Musical nationalism, despotism and scholarly interventions in Greek popular music /:
"This book discusses the relationship between Greek Orthodox ecclesiastical music and laiko (popular) song in Greece. Laiko music was long considered a lesser form of music in Greece, with rural folk music considered serious enough to carry the weight of the ideologies founded within the establ...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English Greek |
| Veröffentlicht: |
New York, NY :
Bloomsbury Academic,
[2021]
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | "This book discusses the relationship between Greek Orthodox ecclesiastical music and laiko (popular) song in Greece. Laiko music was long considered a lesser form of music in Greece, with rural folk music considered serious enough to carry the weight of the ideologies founded within the establishment of the contemporary Greek state. During the 1940s and 1950s, a selective exoneration of urban popular music took place, one of its most popular cases being the originating relationships between two extremely popular musical pieces: Vasilis Tsitsanis's 'Synnefiasmeni Kyriaki' (Cloudy Sunday) and its descent from the hymn 'Ti Ypermacho' (The Akathist Hymn). During this period the connection of these two pieces was forged in the Modern Greek conscience, led by certain key figures in the authority system of the scholarly world. Through analysis of these pieces and the surrounding contexts, Ordoulidis explores the changing role and perception of popular music in Greece."-- |
| Beschreibung: | 1 online resource (xxi, 198 pages) : illustrations, facsimiles, music |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781501369476 1501369474 9781501369452 1501369458 |
Internformat
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| 100 | 1 | |a Ordoulidēs, Nikos, |e author. |0 http://id.loc.gov/authorities/names/no2015154952 | |
| 245 | 1 | 0 | |a Musical nationalism, despotism and scholarly interventions in Greek popular music / |c Nikos Ordoulidis. |
| 264 | 1 | |a New York, NY : |b Bloomsbury Academic, |c [2021] | |
| 300 | |a 1 online resource (xxi, 198 pages) : |b illustrations, facsimiles, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "This book discusses the relationship between Greek Orthodox ecclesiastical music and laiko (popular) song in Greece. Laiko music was long considered a lesser form of music in Greece, with rural folk music considered serious enough to carry the weight of the ideologies founded within the establishment of the contemporary Greek state. During the 1940s and 1950s, a selective exoneration of urban popular music took place, one of its most popular cases being the originating relationships between two extremely popular musical pieces: Vasilis Tsitsanis's 'Synnefiasmeni Kyriaki' (Cloudy Sunday) and its descent from the hymn 'Ti Ypermacho' (The Akathist Hymn). During this period the connection of these two pieces was forged in the Modern Greek conscience, led by certain key figures in the authority system of the scholarly world. Through analysis of these pieces and the surrounding contexts, Ordoulidis explores the changing role and perception of popular music in Greece."-- |c Provided by publisher. | ||
| 505 | 0 | |a Preface -- Prelude -- PART ONE: A STORY OF ORIGIN. 1. A laiko (popular) song by Tsitsanis (1948)-- 2. A hymn from the Orthodox musical tradition --3. Comparison of the two pieces by Ilias Petropoulos (1968) -- 4. Comparison by Mikis Theodorakis (1970)--5. The stance of the laiko musician -- 6. Manos Hadjidakis and laiki music --7. The music critic Sophia Spanoudi -- 8. Two key personas of laiki music: Perpiniadis and Keromytis -- 9. Postlude --PART TWO: THE TWO MUSICAL WORLDS: THE BYZANTINE AND THE LAIKO. 10. The Greek nation-state and ecclesiastical music -- 11. Systemizing chanting; and the protagonists -- 12. The 'musical issue' at the forefront once again -- 13. Urban music: Examination of a remarkable network -- 14. Reaffirming the laiko --PART THREE: FACTUAL HIGHLIGHTS REGARDING ECCLESIASTICAL MUSIC. 15. The reference text and the musical act --16. 'Notes not noted in the text' : Constantinople as a reference point -- 17. Style, scores and the teacher -- 18. Modernists and conservatives -- PART FOUR: ANALYZING THE TWO MUSICAL PIECES. 19. Starting with the sound -- 20. Starting with the sheet music --21. A historical recording of the hymn -- 22. Postlude -- 23. Epilogue | |
| 546 | |a In English with Greek terms. | ||
| 588 | 0 | |a Online resource; title from digital title page (Bloomsbury, viewed April 19, 2021). | |
| 650 | 0 | |a Popular music |z Greece |x History and criticism. | |
| 650 | 0 | |a Popular music |z Greece |x Byzantine influences. | |
| 650 | 0 | |a Popular music |x Political aspects |z Greece |x History. | |
| 650 | 0 | |a Nationalism in music. |0 http://id.loc.gov/authorities/subjects/sh85090161 | |
| 650 | 6 | |a Musique populaire |z Grèce |x Histoire et critique. | |
| 650 | 6 | |a Musique populaire |x Aspect politique |z Grèce |x Histoire. | |
| 650 | 6 | |a Nationalisme dans la musique. | |
| 650 | 7 | |a Theory of music & musicology. |2 bicssc | |
| 650 | 7 | |a Popular music, easy listening. |2 bicssc | |
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| 650 | 7 | |a Music |x History & Criticism. |2 bisacsh | |
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| 650 | 7 | |a Popular music |x Byzantine influences |2 fast | |
| 650 | 7 | |a Nationalism in music |2 fast | |
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| _version_ | 1826942328683626496 |
| adam_text | |
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| author | Ordoulidēs, Nikos |
| author_GND | http://id.loc.gov/authorities/names/no2015154952 |
| author_facet | Ordoulidēs, Nikos |
| author_role | aut |
| author_sort | Ordoulidēs, Nikos |
| author_variant | n o no |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3499 |
| callnumber-raw | ML3499.G8 O74 2021 |
| callnumber-search | ML3499.G8 O74 2021 |
| callnumber-sort | ML 43499 G8 O74 42021 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Preface -- Prelude -- PART ONE: A STORY OF ORIGIN. 1. A laiko (popular) song by Tsitsanis (1948)-- 2. A hymn from the Orthodox musical tradition --3. Comparison of the two pieces by Ilias Petropoulos (1968) -- 4. Comparison by Mikis Theodorakis (1970)--5. The stance of the laiko musician -- 6. Manos Hadjidakis and laiki music --7. The music critic Sophia Spanoudi -- 8. Two key personas of laiki music: Perpiniadis and Keromytis -- 9. Postlude --PART TWO: THE TWO MUSICAL WORLDS: THE BYZANTINE AND THE LAIKO. 10. The Greek nation-state and ecclesiastical music -- 11. Systemizing chanting; and the protagonists -- 12. The 'musical issue' at the forefront once again -- 13. Urban music: Examination of a remarkable network -- 14. Reaffirming the laiko --PART THREE: FACTUAL HIGHLIGHTS REGARDING ECCLESIASTICAL MUSIC. 15. The reference text and the musical act --16. 'Notes not noted in the text' : Constantinople as a reference point -- 17. Style, scores and the teacher -- 18. Modernists and conservatives -- PART FOUR: ANALYZING THE TWO MUSICAL PIECES. 19. Starting with the sound -- 20. Starting with the sheet music --21. A historical recording of the hymn -- 22. Postlude -- 23. Epilogue |
| ctrlnum | (OCoLC)1227059498 |
| dewey-full | 781.6309495 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.6309495 |
| dewey-search | 781.6309495 |
| dewey-sort | 3781.6309495 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| geographic_facet | Greece |
| id | ZDB-4-EBA-on1227059498 |
| illustrated | Illustrated |
| indexdate | 2025-03-18T14:26:16Z |
| institution | BVB |
| isbn | 9781501369476 1501369474 9781501369452 1501369458 |
| language | English Greek |
| oclc_num | 1227059498 |
| open_access_boolean | |
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| physical | 1 online resource (xxi, 198 pages) : illustrations, facsimiles, music |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Bloomsbury Academic, |
| record_format | marc |
| spelling | Ordoulidēs, Nikos, author. http://id.loc.gov/authorities/names/no2015154952 Musical nationalism, despotism and scholarly interventions in Greek popular music / Nikos Ordoulidis. New York, NY : Bloomsbury Academic, [2021] 1 online resource (xxi, 198 pages) : illustrations, facsimiles, music text txt rdacontent still image sti rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. "This book discusses the relationship between Greek Orthodox ecclesiastical music and laiko (popular) song in Greece. Laiko music was long considered a lesser form of music in Greece, with rural folk music considered serious enough to carry the weight of the ideologies founded within the establishment of the contemporary Greek state. During the 1940s and 1950s, a selective exoneration of urban popular music took place, one of its most popular cases being the originating relationships between two extremely popular musical pieces: Vasilis Tsitsanis's 'Synnefiasmeni Kyriaki' (Cloudy Sunday) and its descent from the hymn 'Ti Ypermacho' (The Akathist Hymn). During this period the connection of these two pieces was forged in the Modern Greek conscience, led by certain key figures in the authority system of the scholarly world. Through analysis of these pieces and the surrounding contexts, Ordoulidis explores the changing role and perception of popular music in Greece."-- Provided by publisher. Preface -- Prelude -- PART ONE: A STORY OF ORIGIN. 1. A laiko (popular) song by Tsitsanis (1948)-- 2. A hymn from the Orthodox musical tradition --3. Comparison of the two pieces by Ilias Petropoulos (1968) -- 4. Comparison by Mikis Theodorakis (1970)--5. The stance of the laiko musician -- 6. Manos Hadjidakis and laiki music --7. The music critic Sophia Spanoudi -- 8. Two key personas of laiki music: Perpiniadis and Keromytis -- 9. Postlude --PART TWO: THE TWO MUSICAL WORLDS: THE BYZANTINE AND THE LAIKO. 10. The Greek nation-state and ecclesiastical music -- 11. Systemizing chanting; and the protagonists -- 12. The 'musical issue' at the forefront once again -- 13. Urban music: Examination of a remarkable network -- 14. Reaffirming the laiko --PART THREE: FACTUAL HIGHLIGHTS REGARDING ECCLESIASTICAL MUSIC. 15. The reference text and the musical act --16. 'Notes not noted in the text' : Constantinople as a reference point -- 17. Style, scores and the teacher -- 18. Modernists and conservatives -- PART FOUR: ANALYZING THE TWO MUSICAL PIECES. 19. Starting with the sound -- 20. Starting with the sheet music --21. A historical recording of the hymn -- 22. Postlude -- 23. Epilogue In English with Greek terms. Online resource; title from digital title page (Bloomsbury, viewed April 19, 2021). Popular music Greece History and criticism. Popular music Greece Byzantine influences. Popular music Political aspects Greece History. Nationalism in music. http://id.loc.gov/authorities/subjects/sh85090161 Musique populaire Grèce Histoire et critique. Musique populaire Aspect politique Grèce Histoire. Nationalisme dans la musique. Theory of music & musicology. bicssc Popular music, easy listening. bicssc Music Genres & Styles International. bisacsh Music History & Criticism. bisacsh Music Religious Hymns. bisacsh Popular music Byzantine influences fast Nationalism in music fast Popular music fast Popular music Political aspects fast Greece fast https://id.oclc.org/worldcat/entity/E39PBJxd6hw8HtWYq9JY6hjjYP Criticism, interpretation, etc. fast History fast has work: Musical nationalism, despotism and scholarly interventions in Greek popular music (Text) https://id.oclc.org/worldcat/entity/E39PCFrKjMfT6YcCD73CKVGHBX https://id.oclc.org/worldcat/ontology/hasWork Print version: 9781501369445 150136944X (DLC) 2020034850 (OCoLC)1196822504 |
| spellingShingle | Ordoulidēs, Nikos Musical nationalism, despotism and scholarly interventions in Greek popular music / Preface -- Prelude -- PART ONE: A STORY OF ORIGIN. 1. A laiko (popular) song by Tsitsanis (1948)-- 2. A hymn from the Orthodox musical tradition --3. Comparison of the two pieces by Ilias Petropoulos (1968) -- 4. Comparison by Mikis Theodorakis (1970)--5. The stance of the laiko musician -- 6. Manos Hadjidakis and laiki music --7. The music critic Sophia Spanoudi -- 8. Two key personas of laiki music: Perpiniadis and Keromytis -- 9. Postlude --PART TWO: THE TWO MUSICAL WORLDS: THE BYZANTINE AND THE LAIKO. 10. The Greek nation-state and ecclesiastical music -- 11. Systemizing chanting; and the protagonists -- 12. The 'musical issue' at the forefront once again -- 13. Urban music: Examination of a remarkable network -- 14. Reaffirming the laiko --PART THREE: FACTUAL HIGHLIGHTS REGARDING ECCLESIASTICAL MUSIC. 15. The reference text and the musical act --16. 'Notes not noted in the text' : Constantinople as a reference point -- 17. Style, scores and the teacher -- 18. Modernists and conservatives -- PART FOUR: ANALYZING THE TWO MUSICAL PIECES. 19. Starting with the sound -- 20. Starting with the sheet music --21. A historical recording of the hymn -- 22. Postlude -- 23. Epilogue Popular music Greece History and criticism. Popular music Greece Byzantine influences. Popular music Political aspects Greece History. Nationalism in music. http://id.loc.gov/authorities/subjects/sh85090161 Musique populaire Grèce Histoire et critique. Musique populaire Aspect politique Grèce Histoire. Nationalisme dans la musique. Theory of music & musicology. bicssc Popular music, easy listening. bicssc Music Genres & Styles International. bisacsh Music History & Criticism. bisacsh Music Religious Hymns. bisacsh Popular music Byzantine influences fast Nationalism in music fast Popular music fast Popular music Political aspects fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85090161 |
| title | Musical nationalism, despotism and scholarly interventions in Greek popular music / |
| title_auth | Musical nationalism, despotism and scholarly interventions in Greek popular music / |
| title_exact_search | Musical nationalism, despotism and scholarly interventions in Greek popular music / |
| title_full | Musical nationalism, despotism and scholarly interventions in Greek popular music / Nikos Ordoulidis. |
| title_fullStr | Musical nationalism, despotism and scholarly interventions in Greek popular music / Nikos Ordoulidis. |
| title_full_unstemmed | Musical nationalism, despotism and scholarly interventions in Greek popular music / Nikos Ordoulidis. |
| title_short | Musical nationalism, despotism and scholarly interventions in Greek popular music / |
| title_sort | musical nationalism despotism and scholarly interventions in greek popular music |
| topic | Popular music Greece History and criticism. Popular music Greece Byzantine influences. Popular music Political aspects Greece History. Nationalism in music. http://id.loc.gov/authorities/subjects/sh85090161 Musique populaire Grèce Histoire et critique. Musique populaire Aspect politique Grèce Histoire. Nationalisme dans la musique. Theory of music & musicology. bicssc Popular music, easy listening. bicssc Music Genres & Styles International. bisacsh Music History & Criticism. bisacsh Music Religious Hymns. bisacsh Popular music Byzantine influences fast Nationalism in music fast Popular music fast Popular music Political aspects fast |
| topic_facet | Popular music Greece History and criticism. Popular music Greece Byzantine influences. Popular music Political aspects Greece History. Nationalism in music. Musique populaire Grèce Histoire et critique. Musique populaire Aspect politique Grèce Histoire. Nationalisme dans la musique. Theory of music & musicology. Popular music, easy listening. Music Genres & Styles International. Music History & Criticism. Music Religious Hymns. Popular music Byzantine influences Nationalism in music Popular music Popular music Political aspects Greece Criticism, interpretation, etc. History |
| work_keys_str_mv | AT ordoulidesnikos musicalnationalismdespotismandscholarlyinterventionsingreekpopularmusic |