robert G. O'Meally. |
| title_full_unstemmed | Antagonistic cooperation : jazz, collage, fiction, and the shaping of African American culture / Robert G. O'Meally. |
| title_short | Antagonistic cooperation : |
| title_sort | antagonistic cooperation jazz collage fiction and the shaping of african american culture |
| title_sub | jazz, collage, fiction, and the shaping of African American culture / |
| topic | Jazz History and criticism. African American art. http://id.loc.gov/authorities/subjects/sh85001790 American literature African American authors History and criticism. African Americans Social life and customs. http://id.loc.gov/authorities/subjects/sh85001987 Music and literature. http://id.loc.gov/authorities/subjects/sh85088886 Art and music. http://id.loc.gov/authorities/subjects/sh85007967 Collage. http://id.loc.gov/authorities/subjects/sh85027965 Art noir américain. Noirs américains Murs et coutumes. Musique et littérature. Art et musique. Collage (Art) collage (technique) aat LITERARY CRITICISM American African-American. bisacsh African American art fast African Americans Social life and customs fast American literature African American authors fast Art and music fast Collage fast Jazz fast Music and literature fast |
| topic_facet | Jazz History and criticism. African American art. American literature African American authors History and criticism. African Americans Social life and customs. Music and literature. Art and music. Collage. Art noir américain. Noirs américains Murs et coutumes. Musique et littérature. Art et musique. Collage (Art) collage (technique) LITERARY CRITICISM American African-American. African American art African Americans Social life and customs American literature African American authors Art and music Collage Jazz Music and literature Lecture lectures. Criticism, interpretation, etc. Lectures Lectures. Conférences. |
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