Queer exposures :: sexuality and photography in Roberto Bolaño's fiction and poetry /
Roberto Bolaño (1953-2003) stands out among recent Latin American writers because of his unique combination of critical acclaim, popularity, and literary significance. Queer Exposures analyzes two central but understudied topics in Bolaño's fiction and poetry: sexuality and photography. Movin...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Pittsburgh, Pa. :
University of Pittsburgh Press,
[2021]
|
| Schriftenreihe: | Illuminations (Pittsburgh, Pa.)
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Roberto Bolaño (1953-2003) stands out among recent Latin American writers because of his unique combination of critical acclaim, popularity, and literary significance. Queer Exposures analyzes two central but understudied topics in Bolaño's fiction and poetry: sexuality and photography. Moving beyond a consideration of how his texts represent these topics, Ryan F. Long demonstrates that, when considered in tandem, they form the basis for a new innovative and critical approach. Emphasizing the processes of exposure associated with photography and sexuality, especially queer sexuality, provides readers and scholars with a versatile method for comprehending Bolaño's constellation of texts. With close readings of a broad range of texts, from poetry written just after his arrival in Spain in the late 1970s to his posthumously published novels, Queer Exposures concludes that an emphasis on sexuality and photography is essential for understanding how Bolaño's texts function in dialogue with one another to elucidate and critique the interrelations of writing, visual representation, and power. |
| Beschreibung: | 1 online resource (ix, 300 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 0822988143 9780822988144 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1247665979 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 210423t20212021pau ob 001 0 eng d | ||
| 040 | |a P@U |b eng |e rda |e pn |c P@U |d YDX |d OCLCO |d N$T |d OCLCO |d JSTOR |d YDX |d OCLCO |d EBLCP |d OCLCF |d AFU |d OCLCO |d UKAHL |d OCLCQ |d TFW |d OCLCO |d SFB |d OCLCL | ||
| 019 | |a 1247204690 |a 1248694312 | ||
| 020 | |a 0822988143 |q (electronic bk.) | ||
| 020 | |a 9780822988144 |q (electronic bk.) | ||
| 020 | |z 9780822946694 | ||
| 020 | |z 0822946696 | ||
| 035 | |a (OCoLC)1247665979 |z (OCoLC)1247204690 |z (OCoLC)1248694312 | ||
| 037 | |a 22573/ctv1kxqx15 |b JSTOR | ||
| 050 | 4 | |a PQ8098.12.O38 |b Z66 2021 | |
| 082 | 7 | |a 863/.6 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Long, Ryan Fred, |d 1971- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjxcjTFGvwb4tTtK7HcfpX |0 http://id.loc.gov/authorities/names/no2002098727 | |
| 245 | 1 | 0 | |a Queer exposures : |b sexuality and photography in Roberto Bolaño's fiction and poetry / |c Ryan F. Long. |
| 264 | 1 | |a Pittsburgh, Pa. : |b University of Pittsburgh Press, |c [2021] | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (ix, 300 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Illuminations : cultural formations of the Americas | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on May 03, 2021). | ||
| 520 | 8 | |a Roberto Bolaño (1953-2003) stands out among recent Latin American writers because of his unique combination of critical acclaim, popularity, and literary significance. Queer Exposures analyzes two central but understudied topics in Bolaño's fiction and poetry: sexuality and photography. Moving beyond a consideration of how his texts represent these topics, Ryan F. Long demonstrates that, when considered in tandem, they form the basis for a new innovative and critical approach. Emphasizing the processes of exposure associated with photography and sexuality, especially queer sexuality, provides readers and scholars with a versatile method for comprehending Bolaño's constellation of texts. With close readings of a broad range of texts, from poetry written just after his arrival in Spain in the late 1970s to his posthumously published novels, Queer Exposures concludes that an emphasis on sexuality and photography is essential for understanding how Bolaño's texts function in dialogue with one another to elucidate and critique the interrelations of writing, visual representation, and power. | |
| 505 | 0 | |a Table of Contents -- Front Matter(pp. i-vi) -- Front Matter(pp. i-vi) -- https://doi.org/10.2307/j.ctv1kz4gkz.1 -- https://www.jstor.org/stable/j.ctv1kz4gkz.1 -- Table of Contents(pp. vii-viii) -- Table of Contents(pp. vii-viii) -- https://doi.org/10.2307/j.ctv1kz4gkz.2 -- https://www.jstor.org/stable/j.ctv1kz4gkz.2 -- Acknowledgments(pp. ix-2) -- Acknowledgments(pp. ix-2) -- https://doi.org/10.2307/j.ctv1kz4gkz.3 -- https://www.jstor.org/stable/j.ctv1kz4gkz.3 -- INTRODUCTION(pp. 3-24) -- INTRODUCTION(pp. 3-24) -- https://doi.org/10.2307/j.ctv1kz4gkz.4 -- https://www.jstor.org/stable/j.ctv1kz4gkz.4 -- Roberto Bolaño's texts form multiple constellations. Like stars, they stand alone but also invite connections that outline images. These connections are spatial, functions of surface and depth. They are also temporal, and their temporality is a function of light, both the time required for it to meet a reader's eyes and the possibility of its encountering multiple readers in multiple places at multiple moments. Different forms of exposure characterize this ever-shifting spatial and temporal network, the exposure of texts to readers, readers to texts, and texts to texts. The network's complexity becomes increasingly visible upon considering the prominence within Bolaño's. . . -- CHAPTER ONE A Queer Poetics of Intemperie "Labyrinth" as Darkroom(pp. 25-66) -- CHAPTER ONE A Queer Poetics of Intemperie "Labyrinth" as Darkroom(pp. 25-66) -- https://doi.org/10.2307/j.ctv1kz4gkz.5 -- https://www.jstor.org/stable/j.ctv1kz4gkz.5 -- "Labyrinth" is a short story published in the posthumous collection El secreto del mal (The Secret of Evil) (2007). Its unknown narrator invents a series of interconnected tales about figures in a photograph he describes to the reader in great detail. His ekphrasis, or textual commentary on an image, exhibits a desire for narrative control while acknowledging the limits to that control, thereby setting in motion a productive tension emerging from the interplay of photograph, text, document, and fiction. "Labyrinth" is centrally important to my project because of the way it establishes this tension and interplay, one of whose facets. . . -- CHAPTER TWO Desiring and Resisting Mastery in Bolaño's Poetry(pp. 67-98) -- CHAPTER TWO Desiring and Resisting Mastery in Bolaño's Poetry(pp. 67-98) -- https://doi.org/10.2307/j.ctv1kz4gkz.6 -- https://www.jstor.org/stable/j.ctv1kz4gkz.6 -- The narrator of "Labyrinth" asserts twice that the Tel Quel photograph dates to 1977, the same year Bolaño left Mexico. J.-J. Goux leaves two places, the photograph and then the bar where he had waited in vain for Jacques Henric. When he leaves the bar, Goux experiences exposure and immobility, which are, respectively, a necessary condition and a result of photography. They are also the converse. Immobility can be the condition of a sharp photograph-for example, one taken in low light or with a slow shutter speed, and exposure can be the result, in the case of a photograph. . . -- CHAPTER THREE Reading Queerly Homoerotic Poetry, Temporality, and Revolution(pp. 99-116) -- CHAPTER THREE Reading Queerly Homoerotic Poetry, Temporality, and Revolution(pp. 99-116) -- https://doi.org/10.2307/j.ctv1kz4gkz.7 -- https://www.jstor.org/stable/j.ctv1kz4gkz.7 -- Many of Bolaño's poems present topics of gender and sexuality in predominantly heterosexual terms, and often from a decidedly heteronormative and masculinist point of view. They are central to my overall analysis for the ways in which they unsettle the desire for mastery or spatiotemporal capture by positing the critical productivity that resides within unstable states of intermediacy and intemperie. Bolaño's poetry also unsettles the desire for mastery through its questioning of the kind of coherent subjectivity often associated with autobiography and narrative voice, and through its positing of ghosts as privileged readers. The texts I analyze in this chapter. . . -- Detectives of Intemperie(pp. 117-148) -- CHAPTER FOUR The Detectives of Intemperie(pp. 117-148) -- https://doi.org/10.2307/j.ctv1kz4gkz.8 -- https://www.jstor.org/stable/j.ctv1kz4gkz.8 -- Detectives connote procedure, solution, and a return to order following violent interruption. The states of suspension that characterize much of Bolaño's poetry do not appear within texts that present definitive resolution. Dreams of love, as in "Stroll," or homoerotic poetic encounter, as in "The Donkey," are portrayed as persisting in a state of intemperie, one that may not lead to a legible present but that resists the ordering and obliterating effects of teleology. The violence associated with epiphany in "Reunion" and "Visit" calls into question the possibility of divine assurance and redemption the word "epiphany" connotes while preserving multiple encounters. . . -- CHAPTER FIVE Queer Itineraries and Moments of Exposure in The Savage Detectives(pp. 149-188) -- CHAPTER FIVE Queer Itineraries and Moments of Exposure in The Savage Detectives(pp. 149-188) -- https://doi.org/10.2307/j.ctv1kz4gkz.9 -- https://www.jstor.org/stable/j.ctv1kz4gkz.9 -- The structure of The Savage Detectives places the novel's different parts in relations of exposure to one another. The novel also includes within its different narratives several moments of exposure similar to the one at the end of the story "Detectives." The Savage Detectives consists of three parts, the second of which goes temporally and spatially beyond the confines of the first and third. Those bookend parts take the form of a diary by Juan García Madero, a young man who lives with his aunt and uncle in Mexico City, and who has plans to study law, from which he. . . -- CHAPTER SIX Queer Exposures and Textual Constellations(pp. 189-234) -- CHAPTER SIX Queer Exposures and Textual Constellations(pp. 189-234) -- https://doi.org/10.2307/j.ctv1kz4gkz.10 -- https://www.jstor.org/stable/j.ctv1kz4gkz.10 -- This final chapter places in erotic encounter, sometimes only briefly, several texts. They are the short story titled "Photos," which describes Belano's contemplation of a book about Francophone poetry while he finds himself alone and exposed in Liberia; the novel Amulet, which is the expanded version of Lacouture's entry in The Savage Detectives, and which presents an eccentric view of the events of 1968 in Mexico City, including the student movement, the Tlatelolco massacre, and the occupation of the National Autonomous University of Mexico (UNAM), while also recounting important moments of the adolescent years of Belano and San Epifanio; the. . . -- ertain Stars Science Fiction and the Emperor of Ice Cream(pp. 235-236) -- A CONCLUSION Certain Stars Science Fiction and the Emperor of Ice Cream(pp. 235-236) -- https://doi.org/10.2307/j.ctv1kz4gkz.11 -- https://www.jstor.org/stable/j.ctv1kz4gkz.11 -- In the final pages of 2666, Benno von Archimboldi prepares to travel to Santa Teresa at the behest of his sister, Lotte Haas, because his nephew, Klaus Haas, has been accused of committing and masterminding many of the femicides there. Before he leaves Hamburg, he sits on the terrace of a bar and enjoys an ice cream confection called a Fürst Pückler. By chance a man named Alexander Fürst Pückler is also seated on the bar's terrace. He introduces himself to Archimboldi and tells the latter that one of his distant ancestors invented the ice cream Archimboldi is enjoying. According. . . -- Notes(pp. 237-280) -- Notes(pp. 237-280) -- https://doi.org/10.2307/j.ctv1kz4gkz.12 -- https://www.jstor.org/stable/j.ctv1kz4gkz.12 -- Bibliography(pp. 281-290) -- Bibliography(pp. 281-290) -- https://www.jstor.org/stable/j.ctv1kz4gkz.13 -- Index(pp. 291-300) -- Index(pp. 291-300) -- https://doi.org/10.2307/j.ctv1kz4gkz.14 -- https://www.jstor.org/stable/j.ctv1kz4gkz.14. | |
| 600 | 1 | 0 | |a Bolaño, Roberto, |d 1953-2003 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Bolaño, Roberto, |d 1953-2003 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJp68H8gpgRGXFRP8f4cyd |
| 650 | 0 | |a Sexual minorities in literature. |0 http://id.loc.gov/authorities/subjects/sh2006003915 | |
| 650 | 6 | |a Minorités sexuelles dans la littérature. | |
| 650 | 7 | |a Sexual minorities in literature |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Literary criticism. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2017026126 | |
| 655 | 7 | |a Critiques littéraires. |2 rvmgf | |
| 758 | |i has work: |a Queer exposures (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG8GCgdDvMMvRY3cbqdwBX |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Long, Ryan Fred, 1971- |t Queer exposures. |d Pittsburgh, Pa. : University of Pittsburgh Press, [2021] |z 9780822946694 |w (OCoLC)1152492067 |
| 830 | 0 | |a Illuminations (Pittsburgh, Pa.) |0 http://id.loc.gov/authorities/names/n2003051416 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2913759 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH38605983 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL28510791 | ||
| 938 | |a Project MUSE |b MUSE |n muse95483 | ||
| 938 | |a YBP Library Services |b YANK |n 302079549 | ||
| 938 | |a EBSCOhost |b EBSC |n 2913759 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1247665979 |
|---|---|
| _version_ | 1816882542754660353 |
| adam_text | |
| any_adam_object | |
| author | Long, Ryan Fred, 1971- |
| author_GND | http://id.loc.gov/authorities/names/no2002098727 |
| author_facet | Long, Ryan Fred, 1971- |
| author_role | aut |
| author_sort | Long, Ryan Fred, 1971- |
| author_variant | r f l rf rfl |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PQ8098 |
| callnumber-raw | PQ8098.12.O38 Z66 2021 |
| callnumber-search | PQ8098.12.O38 Z66 2021 |
| callnumber-sort | PQ 48098.12 O38 Z66 42021 |
| callnumber-subject | PQ - French, Italian, Spanish, Portuguese Literature |
| collection | ZDB-4-EBA |
| contents | Table of Contents -- Front Matter(pp. i-vi) -- Front Matter(pp. i-vi) -- https://doi.org/10.2307/j.ctv1kz4gkz.1 -- https://www.jstor.org/stable/j.ctv1kz4gkz.1 -- Table of Contents(pp. vii-viii) -- Table of Contents(pp. vii-viii) -- https://doi.org/10.2307/j.ctv1kz4gkz.2 -- https://www.jstor.org/stable/j.ctv1kz4gkz.2 -- Acknowledgments(pp. ix-2) -- Acknowledgments(pp. ix-2) -- https://doi.org/10.2307/j.ctv1kz4gkz.3 -- https://www.jstor.org/stable/j.ctv1kz4gkz.3 -- INTRODUCTION(pp. 3-24) -- INTRODUCTION(pp. 3-24) -- https://doi.org/10.2307/j.ctv1kz4gkz.4 -- https://www.jstor.org/stable/j.ctv1kz4gkz.4 -- Roberto Bolaño's texts form multiple constellations. Like stars, they stand alone but also invite connections that outline images. These connections are spatial, functions of surface and depth. They are also temporal, and their temporality is a function of light, both the time required for it to meet a reader's eyes and the possibility of its encountering multiple readers in multiple places at multiple moments. Different forms of exposure characterize this ever-shifting spatial and temporal network, the exposure of texts to readers, readers to texts, and texts to texts. The network's complexity becomes increasingly visible upon considering the prominence within Bolaño's. . . -- CHAPTER ONE A Queer Poetics of Intemperie "Labyrinth" as Darkroom(pp. 25-66) -- CHAPTER ONE A Queer Poetics of Intemperie "Labyrinth" as Darkroom(pp. 25-66) -- https://doi.org/10.2307/j.ctv1kz4gkz.5 -- https://www.jstor.org/stable/j.ctv1kz4gkz.5 -- "Labyrinth" is a short story published in the posthumous collection El secreto del mal (The Secret of Evil) (2007). Its unknown narrator invents a series of interconnected tales about figures in a photograph he describes to the reader in great detail. His ekphrasis, or textual commentary on an image, exhibits a desire for narrative control while acknowledging the limits to that control, thereby setting in motion a productive tension emerging from the interplay of photograph, text, document, and fiction. "Labyrinth" is centrally important to my project because of the way it establishes this tension and interplay, one of whose facets. . . -- CHAPTER TWO Desiring and Resisting Mastery in Bolaño's Poetry(pp. 67-98) -- CHAPTER TWO Desiring and Resisting Mastery in Bolaño's Poetry(pp. 67-98) -- https://doi.org/10.2307/j.ctv1kz4gkz.6 -- https://www.jstor.org/stable/j.ctv1kz4gkz.6 -- The narrator of "Labyrinth" asserts twice that the Tel Quel photograph dates to 1977, the same year Bolaño left Mexico. J.-J. Goux leaves two places, the photograph and then the bar where he had waited in vain for Jacques Henric. When he leaves the bar, Goux experiences exposure and immobility, which are, respectively, a necessary condition and a result of photography. They are also the converse. Immobility can be the condition of a sharp photograph-for example, one taken in low light or with a slow shutter speed, and exposure can be the result, in the case of a photograph. . . -- CHAPTER THREE Reading Queerly Homoerotic Poetry, Temporality, and Revolution(pp. 99-116) -- CHAPTER THREE Reading Queerly Homoerotic Poetry, Temporality, and Revolution(pp. 99-116) -- https://doi.org/10.2307/j.ctv1kz4gkz.7 -- https://www.jstor.org/stable/j.ctv1kz4gkz.7 -- Many of Bolaño's poems present topics of gender and sexuality in predominantly heterosexual terms, and often from a decidedly heteronormative and masculinist point of view. They are central to my overall analysis for the ways in which they unsettle the desire for mastery or spatiotemporal capture by positing the critical productivity that resides within unstable states of intermediacy and intemperie. Bolaño's poetry also unsettles the desire for mastery through its questioning of the kind of coherent subjectivity often associated with autobiography and narrative voice, and through its positing of ghosts as privileged readers. The texts I analyze in this chapter. . . -- Detectives of Intemperie(pp. 117-148) -- CHAPTER FOUR The Detectives of Intemperie(pp. 117-148) -- https://doi.org/10.2307/j.ctv1kz4gkz.8 -- https://www.jstor.org/stable/j.ctv1kz4gkz.8 -- Detectives connote procedure, solution, and a return to order following violent interruption. The states of suspension that characterize much of Bolaño's poetry do not appear within texts that present definitive resolution. Dreams of love, as in "Stroll," or homoerotic poetic encounter, as in "The Donkey," are portrayed as persisting in a state of intemperie, one that may not lead to a legible present but that resists the ordering and obliterating effects of teleology. The violence associated with epiphany in "Reunion" and "Visit" calls into question the possibility of divine assurance and redemption the word "epiphany" connotes while preserving multiple encounters. . . -- CHAPTER FIVE Queer Itineraries and Moments of Exposure in The Savage Detectives(pp. 149-188) -- CHAPTER FIVE Queer Itineraries and Moments of Exposure in The Savage Detectives(pp. 149-188) -- https://doi.org/10.2307/j.ctv1kz4gkz.9 -- https://www.jstor.org/stable/j.ctv1kz4gkz.9 -- The structure of The Savage Detectives places the novel's different parts in relations of exposure to one another. The novel also includes within its different narratives several moments of exposure similar to the one at the end of the story "Detectives." The Savage Detectives consists of three parts, the second of which goes temporally and spatially beyond the confines of the first and third. Those bookend parts take the form of a diary by Juan García Madero, a young man who lives with his aunt and uncle in Mexico City, and who has plans to study law, from which he. . . -- CHAPTER SIX Queer Exposures and Textual Constellations(pp. 189-234) -- CHAPTER SIX Queer Exposures and Textual Constellations(pp. 189-234) -- https://doi.org/10.2307/j.ctv1kz4gkz.10 -- https://www.jstor.org/stable/j.ctv1kz4gkz.10 -- This final chapter places in erotic encounter, sometimes only briefly, several texts. They are the short story titled "Photos," which describes Belano's contemplation of a book about Francophone poetry while he finds himself alone and exposed in Liberia; the novel Amulet, which is the expanded version of Lacouture's entry in The Savage Detectives, and which presents an eccentric view of the events of 1968 in Mexico City, including the student movement, the Tlatelolco massacre, and the occupation of the National Autonomous University of Mexico (UNAM), while also recounting important moments of the adolescent years of Belano and San Epifanio; the. . . -- ertain Stars Science Fiction and the Emperor of Ice Cream(pp. 235-236) -- A CONCLUSION Certain Stars Science Fiction and the Emperor of Ice Cream(pp. 235-236) -- https://doi.org/10.2307/j.ctv1kz4gkz.11 -- https://www.jstor.org/stable/j.ctv1kz4gkz.11 -- In the final pages of 2666, Benno von Archimboldi prepares to travel to Santa Teresa at the behest of his sister, Lotte Haas, because his nephew, Klaus Haas, has been accused of committing and masterminding many of the femicides there. Before he leaves Hamburg, he sits on the terrace of a bar and enjoys an ice cream confection called a Fürst Pückler. By chance a man named Alexander Fürst Pückler is also seated on the bar's terrace. He introduces himself to Archimboldi and tells the latter that one of his distant ancestors invented the ice cream Archimboldi is enjoying. According. . . -- Notes(pp. 237-280) -- Notes(pp. 237-280) -- https://doi.org/10.2307/j.ctv1kz4gkz.12 -- https://www.jstor.org/stable/j.ctv1kz4gkz.12 -- Bibliography(pp. 281-290) -- Bibliography(pp. 281-290) -- https://www.jstor.org/stable/j.ctv1kz4gkz.13 -- Index(pp. 291-300) -- Index(pp. 291-300) -- https://doi.org/10.2307/j.ctv1kz4gkz.14 -- https://www.jstor.org/stable/j.ctv1kz4gkz.14. |
| ctrlnum | (OCoLC)1247665979 |
| dewey-full | 863/.6 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 863 - Spanish fiction |
| dewey-raw | 863/.6 |
| dewey-search | 863/.6 |
| dewey-sort | 3863 16 |
| dewey-tens | 860 - Spanish & Portuguese literatures |
| discipline | Romanistik |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>11952cam a2200601 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1247665979</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">210423t20212021pau ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">P@U</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">P@U</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCO</subfield><subfield code="d">N$T</subfield><subfield code="d">OCLCO</subfield><subfield code="d">JSTOR</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCO</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCF</subfield><subfield code="d">AFU</subfield><subfield code="d">OCLCO</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TFW</subfield><subfield code="d">OCLCO</subfield><subfield code="d">SFB</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1247204690</subfield><subfield code="a">1248694312</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0822988143</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780822988144</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780822946694</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0822946696</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1247665979</subfield><subfield code="z">(OCoLC)1247204690</subfield><subfield code="z">(OCoLC)1248694312</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv1kxqx15</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PQ8098.12.O38</subfield><subfield code="b">Z66 2021</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">863/.6</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Long, Ryan Fred,</subfield><subfield code="d">1971-</subfield><subfield code="e">author.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjxcjTFGvwb4tTtK7HcfpX</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2002098727</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Queer exposures :</subfield><subfield code="b">sexuality and photography in Roberto Bolaño's fiction and poetry /</subfield><subfield code="c">Ryan F. Long.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Pittsburgh, Pa. :</subfield><subfield code="b">University of Pittsburgh Press,</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (ix, 300 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Illuminations : cultural formations of the Americas</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from digital title page (viewed on May 03, 2021).</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">Roberto Bolaño (1953-2003) stands out among recent Latin American writers because of his unique combination of critical acclaim, popularity, and literary significance. Queer Exposures analyzes two central but understudied topics in Bolaño's fiction and poetry: sexuality and photography. Moving beyond a consideration of how his texts represent these topics, Ryan F. Long demonstrates that, when considered in tandem, they form the basis for a new innovative and critical approach. Emphasizing the processes of exposure associated with photography and sexuality, especially queer sexuality, provides readers and scholars with a versatile method for comprehending Bolaño's constellation of texts. With close readings of a broad range of texts, from poetry written just after his arrival in Spain in the late 1970s to his posthumously published novels, Queer Exposures concludes that an emphasis on sexuality and photography is essential for understanding how Bolaño's texts function in dialogue with one another to elucidate and critique the interrelations of writing, visual representation, and power.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Table of Contents -- Front Matter(pp. i-vi) -- Front Matter(pp. i-vi) -- https://doi.org/10.2307/j.ctv1kz4gkz.1 -- https://www.jstor.org/stable/j.ctv1kz4gkz.1 -- Table of Contents(pp. vii-viii) -- Table of Contents(pp. vii-viii) -- https://doi.org/10.2307/j.ctv1kz4gkz.2 -- https://www.jstor.org/stable/j.ctv1kz4gkz.2 -- Acknowledgments(pp. ix-2) -- Acknowledgments(pp. ix-2) -- https://doi.org/10.2307/j.ctv1kz4gkz.3 -- https://www.jstor.org/stable/j.ctv1kz4gkz.3 -- INTRODUCTION(pp. 3-24) -- INTRODUCTION(pp. 3-24) -- https://doi.org/10.2307/j.ctv1kz4gkz.4 -- https://www.jstor.org/stable/j.ctv1kz4gkz.4 -- Roberto Bolaño's texts form multiple constellations. Like stars, they stand alone but also invite connections that outline images. These connections are spatial, functions of surface and depth. They are also temporal, and their temporality is a function of light, both the time required for it to meet a reader's eyes and the possibility of its encountering multiple readers in multiple places at multiple moments. Different forms of exposure characterize this ever-shifting spatial and temporal network, the exposure of texts to readers, readers to texts, and texts to texts. The network's complexity becomes increasingly visible upon considering the prominence within Bolaño's. . . -- CHAPTER ONE A Queer Poetics of Intemperie "Labyrinth" as Darkroom(pp. 25-66) -- CHAPTER ONE A Queer Poetics of Intemperie "Labyrinth" as Darkroom(pp. 25-66) -- https://doi.org/10.2307/j.ctv1kz4gkz.5 -- https://www.jstor.org/stable/j.ctv1kz4gkz.5 -- "Labyrinth" is a short story published in the posthumous collection El secreto del mal (The Secret of Evil) (2007). Its unknown narrator invents a series of interconnected tales about figures in a photograph he describes to the reader in great detail. His ekphrasis, or textual commentary on an image, exhibits a desire for narrative control while acknowledging the limits to that control, thereby setting in motion a productive tension emerging from the interplay of photograph, text, document, and fiction. "Labyrinth" is centrally important to my project because of the way it establishes this tension and interplay, one of whose facets. . . -- CHAPTER TWO Desiring and Resisting Mastery in Bolaño's Poetry(pp. 67-98) -- CHAPTER TWO Desiring and Resisting Mastery in Bolaño's Poetry(pp. 67-98) -- https://doi.org/10.2307/j.ctv1kz4gkz.6 -- https://www.jstor.org/stable/j.ctv1kz4gkz.6 -- The narrator of "Labyrinth" asserts twice that the Tel Quel photograph dates to 1977, the same year Bolaño left Mexico. J.-J. Goux leaves two places, the photograph and then the bar where he had waited in vain for Jacques Henric. When he leaves the bar, Goux experiences exposure and immobility, which are, respectively, a necessary condition and a result of photography. They are also the converse. Immobility can be the condition of a sharp photograph-for example, one taken in low light or with a slow shutter speed, and exposure can be the result, in the case of a photograph. . . -- CHAPTER THREE Reading Queerly Homoerotic Poetry, Temporality, and Revolution(pp. 99-116) -- CHAPTER THREE Reading Queerly Homoerotic Poetry, Temporality, and Revolution(pp. 99-116) -- https://doi.org/10.2307/j.ctv1kz4gkz.7 -- https://www.jstor.org/stable/j.ctv1kz4gkz.7 -- Many of Bolaño's poems present topics of gender and sexuality in predominantly heterosexual terms, and often from a decidedly heteronormative and masculinist point of view. They are central to my overall analysis for the ways in which they unsettle the desire for mastery or spatiotemporal capture by positing the critical productivity that resides within unstable states of intermediacy and intemperie. Bolaño's poetry also unsettles the desire for mastery through its questioning of the kind of coherent subjectivity often associated with autobiography and narrative voice, and through its positing of ghosts as privileged readers. The texts I analyze in this chapter. . . -- Detectives of Intemperie(pp. 117-148) -- CHAPTER FOUR The Detectives of Intemperie(pp. 117-148) -- https://doi.org/10.2307/j.ctv1kz4gkz.8 -- https://www.jstor.org/stable/j.ctv1kz4gkz.8 -- Detectives connote procedure, solution, and a return to order following violent interruption. The states of suspension that characterize much of Bolaño's poetry do not appear within texts that present definitive resolution. Dreams of love, as in "Stroll," or homoerotic poetic encounter, as in "The Donkey," are portrayed as persisting in a state of intemperie, one that may not lead to a legible present but that resists the ordering and obliterating effects of teleology. The violence associated with epiphany in "Reunion" and "Visit" calls into question the possibility of divine assurance and redemption the word "epiphany" connotes while preserving multiple encounters. . . -- CHAPTER FIVE Queer Itineraries and Moments of Exposure in The Savage Detectives(pp. 149-188) -- CHAPTER FIVE Queer Itineraries and Moments of Exposure in The Savage Detectives(pp. 149-188) -- https://doi.org/10.2307/j.ctv1kz4gkz.9 -- https://www.jstor.org/stable/j.ctv1kz4gkz.9 -- The structure of The Savage Detectives places the novel's different parts in relations of exposure to one another. The novel also includes within its different narratives several moments of exposure similar to the one at the end of the story "Detectives." The Savage Detectives consists of three parts, the second of which goes temporally and spatially beyond the confines of the first and third. Those bookend parts take the form of a diary by Juan García Madero, a young man who lives with his aunt and uncle in Mexico City, and who has plans to study law, from which he. . . -- CHAPTER SIX Queer Exposures and Textual Constellations(pp. 189-234) -- CHAPTER SIX Queer Exposures and Textual Constellations(pp. 189-234) -- https://doi.org/10.2307/j.ctv1kz4gkz.10 -- https://www.jstor.org/stable/j.ctv1kz4gkz.10 -- This final chapter places in erotic encounter, sometimes only briefly, several texts. They are the short story titled "Photos," which describes Belano's contemplation of a book about Francophone poetry while he finds himself alone and exposed in Liberia; the novel Amulet, which is the expanded version of Lacouture's entry in The Savage Detectives, and which presents an eccentric view of the events of 1968 in Mexico City, including the student movement, the Tlatelolco massacre, and the occupation of the National Autonomous University of Mexico (UNAM), while also recounting important moments of the adolescent years of Belano and San Epifanio; the. . . -- ertain Stars Science Fiction and the Emperor of Ice Cream(pp. 235-236) -- A CONCLUSION Certain Stars Science Fiction and the Emperor of Ice Cream(pp. 235-236) -- https://doi.org/10.2307/j.ctv1kz4gkz.11 -- https://www.jstor.org/stable/j.ctv1kz4gkz.11 -- In the final pages of 2666, Benno von Archimboldi prepares to travel to Santa Teresa at the behest of his sister, Lotte Haas, because his nephew, Klaus Haas, has been accused of committing and masterminding many of the femicides there. Before he leaves Hamburg, he sits on the terrace of a bar and enjoys an ice cream confection called a Fürst Pückler. By chance a man named Alexander Fürst Pückler is also seated on the bar's terrace. He introduces himself to Archimboldi and tells the latter that one of his distant ancestors invented the ice cream Archimboldi is enjoying. According. . . -- Notes(pp. 237-280) -- Notes(pp. 237-280) -- https://doi.org/10.2307/j.ctv1kz4gkz.12 -- https://www.jstor.org/stable/j.ctv1kz4gkz.12 -- Bibliography(pp. 281-290) -- Bibliography(pp. 281-290) -- https://www.jstor.org/stable/j.ctv1kz4gkz.13 -- Index(pp. 291-300) -- Index(pp. 291-300) -- https://doi.org/10.2307/j.ctv1kz4gkz.14 -- https://www.jstor.org/stable/j.ctv1kz4gkz.14.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Bolaño, Roberto,</subfield><subfield code="d">1953-2003</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Bolaño, Roberto,</subfield><subfield code="d">1953-2003</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJp68H8gpgRGXFRP8f4cyd</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Sexual minorities in literature.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh2006003915</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Minorités sexuelles dans la littérature.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Sexual minorities in literature</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Literary criticism.</subfield><subfield code="2">lcgft</subfield><subfield code="0">http://id.loc.gov/authorities/genreForms/gf2017026126</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Critiques littéraires.</subfield><subfield code="2">rvmgf</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Queer exposures (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCG8GCgdDvMMvRY3cbqdwBX</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Long, Ryan Fred, 1971-</subfield><subfield code="t">Queer exposures.</subfield><subfield code="d">Pittsburgh, Pa. : University of Pittsburgh Press, [2021]</subfield><subfield code="z">9780822946694</subfield><subfield code="w">(OCoLC)1152492067</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Illuminations (Pittsburgh, Pa.)</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2003051416</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2913759</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH38605983</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL28510791</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">muse95483</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">302079549</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">2913759</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast Literary criticism. lcgft http://id.loc.gov/authorities/genreForms/gf2017026126 Critiques littéraires. rvmgf |
| genre_facet | Criticism, interpretation, etc. Literary criticism. Critiques littéraires. |
| id | ZDB-4-EBA-on1247665979 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:30:16Z |
| institution | BVB |
| isbn | 0822988143 9780822988144 |
| language | English |
| oclc_num | 1247665979 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (ix, 300 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | University of Pittsburgh Press, |
| record_format | marc |
| series | Illuminations (Pittsburgh, Pa.) |
| series2 | Illuminations : cultural formations of the Americas |
| spelling | Long, Ryan Fred, 1971- author. https://id.oclc.org/worldcat/entity/E39PCjxcjTFGvwb4tTtK7HcfpX http://id.loc.gov/authorities/names/no2002098727 Queer exposures : sexuality and photography in Roberto Bolaño's fiction and poetry / Ryan F. Long. Pittsburgh, Pa. : University of Pittsburgh Press, [2021] ©2021 1 online resource (ix, 300 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Illuminations : cultural formations of the Americas Includes bibliographical references and index. Description based on online resource; title from digital title page (viewed on May 03, 2021). Roberto Bolaño (1953-2003) stands out among recent Latin American writers because of his unique combination of critical acclaim, popularity, and literary significance. Queer Exposures analyzes two central but understudied topics in Bolaño's fiction and poetry: sexuality and photography. Moving beyond a consideration of how his texts represent these topics, Ryan F. Long demonstrates that, when considered in tandem, they form the basis for a new innovative and critical approach. Emphasizing the processes of exposure associated with photography and sexuality, especially queer sexuality, provides readers and scholars with a versatile method for comprehending Bolaño's constellation of texts. With close readings of a broad range of texts, from poetry written just after his arrival in Spain in the late 1970s to his posthumously published novels, Queer Exposures concludes that an emphasis on sexuality and photography is essential for understanding how Bolaño's texts function in dialogue with one another to elucidate and critique the interrelations of writing, visual representation, and power. Table of Contents -- Front Matter(pp. i-vi) -- Front Matter(pp. i-vi) -- https://doi.org/10.2307/j.ctv1kz4gkz.1 -- https://www.jstor.org/stable/j.ctv1kz4gkz.1 -- Table of Contents(pp. vii-viii) -- Table of Contents(pp. vii-viii) -- https://doi.org/10.2307/j.ctv1kz4gkz.2 -- https://www.jstor.org/stable/j.ctv1kz4gkz.2 -- Acknowledgments(pp. ix-2) -- Acknowledgments(pp. ix-2) -- https://doi.org/10.2307/j.ctv1kz4gkz.3 -- https://www.jstor.org/stable/j.ctv1kz4gkz.3 -- INTRODUCTION(pp. 3-24) -- INTRODUCTION(pp. 3-24) -- https://doi.org/10.2307/j.ctv1kz4gkz.4 -- https://www.jstor.org/stable/j.ctv1kz4gkz.4 -- Roberto Bolaño's texts form multiple constellations. Like stars, they stand alone but also invite connections that outline images. These connections are spatial, functions of surface and depth. They are also temporal, and their temporality is a function of light, both the time required for it to meet a reader's eyes and the possibility of its encountering multiple readers in multiple places at multiple moments. Different forms of exposure characterize this ever-shifting spatial and temporal network, the exposure of texts to readers, readers to texts, and texts to texts. The network's complexity becomes increasingly visible upon considering the prominence within Bolaño's. . . -- CHAPTER ONE A Queer Poetics of Intemperie "Labyrinth" as Darkroom(pp. 25-66) -- CHAPTER ONE A Queer Poetics of Intemperie "Labyrinth" as Darkroom(pp. 25-66) -- https://doi.org/10.2307/j.ctv1kz4gkz.5 -- https://www.jstor.org/stable/j.ctv1kz4gkz.5 -- "Labyrinth" is a short story published in the posthumous collection El secreto del mal (The Secret of Evil) (2007). Its unknown narrator invents a series of interconnected tales about figures in a photograph he describes to the reader in great detail. His ekphrasis, or textual commentary on an image, exhibits a desire for narrative control while acknowledging the limits to that control, thereby setting in motion a productive tension emerging from the interplay of photograph, text, document, and fiction. "Labyrinth" is centrally important to my project because of the way it establishes this tension and interplay, one of whose facets. . . -- CHAPTER TWO Desiring and Resisting Mastery in Bolaño's Poetry(pp. 67-98) -- CHAPTER TWO Desiring and Resisting Mastery in Bolaño's Poetry(pp. 67-98) -- https://doi.org/10.2307/j.ctv1kz4gkz.6 -- https://www.jstor.org/stable/j.ctv1kz4gkz.6 -- The narrator of "Labyrinth" asserts twice that the Tel Quel photograph dates to 1977, the same year Bolaño left Mexico. J.-J. Goux leaves two places, the photograph and then the bar where he had waited in vain for Jacques Henric. When he leaves the bar, Goux experiences exposure and immobility, which are, respectively, a necessary condition and a result of photography. They are also the converse. Immobility can be the condition of a sharp photograph-for example, one taken in low light or with a slow shutter speed, and exposure can be the result, in the case of a photograph. . . -- CHAPTER THREE Reading Queerly Homoerotic Poetry, Temporality, and Revolution(pp. 99-116) -- CHAPTER THREE Reading Queerly Homoerotic Poetry, Temporality, and Revolution(pp. 99-116) -- https://doi.org/10.2307/j.ctv1kz4gkz.7 -- https://www.jstor.org/stable/j.ctv1kz4gkz.7 -- Many of Bolaño's poems present topics of gender and sexuality in predominantly heterosexual terms, and often from a decidedly heteronormative and masculinist point of view. They are central to my overall analysis for the ways in which they unsettle the desire for mastery or spatiotemporal capture by positing the critical productivity that resides within unstable states of intermediacy and intemperie. Bolaño's poetry also unsettles the desire for mastery through its questioning of the kind of coherent subjectivity often associated with autobiography and narrative voice, and through its positing of ghosts as privileged readers. The texts I analyze in this chapter. . . -- Detectives of Intemperie(pp. 117-148) -- CHAPTER FOUR The Detectives of Intemperie(pp. 117-148) -- https://doi.org/10.2307/j.ctv1kz4gkz.8 -- https://www.jstor.org/stable/j.ctv1kz4gkz.8 -- Detectives connote procedure, solution, and a return to order following violent interruption. The states of suspension that characterize much of Bolaño's poetry do not appear within texts that present definitive resolution. Dreams of love, as in "Stroll," or homoerotic poetic encounter, as in "The Donkey," are portrayed as persisting in a state of intemperie, one that may not lead to a legible present but that resists the ordering and obliterating effects of teleology. The violence associated with epiphany in "Reunion" and "Visit" calls into question the possibility of divine assurance and redemption the word "epiphany" connotes while preserving multiple encounters. . . -- CHAPTER FIVE Queer Itineraries and Moments of Exposure in The Savage Detectives(pp. 149-188) -- CHAPTER FIVE Queer Itineraries and Moments of Exposure in The Savage Detectives(pp. 149-188) -- https://doi.org/10.2307/j.ctv1kz4gkz.9 -- https://www.jstor.org/stable/j.ctv1kz4gkz.9 -- The structure of The Savage Detectives places the novel's different parts in relations of exposure to one another. The novel also includes within its different narratives several moments of exposure similar to the one at the end of the story "Detectives." The Savage Detectives consists of three parts, the second of which goes temporally and spatially beyond the confines of the first and third. Those bookend parts take the form of a diary by Juan García Madero, a young man who lives with his aunt and uncle in Mexico City, and who has plans to study law, from which he. . . -- CHAPTER SIX Queer Exposures and Textual Constellations(pp. 189-234) -- CHAPTER SIX Queer Exposures and Textual Constellations(pp. 189-234) -- https://doi.org/10.2307/j.ctv1kz4gkz.10 -- https://www.jstor.org/stable/j.ctv1kz4gkz.10 -- This final chapter places in erotic encounter, sometimes only briefly, several texts. They are the short story titled "Photos," which describes Belano's contemplation of a book about Francophone poetry while he finds himself alone and exposed in Liberia; the novel Amulet, which is the expanded version of Lacouture's entry in The Savage Detectives, and which presents an eccentric view of the events of 1968 in Mexico City, including the student movement, the Tlatelolco massacre, and the occupation of the National Autonomous University of Mexico (UNAM), while also recounting important moments of the adolescent years of Belano and San Epifanio; the. . . -- ertain Stars Science Fiction and the Emperor of Ice Cream(pp. 235-236) -- A CONCLUSION Certain Stars Science Fiction and the Emperor of Ice Cream(pp. 235-236) -- https://doi.org/10.2307/j.ctv1kz4gkz.11 -- https://www.jstor.org/stable/j.ctv1kz4gkz.11 -- In the final pages of 2666, Benno von Archimboldi prepares to travel to Santa Teresa at the behest of his sister, Lotte Haas, because his nephew, Klaus Haas, has been accused of committing and masterminding many of the femicides there. Before he leaves Hamburg, he sits on the terrace of a bar and enjoys an ice cream confection called a Fürst Pückler. By chance a man named Alexander Fürst Pückler is also seated on the bar's terrace. He introduces himself to Archimboldi and tells the latter that one of his distant ancestors invented the ice cream Archimboldi is enjoying. According. . . -- Notes(pp. 237-280) -- Notes(pp. 237-280) -- https://doi.org/10.2307/j.ctv1kz4gkz.12 -- https://www.jstor.org/stable/j.ctv1kz4gkz.12 -- Bibliography(pp. 281-290) -- Bibliography(pp. 281-290) -- https://www.jstor.org/stable/j.ctv1kz4gkz.13 -- Index(pp. 291-300) -- Index(pp. 291-300) -- https://doi.org/10.2307/j.ctv1kz4gkz.14 -- https://www.jstor.org/stable/j.ctv1kz4gkz.14. Bolaño, Roberto, 1953-2003 Criticism and interpretation. Bolaño, Roberto, 1953-2003 fast https://id.oclc.org/worldcat/entity/E39PBJp68H8gpgRGXFRP8f4cyd Sexual minorities in literature. http://id.loc.gov/authorities/subjects/sh2006003915 Minorités sexuelles dans la littérature. Sexual minorities in literature fast Criticism, interpretation, etc. fast Literary criticism. lcgft http://id.loc.gov/authorities/genreForms/gf2017026126 Critiques littéraires. rvmgf has work: Queer exposures (Text) https://id.oclc.org/worldcat/entity/E39PCG8GCgdDvMMvRY3cbqdwBX https://id.oclc.org/worldcat/ontology/hasWork Print version: Long, Ryan Fred, 1971- Queer exposures. Pittsburgh, Pa. : University of Pittsburgh Press, [2021] 9780822946694 (OCoLC)1152492067 Illuminations (Pittsburgh, Pa.) http://id.loc.gov/authorities/names/n2003051416 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2913759 Volltext |
| spellingShingle | Long, Ryan Fred, 1971- Queer exposures : sexuality and photography in Roberto Bolaño's fiction and poetry / Illuminations (Pittsburgh, Pa.) Table of Contents -- Front Matter(pp. i-vi) -- Front Matter(pp. i-vi) -- https://doi.org/10.2307/j.ctv1kz4gkz.1 -- https://www.jstor.org/stable/j.ctv1kz4gkz.1 -- Table of Contents(pp. vii-viii) -- Table of Contents(pp. vii-viii) -- https://doi.org/10.2307/j.ctv1kz4gkz.2 -- https://www.jstor.org/stable/j.ctv1kz4gkz.2 -- Acknowledgments(pp. ix-2) -- Acknowledgments(pp. ix-2) -- https://doi.org/10.2307/j.ctv1kz4gkz.3 -- https://www.jstor.org/stable/j.ctv1kz4gkz.3 -- INTRODUCTION(pp. 3-24) -- INTRODUCTION(pp. 3-24) -- https://doi.org/10.2307/j.ctv1kz4gkz.4 -- https://www.jstor.org/stable/j.ctv1kz4gkz.4 -- Roberto Bolaño's texts form multiple constellations. Like stars, they stand alone but also invite connections that outline images. These connections are spatial, functions of surface and depth. They are also temporal, and their temporality is a function of light, both the time required for it to meet a reader's eyes and the possibility of its encountering multiple readers in multiple places at multiple moments. Different forms of exposure characterize this ever-shifting spatial and temporal network, the exposure of texts to readers, readers to texts, and texts to texts. The network's complexity becomes increasingly visible upon considering the prominence within Bolaño's. . . -- CHAPTER ONE A Queer Poetics of Intemperie "Labyrinth" as Darkroom(pp. 25-66) -- CHAPTER ONE A Queer Poetics of Intemperie "Labyrinth" as Darkroom(pp. 25-66) -- https://doi.org/10.2307/j.ctv1kz4gkz.5 -- https://www.jstor.org/stable/j.ctv1kz4gkz.5 -- "Labyrinth" is a short story published in the posthumous collection El secreto del mal (The Secret of Evil) (2007). Its unknown narrator invents a series of interconnected tales about figures in a photograph he describes to the reader in great detail. His ekphrasis, or textual commentary on an image, exhibits a desire for narrative control while acknowledging the limits to that control, thereby setting in motion a productive tension emerging from the interplay of photograph, text, document, and fiction. "Labyrinth" is centrally important to my project because of the way it establishes this tension and interplay, one of whose facets. . . -- CHAPTER TWO Desiring and Resisting Mastery in Bolaño's Poetry(pp. 67-98) -- CHAPTER TWO Desiring and Resisting Mastery in Bolaño's Poetry(pp. 67-98) -- https://doi.org/10.2307/j.ctv1kz4gkz.6 -- https://www.jstor.org/stable/j.ctv1kz4gkz.6 -- The narrator of "Labyrinth" asserts twice that the Tel Quel photograph dates to 1977, the same year Bolaño left Mexico. J.-J. Goux leaves two places, the photograph and then the bar where he had waited in vain for Jacques Henric. When he leaves the bar, Goux experiences exposure and immobility, which are, respectively, a necessary condition and a result of photography. They are also the converse. Immobility can be the condition of a sharp photograph-for example, one taken in low light or with a slow shutter speed, and exposure can be the result, in the case of a photograph. . . -- CHAPTER THREE Reading Queerly Homoerotic Poetry, Temporality, and Revolution(pp. 99-116) -- CHAPTER THREE Reading Queerly Homoerotic Poetry, Temporality, and Revolution(pp. 99-116) -- https://doi.org/10.2307/j.ctv1kz4gkz.7 -- https://www.jstor.org/stable/j.ctv1kz4gkz.7 -- Many of Bolaño's poems present topics of gender and sexuality in predominantly heterosexual terms, and often from a decidedly heteronormative and masculinist point of view. They are central to my overall analysis for the ways in which they unsettle the desire for mastery or spatiotemporal capture by positing the critical productivity that resides within unstable states of intermediacy and intemperie. Bolaño's poetry also unsettles the desire for mastery through its questioning of the kind of coherent subjectivity often associated with autobiography and narrative voice, and through its positing of ghosts as privileged readers. The texts I analyze in this chapter. . . -- Detectives of Intemperie(pp. 117-148) -- CHAPTER FOUR The Detectives of Intemperie(pp. 117-148) -- https://doi.org/10.2307/j.ctv1kz4gkz.8 -- https://www.jstor.org/stable/j.ctv1kz4gkz.8 -- Detectives connote procedure, solution, and a return to order following violent interruption. The states of suspension that characterize much of Bolaño's poetry do not appear within texts that present definitive resolution. Dreams of love, as in "Stroll," or homoerotic poetic encounter, as in "The Donkey," are portrayed as persisting in a state of intemperie, one that may not lead to a legible present but that resists the ordering and obliterating effects of teleology. The violence associated with epiphany in "Reunion" and "Visit" calls into question the possibility of divine assurance and redemption the word "epiphany" connotes while preserving multiple encounters. . . -- CHAPTER FIVE Queer Itineraries and Moments of Exposure in The Savage Detectives(pp. 149-188) -- CHAPTER FIVE Queer Itineraries and Moments of Exposure in The Savage Detectives(pp. 149-188) -- https://doi.org/10.2307/j.ctv1kz4gkz.9 -- https://www.jstor.org/stable/j.ctv1kz4gkz.9 -- The structure of The Savage Detectives places the novel's different parts in relations of exposure to one another. The novel also includes within its different narratives several moments of exposure similar to the one at the end of the story "Detectives." The Savage Detectives consists of three parts, the second of which goes temporally and spatially beyond the confines of the first and third. Those bookend parts take the form of a diary by Juan García Madero, a young man who lives with his aunt and uncle in Mexico City, and who has plans to study law, from which he. . . -- CHAPTER SIX Queer Exposures and Textual Constellations(pp. 189-234) -- CHAPTER SIX Queer Exposures and Textual Constellations(pp. 189-234) -- https://doi.org/10.2307/j.ctv1kz4gkz.10 -- https://www.jstor.org/stable/j.ctv1kz4gkz.10 -- This final chapter places in erotic encounter, sometimes only briefly, several texts. They are the short story titled "Photos," which describes Belano's contemplation of a book about Francophone poetry while he finds himself alone and exposed in Liberia; the novel Amulet, which is the expanded version of Lacouture's entry in The Savage Detectives, and which presents an eccentric view of the events of 1968 in Mexico City, including the student movement, the Tlatelolco massacre, and the occupation of the National Autonomous University of Mexico (UNAM), while also recounting important moments of the adolescent years of Belano and San Epifanio; the. . . -- ertain Stars Science Fiction and the Emperor of Ice Cream(pp. 235-236) -- A CONCLUSION Certain Stars Science Fiction and the Emperor of Ice Cream(pp. 235-236) -- https://doi.org/10.2307/j.ctv1kz4gkz.11 -- https://www.jstor.org/stable/j.ctv1kz4gkz.11 -- In the final pages of 2666, Benno von Archimboldi prepares to travel to Santa Teresa at the behest of his sister, Lotte Haas, because his nephew, Klaus Haas, has been accused of committing and masterminding many of the femicides there. Before he leaves Hamburg, he sits on the terrace of a bar and enjoys an ice cream confection called a Fürst Pückler. By chance a man named Alexander Fürst Pückler is also seated on the bar's terrace. He introduces himself to Archimboldi and tells the latter that one of his distant ancestors invented the ice cream Archimboldi is enjoying. According. . . -- Notes(pp. 237-280) -- Notes(pp. 237-280) -- https://doi.org/10.2307/j.ctv1kz4gkz.12 -- https://www.jstor.org/stable/j.ctv1kz4gkz.12 -- Bibliography(pp. 281-290) -- Bibliography(pp. 281-290) -- https://www.jstor.org/stable/j.ctv1kz4gkz.13 -- Index(pp. 291-300) -- Index(pp. 291-300) -- https://doi.org/10.2307/j.ctv1kz4gkz.14 -- https://www.jstor.org/stable/j.ctv1kz4gkz.14. Bolaño, Roberto, 1953-2003 Criticism and interpretation. Bolaño, Roberto, 1953-2003 fast https://id.oclc.org/worldcat/entity/E39PBJp68H8gpgRGXFRP8f4cyd Sexual minorities in literature. http://id.loc.gov/authorities/subjects/sh2006003915 Minorités sexuelles dans la littérature. Sexual minorities in literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2006003915 http://id.loc.gov/authorities/genreForms/gf2017026126 |
| title | Queer exposures : sexuality and photography in Roberto Bolaño's fiction and poetry / |
| title_auth | Queer exposures : sexuality and photography in Roberto Bolaño's fiction and poetry / |
| title_exact_search | Queer exposures : sexuality and photography in Roberto Bolaño's fiction and poetry / |
| title_full | Queer exposures : sexuality and photography in Roberto Bolaño's fiction and poetry / Ryan F. Long. |
| title_fullStr | Queer exposures : sexuality and photography in Roberto Bolaño's fiction and poetry / Ryan F. Long. |
| title_full_unstemmed | Queer exposures : sexuality and photography in Roberto Bolaño's fiction and poetry / Ryan F. Long. |
| title_short | Queer exposures : |
| title_sort | queer exposures sexuality and photography in roberto bolano s fiction and poetry |
| title_sub | sexuality and photography in Roberto Bolaño's fiction and poetry / |
| topic | Bolaño, Roberto, 1953-2003 Criticism and interpretation. Bolaño, Roberto, 1953-2003 fast https://id.oclc.org/worldcat/entity/E39PBJp68H8gpgRGXFRP8f4cyd Sexual minorities in literature. http://id.loc.gov/authorities/subjects/sh2006003915 Minorités sexuelles dans la littérature. Sexual minorities in literature fast |
| topic_facet | Bolaño, Roberto, 1953-2003 Criticism and interpretation. Bolaño, Roberto, 1953-2003 Sexual minorities in literature. Minorités sexuelles dans la littérature. Sexual minorities in literature Criticism, interpretation, etc. Literary criticism. Critiques littéraires. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2913759 |
| work_keys_str_mv | AT longryanfred queerexposuressexualityandphotographyinrobertobolanosfictionandpoetry |