It's not personal :: post 60s body art and performance /
"How does something as potent and evocative as the body become a relatively neutral artistic material? From the 1960s, much body art and performance conformed to the anti-expressive ethos of minimalism and conceptualism, whilst still using the compelling human form. But how is this strange mism...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York :
Bloomsbury Academic,
2021.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | "How does something as potent and evocative as the body become a relatively neutral artistic material? From the 1960s, much body art and performance conformed to the anti-expressive ethos of minimalism and conceptualism, whilst still using the compelling human form. But how is this strange mismatch of vigour and impersonality able to transform the body into an expressive medium for visual art? Focusing on renowned artists such as Lygia Clark, Marina Abramovic and Angelica Mesiti, Susan Best examines how bodies are configured in late modern and contemporary art. She identifies three main ways in which they are used as material and argues that these formulations allow for the exposure of pressing social and psychological issues. In skilfully aligning this new typology for body art and performance with critical theory, she raises questions pertaining to gender, inter-subjectivity, relation and community that continue to dominate both our artistic and cultural conversation"-- |
| Beschreibung: | 1 online resource (x, 198 pages) : illustrations (some color) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781350144163 1350144169 1350144150 9781350144156 9781350144170 1350144177 |
Internformat
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| 245 | 1 | 0 | |a It's not personal : |b post 60s body art and performance / |c Susan Best. |
| 246 | 3 | |a It is not personal | |
| 264 | 1 | |a London ; |a New York : |b Bloomsbury Academic, |c 2021. | |
| 300 | |a 1 online resource (x, 198 pages) : |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "How does something as potent and evocative as the body become a relatively neutral artistic material? From the 1960s, much body art and performance conformed to the anti-expressive ethos of minimalism and conceptualism, whilst still using the compelling human form. But how is this strange mismatch of vigour and impersonality able to transform the body into an expressive medium for visual art? Focusing on renowned artists such as Lygia Clark, Marina Abramovic and Angelica Mesiti, Susan Best examines how bodies are configured in late modern and contemporary art. She identifies three main ways in which they are used as material and argues that these formulations allow for the exposure of pressing social and psychological issues. In skilfully aligning this new typology for body art and performance with critical theory, she raises questions pertaining to gender, inter-subjectivity, relation and community that continue to dominate both our artistic and cultural conversation"-- |c Provided by publisher | ||
| 505 | 0 | |a 1. Introduction -- 2. 'Utterly free of human associations': Impersonality in late-modern and contemporary art -- 3. The self, without autobiography: from Nauman to Ulman -- 4. Cool intimacy: Paris, couples and duos -- 5. 'Collective effervescence': group formation from fusion to virtual togetherness -- 6. Conclusion. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on June 28, 2021). | |
| 650 | 0 | |a Body art. |0 http://id.loc.gov/authorities/subjects/sh85015237 | |
| 650 | 6 | |a Art corporel. | |
| 650 | 7 | |a body arts (discipline) |2 aat | |
| 650 | 7 | |a body art (visual works, performance) |2 aat | |
| 650 | 7 | |a Philosophy. |2 bicssc | |
| 650 | 7 | |a Philosophy |x General. |2 bisacsh | |
| 650 | 7 | |a Philosophy |x Aesthetics. |2 bisacsh | |
| 650 | 7 | |a Art |x History |x General. |2 bisacsh | |
| 650 | 7 | |a Social Science |x Gender Studies. |2 bisacsh | |
| 650 | 7 | |a Philosophy |x Movements |x Critical Theory. |2 bisacsh | |
| 650 | 7 | |a Body art |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Best, Susan. |t It's not personal. |d London ; New York : Bloomsbury Academic, 2021 |z 9781350144149 |w (DLC) 2021000361 |
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Datensatz im Suchindex
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| _version_ | 1829095347803127808 |
| adam_text | |
| any_adam_object | |
| author | Best, Susan |
| author_GND | http://id.loc.gov/authorities/names/no2011187531 |
| author_facet | Best, Susan |
| author_role | aut |
| author_sort | Best, Susan |
| author_variant | s b sb |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6494 |
| callnumber-raw | N6494.B63 B47 2021 |
| callnumber-search | N6494.B63 B47 2021 |
| callnumber-sort | N 46494 B63 B47 42021 |
| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | 1. Introduction -- 2. 'Utterly free of human associations': Impersonality in late-modern and contemporary art -- 3. The self, without autobiography: from Nauman to Ulman -- 4. Cool intimacy: Paris, couples and duos -- 5. 'Collective effervescence': group formation from fusion to virtual togetherness -- 6. Conclusion. |
| ctrlnum | (OCoLC)1232012929 |
| dewey-full | 709.04/0752 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.04/0752 |
| dewey-search | 709.04/0752 |
| dewey-sort | 3709.04 3752 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1232012929 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:47:35Z |
| institution | BVB |
| isbn | 9781350144163 1350144169 1350144150 9781350144156 9781350144170 1350144177 |
| language | English |
| lccn | 2021000362 |
| oclc_num | 1232012929 |
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| spelling | Best, Susan, author. http://id.loc.gov/authorities/names/no2011187531 It's not personal : post 60s body art and performance / Susan Best. It is not personal London ; New York : Bloomsbury Academic, 2021. 1 online resource (x, 198 pages) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. "How does something as potent and evocative as the body become a relatively neutral artistic material? From the 1960s, much body art and performance conformed to the anti-expressive ethos of minimalism and conceptualism, whilst still using the compelling human form. But how is this strange mismatch of vigour and impersonality able to transform the body into an expressive medium for visual art? Focusing on renowned artists such as Lygia Clark, Marina Abramovic and Angelica Mesiti, Susan Best examines how bodies are configured in late modern and contemporary art. She identifies three main ways in which they are used as material and argues that these formulations allow for the exposure of pressing social and psychological issues. In skilfully aligning this new typology for body art and performance with critical theory, she raises questions pertaining to gender, inter-subjectivity, relation and community that continue to dominate both our artistic and cultural conversation"-- Provided by publisher 1. Introduction -- 2. 'Utterly free of human associations': Impersonality in late-modern and contemporary art -- 3. The self, without autobiography: from Nauman to Ulman -- 4. Cool intimacy: Paris, couples and duos -- 5. 'Collective effervescence': group formation from fusion to virtual togetherness -- 6. Conclusion. Online resource; title from digital title page (viewed on June 28, 2021). Body art. http://id.loc.gov/authorities/subjects/sh85015237 Art corporel. body arts (discipline) aat body art (visual works, performance) aat Philosophy. bicssc Philosophy General. bisacsh Philosophy Aesthetics. bisacsh Art History General. bisacsh Social Science Gender Studies. bisacsh Philosophy Movements Critical Theory. bisacsh Body art fast Print version: Best, Susan. It's not personal. London ; New York : Bloomsbury Academic, 2021 9781350144149 (DLC) 2021000361 |
| spellingShingle | Best, Susan It's not personal : post 60s body art and performance / 1. Introduction -- 2. 'Utterly free of human associations': Impersonality in late-modern and contemporary art -- 3. The self, without autobiography: from Nauman to Ulman -- 4. Cool intimacy: Paris, couples and duos -- 5. 'Collective effervescence': group formation from fusion to virtual togetherness -- 6. Conclusion. Body art. http://id.loc.gov/authorities/subjects/sh85015237 Art corporel. body arts (discipline) aat body art (visual works, performance) aat Philosophy. bicssc Philosophy General. bisacsh Philosophy Aesthetics. bisacsh Art History General. bisacsh Social Science Gender Studies. bisacsh Philosophy Movements Critical Theory. bisacsh Body art fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85015237 |
| title | It's not personal : post 60s body art and performance / |
| title_alt | It is not personal |
| title_auth | It's not personal : post 60s body art and performance / |
| title_exact_search | It's not personal : post 60s body art and performance / |
| title_full | It's not personal : post 60s body art and performance / Susan Best. |
| title_fullStr | It's not personal : post 60s body art and performance / Susan Best. |
| title_full_unstemmed | It's not personal : post 60s body art and performance / Susan Best. |
| title_short | It's not personal : |
| title_sort | it s not personal post 60s body art and performance |
| title_sub | post 60s body art and performance / |
| topic | Body art. http://id.loc.gov/authorities/subjects/sh85015237 Art corporel. body arts (discipline) aat body art (visual works, performance) aat Philosophy. bicssc Philosophy General. bisacsh Philosophy Aesthetics. bisacsh Art History General. bisacsh Social Science Gender Studies. bisacsh Philosophy Movements Critical Theory. bisacsh Body art fast |
| topic_facet | Body art. Art corporel. body arts (discipline) body art (visual works, performance) Philosophy. Philosophy General. Philosophy Aesthetics. Art History General. Social Science Gender Studies. Philosophy Movements Critical Theory. Body art |
| work_keys_str_mv | AT bestsusan itsnotpersonalpost60sbodyartandperformance AT bestsusan itisnotpersonal |