Taking stakes in the unknown :: tracing post-black art /
In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Pok...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bielefeld :
Transcript-Verlag,
[2021]
|
| Schriftenreihe: | Image (Transcript (Firm)) ;
v. 180. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Poku contextualizes the term post-black in its socio-historical and cultural context. Whilst exploring its present legacy and past potential, she examines works by artists who were defined as part of the post-black generation: Mark Bradford, Leslie Hewitt, Mickalene Thomas and Hank Willis Thomas - and, by expanding the scope of the definition, the Black German artist Philip Metz. |
| Beschreibung: | 1 online resource (215 pages) : illustrations (chiefly color), facsimile, portraits |
| Bibliographie: | Includes bibliographical references (pages 193-215). |
| ISBN: | 3839452945 9783839452943 |
Internformat
MARC
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|---|---|---|---|
| 001 | ZDB-4-EBA-on1248759653 | ||
| 003 | OCoLC | ||
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| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 210421t20212021gw ac fob 000 0 eng d | ||
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| 024 | 7 | |a 10.14361/9783839452943 |2 doi | |
| 035 | |a (OCoLC)1248759653 |z (OCoLC)1249475309 | ||
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| 050 | 4 | |a N6538.B53 |b A48 2021 | |
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| 100 | 1 | |a Adusei-Poku, Nana, |e author. |0 http://id.loc.gov/authorities/names/no2019112864 | |
| 245 | 1 | 0 | |a Taking stakes in the unknown : |b tracing post-black art / |c Nana Adusei-Poku. |
| 246 | 3 | 0 | |a Tracing post-black art |
| 264 | 1 | |a Bielefeld : |b Transcript-Verlag, |c [2021] | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (215 pages) : |b illustrations (chiefly color), facsimile, portraits | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file | ||
| 347 | |b PDF | ||
| 490 | 1 | |a Image ; |v volume 180 | |
| 504 | |a Includes bibliographical references (pages 193-215). | ||
| 505 | 0 | 0 | |t I. Introduction -- |t II. Destabilizing meaning -- |t 1. The textures of history -- |t 2. What is the script of your time? -- |t 3. Economies of the Double-bind -- |t III. Historical entanglements of Black revolutionary women -- |t 1. De-interpellating interpellation-visual disobediences -- |t 2. How do I look? (very good, I must say I am amazed!) -- |t 3. O my body, will always remain in question!- Reviewing the Fanonian moment -- |t IV. Heterotemporality as a way of understanding the contemporary -- |t 1. Reclaiming our time -- |t 2. Riffs on real time and the present that is fleeting though captured -- |t 3. Rewind selecta -- |t 4. Hetero-temporality -- |t V. Paradox synchronicities -- |t 1. Contextualization -- |t 2. IWHISHIWAS or WISHIWASHI? -- |t 3. From Leitkultur to Leightkultur -- |t VI. Abstract facts -- |t 1. Enter and exit the new Negro -- |t 2. Enter and exit the new Negro-from invisible visibilities -- |t 3. Enter the new Negro -- |t 4. Ambiguity as chance-abstraction as means of identity -- |t VII. Post-Post-black -- |t VIII. Bibliography. |
| 520 | |a In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Poku contextualizes the term post-black in its socio-historical and cultural context. Whilst exploring its present legacy and past potential, she examines works by artists who were defined as part of the post-black generation: Mark Bradford, Leslie Hewitt, Mickalene Thomas and Hank Willis Thomas - and, by expanding the scope of the definition, the Black German artist Philip Metz. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Online resource; title from PDF title page (publisher's Web site, viewed 21. Apr 2021). | |
| 650 | 0 | |a Art, Black. |0 http://id.loc.gov/authorities/subjects/sh85007576 | |
| 650 | 0 | |a Black people in art. |0 http://id.loc.gov/authorities/subjects/sh85014706 | |
| 650 | 0 | |a Black people |x Race identity. | |
| 650 | 0 | |a Art, Modern |y 21st century. |0 http://id.loc.gov/authorities/subjects/sh2002000548 | |
| 650 | 6 | |a Art noir. | |
| 650 | 6 | |a Personnes noires dans l'art. | |
| 650 | 6 | |a Art |y 21e siècle. | |
| 650 | 6 | |a Personnes noires |x Identité ethnique. | |
| 650 | 7 | |a ART |x Criticism. |2 bisacsh | |
| 650 | 7 | |a ART / Criticism & Theory |2 bisacsh | |
| 650 | 7 | |a Art, Black |2 fast | |
| 650 | 7 | |a Art, Modern |2 fast | |
| 650 | 7 | |a Black people in art |2 fast | |
| 650 | 7 | |a Black people |x Race identity |2 fast | |
| 648 | 7 | |a 2000-2099 |2 fast | |
| 653 | |a African American. | ||
| 653 | |a Art. | ||
| 653 | |a Black Diaspora Art. | ||
| 653 | |a Black German. | ||
| 653 | |a Critical Race Art History. | ||
| 653 | |a Cultural Studies. | ||
| 653 | |a Fine Arts. | ||
| 653 | |a Gender Studies. | ||
| 653 | |a Gender. | ||
| 653 | |a Postcolonialism. | ||
| 653 | |a Theory of Art. | ||
| 758 | |i has work: |a Taking stakes in the unknown (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGj3tf47CRTpmHqMJ4ckjC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Adusei-Poku, Nana. |t Taking stakes in the unknown. |d Bielefeld : Transcript, [2021] |z 9783837652949 |w (OCoLC)1257241026 |
| 830 | 0 | |a Image (Transcript (Firm)) ; |v v. 180. |0 http://id.loc.gov/authorities/names/no2011077749 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2915601 |3 Volltext |
| 938 | |a De Gruyter |b DEGR |n 9783839452943 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6564679 | ||
| 938 | |a EBSCOhost |b EBSC |n 2915601 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1248759653 |
|---|---|
| _version_ | 1816882542860566528 |
| adam_text | |
| any_adam_object | |
| author | Adusei-Poku, Nana |
| author_GND | http://id.loc.gov/authorities/names/no2019112864 |
| author_facet | Adusei-Poku, Nana |
| author_role | aut |
| author_sort | Adusei-Poku, Nana |
| author_variant | n a p nap |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6538 |
| callnumber-raw | N6538.B53 A48 2021 |
| callnumber-search | N6538.B53 A48 2021 |
| callnumber-sort | N 46538 B53 A48 42021 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | LO 94037 |
| collection | ZDB-4-EBA |
| contents | I. Introduction -- II. Destabilizing meaning -- 1. The textures of history -- 2. What is the script of your time? -- 3. Economies of the Double-bind -- III. Historical entanglements of Black revolutionary women -- 1. De-interpellating interpellation-visual disobediences -- 2. How do I look? (very good, I must say I am amazed!) -- 3. O my body, will always remain in question!- Reviewing the Fanonian moment -- IV. Heterotemporality as a way of understanding the contemporary -- 1. Reclaiming our time -- 2. Riffs on real time and the present that is fleeting though captured -- 3. Rewind selecta -- 4. Hetero-temporality -- V. Paradox synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI? -- 3. From Leitkultur to Leightkultur -- VI. Abstract facts -- 1. Enter and exit the new Negro -- 2. Enter and exit the new Negro-from invisible visibilities -- 3. Enter the new Negro -- 4. Ambiguity as chance-abstraction as means of identity -- VII. Post-Post-black -- VIII. Bibliography. |
| ctrlnum | (OCoLC)1248759653 |
| dewey-full | 704.0396073 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 704 - Special topics in fine and decorative arts |
| dewey-raw | 704.0396073 |
| dewey-search | 704.0396073 |
| dewey-sort | 3704.0396073 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | 2000-2099 fast |
| era_facet | 2000-2099 |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1248759653 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:16Z |
| institution | BVB |
| isbn | 3839452945 9783839452943 |
| language | English |
| oclc_num | 1248759653 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (215 pages) : illustrations (chiefly color), facsimile, portraits |
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| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Transcript-Verlag, |
| record_format | marc |
| series | Image (Transcript (Firm)) ; |
| series2 | Image ; |
| spelling | Adusei-Poku, Nana, author. http://id.loc.gov/authorities/names/no2019112864 Taking stakes in the unknown : tracing post-black art / Nana Adusei-Poku. Tracing post-black art Bielefeld : Transcript-Verlag, [2021] ©2021 1 online resource (215 pages) : illustrations (chiefly color), facsimile, portraits text txt rdacontent computer c rdamedia online resource cr rdacarrier text file Image ; volume 180 Includes bibliographical references (pages 193-215). I. Introduction -- II. Destabilizing meaning -- 1. The textures of history -- 2. What is the script of your time? -- 3. Economies of the Double-bind -- III. Historical entanglements of Black revolutionary women -- 1. De-interpellating interpellation-visual disobediences -- 2. How do I look? (very good, I must say I am amazed!) -- 3. O my body, will always remain in question!- Reviewing the Fanonian moment -- IV. Heterotemporality as a way of understanding the contemporary -- 1. Reclaiming our time -- 2. Riffs on real time and the present that is fleeting though captured -- 3. Rewind selecta -- 4. Hetero-temporality -- V. Paradox synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI? -- 3. From Leitkultur to Leightkultur -- VI. Abstract facts -- 1. Enter and exit the new Negro -- 2. Enter and exit the new Negro-from invisible visibilities -- 3. Enter the new Negro -- 4. Ambiguity as chance-abstraction as means of identity -- VII. Post-Post-black -- VIII. Bibliography. In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Poku contextualizes the term post-black in its socio-historical and cultural context. Whilst exploring its present legacy and past potential, she examines works by artists who were defined as part of the post-black generation: Mark Bradford, Leslie Hewitt, Mickalene Thomas and Hank Willis Thomas - and, by expanding the scope of the definition, the Black German artist Philip Metz. In English. Online resource; title from PDF title page (publisher's Web site, viewed 21. Apr 2021). Art, Black. http://id.loc.gov/authorities/subjects/sh85007576 Black people in art. http://id.loc.gov/authorities/subjects/sh85014706 Black people Race identity. Art, Modern 21st century. http://id.loc.gov/authorities/subjects/sh2002000548 Art noir. Personnes noires dans l'art. Art 21e siècle. Personnes noires Identité ethnique. ART Criticism. bisacsh ART / Criticism & Theory bisacsh Art, Black fast Art, Modern fast Black people in art fast Black people Race identity fast 2000-2099 fast African American. Art. Black Diaspora Art. Black German. Critical Race Art History. Cultural Studies. Fine Arts. Gender Studies. Gender. Postcolonialism. Theory of Art. has work: Taking stakes in the unknown (Text) https://id.oclc.org/worldcat/entity/E39PCGj3tf47CRTpmHqMJ4ckjC https://id.oclc.org/worldcat/ontology/hasWork Print version: Adusei-Poku, Nana. Taking stakes in the unknown. Bielefeld : Transcript, [2021] 9783837652949 (OCoLC)1257241026 Image (Transcript (Firm)) ; v. 180. http://id.loc.gov/authorities/names/no2011077749 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2915601 Volltext |
| spellingShingle | Adusei-Poku, Nana Taking stakes in the unknown : tracing post-black art / Image (Transcript (Firm)) ; I. Introduction -- II. Destabilizing meaning -- 1. The textures of history -- 2. What is the script of your time? -- 3. Economies of the Double-bind -- III. Historical entanglements of Black revolutionary women -- 1. De-interpellating interpellation-visual disobediences -- 2. How do I look? (very good, I must say I am amazed!) -- 3. O my body, will always remain in question!- Reviewing the Fanonian moment -- IV. Heterotemporality as a way of understanding the contemporary -- 1. Reclaiming our time -- 2. Riffs on real time and the present that is fleeting though captured -- 3. Rewind selecta -- 4. Hetero-temporality -- V. Paradox synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI? -- 3. From Leitkultur to Leightkultur -- VI. Abstract facts -- 1. Enter and exit the new Negro -- 2. Enter and exit the new Negro-from invisible visibilities -- 3. Enter the new Negro -- 4. Ambiguity as chance-abstraction as means of identity -- VII. Post-Post-black -- VIII. Bibliography. Art, Black. http://id.loc.gov/authorities/subjects/sh85007576 Black people in art. http://id.loc.gov/authorities/subjects/sh85014706 Black people Race identity. Art, Modern 21st century. http://id.loc.gov/authorities/subjects/sh2002000548 Art noir. Personnes noires dans l'art. Art 21e siècle. Personnes noires Identité ethnique. ART Criticism. bisacsh ART / Criticism & Theory bisacsh Art, Black fast Art, Modern fast Black people in art fast Black people Race identity fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85007576 http://id.loc.gov/authorities/subjects/sh85014706 http://id.loc.gov/authorities/subjects/sh2002000548 |
| title | Taking stakes in the unknown : tracing post-black art / |
| title_alt | Tracing post-black art I. Introduction -- II. Destabilizing meaning -- 1. The textures of history -- 2. What is the script of your time? -- 3. Economies of the Double-bind -- III. Historical entanglements of Black revolutionary women -- 1. De-interpellating interpellation-visual disobediences -- 2. How do I look? (very good, I must say I am amazed!) -- 3. O my body, will always remain in question!- Reviewing the Fanonian moment -- IV. Heterotemporality as a way of understanding the contemporary -- 1. Reclaiming our time -- 2. Riffs on real time and the present that is fleeting though captured -- 3. Rewind selecta -- 4. Hetero-temporality -- V. Paradox synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI? -- 3. From Leitkultur to Leightkultur -- VI. Abstract facts -- 1. Enter and exit the new Negro -- 2. Enter and exit the new Negro-from invisible visibilities -- 3. Enter the new Negro -- 4. Ambiguity as chance-abstraction as means of identity -- VII. Post-Post-black -- VIII. Bibliography. |
| title_auth | Taking stakes in the unknown : tracing post-black art / |
| title_exact_search | Taking stakes in the unknown : tracing post-black art / |
| title_full | Taking stakes in the unknown : tracing post-black art / Nana Adusei-Poku. |
| title_fullStr | Taking stakes in the unknown : tracing post-black art / Nana Adusei-Poku. |
| title_full_unstemmed | Taking stakes in the unknown : tracing post-black art / Nana Adusei-Poku. |
| title_short | Taking stakes in the unknown : |
| title_sort | taking stakes in the unknown tracing post black art |
| title_sub | tracing post-black art / |
| topic | Art, Black. http://id.loc.gov/authorities/subjects/sh85007576 Black people in art. http://id.loc.gov/authorities/subjects/sh85014706 Black people Race identity. Art, Modern 21st century. http://id.loc.gov/authorities/subjects/sh2002000548 Art noir. Personnes noires dans l'art. Art 21e siècle. Personnes noires Identité ethnique. ART Criticism. bisacsh ART / Criticism & Theory bisacsh Art, Black fast Art, Modern fast Black people in art fast Black people Race identity fast |
| topic_facet | Art, Black. Black people in art. Black people Race identity. Art, Modern 21st century. Art noir. Personnes noires dans l'art. Art 21e siècle. Personnes noires Identité ethnique. ART Criticism. ART / Criticism & Theory Art, Black Art, Modern Black people in art Black people Race identity |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2915601 |
| work_keys_str_mv | AT aduseipokunana takingstakesintheunknowntracingpostblackart AT aduseipokunana tracingpostblackart |