New blood :: critical approaches to contemporary horror /
The taste for horror is arguably as great today as it has ever been. Since the turn of the millennium, the horror genre has seen various developments emerging out of a range of contexts, from new industry paradigms and distribution practices to the advancement of subgenres that reflect new and evolv...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cardiff :
University of Wales Press,
2020
|
| Schriftenreihe: | Horror studies.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The taste for horror is arguably as great today as it has ever been. Since the turn of the millennium, the horror genre has seen various developments emerging out of a range of contexts, from new industry paradigms and distribution practices to the advancement of subgenres that reflect new and evolving fears. New Blood builds upon preceding horror scholarship to offer a series of critical perspectives on the genre since the year 2000, presenting a collection of case studies on topics as diverse as the emergence of new critical categories (such as the contentiously named 'prestige horror'), new subgenres (including 'digital folk horror'and 'desktop horror') and horror on-demand ('Netflix horror'), and including analyses of key films such as The Witch and Raw and TV shows like Stranger Things and Channel Zero. Never losing sight of the horror genre's ongoing political economy, New Blood is an exciting contribution to film and horror scholarship that will prove to be an essential addition to the shelves of researchers, students and fans alike. |
| Beschreibung: | 1 online resource (xiv, 305 pages) |
| Bibliographie: | Includes bibliographical references and index |
| ISBN: | 9781786836359 1786836351 9781786836366 178683636X 9781786836373 1786836378 |
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| 520 | |a The taste for horror is arguably as great today as it has ever been. Since the turn of the millennium, the horror genre has seen various developments emerging out of a range of contexts, from new industry paradigms and distribution practices to the advancement of subgenres that reflect new and evolving fears. New Blood builds upon preceding horror scholarship to offer a series of critical perspectives on the genre since the year 2000, presenting a collection of case studies on topics as diverse as the emergence of new critical categories (such as the contentiously named 'prestige horror'), new subgenres (including 'digital folk horror'and 'desktop horror') and horror on-demand ('Netflix horror'), and including analyses of key films such as The Witch and Raw and TV shows like Stranger Things and Channel Zero. Never losing sight of the horror genre's ongoing political economy, New Blood is an exciting contribution to film and horror scholarship that will prove to be an essential addition to the shelves of researchers, students and fans alike. | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Apprehension engines: the new independent 'prestige horror' / David Church -- Hardcore horror: challenging the discourses of 'extremity' / Steve Jones -- From midnight movies to mainstream excess: cult horror festivals and the academy -- A master of horror? The making and marketing of Takashi Miike's horror reputation / Joe Hickinbottom -- Bloody muscles on VHS: when Asia extreme met the video nasties / Jonathan Wroot -- Streaming Netflix original horror: Black Mirror, Stranger Things and datafied TV horror / Matt Hills -- The digital gothic and the mainstream horror genre: uncanny vernacular creativity and adaptation / Jessica Balanzategui -- Nazi horror, reanimated: rethinking subgenres and cycles / Abigail Whittall -- Digital witness: found footage and desktop horror as post-cinematic experience / Lindsay Hallam -- Revisiting the female monster: sex and monstrosity in contemporary body horror / Eddie Falvey -- The kids are alt-right: hardcore punk, subcultural violence and contemporary American politics in Jeremy Saulnier's Green Room / Thomas Joseph Watson -- Twenty-first-century Euro-snuff: a Serbian film for the family / Neil Jackson | |
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| 700 | 1 | |a Falvey, Eddie, |e editor. | |
| 700 | 1 | |a Wroot, Jonathan, |e editor. | |
| 700 | 1 | |a Hickinbottom, Joe, |e editor. | |
| 776 | 0 | 8 | |i Print version: |t New blood. |d [Place of publication not identified] UNIV OF WALES Press, 2021 |z 1786836343 |w (OCoLC)1145112125 |
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| contents | Apprehension engines: the new independent 'prestige horror' / David Church -- Hardcore horror: challenging the discourses of 'extremity' / Steve Jones -- From midnight movies to mainstream excess: cult horror festivals and the academy -- A master of horror? The making and marketing of Takashi Miike's horror reputation / Joe Hickinbottom -- Bloody muscles on VHS: when Asia extreme met the video nasties / Jonathan Wroot -- Streaming Netflix original horror: Black Mirror, Stranger Things and datafied TV horror / Matt Hills -- The digital gothic and the mainstream horror genre: uncanny vernacular creativity and adaptation / Jessica Balanzategui -- Nazi horror, reanimated: rethinking subgenres and cycles / Abigail Whittall -- Digital witness: found footage and desktop horror as post-cinematic experience / Lindsay Hallam -- Revisiting the female monster: sex and monstrosity in contemporary body horror / Eddie Falvey -- The kids are alt-right: hardcore punk, subcultural violence and contemporary American politics in Jeremy Saulnier's Green Room / Thomas Joseph Watson -- Twenty-first-century Euro-snuff: a Serbian film for the family / Neil Jackson |
| ctrlnum | (OCoLC)1239987128 |
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| id | ZDB-4-EBA-on1239987128 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:30:13Z |
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| isbn | 9781786836359 1786836351 9781786836366 178683636X 9781786836373 1786836378 |
| language | English |
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| series | Horror studies. |
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| spelling | New blood : critical approaches to contemporary horror / edited by Eddie Falvey, Joe Hickinbottom, and Jonathan Wroot Cardiff : University of Wales Press, 2020 ©2020 1 online resource (xiv, 305 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Horror Studies The taste for horror is arguably as great today as it has ever been. Since the turn of the millennium, the horror genre has seen various developments emerging out of a range of contexts, from new industry paradigms and distribution practices to the advancement of subgenres that reflect new and evolving fears. New Blood builds upon preceding horror scholarship to offer a series of critical perspectives on the genre since the year 2000, presenting a collection of case studies on topics as diverse as the emergence of new critical categories (such as the contentiously named 'prestige horror'), new subgenres (including 'digital folk horror'and 'desktop horror') and horror on-demand ('Netflix horror'), and including analyses of key films such as The Witch and Raw and TV shows like Stranger Things and Channel Zero. Never losing sight of the horror genre's ongoing political economy, New Blood is an exciting contribution to film and horror scholarship that will prove to be an essential addition to the shelves of researchers, students and fans alike. Includes bibliographical references and index Apprehension engines: the new independent 'prestige horror' / David Church -- Hardcore horror: challenging the discourses of 'extremity' / Steve Jones -- From midnight movies to mainstream excess: cult horror festivals and the academy -- A master of horror? The making and marketing of Takashi Miike's horror reputation / Joe Hickinbottom -- Bloody muscles on VHS: when Asia extreme met the video nasties / Jonathan Wroot -- Streaming Netflix original horror: Black Mirror, Stranger Things and datafied TV horror / Matt Hills -- The digital gothic and the mainstream horror genre: uncanny vernacular creativity and adaptation / Jessica Balanzategui -- Nazi horror, reanimated: rethinking subgenres and cycles / Abigail Whittall -- Digital witness: found footage and desktop horror as post-cinematic experience / Lindsay Hallam -- Revisiting the female monster: sex and monstrosity in contemporary body horror / Eddie Falvey -- The kids are alt-right: hardcore punk, subcultural violence and contemporary American politics in Jeremy Saulnier's Green Room / Thomas Joseph Watson -- Twenty-first-century Euro-snuff: a Serbian film for the family / Neil Jackson Print version record Horror films History and criticism. Films d'horreur Histoire et critique. Horror films fast PERFORMING ARTS / Film / History & Criticism bisacsh Criticism, interpretation, etc. fast Falvey, Eddie, editor. Wroot, Jonathan, editor. Hickinbottom, Joe, editor. Print version: New blood. [Place of publication not identified] UNIV OF WALES Press, 2021 1786836343 (OCoLC)1145112125 Horror studies. http://id.loc.gov/authorities/names/no2019025166 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2755499 Volltext |
| spellingShingle | New blood : critical approaches to contemporary horror / Horror studies. Apprehension engines: the new independent 'prestige horror' / David Church -- Hardcore horror: challenging the discourses of 'extremity' / Steve Jones -- From midnight movies to mainstream excess: cult horror festivals and the academy -- A master of horror? The making and marketing of Takashi Miike's horror reputation / Joe Hickinbottom -- Bloody muscles on VHS: when Asia extreme met the video nasties / Jonathan Wroot -- Streaming Netflix original horror: Black Mirror, Stranger Things and datafied TV horror / Matt Hills -- The digital gothic and the mainstream horror genre: uncanny vernacular creativity and adaptation / Jessica Balanzategui -- Nazi horror, reanimated: rethinking subgenres and cycles / Abigail Whittall -- Digital witness: found footage and desktop horror as post-cinematic experience / Lindsay Hallam -- Revisiting the female monster: sex and monstrosity in contemporary body horror / Eddie Falvey -- The kids are alt-right: hardcore punk, subcultural violence and contemporary American politics in Jeremy Saulnier's Green Room / Thomas Joseph Watson -- Twenty-first-century Euro-snuff: a Serbian film for the family / Neil Jackson Horror films History and criticism. Films d'horreur Histoire et critique. Horror films fast PERFORMING ARTS / Film / History & Criticism bisacsh |
| title | New blood : critical approaches to contemporary horror / |
| title_auth | New blood : critical approaches to contemporary horror / |
| title_exact_search | New blood : critical approaches to contemporary horror / |
| title_full | New blood : critical approaches to contemporary horror / edited by Eddie Falvey, Joe Hickinbottom, and Jonathan Wroot |
| title_fullStr | New blood : critical approaches to contemporary horror / edited by Eddie Falvey, Joe Hickinbottom, and Jonathan Wroot |
| title_full_unstemmed | New blood : critical approaches to contemporary horror / edited by Eddie Falvey, Joe Hickinbottom, and Jonathan Wroot |
| title_short | New blood : |
| title_sort | new blood critical approaches to contemporary horror |
| title_sub | critical approaches to contemporary horror / |
| topic | Horror films History and criticism. Films d'horreur Histoire et critique. Horror films fast PERFORMING ARTS / Film / History & Criticism bisacsh |
| topic_facet | Horror films History and criticism. Films d'horreur Histoire et critique. Horror films PERFORMING ARTS / Film / History & Criticism Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2755499 |
| work_keys_str_mv | AT falveyeddie newbloodcriticalapproachestocontemporaryhorror AT wrootjonathan newbloodcriticalapproachestocontemporaryhorror AT hickinbottomjoe newbloodcriticalapproachestocontemporaryhorror |