Provenance and early cinema /:
Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, ""How did these moving images get here for me to see them?This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cin...
Gespeichert in:
| Weitere Verfasser: | , , , , , , , , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bloomington :
Indiana University Press,
2021.
|
| Schriftenreihe: | Early Cinema in Review: Proceedings of Domitor Ser.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, ""How did these moving images get here for me to see them?This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives. |
| Beschreibung: | Description based upon print version of record. Appendix: Dryden Theatre Screening Program. |
| Beschreibung: | 1 online resource (viii, 420 pages) : illustrations |
| ISBN: | 0253053005 9780253053008 |
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| 245 | 0 | 0 | |a Provenance and early cinema / |c edited by Joanne Bernardi, Paolo Cherchi Usai, Tami Williams, and Joshua Umibe. |
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| 490 | 1 | |a Early Cinema in Review: Proceedings of Domitor Ser. | |
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| 505 | 0 | |a Cover -- Title page -- Copy right -- Contents -- Domitor Series -- Précis -- Introduction: Provenance and Early Cinema: From Preservation and Collection to Circulation and Repurposing -- Part I. Studying Provenance: From Analog to Digital -- 1. Film Provenance: A Framework for Analysis -- 2. Origins: Early Films and Archival Collections -- 3. From Provenience to Provenance: The Kerstrat-d'hauterives Collection -- 4. Provenance and Film Historiography: 1910s Films at the George Eastman Museum -- 5. Issues of Provenance and Attribution for the Canon: Bookending Robert Paul | |
| 505 | 8 | |a 6. Shattered Provenance in the Digitization of Early Colorfilms -- Part II. Preservation and Collection -- 7. Dreaming in Color: The Image and the Artifact -- 8. Where Did the Costumes in Early Cinema Come From? -- 9. Thinking With Provenance: Drawing Trajectories in the Francis Doublier Collection at the George Eastman Museum -- 10. Revisiting the Films of Albert Kahn's Archives De La Planète: a Material Survey -- 11. The Thanhouser Studio Filmography: Analysis and Extant Prints | |
| 505 | 8 | |a 12. The Great War at Scale: New Opportunities for Provenance in World War I Collections at the National Archives (Nara) -- Part III. Circulation -- 13. Chicago's "censored Casualties" and the Provenance of Archive Prints -- 14. What Made the Mechanicals Move? Postcards in Transit -- 15. "The End of a Foreign Monopoly": Bausch and Lomb and the Wartime Provenance of Optical Glass -- 16. Pathé Films in Brazil: The Archives of Marc Ferrez & Sons (1908-1916) -- 17. Establishing the Provenance of Early Advertising Films: Film Catalogs and the Creation of the Nontheatrical Market | |
| 505 | 8 | |a 18. A Journey on the World's Most Northerly Railway: The Renaming and Remaking of Swedish Industrial Films -- 19. In Search of "The Edison Biograph Company": Film History through Philippine Archives -- 20. Ownership, Exploitation, Stewardship: Tracking the Footage of the 1911-1913 Australian Antarctic Expedition -- Part IV. Repurposing -- 21. Finding Early Cinema in the Avant-Garde: Research and Investigation -- 22. Ernie Gehr's The Collector (2003) and Ernie Gehr the Collector -- 23. Flicker: Thom Andersen Takes Muybridge to the Movies | |
| 505 | 8 | |a 24. Provenance on Ice: Dawson City: Frozen Time and the Dawson City Collection -- 25. Praxis as Media Historiography: The Peep Box's "expanding View" as Virtual Reality -- 26. How Newspaper Novels and Their Illustrations Shaped Japanese Films -- 27. Archival Object or Object Lesson? Bricolage as Process and as Concept in the Edmundo Padilla Collection -- Appendix: French Language Essay -- 28. La Collection De Kerstrat-d'hauterives, De Sa Provenience À Sa Provenance -- Appendix: French Language Essay -- 29. D'où Viennent Les Costumes Du Cinéma Des Premiers Temps? | |
| 500 | |a Appendix: Dryden Theatre Screening Program. | ||
| 520 | |a Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, ""How did these moving images get here for me to see them?This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives. | ||
| 650 | 0 | |a Art |x Provenance. |0 http://id.loc.gov/authorities/subjects/sh2001001474 | |
| 650 | 6 | |a Art |x Provenance. | |
| 650 | 7 | |a provenance (history of ownership) |2 aat | |
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| 650 | 7 | |a Art |x Provenance |2 fast | |
| 700 | 1 | |a Bernardi, Joanne, |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjxTkwCyXqXd8qkrMQDWH3 | |
| 700 | 1 | |a Cherchi Usai, Paolo, |e editor. |1 https://id.oclc.org/worldcat/entity/E39PBJcKGmDmhBfqWmrQ89F3Qq | |
| 700 | 1 | |a Williams, Tami, |d 1970- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjvMprxQWpfJ9Q4V6jRXFq |0 http://id.loc.gov/authorities/names/n2014016680 | |
| 700 | 1 | |a Yumibe, Joshua, |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjD8kPJQ9yM9v4WpKB6wJC | |
| 700 | 1 | |a Blot-Wellens, Camille, |e contributor. |1 https://id.oclc.org/worldcat/entity/E39PCjw7cw97PfPqVBXw6YVjqP | |
| 700 | 1 | |a Lacasse, Germain, |e contributor | |
| 700 | 1 | |a Ingravalle, Grazia, |e contributor | |
| 700 | 1 | |a Christie, Ian, |e contributor | |
| 700 | 1 | |a Daugaard, Noemi, |e contributor | |
| 700 | 1 | |a Stutz, Olivia Kristina, |e contributor | |
| 758 | |i has work: |a Provenance and early cinema (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGHH94P8rDYdwKdwrV7F4y |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| author2 | Bernardi, Joanne Cherchi Usai, Paolo Williams, Tami, 1970- Yumibe, Joshua Blot-Wellens, Camille Lacasse, Germain Ingravalle, Grazia Christie, Ian Daugaard, Noemi Stutz, Olivia Kristina |
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| author_GND | http://id.loc.gov/authorities/names/n2014016680 |
| author_facet | Bernardi, Joanne Cherchi Usai, Paolo Williams, Tami, 1970- Yumibe, Joshua Blot-Wellens, Camille Lacasse, Germain Ingravalle, Grazia Christie, Ian Daugaard, Noemi Stutz, Olivia Kristina |
| building | Verbundindex |
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| callnumber-search | N3999 .B47 2021 |
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| contents | Cover -- Title page -- Copy right -- Contents -- Domitor Series -- Précis -- Introduction: Provenance and Early Cinema: From Preservation and Collection to Circulation and Repurposing -- Part I. Studying Provenance: From Analog to Digital -- 1. Film Provenance: A Framework for Analysis -- 2. Origins: Early Films and Archival Collections -- 3. From Provenience to Provenance: The Kerstrat-d'hauterives Collection -- 4. Provenance and Film Historiography: 1910s Films at the George Eastman Museum -- 5. Issues of Provenance and Attribution for the Canon: Bookending Robert Paul 6. Shattered Provenance in the Digitization of Early Colorfilms -- Part II. Preservation and Collection -- 7. Dreaming in Color: The Image and the Artifact -- 8. Where Did the Costumes in Early Cinema Come From? -- 9. Thinking With Provenance: Drawing Trajectories in the Francis Doublier Collection at the George Eastman Museum -- 10. Revisiting the Films of Albert Kahn's Archives De La Planète: a Material Survey -- 11. The Thanhouser Studio Filmography: Analysis and Extant Prints 12. The Great War at Scale: New Opportunities for Provenance in World War I Collections at the National Archives (Nara) -- Part III. Circulation -- 13. Chicago's "censored Casualties" and the Provenance of Archive Prints -- 14. What Made the Mechanicals Move? Postcards in Transit -- 15. "The End of a Foreign Monopoly": Bausch and Lomb and the Wartime Provenance of Optical Glass -- 16. Pathé Films in Brazil: The Archives of Marc Ferrez & Sons (1908-1916) -- 17. Establishing the Provenance of Early Advertising Films: Film Catalogs and the Creation of the Nontheatrical Market 18. A Journey on the World's Most Northerly Railway: The Renaming and Remaking of Swedish Industrial Films -- 19. In Search of "The Edison Biograph Company": Film History through Philippine Archives -- 20. Ownership, Exploitation, Stewardship: Tracking the Footage of the 1911-1913 Australian Antarctic Expedition -- Part IV. Repurposing -- 21. Finding Early Cinema in the Avant-Garde: Research and Investigation -- 22. Ernie Gehr's The Collector (2003) and Ernie Gehr the Collector -- 23. Flicker: Thom Andersen Takes Muybridge to the Movies 24. Provenance on Ice: Dawson City: Frozen Time and the Dawson City Collection -- 25. Praxis as Media Historiography: The Peep Box's "expanding View" as Virtual Reality -- 26. How Newspaper Novels and Their Illustrations Shaped Japanese Films -- 27. Archival Object or Object Lesson? Bricolage as Process and as Concept in the Edmundo Padilla Collection -- Appendix: French Language Essay -- 28. La Collection De Kerstrat-d'hauterives, De Sa Provenience À Sa Provenance -- Appendix: French Language Essay -- 29. D'où Viennent Les Costumes Du Cinéma Des Premiers Temps? |
| ctrlnum | (OCoLC)1225552339 |
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| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 069 - Museology (Museum science) |
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| dewey-search | 069.4 |
| dewey-sort | 269.4 |
| dewey-tens | 060 - General organizations and museology |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1225552339 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:08Z |
| institution | BVB |
| isbn | 0253053005 9780253053008 |
| language | English |
| oclc_num | 1225552339 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (viii, 420 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Indiana University Press, |
| record_format | marc |
| series | Early Cinema in Review: Proceedings of Domitor Ser. |
| series2 | Early Cinema in Review: Proceedings of Domitor Ser. |
| spelling | Provenance and early cinema / edited by Joanne Bernardi, Paolo Cherchi Usai, Tami Williams, and Joshua Umibe. Bloomington : Indiana University Press, 2021. 1 online resource (viii, 420 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Early Cinema in Review: Proceedings of Domitor Ser. Description based upon print version of record. Cover -- Title page -- Copy right -- Contents -- Domitor Series -- Précis -- Introduction: Provenance and Early Cinema: From Preservation and Collection to Circulation and Repurposing -- Part I. Studying Provenance: From Analog to Digital -- 1. Film Provenance: A Framework for Analysis -- 2. Origins: Early Films and Archival Collections -- 3. From Provenience to Provenance: The Kerstrat-d'hauterives Collection -- 4. Provenance and Film Historiography: 1910s Films at the George Eastman Museum -- 5. Issues of Provenance and Attribution for the Canon: Bookending Robert Paul 6. Shattered Provenance in the Digitization of Early Colorfilms -- Part II. Preservation and Collection -- 7. Dreaming in Color: The Image and the Artifact -- 8. Where Did the Costumes in Early Cinema Come From? -- 9. Thinking With Provenance: Drawing Trajectories in the Francis Doublier Collection at the George Eastman Museum -- 10. Revisiting the Films of Albert Kahn's Archives De La Planète: a Material Survey -- 11. The Thanhouser Studio Filmography: Analysis and Extant Prints 12. The Great War at Scale: New Opportunities for Provenance in World War I Collections at the National Archives (Nara) -- Part III. Circulation -- 13. Chicago's "censored Casualties" and the Provenance of Archive Prints -- 14. What Made the Mechanicals Move? Postcards in Transit -- 15. "The End of a Foreign Monopoly": Bausch and Lomb and the Wartime Provenance of Optical Glass -- 16. Pathé Films in Brazil: The Archives of Marc Ferrez & Sons (1908-1916) -- 17. Establishing the Provenance of Early Advertising Films: Film Catalogs and the Creation of the Nontheatrical Market 18. A Journey on the World's Most Northerly Railway: The Renaming and Remaking of Swedish Industrial Films -- 19. In Search of "The Edison Biograph Company": Film History through Philippine Archives -- 20. Ownership, Exploitation, Stewardship: Tracking the Footage of the 1911-1913 Australian Antarctic Expedition -- Part IV. Repurposing -- 21. Finding Early Cinema in the Avant-Garde: Research and Investigation -- 22. Ernie Gehr's The Collector (2003) and Ernie Gehr the Collector -- 23. Flicker: Thom Andersen Takes Muybridge to the Movies 24. Provenance on Ice: Dawson City: Frozen Time and the Dawson City Collection -- 25. Praxis as Media Historiography: The Peep Box's "expanding View" as Virtual Reality -- 26. How Newspaper Novels and Their Illustrations Shaped Japanese Films -- 27. Archival Object or Object Lesson? Bricolage as Process and as Concept in the Edmundo Padilla Collection -- Appendix: French Language Essay -- 28. La Collection De Kerstrat-d'hauterives, De Sa Provenience À Sa Provenance -- Appendix: French Language Essay -- 29. D'où Viennent Les Costumes Du Cinéma Des Premiers Temps? Appendix: Dryden Theatre Screening Program. Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, ""How did these moving images get here for me to see them?This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives. Art Provenance. http://id.loc.gov/authorities/subjects/sh2001001474 Art Provenance. provenance (history of ownership) aat PERFORMING ARTS / Film & Video / History & Criticism bisacsh Art Provenance fast Bernardi, Joanne, editor. https://id.oclc.org/worldcat/entity/E39PCjxTkwCyXqXd8qkrMQDWH3 Cherchi Usai, Paolo, editor. https://id.oclc.org/worldcat/entity/E39PBJcKGmDmhBfqWmrQ89F3Qq Williams, Tami, 1970- editor. https://id.oclc.org/worldcat/entity/E39PCjvMprxQWpfJ9Q4V6jRXFq http://id.loc.gov/authorities/names/n2014016680 Yumibe, Joshua, editor. https://id.oclc.org/worldcat/entity/E39PCjD8kPJQ9yM9v4WpKB6wJC Blot-Wellens, Camille, contributor. https://id.oclc.org/worldcat/entity/E39PCjw7cw97PfPqVBXw6YVjqP Lacasse, Germain, contributor Ingravalle, Grazia, contributor Christie, Ian, contributor Daugaard, Noemi, contributor Stutz, Olivia Kristina, contributor has work: Provenance and early cinema (Text) https://id.oclc.org/worldcat/entity/E39PCGHH94P8rDYdwKdwrV7F4y https://id.oclc.org/worldcat/ontology/hasWork Print version: Bernardi, Joanne Provenance and Early Cinema Bloomington : Indiana University Press,c2021 9780253053022 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2697600 Volltext |
| spellingShingle | Provenance and early cinema / Early Cinema in Review: Proceedings of Domitor Ser. Cover -- Title page -- Copy right -- Contents -- Domitor Series -- Précis -- Introduction: Provenance and Early Cinema: From Preservation and Collection to Circulation and Repurposing -- Part I. Studying Provenance: From Analog to Digital -- 1. Film Provenance: A Framework for Analysis -- 2. Origins: Early Films and Archival Collections -- 3. From Provenience to Provenance: The Kerstrat-d'hauterives Collection -- 4. Provenance and Film Historiography: 1910s Films at the George Eastman Museum -- 5. Issues of Provenance and Attribution for the Canon: Bookending Robert Paul 6. Shattered Provenance in the Digitization of Early Colorfilms -- Part II. Preservation and Collection -- 7. Dreaming in Color: The Image and the Artifact -- 8. Where Did the Costumes in Early Cinema Come From? -- 9. Thinking With Provenance: Drawing Trajectories in the Francis Doublier Collection at the George Eastman Museum -- 10. Revisiting the Films of Albert Kahn's Archives De La Planète: a Material Survey -- 11. The Thanhouser Studio Filmography: Analysis and Extant Prints 12. The Great War at Scale: New Opportunities for Provenance in World War I Collections at the National Archives (Nara) -- Part III. Circulation -- 13. Chicago's "censored Casualties" and the Provenance of Archive Prints -- 14. What Made the Mechanicals Move? Postcards in Transit -- 15. "The End of a Foreign Monopoly": Bausch and Lomb and the Wartime Provenance of Optical Glass -- 16. Pathé Films in Brazil: The Archives of Marc Ferrez & Sons (1908-1916) -- 17. Establishing the Provenance of Early Advertising Films: Film Catalogs and the Creation of the Nontheatrical Market 18. A Journey on the World's Most Northerly Railway: The Renaming and Remaking of Swedish Industrial Films -- 19. In Search of "The Edison Biograph Company": Film History through Philippine Archives -- 20. Ownership, Exploitation, Stewardship: Tracking the Footage of the 1911-1913 Australian Antarctic Expedition -- Part IV. Repurposing -- 21. Finding Early Cinema in the Avant-Garde: Research and Investigation -- 22. Ernie Gehr's The Collector (2003) and Ernie Gehr the Collector -- 23. Flicker: Thom Andersen Takes Muybridge to the Movies 24. Provenance on Ice: Dawson City: Frozen Time and the Dawson City Collection -- 25. Praxis as Media Historiography: The Peep Box's "expanding View" as Virtual Reality -- 26. How Newspaper Novels and Their Illustrations Shaped Japanese Films -- 27. Archival Object or Object Lesson? Bricolage as Process and as Concept in the Edmundo Padilla Collection -- Appendix: French Language Essay -- 28. La Collection De Kerstrat-d'hauterives, De Sa Provenience À Sa Provenance -- Appendix: French Language Essay -- 29. D'où Viennent Les Costumes Du Cinéma Des Premiers Temps? Art Provenance. http://id.loc.gov/authorities/subjects/sh2001001474 Art Provenance. provenance (history of ownership) aat PERFORMING ARTS / Film & Video / History & Criticism bisacsh Art Provenance fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2001001474 |
| title | Provenance and early cinema / |
| title_auth | Provenance and early cinema / |
| title_exact_search | Provenance and early cinema / |
| title_full | Provenance and early cinema / edited by Joanne Bernardi, Paolo Cherchi Usai, Tami Williams, and Joshua Umibe. |
| title_fullStr | Provenance and early cinema / edited by Joanne Bernardi, Paolo Cherchi Usai, Tami Williams, and Joshua Umibe. |
| title_full_unstemmed | Provenance and early cinema / edited by Joanne Bernardi, Paolo Cherchi Usai, Tami Williams, and Joshua Umibe. |
| title_short | Provenance and early cinema / |
| title_sort | provenance and early cinema |
| topic | Art Provenance. http://id.loc.gov/authorities/subjects/sh2001001474 Art Provenance. provenance (history of ownership) aat PERFORMING ARTS / Film & Video / History & Criticism bisacsh Art Provenance fast |
| topic_facet | Art Provenance. provenance (history of ownership) PERFORMING ARTS / Film & Video / History & Criticism Art Provenance |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2697600 |
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