Walter Ruttmann and the cinema of multiplicity :: Avant-Garde, advertising, modernity /
A key figure in early avant-garde cinema, Walter Ruttmann was a pioneer of experimental animation and the creative force behind one of the silent era's most celebrated montage films, Berlin: Symphony of a Great City. Yet even as he was making experimental films, Ruttmann had a day job. He worke...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Amsterdam :
Amsterdam University Press,
2014.
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Schriftenreihe: | Introduction : avant-garde, advertising and the managing of multiplicity -- Absolute advertising : abstraction and figuration in Ruttmann's animated product advertisements (1922-1927) -- The cross-section : images of the world and contingency management in Ruttmann's montage films of the late 1920s (1927-1929) -- Statistics and biopolitics : conceiving the national body in Ruttmann's hygiene films (1930-1933) -- "Überall Stahl" : forming the new nation in Ruttmann's steel and armament films (1934-1940) -- Afterword : of good and bad objects.
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | A key figure in early avant-garde cinema, Walter Ruttmann was a pioneer of experimental animation and the creative force behind one of the silent era's most celebrated montage films, Berlin: Symphony of a Great City. Yet even as he was making experimental films, Ruttmann had a day job. He worked regularly in advertising -and he would go on to make industrial films, medical films, and even Nazi propaganda films. Michael Cowan offers here the first study of Ruttmann in English, not only shedding light on his commercial, industrial, and propaganda work, but also rethinking his significance in light of recent transformations in film studies. Cowan brilliantly teases out the linkages between the avant-garde and industrial society in the early twentieth century, showing how Ruttmann's films incorporated and enacted strategies for managing the multiplicities of mass society. This book has won the Willy Haas Award 2014 for its outstanding contribution to the study of German cinema. |
Beschreibung: | Title from publisher's bibliographic system (viewed on 14 Dec 2020). |
Beschreibung: | 1 online resource (259 pages) : PDF file(s). |
ISBN: | 9048521890 9789048521890 |
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author | Cowan, Michael J., 1971- |
author_facet | Cowan, Michael J., 1971- |
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author_sort | Cowan, Michael J., 1971- |
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contents | Introduction : avant-garde, advertising and the managing of multiplicity -- Absolute advertising : abstraction and figuration in Ruttmann's animated product advertisements (1922-1927) -- The cross-section : images of the world and contingency management in Ruttmann's montage films of the late 1920s (1927-1929) -- Statistics and biopolitics : conceiving the national body in Ruttmann's hygiene films (1930-1933) -- "Überall Stahl" : forming the new nation in Ruttmann's steel and armament films (1934-1940) -- Afterword : of good and bad objects. |
ctrlnum | (OCoLC)1232286524 |
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dewey-ones | 791 - Public performances |
dewey-raw | 791.430233092 |
dewey-search | 791.430233092 |
dewey-sort | 3791.430233092 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
era | 1900-1999 fast |
era_facet | 1900-1999 |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
geographic | Germany fast https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd |
geographic_facet | Germany |
id | ZDB-4-EBA-on1232286524 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:30:11Z |
institution | BVB |
isbn | 9048521890 9789048521890 |
language | English |
oclc_num | 1232286524 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (259 pages) : PDF file(s). |
psigel | ZDB-4-EBA |
publishDate | 2014 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
publisher | Amsterdam University Press, |
record_format | marc |
series | Introduction : avant-garde, advertising and the managing of multiplicity -- Absolute advertising : abstraction and figuration in Ruttmann's animated product advertisements (1922-1927) -- The cross-section : images of the world and contingency management in Ruttmann's montage films of the late 1920s (1927-1929) -- Statistics and biopolitics : conceiving the national body in Ruttmann's hygiene films (1930-1933) -- "Überall Stahl" : forming the new nation in Ruttmann's steel and armament films (1934-1940) -- Afterword : of good and bad objects. |
series2 | Film culture in transition |
spelling | Cowan, Michael J., 1971- author. Walter Ruttmann and the cinema of multiplicity : Avant-Garde, advertising, modernity / Michael Cowan. Amsterdam : Amsterdam University Press, 2014. 1 online resource (259 pages) : PDF file(s). text txt rdacontent computer c rdamedia online resource cr rdacarrier Film culture in transition Title from publisher's bibliographic system (viewed on 14 Dec 2020). Introduction : avant-garde, advertising and the managing of multiplicity -- Absolute advertising : abstraction and figuration in Ruttmann's animated product advertisements (1922-1927) -- The cross-section : images of the world and contingency management in Ruttmann's montage films of the late 1920s (1927-1929) -- Statistics and biopolitics : conceiving the national body in Ruttmann's hygiene films (1930-1933) -- "Überall Stahl" : forming the new nation in Ruttmann's steel and armament films (1934-1940) -- Afterword : of good and bad objects. A key figure in early avant-garde cinema, Walter Ruttmann was a pioneer of experimental animation and the creative force behind one of the silent era's most celebrated montage films, Berlin: Symphony of a Great City. Yet even as he was making experimental films, Ruttmann had a day job. He worked regularly in advertising -and he would go on to make industrial films, medical films, and even Nazi propaganda films. Michael Cowan offers here the first study of Ruttmann in English, not only shedding light on his commercial, industrial, and propaganda work, but also rethinking his significance in light of recent transformations in film studies. Cowan brilliantly teases out the linkages between the avant-garde and industrial society in the early twentieth century, showing how Ruttmann's films incorporated and enacted strategies for managing the multiplicities of mass society. This book has won the Willy Haas Award 2014 for its outstanding contribution to the study of German cinema. Ruttmann, Walter, 1887-1941 Criticism and interpretation. Ruttmann, Walter, 1887-1941 fast https://id.oclc.org/worldcat/entity/E39PBJfH44QHwTCCpg88DXCqQq Experimental films Germany History and criticism. Motion picture producers and directors Germany 20th century. Film theory and criticism. bicssc moet zijn 1DFG (verwijderen en de juiste koppelen) bicssc Cultural studies. bicssc ART / Film & Video. bisacsh Experimental films fast Motion picture producers and directors fast Germany fast https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd 1900-1999 fast German Studies. Weimar. filWalter Ruttmann. Criticism, interpretation, etc. fast Cambridge EBA. CaBVaS has work: Walter Ruttmann and the cinema of multiplicity (Text) https://id.oclc.org/worldcat/entity/E39PCGh7V3MbrjQV93CYGX3t4y https://id.oclc.org/worldcat/ontology/hasWork Print version: 9789089645852 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1135470 Volltext |
spellingShingle | Cowan, Michael J., 1971- Walter Ruttmann and the cinema of multiplicity : Avant-Garde, advertising, modernity / Introduction : avant-garde, advertising and the managing of multiplicity -- Absolute advertising : abstraction and figuration in Ruttmann's animated product advertisements (1922-1927) -- The cross-section : images of the world and contingency management in Ruttmann's montage films of the late 1920s (1927-1929) -- Statistics and biopolitics : conceiving the national body in Ruttmann's hygiene films (1930-1933) -- "Überall Stahl" : forming the new nation in Ruttmann's steel and armament films (1934-1940) -- Afterword : of good and bad objects. Introduction : avant-garde, advertising and the managing of multiplicity -- Absolute advertising : abstraction and figuration in Ruttmann's animated product advertisements (1922-1927) -- The cross-section : images of the world and contingency management in Ruttmann's montage films of the late 1920s (1927-1929) -- Statistics and biopolitics : conceiving the national body in Ruttmann's hygiene films (1930-1933) -- "Überall Stahl" : forming the new nation in Ruttmann's steel and armament films (1934-1940) -- Afterword : of good and bad objects. Ruttmann, Walter, 1887-1941 Criticism and interpretation. Ruttmann, Walter, 1887-1941 fast https://id.oclc.org/worldcat/entity/E39PBJfH44QHwTCCpg88DXCqQq Experimental films Germany History and criticism. Motion picture producers and directors Germany 20th century. Film theory and criticism. bicssc moet zijn 1DFG (verwijderen en de juiste koppelen) bicssc Cultural studies. bicssc ART / Film & Video. bisacsh Experimental films fast Motion picture producers and directors fast |
title | Walter Ruttmann and the cinema of multiplicity : Avant-Garde, advertising, modernity / |
title_alt | Cambridge EBA. |
title_auth | Walter Ruttmann and the cinema of multiplicity : Avant-Garde, advertising, modernity / |
title_exact_search | Walter Ruttmann and the cinema of multiplicity : Avant-Garde, advertising, modernity / |
title_full | Walter Ruttmann and the cinema of multiplicity : Avant-Garde, advertising, modernity / Michael Cowan. |
title_fullStr | Walter Ruttmann and the cinema of multiplicity : Avant-Garde, advertising, modernity / Michael Cowan. |
title_full_unstemmed | Walter Ruttmann and the cinema of multiplicity : Avant-Garde, advertising, modernity / Michael Cowan. |
title_short | Walter Ruttmann and the cinema of multiplicity : |
title_sort | walter ruttmann and the cinema of multiplicity avant garde advertising modernity |
title_sub | Avant-Garde, advertising, modernity / |
topic | Ruttmann, Walter, 1887-1941 Criticism and interpretation. Ruttmann, Walter, 1887-1941 fast https://id.oclc.org/worldcat/entity/E39PBJfH44QHwTCCpg88DXCqQq Experimental films Germany History and criticism. Motion picture producers and directors Germany 20th century. Film theory and criticism. bicssc moet zijn 1DFG (verwijderen en de juiste koppelen) bicssc Cultural studies. bicssc ART / Film & Video. bisacsh Experimental films fast Motion picture producers and directors fast |
topic_facet | Ruttmann, Walter, 1887-1941 Criticism and interpretation. Ruttmann, Walter, 1887-1941 Experimental films Germany History and criticism. Motion picture producers and directors Germany 20th century. Film theory and criticism. moet zijn 1DFG (verwijderen en de juiste koppelen) Cultural studies. ART / Film & Video. Experimental films Motion picture producers and directors Germany Criticism, interpretation, etc. |
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