No power without an image :: icons between photography and film /
"The first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms. Moving from the 'paper...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2020]
|
Schriftenreihe: | Edinburgh studies in film and intermediality.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "The first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms. Moving from the 'paper cinema' of magazines via newsreels and film journals, to documentary, fiction and experimental films, this fascinating book draws on original archival research and multidisciplinary icon theory to explore new ways of thinking about the confluence of still and moving images"-- |
Beschreibung: | 1 online resource (viii, 183 pages) : illustrations. |
Bibliographie: | Includes bibliographical references, filmography and index. |
ISBN: | 9781474463171 1474463177 9781474463188 1474463185 |
Internformat
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245 | 1 | 0 | |a No power without an image : |b icons between photography and film / |c Libby Saxton. |
264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2020] | |
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490 | 1 | |a Edinburgh studies in film and intermediality | |
504 | |a Includes bibliographical references, filmography and index. | ||
505 | 0 | |a Introduction -- 1. Paper, water, ice: the falling soldier -- 2. The double life of the Gestapo informer -- 3. Apocalyptic stillness: The self-immolators -- 4. The face of the crowd: Che -- 5. Film frame, film still, star portrait: The Marianne of '68 -- Epilogue: Protesting women. | |
520 | |a "The first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms. Moving from the 'paper cinema' of magazines via newsreels and film journals, to documentary, fiction and experimental films, this fascinating book draws on original archival research and multidisciplinary icon theory to explore new ways of thinking about the confluence of still and moving images"-- |c Provided by publisher. | ||
545 | 0 | |a Libby Saxton is Reader in Film Studies at Queen Mary, University of London. | |
588 | 0 | |a Print version record. | |
650 | 0 | |a Photography |x History. | |
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776 | 0 | 8 | |i Print version: |a Saxton, Libby, 1975- |t No power without an image. |d Edinburgh : Edinburgh University Press, 2020 |z 1474463150 |w (OCoLC)1136960206 |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-on1227086215 |
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adam_text | |
any_adam_object | |
author | Saxton, Libby, 1975- |
author_GND | http://id.loc.gov/authorities/names/n2002041452 |
author_facet | Saxton, Libby, 1975- |
author_role | aut |
author_sort | Saxton, Libby, 1975- |
author_variant | l s ls |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | T - Technology |
callnumber-label | TR147 |
callnumber-raw | TR147 |
callnumber-search | TR147 |
callnumber-sort | TR 3147 |
callnumber-subject | TR - Photography |
classification_rvk | AP 94800 |
collection | ZDB-4-EBA |
contents | Introduction -- 1. Paper, water, ice: the falling soldier -- 2. The double life of the Gestapo informer -- 3. Apocalyptic stillness: The self-immolators -- 4. The face of the crowd: Che -- 5. Film frame, film still, star portrait: The Marianne of '68 -- Epilogue: Protesting women. |
ctrlnum | (OCoLC)1227086215 |
dewey-full | 770.9 |
dewey-hundreds | 700 - The arts |
dewey-ones | 770 - Photography, computer art, cinematography |
dewey-raw | 770.9 |
dewey-search | 770.9 |
dewey-sort | 3770.9 |
dewey-tens | 770 - Photography, computer art, cinematography |
discipline | Kunstgeschichte Allgemeines |
format | Electronic eBook |
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genre | History fast |
genre_facet | History |
id | ZDB-4-EBA-on1227086215 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:30:09Z |
institution | BVB |
isbn | 9781474463171 1474463177 9781474463188 1474463185 |
language | English |
oclc_num | 1227086215 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (viii, 183 pages) : illustrations. |
psigel | ZDB-4-EBA |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Edinburgh University Press, |
record_format | marc |
series | Edinburgh studies in film and intermediality. |
series2 | Edinburgh studies in film and intermediality |
spelling | Saxton, Libby, 1975- author. https://id.oclc.org/worldcat/entity/E39PCjyDJDKFvH3D3dwHG88fRq http://id.loc.gov/authorities/names/n2002041452 No power without an image : icons between photography and film / Libby Saxton. Edinburgh : Edinburgh University Press, [2020] ©2020 1 online resource (viii, 183 pages) : illustrations. text rdacontent still image sti rdacontent computer rdamedia online resource rdacarrier Edinburgh studies in film and intermediality Includes bibliographical references, filmography and index. Introduction -- 1. Paper, water, ice: the falling soldier -- 2. The double life of the Gestapo informer -- 3. Apocalyptic stillness: The self-immolators -- 4. The face of the crowd: Che -- 5. Film frame, film still, star portrait: The Marianne of '68 -- Epilogue: Protesting women. "The first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms. Moving from the 'paper cinema' of magazines via newsreels and film journals, to documentary, fiction and experimental films, this fascinating book draws on original archival research and multidisciplinary icon theory to explore new ways of thinking about the confluence of still and moving images"-- Provided by publisher. Libby Saxton is Reader in Film Studies at Queen Mary, University of London. Print version record. Photography History. Photographie Histoire. PERFORMING ARTS / Film & Video / History & Criticism bisacsh Photography fast History fast has work: No power without an image (Text) https://id.oclc.org/worldcat/entity/E39PCG8k9D3jbtY3QKmWXtygjy https://id.oclc.org/worldcat/ontology/hasWork Print version: Saxton, Libby, 1975- No power without an image. Edinburgh : Edinburgh University Press, 2020 1474463150 (OCoLC)1136960206 Edinburgh studies in film and intermediality. http://id.loc.gov/authorities/names/no2015082032 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2709209 Volltext |
spellingShingle | Saxton, Libby, 1975- No power without an image : icons between photography and film / Edinburgh studies in film and intermediality. Introduction -- 1. Paper, water, ice: the falling soldier -- 2. The double life of the Gestapo informer -- 3. Apocalyptic stillness: The self-immolators -- 4. The face of the crowd: Che -- 5. Film frame, film still, star portrait: The Marianne of '68 -- Epilogue: Protesting women. Photography History. Photographie Histoire. PERFORMING ARTS / Film & Video / History & Criticism bisacsh Photography fast |
title | No power without an image : icons between photography and film / |
title_auth | No power without an image : icons between photography and film / |
title_exact_search | No power without an image : icons between photography and film / |
title_full | No power without an image : icons between photography and film / Libby Saxton. |
title_fullStr | No power without an image : icons between photography and film / Libby Saxton. |
title_full_unstemmed | No power without an image : icons between photography and film / Libby Saxton. |
title_short | No power without an image : |
title_sort | no power without an image icons between photography and film |
title_sub | icons between photography and film / |
topic | Photography History. Photographie Histoire. PERFORMING ARTS / Film & Video / History & Criticism bisacsh Photography fast |
topic_facet | Photography History. Photographie Histoire. PERFORMING ARTS / Film & Video / History & Criticism Photography History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2709209 |
work_keys_str_mv | AT saxtonlibby nopowerwithoutanimageiconsbetweenphotographyandfilm |