Fields of view :: film, art and spectatorship /
"Drawing on film theory, literary modernism, psychology and art history, Fields of View elucidates an expanded network of connections between avant-garde film and wider culture. In this bold and original work, A.L. Rees identifies three key terms - 'field', 'frame' and '...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
British Film Institute,
2020.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Drawing on film theory, literary modernism, psychology and art history, Fields of View elucidates an expanded network of connections between avant-garde film and wider culture. In this bold and original work, A.L. Rees identifies three key terms - 'field', 'frame' and 'interval' and charts their use by filmmakers and theorists such as Dziga Vertov, Sergei Eisenstein, Bruce Baillie, Maya Deren, Malcolm Le Grice and Werner Nekes, from the 1920s through to the present day. A seminal voice in film culture, Rees left the incomplete manuscript for this book on his death, and Simon Payne has subsequently carefully prepared the book for publication. Fields of View is an important work that establishes a unique perspective on experimental film"--Provided by publisher |
| Beschreibung: | 1 online resource (xiii, 223 pages, 16 unnumbered pages of plates) : illustrations (black and white, and colour) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781838719937 1838719938 9781838719913 1838719911 |
Internformat
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| 245 | 1 | 0 | |a Fields of view : |b film, art and spectatorship / |c A.L. Rees, edited by Simon Payne. |
| 264 | 1 | |a London : |b British Film Institute, |c 2020. | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (xiii, 223 pages, 16 unnumbered pages of plates) : |b illustrations (black and white, and colour) | ||
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| 504 | |a Includes bibliographical references and index. | ||
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| 505 | 0 | |a Foreword: Harvesting Fields -- Acknowledgements -- Fields -- Film Machine -- Film as Optic and Idea -- Expanding Cinema -- Room Films -- Film Objects -- Projection Space -- Time Frames -- Realisms -- Asymptote -- Digital Dialectic -- Fields in Braque and Gehr -- Classic Film Theory and the Spectator -- Field and Gestalt -- Monet, Lumière and Cinematic Time -- Displacement, Sculpture -- Bodies in Motion -- Intervals -- Methods of Montage -- Frames -- Frames and Windows -- Constructivism and Computers -- Geometry of Intervals -- Notes. | |
| 520 | |a "Drawing on film theory, literary modernism, psychology and art history, Fields of View elucidates an expanded network of connections between avant-garde film and wider culture. In this bold and original work, A.L. Rees identifies three key terms - 'field', 'frame' and 'interval' and charts their use by filmmakers and theorists such as Dziga Vertov, Sergei Eisenstein, Bruce Baillie, Maya Deren, Malcolm Le Grice and Werner Nekes, from the 1920s through to the present day. A seminal voice in film culture, Rees left the incomplete manuscript for this book on his death, and Simon Payne has subsequently carefully prepared the book for publication. Fields of View is an important work that establishes a unique perspective on experimental film"--Provided by publisher | ||
| 532 | 0 | |a Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily. | |
| 650 | 0 | |a Experimental films |x History and criticism. | |
| 650 | 7 | |a Experimental films |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Payne Simon, |e editor. | |
| 758 | |i has work: |a Fields of view (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGMRvg8h3TVkC7jwJ93wBX |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1204667021 |
|---|---|
| _version_ | 1816882532883365888 |
| adam_text | |
| any_adam_object | |
| author | Rees, A. L. |
| author2 | Payne Simon |
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| author2_variant | p s ps |
| author_facet | Rees, A. L. Payne Simon |
| author_role | aut |
| author_sort | Rees, A. L. |
| author_variant | a l r al alr |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
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| contents | Foreword: Harvesting Fields -- Acknowledgements -- Fields -- Film Machine -- Film as Optic and Idea -- Expanding Cinema -- Room Films -- Film Objects -- Projection Space -- Time Frames -- Realisms -- Asymptote -- Digital Dialectic -- Fields in Braque and Gehr -- Classic Film Theory and the Spectator -- Field and Gestalt -- Monet, Lumière and Cinematic Time -- Displacement, Sculpture -- Bodies in Motion -- Intervals -- Methods of Montage -- Frames -- Frames and Windows -- Constructivism and Computers -- Geometry of Intervals -- Notes. |
| ctrlnum | (OCoLC)1204667021 |
| dewey-full | 791.43611 |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43611 |
| dewey-search | 791.43611 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-on1204667021 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:07Z |
| institution | BVB |
| isbn | 9781838719937 1838719938 9781838719913 1838719911 |
| language | English |
| oclc_num | 1204667021 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xiii, 223 pages, 16 unnumbered pages of plates) : illustrations (black and white, and colour) |
| psigel | ZDB-4-EBA |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | British Film Institute, |
| record_format | marc |
| spelling | Rees, A. L., author. Fields of view : film, art and spectatorship / A.L. Rees, edited by Simon Payne. London : British Film Institute, 2020. ©2020 1 online resource (xiii, 223 pages, 16 unnumbered pages of plates) : illustrations (black and white, and colour) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Foreword: Harvesting Fields -- Acknowledgements -- Fields -- Film Machine -- Film as Optic and Idea -- Expanding Cinema -- Room Films -- Film Objects -- Projection Space -- Time Frames -- Realisms -- Asymptote -- Digital Dialectic -- Fields in Braque and Gehr -- Classic Film Theory and the Spectator -- Field and Gestalt -- Monet, Lumière and Cinematic Time -- Displacement, Sculpture -- Bodies in Motion -- Intervals -- Methods of Montage -- Frames -- Frames and Windows -- Constructivism and Computers -- Geometry of Intervals -- Notes. "Drawing on film theory, literary modernism, psychology and art history, Fields of View elucidates an expanded network of connections between avant-garde film and wider culture. In this bold and original work, A.L. Rees identifies three key terms - 'field', 'frame' and 'interval' and charts their use by filmmakers and theorists such as Dziga Vertov, Sergei Eisenstein, Bruce Baillie, Maya Deren, Malcolm Le Grice and Werner Nekes, from the 1920s through to the present day. A seminal voice in film culture, Rees left the incomplete manuscript for this book on his death, and Simon Payne has subsequently carefully prepared the book for publication. Fields of View is an important work that establishes a unique perspective on experimental film"--Provided by publisher Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily. Experimental films History and criticism. Experimental films fast Criticism, interpretation, etc. fast Payne Simon, editor. has work: Fields of view (Text) https://id.oclc.org/worldcat/entity/E39PCGMRvg8h3TVkC7jwJ93wBX https://id.oclc.org/worldcat/ontology/hasWork Print version: Rees, A.L. Fields of view. London : British Film Institute, 2020 1838719946 (OCoLC)1137756320 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2553116 Volltext |
| spellingShingle | Rees, A. L. Fields of view : film, art and spectatorship / Foreword: Harvesting Fields -- Acknowledgements -- Fields -- Film Machine -- Film as Optic and Idea -- Expanding Cinema -- Room Films -- Film Objects -- Projection Space -- Time Frames -- Realisms -- Asymptote -- Digital Dialectic -- Fields in Braque and Gehr -- Classic Film Theory and the Spectator -- Field and Gestalt -- Monet, Lumière and Cinematic Time -- Displacement, Sculpture -- Bodies in Motion -- Intervals -- Methods of Montage -- Frames -- Frames and Windows -- Constructivism and Computers -- Geometry of Intervals -- Notes. Experimental films History and criticism. Experimental films fast |
| title | Fields of view : film, art and spectatorship / |
| title_auth | Fields of view : film, art and spectatorship / |
| title_exact_search | Fields of view : film, art and spectatorship / |
| title_full | Fields of view : film, art and spectatorship / A.L. Rees, edited by Simon Payne. |
| title_fullStr | Fields of view : film, art and spectatorship / A.L. Rees, edited by Simon Payne. |
| title_full_unstemmed | Fields of view : film, art and spectatorship / A.L. Rees, edited by Simon Payne. |
| title_short | Fields of view : |
| title_sort | fields of view film art and spectatorship |
| title_sub | film, art and spectatorship / |
| topic | Experimental films History and criticism. Experimental films fast |
| topic_facet | Experimental films History and criticism. Experimental films Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2553116 |
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