Chronicling Stankonia :: the rise of the hip-hop South /
"Chronicling Stankonia situates hip hop as an intervention in constructing post-Civil Rights black identities and cultural discourse. For southern blacks, the past is often restricted to three recognizable historical moments - the Antebellum Era, Jim Crow, and the Civil Rights Movement. Aside f...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chapel Hill :
University of North Carolina Press,
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Chronicling Stankonia situates hip hop as an intervention in constructing post-Civil Rights black identities and cultural discourse. For southern blacks, the past is often restricted to three recognizable historical moments - the Antebellum Era, Jim Crow, and the Civil Rights Movement. Aside from the deeply traumatic experience of these periods of history, they also serve as cornerstones of validating and recognizing southern blacks' experiences. However, the challenge for post-Civil Rights generations of southern blacks is speaking truth to power when their truths depart the trajectory of what was considered power in the past. Chronicling Stankonia updates the black South using hip hop as an agent to reflect multiple intersections of time, race, and southernness in the late twentieth and early twenty-first centuries. Part of southern hip hop culture's truth remains attached to the past but its power is grounded in the fact that younger southerners use hip hop to embrace the possibility of multiple Souths, multiple narratives, and multiple entry points into contemporary southern black identities."-- |
| Beschreibung: | 1 online resource (xiii, 121 pages) |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references (pages 111-114) and index. |
| ISBN: | 9781469661988 1469661985 1469661977 9781469661971 |
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| 100 | 1 | |a Bradley, Regina N., |d 1984- |e author. |0 http://id.loc.gov/authorities/names/n2017018756 | |
| 245 | 1 | 0 | |a Chronicling Stankonia : |b the rise of the hip-hop South / |c Regina N. Bradley. |
| 264 | 1 | |a Chapel Hill : |b University of North Carolina Press, |c [2021] | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (xiii, 121 pages) | ||
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| 504 | |a Includes bibliographical references (pages 111-114) and index. | ||
| 505 | 0 | 0 | |t Introduction: The mountaintop ain't flat -- |t The demo tape ain't nobody wanna hear -- |t Spelling out the work -- |t Reimagining slavery in the hip-hop imagination -- |t Still ain't forgave myself -- |t A final note. The South still got something to say. |
| 520 | |a "Chronicling Stankonia situates hip hop as an intervention in constructing post-Civil Rights black identities and cultural discourse. For southern blacks, the past is often restricted to three recognizable historical moments - the Antebellum Era, Jim Crow, and the Civil Rights Movement. Aside from the deeply traumatic experience of these periods of history, they also serve as cornerstones of validating and recognizing southern blacks' experiences. However, the challenge for post-Civil Rights generations of southern blacks is speaking truth to power when their truths depart the trajectory of what was considered power in the past. Chronicling Stankonia updates the black South using hip hop as an agent to reflect multiple intersections of time, race, and southernness in the late twentieth and early twenty-first centuries. Part of southern hip hop culture's truth remains attached to the past but its power is grounded in the fact that younger southerners use hip hop to embrace the possibility of multiple Souths, multiple narratives, and multiple entry points into contemporary southern black identities."-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on February 11, 2021). | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified]: |c HathiTrust Digital Library. |d 2022. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 650 | 0 | |a African Americans |x Race identity |z Southern States. | |
| 650 | 6 | |a Hip-hop |z États-Unis (Sud) | |
| 650 | 6 | |a Noirs américains |x Identité ethnique |z États-Unis (Sud) | |
| 650 | 7 | |a SOCIAL SCIENCE / Ethnic Studies / African American Studies. |2 bisacsh | |
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| 650 | 7 | |a Hip-hop |2 fast | |
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| 655 | 7 | |a Comptes rendus de musique. |2 rvmgf | |
| 758 | |i has work: |a Chronicling Stankonia (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFHwMkpdh67T7yDdjqHpyd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version. |a Bradley, Regina N., 1984- |t Chronicling Stankonia. |d Chapel Hill : University of North Carolina Press, [2021] |z 9781469661957 |w (DLC) 2020022370 |w (OCoLC)1162229302 |
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Datensatz im Suchindex
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|---|---|
| _version_ | 1816882537847324672 |
| adam_text | |
| any_adam_object | |
| author | Bradley, Regina N., 1984- |
| author_GND | http://id.loc.gov/authorities/names/n2017018756 |
| author_facet | Bradley, Regina N., 1984- |
| author_role | aut |
| author_sort | Bradley, Regina N., 1984- |
| author_variant | r n b rn rnb |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3918 |
| callnumber-raw | ML3918.R37 B715 2021eb |
| callnumber-search | ML3918.R37 B715 2021eb |
| callnumber-sort | ML 43918 R37 B715 42021EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Introduction: The mountaintop ain't flat -- The demo tape ain't nobody wanna hear -- Spelling out the work -- Reimagining slavery in the hip-hop imagination -- Still ain't forgave myself -- A final note. The South still got something to say. |
| ctrlnum | (OCoLC)1235762482 |
| dewey-full | 782.4216490975 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.4216490975 |
| dewey-search | 782.4216490975 |
| dewey-sort | 3782.4216490975 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre | Music criticism and reviews fast Criticism, interpretation, etc. fast Music criticism and reviews. lcgft http://id.loc.gov/authorities/genreForms/gf2014026130 Comptes rendus de musique. rvmgf |
| genre_facet | Music criticism and reviews Criticism, interpretation, etc. Music criticism and reviews. Comptes rendus de musique. |
| geographic | Southern States fast |
| geographic_facet | Southern States |
| id | ZDB-4-EBA-on1235762482 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:30:12Z |
| institution | BVB |
| isbn | 9781469661988 1469661985 1469661977 9781469661971 |
| language | English |
| oclc_num | 1235762482 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xiii, 121 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | University of North Carolina Press, |
| record_format | marc |
| spelling | Bradley, Regina N., 1984- author. http://id.loc.gov/authorities/names/n2017018756 Chronicling Stankonia : the rise of the hip-hop South / Regina N. Bradley. Chapel Hill : University of North Carolina Press, [2021] ©2021 1 online resource (xiii, 121 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 111-114) and index. Introduction: The mountaintop ain't flat -- The demo tape ain't nobody wanna hear -- Spelling out the work -- Reimagining slavery in the hip-hop imagination -- Still ain't forgave myself -- A final note. The South still got something to say. "Chronicling Stankonia situates hip hop as an intervention in constructing post-Civil Rights black identities and cultural discourse. For southern blacks, the past is often restricted to three recognizable historical moments - the Antebellum Era, Jim Crow, and the Civil Rights Movement. Aside from the deeply traumatic experience of these periods of history, they also serve as cornerstones of validating and recognizing southern blacks' experiences. However, the challenge for post-Civil Rights generations of southern blacks is speaking truth to power when their truths depart the trajectory of what was considered power in the past. Chronicling Stankonia updates the black South using hip hop as an agent to reflect multiple intersections of time, race, and southernness in the late twentieth and early twenty-first centuries. Part of southern hip hop culture's truth remains attached to the past but its power is grounded in the fact that younger southerners use hip hop to embrace the possibility of multiple Souths, multiple narratives, and multiple entry points into contemporary southern black identities."-- Provided by publisher. Description based on online resource; title from digital title page (viewed on February 11, 2021). Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified]: HathiTrust Digital Library. 2022. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2022. HathiTrust Digital Library committed to preserve pda MiAaHDL OutKast (Musical group) http://id.loc.gov/authorities/names/no99001466 OutKast (Musical group) fast Rap (Music) Social aspects Southern States. Rap (Music) Southern States History and criticism. Hip-hop Southern States. African Americans Race identity Southern States. Hip-hop États-Unis (Sud) Noirs américains Identité ethnique États-Unis (Sud) SOCIAL SCIENCE / Ethnic Studies / African American Studies. bisacsh African Americans Race identity fast Hip-hop fast Rap (Music) fast Rap (Music) Social aspects fast Southern States fast Music criticism and reviews fast Criticism, interpretation, etc. fast Music criticism and reviews. lcgft http://id.loc.gov/authorities/genreForms/gf2014026130 Comptes rendus de musique. rvmgf has work: Chronicling Stankonia (Text) https://id.oclc.org/worldcat/entity/E39PCFHwMkpdh67T7yDdjqHpyd https://id.oclc.org/worldcat/ontology/hasWork Print version. Bradley, Regina N., 1984- Chronicling Stankonia. Chapel Hill : University of North Carolina Press, [2021] 9781469661957 (DLC) 2020022370 (OCoLC)1162229302 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2738621 Volltext |
| spellingShingle | Bradley, Regina N., 1984- Chronicling Stankonia : the rise of the hip-hop South / Introduction: The mountaintop ain't flat -- The demo tape ain't nobody wanna hear -- Spelling out the work -- Reimagining slavery in the hip-hop imagination -- Still ain't forgave myself -- A final note. The South still got something to say. OutKast (Musical group) http://id.loc.gov/authorities/names/no99001466 OutKast (Musical group) fast Rap (Music) Social aspects Southern States. Rap (Music) Southern States History and criticism. Hip-hop Southern States. African Americans Race identity Southern States. Hip-hop États-Unis (Sud) Noirs américains Identité ethnique États-Unis (Sud) SOCIAL SCIENCE / Ethnic Studies / African American Studies. bisacsh African Americans Race identity fast Hip-hop fast Rap (Music) fast Rap (Music) Social aspects fast |
| subject_GND | http://id.loc.gov/authorities/names/no99001466 http://id.loc.gov/authorities/genreForms/gf2014026130 |
| title | Chronicling Stankonia : the rise of the hip-hop South / |
| title_alt | Introduction: The mountaintop ain't flat -- The demo tape ain't nobody wanna hear -- Spelling out the work -- Reimagining slavery in the hip-hop imagination -- Still ain't forgave myself -- A final note. The South still got something to say. |
| title_auth | Chronicling Stankonia : the rise of the hip-hop South / |
| title_exact_search | Chronicling Stankonia : the rise of the hip-hop South / |
| title_full | Chronicling Stankonia : the rise of the hip-hop South / Regina N. Bradley. |
| title_fullStr | Chronicling Stankonia : the rise of the hip-hop South / Regina N. Bradley. |
| title_full_unstemmed | Chronicling Stankonia : the rise of the hip-hop South / Regina N. Bradley. |
| title_short | Chronicling Stankonia : |
| title_sort | chronicling stankonia the rise of the hip hop south |
| title_sub | the rise of the hip-hop South / |
| topic | OutKast (Musical group) http://id.loc.gov/authorities/names/no99001466 OutKast (Musical group) fast Rap (Music) Social aspects Southern States. Rap (Music) Southern States History and criticism. Hip-hop Southern States. African Americans Race identity Southern States. Hip-hop États-Unis (Sud) Noirs américains Identité ethnique États-Unis (Sud) SOCIAL SCIENCE / Ethnic Studies / African American Studies. bisacsh African Americans Race identity fast Hip-hop fast Rap (Music) fast Rap (Music) Social aspects fast |
| topic_facet | OutKast (Musical group) Rap (Music) Social aspects Southern States. Rap (Music) Southern States History and criticism. Hip-hop Southern States. African Americans Race identity Southern States. Hip-hop États-Unis (Sud) Noirs américains Identité ethnique États-Unis (Sud) SOCIAL SCIENCE / Ethnic Studies / African American Studies. African Americans Race identity Hip-hop Rap (Music) Rap (Music) Social aspects Southern States Music criticism and reviews Criticism, interpretation, etc. Music criticism and reviews. Comptes rendus de musique. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2738621 |
| work_keys_str_mv | AT bradleyreginan chroniclingstankoniatheriseofthehiphopsouth |