"Keep 'em in the East": Kazan, Kubrick, and the postwar New York film renaissance
"Away from the glitz and glamour of Hollywood and the watchful eyes of the big studios, New York City re-emerged as a filmmaking center in the 1940s and 1950s. Filmmakers such as Elia Kazan, Sidney Lumet, Stanley Kubrick, and John Cassavetes built on their prior experience in theater, televisio...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York City
Columbia University Press
2021
|
| Schriftenreihe: | Film and culture.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Away from the glitz and glamour of Hollywood and the watchful eyes of the big studios, New York City re-emerged as a filmmaking center in the 1940s and 1950s. Filmmakers such as Elia Kazan, Sidney Lumet, Stanley Kubrick, and John Cassavetes built on their prior experience in theater, television, industrial films, and other aspects of the city's diverse cultural life, to create a film culture that would increasingly influence the financing, production and aesthetics of Hollywood films. Using on-location shooting to create a realistic, documentary style and relying on improvisatory practices, New York films had a distinct look and feel. Without studio financing, directors and producers raised funds and established independent production companies, creating the model that would go on to dominate Hollywood in the years to come. Richard Koszarski's magisterial history of the birth of independent cinema in New York City includes behind-the-scenes production histories of such iconic film as Kazan's On the Waterfront and Kubrick's The Killer's Kiss . The book also reveals the importance of "race films" in the history of New York City film. These all-black productions intended for African American audiences in urban ghettos and the rural South had been around New York City since the 1920s. They not only helped to keep the film business afloat in New York City but also nurtured and developed a core group of writers, directors, designers, and technicians that would become instrumental in the city's later growth as a center for filmmaking. New York's independent production companies also provided jobs for women that were not open to them in Hollywood. Finally, the book tells how Mayor O'Dwyer helped bring filmmaking to New York and how the relatively stable labor situation, particularly in comparison to Hollywood at the time, made New York a more hospitable place for directors"-- |
| Beschreibung: | 1 online resource illustrations |
| Bibliographie: | Includes bibliographical references and index |
| ISBN: | 0231553870 9780231553872 |
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| 100 | 1 | |a Koszarski, Richard, |e author. |0 http://id.loc.gov/authorities/names/n79003284 | |
| 245 | 1 | 0 | |a "Keep 'em in the East" |b Kazan, Kubrick, and the postwar New York film renaissance |c Richard Koszarski |
| 246 | 3 | 0 | |a Keep them in the East |
| 264 | 1 | |a New York City |b Columbia University Press |c 2021 | |
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| 490 | 1 | |a Film and culture | |
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| 520 | |a "Away from the glitz and glamour of Hollywood and the watchful eyes of the big studios, New York City re-emerged as a filmmaking center in the 1940s and 1950s. Filmmakers such as Elia Kazan, Sidney Lumet, Stanley Kubrick, and John Cassavetes built on their prior experience in theater, television, industrial films, and other aspects of the city's diverse cultural life, to create a film culture that would increasingly influence the financing, production and aesthetics of Hollywood films. Using on-location shooting to create a realistic, documentary style and relying on improvisatory practices, New York films had a distinct look and feel. Without studio financing, directors and producers raised funds and established independent production companies, creating the model that would go on to dominate Hollywood in the years to come. Richard Koszarski's magisterial history of the birth of independent cinema in New York City includes behind-the-scenes production histories of such iconic film as Kazan's On the Waterfront and Kubrick's The Killer's Kiss . The book also reveals the importance of "race films" in the history of New York City film. These all-black productions intended for African American audiences in urban ghettos and the rural South had been around New York City since the 1920s. They not only helped to keep the film business afloat in New York City but also nurtured and developed a core group of writers, directors, designers, and technicians that would become instrumental in the city's later growth as a center for filmmaking. New York's independent production companies also provided jobs for women that were not open to them in Hollywood. Finally, the book tells how Mayor O'Dwyer helped bring filmmaking to New York and how the relatively stable labor situation, particularly in comparison to Hollywood at the time, made New York a more hospitable place for directors"-- |c Provided by publisher | ||
| 505 | 0 | |a Intro -- Table of Contents -- Introduction -- Part I: Roots -- 1. Not Just Another Location -- 2. The Pathé Studio: Miniature Hollywood or Just Another False Dawn? -- 3. Now It Can Be Told: Louis de Rochemont, Henry Hathaway, and the Birth of Docudrama -- 4. Race Movies: New York's Original Independent Cinema -- Part II: Revival -- 5. Eight Million Stories -- 6. The O'Dwyer Plan -- 7. Joe Lerner's New York Noir -- 8. Just Passing Through -- 9. Pictures and Politics -- Part III: Renaissance -- 10. Crime on the Waterfront -- 11. Obsessed with Film -- 12. The Golden Warrior | |
| 505 | 8 | |a 13. Kiss Me, Kill Me -- 14. "And the Winner in New York Is . . ." -- 15. Happy Ending -- 16. Thank You, Hollywood! -- List of Abbreviations -- Notes -- Index | |
| 650 | 0 | |a Motion picture industry |z New York (State) |z New York |x History |y 20th century. | |
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| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion picture industry |2 fast | |
| 651 | 7 | |a New York (State) |z New York |2 fast |1 https://id.oclc.org/worldcat/entity/E39QbtfRvQh7864Jh4rDGBFDWc | |
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| 758 | |i has work: |a Keep 'em in the East (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGmCHv3mHX97VyvjT7vDmb |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Koszarski, Richard. |t Keep 'em in the East. |d New York : Columbia University Press, [2021] |z 9780231200981 |w (DLC) 2020051651 |w (OCoLC)1223015266 |
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Datensatz im Suchindex
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| adam_text | |
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| author | Koszarski, Richard |
| author_GND | http://id.loc.gov/authorities/names/n79003284 |
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| callnumber-search | PN1993.5.U77 |
| callnumber-sort | PN 41993.5 U77 |
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| collection | ZDB-4-EBA |
| contents | Intro -- Table of Contents -- Introduction -- Part I: Roots -- 1. Not Just Another Location -- 2. The Pathé Studio: Miniature Hollywood or Just Another False Dawn? -- 3. Now It Can Be Told: Louis de Rochemont, Henry Hathaway, and the Birth of Docudrama -- 4. Race Movies: New York's Original Independent Cinema -- Part II: Revival -- 5. Eight Million Stories -- 6. The O'Dwyer Plan -- 7. Joe Lerner's New York Noir -- 8. Just Passing Through -- 9. Pictures and Politics -- Part III: Renaissance -- 10. Crime on the Waterfront -- 11. Obsessed with Film -- 12. The Golden Warrior 13. Kiss Me, Kill Me -- 14. "And the Winner in New York Is . . ." -- 15. Happy Ending -- 16. Thank You, Hollywood! -- List of Abbreviations -- Notes -- Index |
| ctrlnum | (OCoLC)1224583066 |
| dewey-full | 791.4309747/1 |
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| dewey-ones | 791 - Public performances |
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| dewey-search | 791.4309747/1 |
| dewey-sort | 3791.4309747 11 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 1900-1999 fast |
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| series | Film and culture. |
| series2 | Film and culture |
| spelling | Koszarski, Richard, author. http://id.loc.gov/authorities/names/n79003284 "Keep 'em in the East" Kazan, Kubrick, and the postwar New York film renaissance Richard Koszarski Keep them in the East New York City Columbia University Press 2021 1 online resource illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Film and culture Includes bibliographical references and index Print version record "Away from the glitz and glamour of Hollywood and the watchful eyes of the big studios, New York City re-emerged as a filmmaking center in the 1940s and 1950s. Filmmakers such as Elia Kazan, Sidney Lumet, Stanley Kubrick, and John Cassavetes built on their prior experience in theater, television, industrial films, and other aspects of the city's diverse cultural life, to create a film culture that would increasingly influence the financing, production and aesthetics of Hollywood films. Using on-location shooting to create a realistic, documentary style and relying on improvisatory practices, New York films had a distinct look and feel. Without studio financing, directors and producers raised funds and established independent production companies, creating the model that would go on to dominate Hollywood in the years to come. Richard Koszarski's magisterial history of the birth of independent cinema in New York City includes behind-the-scenes production histories of such iconic film as Kazan's On the Waterfront and Kubrick's The Killer's Kiss . The book also reveals the importance of "race films" in the history of New York City film. These all-black productions intended for African American audiences in urban ghettos and the rural South had been around New York City since the 1920s. They not only helped to keep the film business afloat in New York City but also nurtured and developed a core group of writers, directors, designers, and technicians that would become instrumental in the city's later growth as a center for filmmaking. New York's independent production companies also provided jobs for women that were not open to them in Hollywood. Finally, the book tells how Mayor O'Dwyer helped bring filmmaking to New York and how the relatively stable labor situation, particularly in comparison to Hollywood at the time, made New York a more hospitable place for directors"-- Provided by publisher Intro -- Table of Contents -- Introduction -- Part I: Roots -- 1. Not Just Another Location -- 2. The Pathé Studio: Miniature Hollywood or Just Another False Dawn? -- 3. Now It Can Be Told: Louis de Rochemont, Henry Hathaway, and the Birth of Docudrama -- 4. Race Movies: New York's Original Independent Cinema -- Part II: Revival -- 5. Eight Million Stories -- 6. The O'Dwyer Plan -- 7. Joe Lerner's New York Noir -- 8. Just Passing Through -- 9. Pictures and Politics -- Part III: Renaissance -- 10. Crime on the Waterfront -- 11. Obsessed with Film -- 12. The Golden Warrior 13. Kiss Me, Kill Me -- 14. "And the Winner in New York Is . . ." -- 15. Happy Ending -- 16. Thank You, Hollywood! -- List of Abbreviations -- Notes -- Index Motion picture industry New York (State) New York History 20th century. Cinéma Industrie New York (État) New York Histoire 20e siècle. PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion picture industry fast New York (State) New York fast https://id.oclc.org/worldcat/entity/E39QbtfRvQh7864Jh4rDGBFDWc 1900-1999 fast History fast has work: Keep 'em in the East (Text) https://id.oclc.org/worldcat/entity/E39PCGmCHv3mHX97VyvjT7vDmb https://id.oclc.org/worldcat/ontology/hasWork Print version: Koszarski, Richard. Keep 'em in the East. New York : Columbia University Press, [2021] 9780231200981 (DLC) 2020051651 (OCoLC)1223015266 Film and culture. http://id.loc.gov/authorities/names/n92059833 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2680451 Volltext |
| spellingShingle | Koszarski, Richard "Keep 'em in the East" Kazan, Kubrick, and the postwar New York film renaissance Film and culture. Intro -- Table of Contents -- Introduction -- Part I: Roots -- 1. Not Just Another Location -- 2. The Pathé Studio: Miniature Hollywood or Just Another False Dawn? -- 3. Now It Can Be Told: Louis de Rochemont, Henry Hathaway, and the Birth of Docudrama -- 4. Race Movies: New York's Original Independent Cinema -- Part II: Revival -- 5. Eight Million Stories -- 6. The O'Dwyer Plan -- 7. Joe Lerner's New York Noir -- 8. Just Passing Through -- 9. Pictures and Politics -- Part III: Renaissance -- 10. Crime on the Waterfront -- 11. Obsessed with Film -- 12. The Golden Warrior 13. Kiss Me, Kill Me -- 14. "And the Winner in New York Is . . ." -- 15. Happy Ending -- 16. Thank You, Hollywood! -- List of Abbreviations -- Notes -- Index Motion picture industry New York (State) New York History 20th century. Cinéma Industrie New York (État) New York Histoire 20e siècle. PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion picture industry fast |
| title | "Keep 'em in the East" Kazan, Kubrick, and the postwar New York film renaissance |
| title_alt | Keep them in the East |
| title_auth | "Keep 'em in the East" Kazan, Kubrick, and the postwar New York film renaissance |
| title_exact_search | "Keep 'em in the East" Kazan, Kubrick, and the postwar New York film renaissance |
| title_full | "Keep 'em in the East" Kazan, Kubrick, and the postwar New York film renaissance Richard Koszarski |
| title_fullStr | "Keep 'em in the East" Kazan, Kubrick, and the postwar New York film renaissance Richard Koszarski |
| title_full_unstemmed | "Keep 'em in the East" Kazan, Kubrick, and the postwar New York film renaissance Richard Koszarski |
| title_short | "Keep 'em in the East" |
| title_sort | keep em in the east kazan kubrick and the postwar new york film renaissance |
| title_sub | Kazan, Kubrick, and the postwar New York film renaissance |
| topic | Motion picture industry New York (State) New York History 20th century. Cinéma Industrie New York (État) New York Histoire 20e siècle. PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion picture industry fast |
| topic_facet | Motion picture industry New York (State) New York History 20th century. Cinéma Industrie New York (État) New York Histoire 20e siècle. PERFORMING ARTS Film & Video History & Criticism. Motion picture industry New York (State) New York History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2680451 |
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