Music in cinema /:
"In a major book for the field, Michel Chion considers film music with his trademark panache. Discussing the historical considerations of film music and the theoretical implications of the crossover between the mediums of music and film, Chion expands on the concepts he has introduced and appli...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English French |
| Veröffentlicht: |
New York :
Columbia University Press,
[2021]
|
| Schriftenreihe: | Film and culture.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In a major book for the field, Michel Chion considers film music with his trademark panache. Discussing the historical considerations of film music and the theoretical implications of the crossover between the mediums of music and film, Chion expands on the concepts he has introduced and applies them exclusively to film music. From Sunrise to The Jazz Singer to Birdman to Felicité, The Music of Cinema will be both a strong entry point for general readers interested in learning more about film music, a solid textbook in the field, as well as an evergreen resource for film scholars. The first section of the book examines music in films from the historical perspective, exploring how technical advances are related to aesthetic considerations. Next, a more theoretical section addresses the use of music in film as both element and medium, world and subject, metaphor and model"; |
| Beschreibung: | Translated from the original French into English. |
| Beschreibung: | 1 online resource (xiii, 380 pages) : illustrations. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780231552851 0231552858 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1238132270 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 210216s2021 nyu ob 001 0 eng | ||
| 010 | |a 2021004340 | ||
| 040 | |a DLC |b eng |e rda |e pn |c DLC |d OCLCO |d OCLCF |d N$T |d YDX |d UKAHL |d JSTOR |d OCLCO |d IAK |d OCLCQ |d OCLCO |d WAU |d OCLCL |d HOPLA | ||
| 066 | |c Zsym | ||
| 019 | |a 1269482958 |a 1269618049 | ||
| 020 | |a 9780231552851 |q electronic book | ||
| 020 | |a 0231552858 |q electronic book | ||
| 020 | |z 9780231198882 |q hardcover | ||
| 020 | |z 9780231198899 |q paperback | ||
| 020 | |z 0231198892 | ||
| 020 | |z 0231198884 | ||
| 035 | |a (OCoLC)1238132270 |z (OCoLC)1269482958 |z (OCoLC)1269618049 | ||
| 037 | |a 22573/ctv1z78q1b |b JSTOR | ||
| 041 | 1 | |a eng |h fre | |
| 042 | |a pcc | ||
| 050 | 0 | 4 | |a ML2075 |b .C4713 2021 |
| 072 | 7 | |a ART |x 057000 |2 bisacsh | |
| 072 | 7 | |a PHO |x 022000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 037060 |2 bisacsh | |
| 082 | 7 | |a 781.5/4209 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Chion, Michel, |d 1947- |e author. |0 http://id.loc.gov/authorities/names/n83013090 | |
| 240 | 1 | 0 | |a Musique au cinéma. |l English |
| 245 | 1 | 0 | |a Music in cinema / |c Michel Chion ; edited and translated by Claudia Gorbman. |
| 264 | 1 | |a New York : |b Columbia University Press, |c [2021] | |
| 300 | |a 1 online resource (xiii, 380 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Film and culture | |
| 500 | |a Translated from the original French into English. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: Music redefined by cinema -- Part I. Historical perspectives. Dreams and realities : 1895-1935 -- Classicism to modernism : 1935-1975 -- Back to the future : 1975-1995 -- Whither film music? : 1966-2020 -- Part II: The three faces of music in cinema. Music as an element and as a means -- Music as world -- Music as subject, metaphor and model -- By way of a conclusion -- Glossary. | |
| 520 | |a "In a major book for the field, Michel Chion considers film music with his trademark panache. Discussing the historical considerations of film music and the theoretical implications of the crossover between the mediums of music and film, Chion expands on the concepts he has introduced and applies them exclusively to film music. From Sunrise to The Jazz Singer to Birdman to Felicité, The Music of Cinema will be both a strong entry point for general readers interested in learning more about film music, a solid textbook in the field, as well as an evergreen resource for film scholars. The first section of the book examines music in films from the historical perspective, exploring how technical advances are related to aesthetic considerations. Next, a more theoretical section addresses the use of music in film as both element and medium, world and subject, metaphor and model"; |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on October 11, 2021). | ||
| 650 | 0 | |a Motion picture music |x History and criticism. | |
| 650 | 0 | |a Motion pictures and music. |0 http://id.loc.gov/authorities/subjects/sh85088133 | |
| 650 | 6 | |a Film, Musique de |x Histoire et critique. | |
| 650 | 7 | |a ART / Film & Video |2 bisacsh | |
| 650 | 7 | |a Motion picture music |2 fast | |
| 650 | 7 | |a Motion pictures and music |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Gorbman, Claudia, |e editor, |e translator. |0 http://id.loc.gov/authorities/names/n85299438 | |
| 758 | |i has work: |a Music in cinema (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFBtDC79HYPqmTRRpH8qYq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Chion, Michel, 1947- |t Music in film |d New York : Columbia University Press, 2021. |z 9780231198882 |w (DLC) 2021004339 |
| 830 | 0 | |a Film and culture. |0 http://id.loc.gov/authorities/names/n92059833 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2916991 |3 Volltext |
| 880 | |6 520-00 |a Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other.⍾⍾The first section of the book examines film music from a historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson's performance in "The Jazz Singer", the zither in "The Third Man", Godard's patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors' attraction to atonal and dissonant music as well as musique concrète, of which he is a composer.⍾⍾Wide-ranging and original, "Music in Cinema" offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars. | ||
| 938 | |a hoopla Digital |b HOPL |n MWT14592981 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH39250224 | ||
| 938 | |a EBSCOhost |b EBSC |n 2916991 | ||
| 938 | |a YBP Library Services |b YANK |n 302468242 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1238132270 |
|---|---|
| _version_ | 1816882539168530432 |
| adam_text | |
| any_adam_object | |
| author | Chion, Michel, 1947- |
| author2 | Gorbman, Claudia Gorbman, Claudia |
| author2_role | edt trl |
| author2_variant | c g cg c g cg |
| author_GND | http://id.loc.gov/authorities/names/n83013090 http://id.loc.gov/authorities/names/n85299438 |
| author_facet | Chion, Michel, 1947- Gorbman, Claudia Gorbman, Claudia |
| author_role | aut |
| author_sort | Chion, Michel, 1947- |
| author_variant | m c mc |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML2075 |
| callnumber-raw | ML2075 .C4713 2021 |
| callnumber-search | ML2075 .C4713 2021 |
| callnumber-sort | ML 42075 C4713 42021 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Introduction: Music redefined by cinema -- Part I. Historical perspectives. Dreams and realities : 1895-1935 -- Classicism to modernism : 1935-1975 -- Back to the future : 1975-1995 -- Whither film music? : 1966-2020 -- Part II: The three faces of music in cinema. Music as an element and as a means -- Music as world -- Music as subject, metaphor and model -- By way of a conclusion -- Glossary. |
| ctrlnum | (OCoLC)1238132270 |
| dewey-full | 781.5/4209 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/4209 |
| dewey-search | 781.5/4209 |
| dewey-sort | 3781.5 44209 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05878cam a2200721 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1238132270</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">210216s2021 nyu ob 001 0 eng </controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2021004340</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DLC</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">DLC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCF</subfield><subfield code="d">N$T</subfield><subfield code="d">YDX</subfield><subfield code="d">UKAHL</subfield><subfield code="d">JSTOR</subfield><subfield code="d">OCLCO</subfield><subfield code="d">IAK</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">WAU</subfield><subfield code="d">OCLCL</subfield><subfield code="d">HOPLA</subfield></datafield><datafield tag="066" ind1=" " ind2=" "><subfield code="c">Zsym</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1269482958</subfield><subfield code="a">1269618049</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231552851</subfield><subfield code="q">electronic book</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0231552858</subfield><subfield code="q">electronic book</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780231198882</subfield><subfield code="q">hardcover</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780231198899</subfield><subfield code="q">paperback</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0231198892</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0231198884</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1238132270</subfield><subfield code="z">(OCoLC)1269482958</subfield><subfield code="z">(OCoLC)1269618049</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv1z78q1b</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="041" ind1="1" ind2=" "><subfield code="a">eng</subfield><subfield code="h">fre</subfield></datafield><datafield tag="042" ind1=" " ind2=" "><subfield code="a">pcc</subfield></datafield><datafield tag="050" ind1="0" ind2="4"><subfield code="a">ML2075</subfield><subfield code="b">.C4713 2021</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">057000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PHO</subfield><subfield code="x">022000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">037060</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">781.5/4209</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Chion, Michel,</subfield><subfield code="d">1947-</subfield><subfield code="e">author.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n83013090</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Musique au cinéma.</subfield><subfield code="l">English</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music in cinema /</subfield><subfield code="c">Michel Chion ; edited and translated by Claudia Gorbman.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York :</subfield><subfield code="b">Columbia University Press,</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xiii, 380 pages) :</subfield><subfield code="b">illustrations.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Film and culture</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Translated from the original French into English.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction: Music redefined by cinema -- Part I. Historical perspectives. Dreams and realities : 1895-1935 -- Classicism to modernism : 1935-1975 -- Back to the future : 1975-1995 -- Whither film music? : 1966-2020 -- Part II: The three faces of music in cinema. Music as an element and as a means -- Music as world -- Music as subject, metaphor and model -- By way of a conclusion -- Glossary.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"In a major book for the field, Michel Chion considers film music with his trademark panache. Discussing the historical considerations of film music and the theoretical implications of the crossover between the mediums of music and film, Chion expands on the concepts he has introduced and applies them exclusively to film music. From Sunrise to The Jazz Singer to Birdman to Felicité, The Music of Cinema will be both a strong entry point for general readers interested in learning more about film music, a solid textbook in the field, as well as an evergreen resource for film scholars. The first section of the book examines music in films from the historical perspective, exploring how technical advances are related to aesthetic considerations. Next, a more theoretical section addresses the use of music in film as both element and medium, world and subject, metaphor and model";</subfield><subfield code="c">Provided by publisher.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from digital title page (viewed on October 11, 2021).</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture music</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures and music.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088133</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Film, Musique de</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / Film & Video</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion picture music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures and music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gorbman, Claudia,</subfield><subfield code="e">editor,</subfield><subfield code="e">translator.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n85299438</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Music in cinema (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCFBtDC79HYPqmTRRpH8qYq</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Chion, Michel, 1947-</subfield><subfield code="t">Music in film</subfield><subfield code="d">New York : Columbia University Press, 2021.</subfield><subfield code="z">9780231198882</subfield><subfield code="w">(DLC) 2021004339</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Film and culture.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n92059833</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2916991</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="880" ind1=" " ind2=" "><subfield code="6">520-00</subfield><subfield code="a">Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other.⍾⍾The first section of the book examines film music from a historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson's performance in "The Jazz Singer", the zither in "The Third Man", Godard's patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors' attraction to atonal and dissonant music as well as musique concrète, of which he is a composer.⍾⍾Wide-ranging and original, "Music in Cinema" offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars.</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">hoopla Digital</subfield><subfield code="b">HOPL</subfield><subfield code="n">MWT14592981</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH39250224</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">2916991</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">302468242</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-on1238132270 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:13Z |
| institution | BVB |
| isbn | 9780231552851 0231552858 |
| language | English French |
| lccn | 2021004340 |
| oclc_num | 1238132270 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xiii, 380 pages) : illustrations. |
| psigel | ZDB-4-EBA |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Columbia University Press, |
| record_format | marc |
| series | Film and culture. |
| series2 | Film and culture |
| spelling | Chion, Michel, 1947- author. http://id.loc.gov/authorities/names/n83013090 Musique au cinéma. English Music in cinema / Michel Chion ; edited and translated by Claudia Gorbman. New York : Columbia University Press, [2021] 1 online resource (xiii, 380 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier Film and culture Translated from the original French into English. Includes bibliographical references and index. Introduction: Music redefined by cinema -- Part I. Historical perspectives. Dreams and realities : 1895-1935 -- Classicism to modernism : 1935-1975 -- Back to the future : 1975-1995 -- Whither film music? : 1966-2020 -- Part II: The three faces of music in cinema. Music as an element and as a means -- Music as world -- Music as subject, metaphor and model -- By way of a conclusion -- Glossary. "In a major book for the field, Michel Chion considers film music with his trademark panache. Discussing the historical considerations of film music and the theoretical implications of the crossover between the mediums of music and film, Chion expands on the concepts he has introduced and applies them exclusively to film music. From Sunrise to The Jazz Singer to Birdman to Felicité, The Music of Cinema will be both a strong entry point for general readers interested in learning more about film music, a solid textbook in the field, as well as an evergreen resource for film scholars. The first section of the book examines music in films from the historical perspective, exploring how technical advances are related to aesthetic considerations. Next, a more theoretical section addresses the use of music in film as both element and medium, world and subject, metaphor and model"; Provided by publisher. Description based on online resource; title from digital title page (viewed on October 11, 2021). Motion picture music History and criticism. Motion pictures and music. http://id.loc.gov/authorities/subjects/sh85088133 Film, Musique de Histoire et critique. ART / Film & Video bisacsh Motion picture music fast Motion pictures and music fast Criticism, interpretation, etc. fast Gorbman, Claudia, editor, translator. http://id.loc.gov/authorities/names/n85299438 has work: Music in cinema (Text) https://id.oclc.org/worldcat/entity/E39PCFBtDC79HYPqmTRRpH8qYq https://id.oclc.org/worldcat/ontology/hasWork Print version: Chion, Michel, 1947- Music in film New York : Columbia University Press, 2021. 9780231198882 (DLC) 2021004339 Film and culture. http://id.loc.gov/authorities/names/n92059833 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2916991 Volltext 520-00 Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other.⍾⍾The first section of the book examines film music from a historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson's performance in "The Jazz Singer", the zither in "The Third Man", Godard's patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors' attraction to atonal and dissonant music as well as musique concrète, of which he is a composer.⍾⍾Wide-ranging and original, "Music in Cinema" offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars. |
| spellingShingle | Chion, Michel, 1947- Music in cinema / Film and culture. Introduction: Music redefined by cinema -- Part I. Historical perspectives. Dreams and realities : 1895-1935 -- Classicism to modernism : 1935-1975 -- Back to the future : 1975-1995 -- Whither film music? : 1966-2020 -- Part II: The three faces of music in cinema. Music as an element and as a means -- Music as world -- Music as subject, metaphor and model -- By way of a conclusion -- Glossary. Motion picture music History and criticism. Motion pictures and music. http://id.loc.gov/authorities/subjects/sh85088133 Film, Musique de Histoire et critique. ART / Film & Video bisacsh Motion picture music fast Motion pictures and music fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088133 |
| title | Music in cinema / |
| title_alt | Musique au cinéma. |
| title_auth | Music in cinema / |
| title_exact_search | Music in cinema / |
| title_full | Music in cinema / Michel Chion ; edited and translated by Claudia Gorbman. |
| title_fullStr | Music in cinema / Michel Chion ; edited and translated by Claudia Gorbman. |
| title_full_unstemmed | Music in cinema / Michel Chion ; edited and translated by Claudia Gorbman. |
| title_short | Music in cinema / |
| title_sort | music in cinema |
| topic | Motion picture music History and criticism. Motion pictures and music. http://id.loc.gov/authorities/subjects/sh85088133 Film, Musique de Histoire et critique. ART / Film & Video bisacsh Motion picture music fast Motion pictures and music fast |
| topic_facet | Motion picture music History and criticism. Motion pictures and music. Film, Musique de Histoire et critique. ART / Film & Video Motion picture music Motion pictures and music Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2916991 |
| work_keys_str_mv | AT chionmichel musiqueaucinema AT gorbmanclaudia musiqueaucinema AT chionmichel musicincinema AT gorbmanclaudia musicincinema |