Fictional blues :: narrative self-invention from Bessie Smith to Jack White /
"The familiar story of Delta blues musician Robert Johnson, who sold his soul to the devil at a Mississippi crossroads in exchange for guitar virtuosity, and the violent stereotypes evoked by legendary blues "bad men" like Stagger Lee undergird the persistent racial myths surrounding...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Amherst :
University of Massachusetts Press,
[2020]
|
Schriftenreihe: | African American intellectual history.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "The familiar story of Delta blues musician Robert Johnson, who sold his soul to the devil at a Mississippi crossroads in exchange for guitar virtuosity, and the violent stereotypes evoked by legendary blues "bad men" like Stagger Lee undergird the persistent racial myths surrounding "authentic" blues expression. Fictional Blues unpacks the figure of the American blues performer, moving from early singers such as Ma Rainey and Big Mama Thornton to contemporary musicians such as Amy Winehouse, Rhiannon Giddens, and Jack White to reveal that blues makers have long used their songs, performances, interviews, and writings to invent personas that resist racial, social, economic, and gendered oppression. Using examples of fictional and real-life blues artists culled from popular music and literary works from writers such as Walter Mosley, Alice Walker, and Sherman Alexie, Kimberly Mack demonstrates that the stories blues musicians construct about their lives (however factually slippery) are inextricably linked to the "primary story" of the narrative blues tradition, in which autobiography fuels musicians' reclamation of power and agency"-- |
Beschreibung: | 1 online resource (xvi, 260 pages) : illustrations |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781613767955 1613767951 |
Internformat
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520 | |a "The familiar story of Delta blues musician Robert Johnson, who sold his soul to the devil at a Mississippi crossroads in exchange for guitar virtuosity, and the violent stereotypes evoked by legendary blues "bad men" like Stagger Lee undergird the persistent racial myths surrounding "authentic" blues expression. Fictional Blues unpacks the figure of the American blues performer, moving from early singers such as Ma Rainey and Big Mama Thornton to contemporary musicians such as Amy Winehouse, Rhiannon Giddens, and Jack White to reveal that blues makers have long used their songs, performances, interviews, and writings to invent personas that resist racial, social, economic, and gendered oppression. Using examples of fictional and real-life blues artists culled from popular music and literary works from writers such as Walter Mosley, Alice Walker, and Sherman Alexie, Kimberly Mack demonstrates that the stories blues musicians construct about their lives (however factually slippery) are inextricably linked to the "primary story" of the narrative blues tradition, in which autobiography fuels musicians' reclamation of power and agency"-- |c Provided by publisher. | ||
650 | 0 | |a Blues (Music) |x History and criticism. | |
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adam_text | |
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author | Mack, Kimberly |
author_GND | http://id.loc.gov/authorities/names/n2020020641 |
author_facet | Mack, Kimberly |
author_role | aut |
author_sort | Mack, Kimberly |
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building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | ML3521 |
callnumber-raw | ML3521 .M23 2020e |
callnumber-search | ML3521 .M23 2020e |
callnumber-sort | ML 43521 M23 42020E |
callnumber-subject | ML - Literature on Music |
collection | ZDB-4-EBA |
contents | The narrative blues tradition : tall tales, myths, and Black American folklore -- Shug, Big Mama, and Amy : autobiographical fictions and addictions -- "I was astounded at what I heard" : Robert Johnson's autobiographical and biographical afterlives -- From John Anthony Gillis to Jack White : a study in blues self-invention -- The blues apprenticeship : racialized conventions of the acolyte. |
ctrlnum | (OCoLC)1236131817 |
dewey-full | 781.64309 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.64309 |
dewey-search | 781.64309 |
dewey-sort | 3781.64309 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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spelling | Mack, Kimberly, author. http://id.loc.gov/authorities/names/n2020020641 Fictional blues : narrative self-invention from Bessie Smith to Jack White / Kimberly R. Mack. Amherst : University of Massachusetts Press, [2020] ©2020 1 online resource (xvi, 260 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier African American intellectual history Includes bibliographical references and index. The narrative blues tradition : tall tales, myths, and Black American folklore -- Shug, Big Mama, and Amy : autobiographical fictions and addictions -- "I was astounded at what I heard" : Robert Johnson's autobiographical and biographical afterlives -- From John Anthony Gillis to Jack White : a study in blues self-invention -- The blues apprenticeship : racialized conventions of the acolyte. "The familiar story of Delta blues musician Robert Johnson, who sold his soul to the devil at a Mississippi crossroads in exchange for guitar virtuosity, and the violent stereotypes evoked by legendary blues "bad men" like Stagger Lee undergird the persistent racial myths surrounding "authentic" blues expression. Fictional Blues unpacks the figure of the American blues performer, moving from early singers such as Ma Rainey and Big Mama Thornton to contemporary musicians such as Amy Winehouse, Rhiannon Giddens, and Jack White to reveal that blues makers have long used their songs, performances, interviews, and writings to invent personas that resist racial, social, economic, and gendered oppression. Using examples of fictional and real-life blues artists culled from popular music and literary works from writers such as Walter Mosley, Alice Walker, and Sherman Alexie, Kimberly Mack demonstrates that the stories blues musicians construct about their lives (however factually slippery) are inextricably linked to the "primary story" of the narrative blues tradition, in which autobiography fuels musicians' reclamation of power and agency"-- Provided by publisher. Blues (Music) History and criticism. Blues musicians United States. African Americans Folklore. Music and folklore. http://id.loc.gov/authorities/subjects/sh89003039 African Americans Folklore. http://id.loc.gov/authorities/subjects/sh85001953 Noirs américains Folklore. Musique et folklore. SOCIAL SCIENCE / General bisacsh African Americans fast Blues (Music) fast Blues musicians fast Music and folklore fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Electronic books. Criticism, interpretation, etc. fast Folklore fast has work: Fictional blues (Text) https://id.oclc.org/worldcat/entity/E39PCFVJHhxpv98dKDyBM8mvtq https://id.oclc.org/worldcat/ontology/hasWork Print version: 9781625345493 1625345496 9781625345509 162534550X (DLC) 2020019281 (OCoLC)1154072808 African American intellectual history. http://id.loc.gov/authorities/names/no2019009620 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2739527 Volltext |
spellingShingle | Mack, Kimberly Fictional blues : narrative self-invention from Bessie Smith to Jack White / African American intellectual history. The narrative blues tradition : tall tales, myths, and Black American folklore -- Shug, Big Mama, and Amy : autobiographical fictions and addictions -- "I was astounded at what I heard" : Robert Johnson's autobiographical and biographical afterlives -- From John Anthony Gillis to Jack White : a study in blues self-invention -- The blues apprenticeship : racialized conventions of the acolyte. Blues (Music) History and criticism. Blues musicians United States. African Americans Folklore. Music and folklore. http://id.loc.gov/authorities/subjects/sh89003039 African Americans Folklore. http://id.loc.gov/authorities/subjects/sh85001953 Noirs américains Folklore. Musique et folklore. SOCIAL SCIENCE / General bisacsh African Americans fast Blues (Music) fast Blues musicians fast Music and folklore fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh89003039 http://id.loc.gov/authorities/subjects/sh85001953 |
title | Fictional blues : narrative self-invention from Bessie Smith to Jack White / |
title_auth | Fictional blues : narrative self-invention from Bessie Smith to Jack White / |
title_exact_search | Fictional blues : narrative self-invention from Bessie Smith to Jack White / |
title_full | Fictional blues : narrative self-invention from Bessie Smith to Jack White / Kimberly R. Mack. |
title_fullStr | Fictional blues : narrative self-invention from Bessie Smith to Jack White / Kimberly R. Mack. |
title_full_unstemmed | Fictional blues : narrative self-invention from Bessie Smith to Jack White / Kimberly R. Mack. |
title_short | Fictional blues : |
title_sort | fictional blues narrative self invention from bessie smith to jack white |
title_sub | narrative self-invention from Bessie Smith to Jack White / |
topic | Blues (Music) History and criticism. Blues musicians United States. African Americans Folklore. Music and folklore. http://id.loc.gov/authorities/subjects/sh89003039 African Americans Folklore. http://id.loc.gov/authorities/subjects/sh85001953 Noirs américains Folklore. Musique et folklore. SOCIAL SCIENCE / General bisacsh African Americans fast Blues (Music) fast Blues musicians fast Music and folklore fast |
topic_facet | Blues (Music) History and criticism. Blues musicians United States. African Americans Folklore. Music and folklore. Noirs américains Folklore. Musique et folklore. SOCIAL SCIENCE / General African Americans Blues (Music) Blues musicians Music and folklore United States Electronic books. Criticism, interpretation, etc. Folklore |
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