The cinema of Rithy Panh: everything has a soul /
Born in 1964, Cambodian filmmaker Rithy Panh grew up in the midst of the Khmer Rouge's genocidal reign of terror, which claimed the lives of many of his relatives. After escaping to France, where he attended film school, he returned to his homeland in the late 1980s and began work on the docume...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New Brunswick :
Rutgers University Press,
[2021]
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Schriftenreihe: | Global film directors
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Born in 1964, Cambodian filmmaker Rithy Panh grew up in the midst of the Khmer Rouge's genocidal reign of terror, which claimed the lives of many of his relatives. After escaping to France, where he attended film school, he returned to his homeland in the late 1980s and began work on the documentaries and fiction films that have made him Cambodia's most celebrated living director. The fourteen essays in The Cinema of Rithy Panh explore the filmmaker's unique aesthetic sensibility, examining the dynamic and sensuous images through which he suggests that "everything has a soul." They consider how Panh represents Cambodia's traumatic past, combining forms of individual and collective remembrance, and the implications of this past for Cambodia's transition into a global present. Covering documentary and feature films, including his literary adaptations of Marguerite Duras and Kenzaburō Ōe, they examine how Panh's attention to local context leads to a deep understanding of such major themes in global cinema as justice, imperialism, diaspora, gender, and labor. Offering fresh takes on masterworks like The Missing Picture and S-21 while also shining a light on the director's lesser-known films, The Cinema of Rithy Panh will give readers a new appreciation for the boundless creativity and ethical sensitivity of one of Southeast Asia's cinematic visionaries. |
Beschreibung: | 1 online resource. |
ISBN: | 9781978809819 1978809816 9781978809833 1978809832 |
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505 | 0 | |a Cover -- Series Page -- Title Page -- Copyright -- Contents -- Chronology -- Introduction: Rithy Panh and the Cinematic Image / Leslie Barnes and Joseph Mai -- Part I: Aftermath: A Cinema of Postwar Survival -- 1. The "Mad Mother" in Rithy Panh's Films / Boreth Ly -- 2. Resilience in the Ruins: Artistic Practice in Rithy Panh's The Burnt Theatre / Joseph Mai -- 3. The Wounds of Memory: Poetics, Pain, and Possibilities in Rithy Panh's Exile and Que la barque se brise / Khatharya Um -- Part II: From Colonial to Global Cambodia | |
505 | 8 | |a 4. Rithy Panh's The Sea Wall: Reinventing Duras in Cambodia / Jack A. Yeager and Rachel Harrison -- 5. Rithy Panh as Chasseur d'images / Jennifer Cazenave -- 6. Aerial Aftermaths and Reckonings from Below: Reseeing Rithy Panh's Shiiku, the Catch / Cathy J. Schlund-Vials -- 7. Cambodia's "Wandering Souls": Migrant Labor and the Promise of Connection / Leslie Barnes -- Part III: The Question of Justice -- 8. Archiving the Perpetrator / Stéphanie Benzaquen-Gautier and John Kleinen -- 9. Creating Duch: The Projects of Duch, François Bizot, and Rithy Panh / Donald Reid | |
505 | 8 | |a 10. Rithy Panh, Jean Améry, and the Paradigm of Moral Resentment / Raya Morag -- Part IV: Memory, Voice, and Cinematic Practice -- 11. Looking Back and Projecting Forward from Site 2 / Lindsay French -- 12. Bophana's Image and Narrative: Tragedy, Accusatory Gaze, and Hidden Treasure / Vicente Sánchez-biosca -- 13. Memory Translation: Rithy Panh's Provocations to the Primacy and Virtues of the Documentary Sound/Image Index / David Larocca -- 14. Rithy Panh: Storyteller of the Extreme / Soko Phay -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index | |
520 | |a Born in 1964, Cambodian filmmaker Rithy Panh grew up in the midst of the Khmer Rouge's genocidal reign of terror, which claimed the lives of many of his relatives. After escaping to France, where he attended film school, he returned to his homeland in the late 1980s and began work on the documentaries and fiction films that have made him Cambodia's most celebrated living director. The fourteen essays in The Cinema of Rithy Panh explore the filmmaker's unique aesthetic sensibility, examining the dynamic and sensuous images through which he suggests that "everything has a soul." They consider how Panh represents Cambodia's traumatic past, combining forms of individual and collective remembrance, and the implications of this past for Cambodia's transition into a global present. Covering documentary and feature films, including his literary adaptations of Marguerite Duras and Kenzaburō Ōe, they examine how Panh's attention to local context leads to a deep understanding of such major themes in global cinema as justice, imperialism, diaspora, gender, and labor. Offering fresh takes on masterworks like The Missing Picture and S-21 while also shining a light on the director's lesser-known films, The Cinema of Rithy Panh will give readers a new appreciation for the boundless creativity and ethical sensitivity of one of Southeast Asia's cinematic visionaries. | ||
600 | 0 | 0 | |a Rithy Panh |x Criticism and interpretation. |
600 | 0 | 7 | |a Rithy Panh |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxrWJqvjtBQw8fhtV7yh3 |
650 | 7 | |a PERFORMING ARTS / General. |2 bisacsh | |
653 | |a film, media, Asian studies, human rights, genocide, France, essays, aesthetic, soul, Cambodia, global, justice, imperialism, diaspora, gender, labor, director, directing, visionary, documentary, Rithy Panh, global cinema, art, globalization, storytelling, biography, post-war, colonial. | ||
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
700 | 1 | |a Barnes, Leslie, |d 1976- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjCb9fgkT7tDTRtGBVhwT3 |0 http://id.loc.gov/authorities/names/n2014043207 | |
700 | 1 | |a Mai, Joseph, |e editor. | |
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DE-BY-FWS_katkey | ZDB-4-EBA-on1247057122 |
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adam_text | |
any_adam_object | |
author | Barnes, Leslie, 1976- |
author2 | Mai, Joseph |
author2_role | edt |
author2_variant | j m jm |
author_GND | http://id.loc.gov/authorities/names/n2014043207 |
author_facet | Barnes, Leslie, 1976- Mai, Joseph |
author_role | aut |
author_sort | Barnes, Leslie, 1976- |
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building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1998 |
callnumber-raw | PN1998.3.R5755 C56 2021 |
callnumber-search | PN1998.3.R5755 C56 2021 |
callnumber-sort | PN 41998.3 R5755 C56 42021 |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Cover -- Series Page -- Title Page -- Copyright -- Contents -- Chronology -- Introduction: Rithy Panh and the Cinematic Image / Leslie Barnes and Joseph Mai -- Part I: Aftermath: A Cinema of Postwar Survival -- 1. The "Mad Mother" in Rithy Panh's Films / Boreth Ly -- 2. Resilience in the Ruins: Artistic Practice in Rithy Panh's The Burnt Theatre / Joseph Mai -- 3. The Wounds of Memory: Poetics, Pain, and Possibilities in Rithy Panh's Exile and Que la barque se brise / Khatharya Um -- Part II: From Colonial to Global Cambodia 4. Rithy Panh's The Sea Wall: Reinventing Duras in Cambodia / Jack A. Yeager and Rachel Harrison -- 5. Rithy Panh as Chasseur d'images / Jennifer Cazenave -- 6. Aerial Aftermaths and Reckonings from Below: Reseeing Rithy Panh's Shiiku, the Catch / Cathy J. Schlund-Vials -- 7. Cambodia's "Wandering Souls": Migrant Labor and the Promise of Connection / Leslie Barnes -- Part III: The Question of Justice -- 8. Archiving the Perpetrator / Stéphanie Benzaquen-Gautier and John Kleinen -- 9. Creating Duch: The Projects of Duch, François Bizot, and Rithy Panh / Donald Reid 10. Rithy Panh, Jean Améry, and the Paradigm of Moral Resentment / Raya Morag -- Part IV: Memory, Voice, and Cinematic Practice -- 11. Looking Back and Projecting Forward from Site 2 / Lindsay French -- 12. Bophana's Image and Narrative: Tragedy, Accusatory Gaze, and Hidden Treasure / Vicente Sánchez-biosca -- 13. Memory Translation: Rithy Panh's Provocations to the Primacy and Virtues of the Documentary Sound/Image Index / David Larocca -- 14. Rithy Panh: Storyteller of the Extreme / Soko Phay -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index |
ctrlnum | (OCoLC)1247057122 |
dewey-full | 791.4302/330922 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4302/330922 |
dewey-search | 791.4302/330922 |
dewey-sort | 3791.4302 6330922 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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id | ZDB-4-EBA-on1247057122 |
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language | English |
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series2 | Global film directors |
spelling | The cinema of Rithy Panh [electronic resource] : everything has a soul / edited by Leslie Barnes and Joseph Mai. New Brunswick : Rutgers University Press, [2021] 1 online resource. Global film directors Cover -- Series Page -- Title Page -- Copyright -- Contents -- Chronology -- Introduction: Rithy Panh and the Cinematic Image / Leslie Barnes and Joseph Mai -- Part I: Aftermath: A Cinema of Postwar Survival -- 1. The "Mad Mother" in Rithy Panh's Films / Boreth Ly -- 2. Resilience in the Ruins: Artistic Practice in Rithy Panh's The Burnt Theatre / Joseph Mai -- 3. The Wounds of Memory: Poetics, Pain, and Possibilities in Rithy Panh's Exile and Que la barque se brise / Khatharya Um -- Part II: From Colonial to Global Cambodia 4. Rithy Panh's The Sea Wall: Reinventing Duras in Cambodia / Jack A. Yeager and Rachel Harrison -- 5. Rithy Panh as Chasseur d'images / Jennifer Cazenave -- 6. Aerial Aftermaths and Reckonings from Below: Reseeing Rithy Panh's Shiiku, the Catch / Cathy J. Schlund-Vials -- 7. Cambodia's "Wandering Souls": Migrant Labor and the Promise of Connection / Leslie Barnes -- Part III: The Question of Justice -- 8. Archiving the Perpetrator / Stéphanie Benzaquen-Gautier and John Kleinen -- 9. Creating Duch: The Projects of Duch, François Bizot, and Rithy Panh / Donald Reid 10. Rithy Panh, Jean Améry, and the Paradigm of Moral Resentment / Raya Morag -- Part IV: Memory, Voice, and Cinematic Practice -- 11. Looking Back and Projecting Forward from Site 2 / Lindsay French -- 12. Bophana's Image and Narrative: Tragedy, Accusatory Gaze, and Hidden Treasure / Vicente Sánchez-biosca -- 13. Memory Translation: Rithy Panh's Provocations to the Primacy and Virtues of the Documentary Sound/Image Index / David Larocca -- 14. Rithy Panh: Storyteller of the Extreme / Soko Phay -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index Born in 1964, Cambodian filmmaker Rithy Panh grew up in the midst of the Khmer Rouge's genocidal reign of terror, which claimed the lives of many of his relatives. After escaping to France, where he attended film school, he returned to his homeland in the late 1980s and began work on the documentaries and fiction films that have made him Cambodia's most celebrated living director. The fourteen essays in The Cinema of Rithy Panh explore the filmmaker's unique aesthetic sensibility, examining the dynamic and sensuous images through which he suggests that "everything has a soul." They consider how Panh represents Cambodia's traumatic past, combining forms of individual and collective remembrance, and the implications of this past for Cambodia's transition into a global present. Covering documentary and feature films, including his literary adaptations of Marguerite Duras and Kenzaburō Ōe, they examine how Panh's attention to local context leads to a deep understanding of such major themes in global cinema as justice, imperialism, diaspora, gender, and labor. Offering fresh takes on masterworks like The Missing Picture and S-21 while also shining a light on the director's lesser-known films, The Cinema of Rithy Panh will give readers a new appreciation for the boundless creativity and ethical sensitivity of one of Southeast Asia's cinematic visionaries. Rithy Panh Criticism and interpretation. Rithy Panh fast https://id.oclc.org/worldcat/entity/E39PBJxrWJqvjtBQw8fhtV7yh3 PERFORMING ARTS / General. bisacsh film, media, Asian studies, human rights, genocide, France, essays, aesthetic, soul, Cambodia, global, justice, imperialism, diaspora, gender, labor, director, directing, visionary, documentary, Rithy Panh, global cinema, art, globalization, storytelling, biography, post-war, colonial. Criticism, interpretation, etc. fast Barnes, Leslie, 1976- author. https://id.oclc.org/worldcat/entity/E39PCjCb9fgkT7tDTRtGBVhwT3 http://id.loc.gov/authorities/names/n2014043207 Mai, Joseph, editor. Print version: 9781978809796 1978809794 9781978809802 1978809808 (DLC) 2020044281 (OCoLC)1200581024 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2717694 Volltext |
spellingShingle | Barnes, Leslie, 1976- The cinema of Rithy Panh everything has a soul / Cover -- Series Page -- Title Page -- Copyright -- Contents -- Chronology -- Introduction: Rithy Panh and the Cinematic Image / Leslie Barnes and Joseph Mai -- Part I: Aftermath: A Cinema of Postwar Survival -- 1. The "Mad Mother" in Rithy Panh's Films / Boreth Ly -- 2. Resilience in the Ruins: Artistic Practice in Rithy Panh's The Burnt Theatre / Joseph Mai -- 3. The Wounds of Memory: Poetics, Pain, and Possibilities in Rithy Panh's Exile and Que la barque se brise / Khatharya Um -- Part II: From Colonial to Global Cambodia 4. Rithy Panh's The Sea Wall: Reinventing Duras in Cambodia / Jack A. Yeager and Rachel Harrison -- 5. Rithy Panh as Chasseur d'images / Jennifer Cazenave -- 6. Aerial Aftermaths and Reckonings from Below: Reseeing Rithy Panh's Shiiku, the Catch / Cathy J. Schlund-Vials -- 7. Cambodia's "Wandering Souls": Migrant Labor and the Promise of Connection / Leslie Barnes -- Part III: The Question of Justice -- 8. Archiving the Perpetrator / Stéphanie Benzaquen-Gautier and John Kleinen -- 9. Creating Duch: The Projects of Duch, François Bizot, and Rithy Panh / Donald Reid 10. Rithy Panh, Jean Améry, and the Paradigm of Moral Resentment / Raya Morag -- Part IV: Memory, Voice, and Cinematic Practice -- 11. Looking Back and Projecting Forward from Site 2 / Lindsay French -- 12. Bophana's Image and Narrative: Tragedy, Accusatory Gaze, and Hidden Treasure / Vicente Sánchez-biosca -- 13. Memory Translation: Rithy Panh's Provocations to the Primacy and Virtues of the Documentary Sound/Image Index / David Larocca -- 14. Rithy Panh: Storyteller of the Extreme / Soko Phay -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index Rithy Panh Criticism and interpretation. Rithy Panh fast https://id.oclc.org/worldcat/entity/E39PBJxrWJqvjtBQw8fhtV7yh3 PERFORMING ARTS / General. bisacsh |
title | The cinema of Rithy Panh everything has a soul / |
title_auth | The cinema of Rithy Panh everything has a soul / |
title_exact_search | The cinema of Rithy Panh everything has a soul / |
title_full | The cinema of Rithy Panh [electronic resource] : everything has a soul / edited by Leslie Barnes and Joseph Mai. |
title_fullStr | The cinema of Rithy Panh [electronic resource] : everything has a soul / edited by Leslie Barnes and Joseph Mai. |
title_full_unstemmed | The cinema of Rithy Panh [electronic resource] : everything has a soul / edited by Leslie Barnes and Joseph Mai. |
title_short | The cinema of Rithy Panh |
title_sort | cinema of rithy panh everything has a soul |
title_sub | everything has a soul / |
topic | Rithy Panh Criticism and interpretation. Rithy Panh fast https://id.oclc.org/worldcat/entity/E39PBJxrWJqvjtBQw8fhtV7yh3 PERFORMING ARTS / General. bisacsh |
topic_facet | Rithy Panh Criticism and interpretation. Rithy Panh PERFORMING ARTS / General. Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2717694 |
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