The mass production of memory :: travel and personal archiving in the age of the Kodak /
"In 1888, the Eastman Dry Plate and Film Company offered the first portable camera that allowed users to conveniently take photos, using leisure travel as a primary marketing feature to promote it. The combination of portability, ease of use, and mass advertising fed into a national trend of po...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amherst :
University of Massachusetts Press,
[2020]
|
| Schriftenreihe: | Public history in historical perspective.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | "In 1888, the Eastman Dry Plate and Film Company offered the first portable camera that allowed users to conveniently take photos, using leisure travel as a primary marketing feature to promote it. The combination of portability, ease of use, and mass advertising fed into a national trend of popular photography that drew on Americans' increasing mobility and leisure time. The Kodak Company and the first generation of tourist photographers established new standards for personal archiving that amplified the individual's role in authoring the national narrative. But not everyone had equal access to travel and tourism, and many members of the African American, Native American, and gay and lesbian communities used the camera to counter the racism, homophobia, and classism that shaped public spaces. In this groundbreaking history, Tammy S. Gordon tells the story of the camera's emerging centrality in leisure travel across the late nineteenth and early twentieth centuries and its role in "the mass production of memory," a process in which users crafted a visual archive attesting to their experiences, values, and circumstances, setting the stage for the customizable visual culture of the digital age"-- |
| Beschreibung: | 1 online resource (159 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781613767818 1613767811 |
Internformat
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| 245 | 1 | 4 | |a The mass production of memory : |b travel and personal archiving in the age of the Kodak / |c Tammy S. Gordon. |
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| 490 | 1 | |a Public history in historical perspective | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a "The story is complete for all time" : mass photography for the future of history -- "One did not 'take' a camera" : the roots of tourist photography -- "The world is mine -- I own a KODAK" : marketing memory and privilege -- "Side trips in Camera Land" : tourism and the visual record -- "When I send you a picture of Berlin" : the memory emergency of the First World War -- "A visible token" : expanding the promise of the Kodak in the Interwar years -- The legacy of the first generation of mass tourism and portable photography. | |
| 520 | |a "In 1888, the Eastman Dry Plate and Film Company offered the first portable camera that allowed users to conveniently take photos, using leisure travel as a primary marketing feature to promote it. The combination of portability, ease of use, and mass advertising fed into a national trend of popular photography that drew on Americans' increasing mobility and leisure time. The Kodak Company and the first generation of tourist photographers established new standards for personal archiving that amplified the individual's role in authoring the national narrative. But not everyone had equal access to travel and tourism, and many members of the African American, Native American, and gay and lesbian communities used the camera to counter the racism, homophobia, and classism that shaped public spaces. In this groundbreaking history, Tammy S. Gordon tells the story of the camera's emerging centrality in leisure travel across the late nineteenth and early twentieth centuries and its role in "the mass production of memory," a process in which users crafted a visual archive attesting to their experiences, values, and circumstances, setting the stage for the customizable visual culture of the digital age"-- |c Provided by publisher | ||
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| author | Gordon, Tammy S., 1967- |
| author_GND | http://id.loc.gov/authorities/names/no99053085 |
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| contents | "The story is complete for all time" : mass photography for the future of history -- "One did not 'take' a camera" : the roots of tourist photography -- "The world is mine -- I own a KODAK" : marketing memory and privilege -- "Side trips in Camera Land" : tourism and the visual record -- "When I send you a picture of Berlin" : the memory emergency of the First World War -- "A visible token" : expanding the promise of the Kodak in the Interwar years -- The legacy of the first generation of mass tourism and portable photography. |
| ctrlnum | (OCoLC)1228643374 |
| dewey-full | 771 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 771 - Techniques, equipment & materials |
| dewey-raw | 771 |
| dewey-search | 771 |
| dewey-sort | 3771 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1228643374 |
| illustrated | Not Illustrated |
| indexdate | 2025-03-18T14:26:17Z |
| institution | BVB |
| isbn | 9781613767818 1613767811 |
| language | English |
| oclc_num | 1228643374 |
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| series | Public history in historical perspective. |
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| spelling | Gordon, Tammy S., 1967- https://id.oclc.org/worldcat/entity/E39PCjKcWG6hmD6hgdcYcxyhf3 http://id.loc.gov/authorities/names/no99053085 The mass production of memory : travel and personal archiving in the age of the Kodak / Tammy S. Gordon. Amherst : University of Massachusetts Press, [2020] 1 online resource (159 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Public history in historical perspective Includes bibliographical references and index. "The story is complete for all time" : mass photography for the future of history -- "One did not 'take' a camera" : the roots of tourist photography -- "The world is mine -- I own a KODAK" : marketing memory and privilege -- "Side trips in Camera Land" : tourism and the visual record -- "When I send you a picture of Berlin" : the memory emergency of the First World War -- "A visible token" : expanding the promise of the Kodak in the Interwar years -- The legacy of the first generation of mass tourism and portable photography. "In 1888, the Eastman Dry Plate and Film Company offered the first portable camera that allowed users to conveniently take photos, using leisure travel as a primary marketing feature to promote it. The combination of portability, ease of use, and mass advertising fed into a national trend of popular photography that drew on Americans' increasing mobility and leisure time. The Kodak Company and the first generation of tourist photographers established new standards for personal archiving that amplified the individual's role in authoring the national narrative. But not everyone had equal access to travel and tourism, and many members of the African American, Native American, and gay and lesbian communities used the camera to counter the racism, homophobia, and classism that shaped public spaces. In this groundbreaking history, Tammy S. Gordon tells the story of the camera's emerging centrality in leisure travel across the late nineteenth and early twentieth centuries and its role in "the mass production of memory," a process in which users crafted a visual archive attesting to their experiences, values, and circumstances, setting the stage for the customizable visual culture of the digital age"-- Provided by publisher Print version record. Eastman Kodak Company History 20th century. Eastman Kodak Company fast Travel photography United States History 20th century. Vernacular photography United States History 20th century. Tourism United States History 20th century. Photography Social aspects United States History 20th century. Photographie de voyage États-Unis Histoire 20e siècle. Photographie vernaculaire États-Unis Histoire 20e siècle. Photographie Aspect social États-Unis Histoire 20e siècle. Vernacular photography fast Travel photography fast Tourism fast Photography Social aspects fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1900-1999 fast History fast has work: The mass production of memory (Text) https://id.oclc.org/worldcat/entity/E39PCFQvMhpYQwrbcGwyXb9fVP https://id.oclc.org/worldcat/ontology/hasWork Print version: Gordon, Tammy. Mass Production of Memory. Amherst : University of Massachusetts Press, ©2020 9781625345318 Public history in historical perspective. http://id.loc.gov/authorities/names/no2010167571 |
| spellingShingle | Gordon, Tammy S., 1967- The mass production of memory : travel and personal archiving in the age of the Kodak / Public history in historical perspective. "The story is complete for all time" : mass photography for the future of history -- "One did not 'take' a camera" : the roots of tourist photography -- "The world is mine -- I own a KODAK" : marketing memory and privilege -- "Side trips in Camera Land" : tourism and the visual record -- "When I send you a picture of Berlin" : the memory emergency of the First World War -- "A visible token" : expanding the promise of the Kodak in the Interwar years -- The legacy of the first generation of mass tourism and portable photography. Eastman Kodak Company History 20th century. Eastman Kodak Company fast Travel photography United States History 20th century. Vernacular photography United States History 20th century. Tourism United States History 20th century. Photography Social aspects United States History 20th century. Photographie de voyage États-Unis Histoire 20e siècle. Photographie vernaculaire États-Unis Histoire 20e siècle. Photographie Aspect social États-Unis Histoire 20e siècle. Vernacular photography fast Travel photography fast Tourism fast Photography Social aspects fast |
| title | The mass production of memory : travel and personal archiving in the age of the Kodak / |
| title_auth | The mass production of memory : travel and personal archiving in the age of the Kodak / |
| title_exact_search | The mass production of memory : travel and personal archiving in the age of the Kodak / |
| title_full | The mass production of memory : travel and personal archiving in the age of the Kodak / Tammy S. Gordon. |
| title_fullStr | The mass production of memory : travel and personal archiving in the age of the Kodak / Tammy S. Gordon. |
| title_full_unstemmed | The mass production of memory : travel and personal archiving in the age of the Kodak / Tammy S. Gordon. |
| title_short | The mass production of memory : |
| title_sort | mass production of memory travel and personal archiving in the age of the kodak |
| title_sub | travel and personal archiving in the age of the Kodak / |
| topic | Eastman Kodak Company History 20th century. Eastman Kodak Company fast Travel photography United States History 20th century. Vernacular photography United States History 20th century. Tourism United States History 20th century. Photography Social aspects United States History 20th century. Photographie de voyage États-Unis Histoire 20e siècle. Photographie vernaculaire États-Unis Histoire 20e siècle. Photographie Aspect social États-Unis Histoire 20e siècle. Vernacular photography fast Travel photography fast Tourism fast Photography Social aspects fast |
| topic_facet | Eastman Kodak Company History 20th century. Eastman Kodak Company Travel photography United States History 20th century. Vernacular photography United States History 20th century. Tourism United States History 20th century. Photography Social aspects United States History 20th century. Photographie de voyage États-Unis Histoire 20e siècle. Photographie vernaculaire États-Unis Histoire 20e siècle. Photographie Aspect social États-Unis Histoire 20e siècle. Vernacular photography Travel photography Tourism Photography Social aspects United States History |
| work_keys_str_mv | AT gordontammys themassproductionofmemorytravelandpersonalarchivingintheageofthekodak AT gordontammys massproductionofmemorytravelandpersonalarchivingintheageofthekodak |