Inscribing Jingju/Peking opera :: textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present /
"What was the most influential mass medium in China before the internet? Jingju (Peking opera)! Although its actors were commonly thought to have been illiterate, written and other inscripted versions of plays became more and more important and varied. This book shows how increasing textualizat...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston :
Brill,
[2021]
|
| Schriftenreihe: | Studies in the history of Chinese texts ;
v. 12. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "What was the most influential mass medium in China before the internet? Jingju (Peking opera)! Although its actors were commonly thought to have been illiterate, written and other inscripted versions of plays became more and more important and varied. This book shows how increasing textualization and the resulting fixation of a performance tradition that once privileged improvisation changed the genre. It traces, from Jingju's birth in the 19th century to the present, how texts were used for the production and consumption of this important performance genre and the changes in the concepts of authorship, copyright, and performance rights that took place during the process. The state's desire to police what was performed is shown to have been a major factor in these changes. The scope and coverage of the book is already unprecedented, but it is also supplemented by an additional chapter (on where the plays were performed, who performed them, and who went to see them) available for download online"-- |
| Beschreibung: | 1 online resource (xx, 797 pages). |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789004463394 9004463399 |
| ISSN: | 1877-9425 ; |
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| 100 | 1 | |a Rolston, David L., |d 1952- |e author. |0 http://id.loc.gov/authorities/names/n88025668 | |
| 245 | 1 | 0 | |a Inscribing Jingju/Peking opera : |b textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present / |c by David L. Rolston. |
| 264 | 1 | |a Leiden ; |a Boston : |b Brill, |c [2021] | |
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| 490 | 1 | |a Studies in the history of Chinese texts, |x 1877-9425 ; |v volume 12 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: what is Jingju, and why should we care about it? -- Jingju repertoire(s) and types of plays and playscripts -- Textualization and authorship before Xikao (research into plays) -- The production of a mass-market collection of Jingju playscripts: Xikao (research into plays) -- After Xikao: the rise of theater studies, copyright, and new censorship regimes -- New kinds of playwrights -- New kinds of publication. | |
| 520 | |a "What was the most influential mass medium in China before the internet? Jingju (Peking opera)! Although its actors were commonly thought to have been illiterate, written and other inscripted versions of plays became more and more important and varied. This book shows how increasing textualization and the resulting fixation of a performance tradition that once privileged improvisation changed the genre. It traces, from Jingju's birth in the 19th century to the present, how texts were used for the production and consumption of this important performance genre and the changes in the concepts of authorship, copyright, and performance rights that took place during the process. The state's desire to police what was performed is shown to have been a major factor in these changes. The scope and coverage of the book is already unprecedented, but it is also supplemented by an additional chapter (on where the plays were performed, who performed them, and who went to see them) available for download online"-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on September 02, 2021). | ||
| 650 | 0 | |a Operas, Chinese |z China |z Beijing |x History and criticism. | |
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| 758 | |i has work: |a Inscribing Jingju/Peking opera (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGVF4qmmDYyv33tvGpvkfy |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| author | Rolston, David L., 1952- |
| author_GND | http://id.loc.gov/authorities/names/n88025668 |
| author_facet | Rolston, David L., 1952- |
| author_role | aut |
| author_sort | Rolston, David L., 1952- |
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| contents | Introduction: what is Jingju, and why should we care about it? -- Jingju repertoire(s) and types of plays and playscripts -- Textualization and authorship before Xikao (research into plays) -- The production of a mass-market collection of Jingju playscripts: Xikao (research into plays) -- After Xikao: the rise of theater studies, copyright, and new censorship regimes -- New kinds of playwrights -- New kinds of publication. |
| ctrlnum | (OCoLC)1242018594 |
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| dewey-raw | 792.50951/156 |
| dewey-search | 792.50951/156 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
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| id | ZDB-4-EBA-on1242018594 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:30:14Z |
| institution | BVB |
| isbn | 9789004463394 9004463399 |
| issn | 1877-9425 ; |
| language | English |
| lccn | 2021011865 |
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| physical | 1 online resource (xx, 797 pages). |
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| series | Studies in the history of Chinese texts ; |
| series2 | Studies in the history of Chinese texts, |
| spelling | Rolston, David L., 1952- author. http://id.loc.gov/authorities/names/n88025668 Inscribing Jingju/Peking opera : textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present / by David L. Rolston. Leiden ; Boston : Brill, [2021] ©2021 1 online resource (xx, 797 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Studies in the history of Chinese texts, 1877-9425 ; volume 12 Includes bibliographical references and index. Introduction: what is Jingju, and why should we care about it? -- Jingju repertoire(s) and types of plays and playscripts -- Textualization and authorship before Xikao (research into plays) -- The production of a mass-market collection of Jingju playscripts: Xikao (research into plays) -- After Xikao: the rise of theater studies, copyright, and new censorship regimes -- New kinds of playwrights -- New kinds of publication. "What was the most influential mass medium in China before the internet? Jingju (Peking opera)! Although its actors were commonly thought to have been illiterate, written and other inscripted versions of plays became more and more important and varied. This book shows how increasing textualization and the resulting fixation of a performance tradition that once privileged improvisation changed the genre. It traces, from Jingju's birth in the 19th century to the present, how texts were used for the production and consumption of this important performance genre and the changes in the concepts of authorship, copyright, and performance rights that took place during the process. The state's desire to police what was performed is shown to have been a major factor in these changes. The scope and coverage of the book is already unprecedented, but it is also supplemented by an additional chapter (on where the plays were performed, who performed them, and who went to see them) available for download online"-- Provided by publisher. Description based on online resource; title from digital title page (viewed on September 02, 2021). Operas, Chinese China Beijing History and criticism. Operas, Chinese fast China Beijing fast Criticism, interpretation, etc. fast has work: Inscribing Jingju/Peking opera (Text) https://id.oclc.org/worldcat/entity/E39PCGVF4qmmDYyv33tvGpvkfy https://id.oclc.org/worldcat/ontology/hasWork Print version: Rolston, David L., 1952- Inscribing Jingju/Peking opera. Leiden ; Boston : Brill, [2021] 9789004461925 (DLC) 2021011864 (OCoLC)1242023276 Studies in the history of Chinese texts ; v. 12. http://id.loc.gov/authorities/names/no2009200875 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2996285 Volltext |
| spellingShingle | Rolston, David L., 1952- Inscribing Jingju/Peking opera : textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present / Studies in the history of Chinese texts ; Introduction: what is Jingju, and why should we care about it? -- Jingju repertoire(s) and types of plays and playscripts -- Textualization and authorship before Xikao (research into plays) -- The production of a mass-market collection of Jingju playscripts: Xikao (research into plays) -- After Xikao: the rise of theater studies, copyright, and new censorship regimes -- New kinds of playwrights -- New kinds of publication. Operas, Chinese China Beijing History and criticism. Operas, Chinese fast |
| title | Inscribing Jingju/Peking opera : textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present / |
| title_auth | Inscribing Jingju/Peking opera : textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present / |
| title_exact_search | Inscribing Jingju/Peking opera : textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present / |
| title_full | Inscribing Jingju/Peking opera : textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present / by David L. Rolston. |
| title_fullStr | Inscribing Jingju/Peking opera : textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present / by David L. Rolston. |
| title_full_unstemmed | Inscribing Jingju/Peking opera : textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present / by David L. Rolston. |
| title_short | Inscribing Jingju/Peking opera : |
| title_sort | inscribing jingju peking opera textualization and performance authorship and censorship of the national drama of china from the late qing to the present |
| title_sub | textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present / |
| topic | Operas, Chinese China Beijing History and criticism. Operas, Chinese fast |
| topic_facet | Operas, Chinese China Beijing History and criticism. Operas, Chinese China Beijing Criticism, interpretation, etc. |
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