Emerald Street :: a history of hip hop in Seattle /
From the first rap battles in Seattle's Central District to the Grammy stage, hip hop has shaped urban life and the music scene of the Pacific Northwest for more than four decades. In the early 1980s, Seattle's hip-hop artists developed a community-based culture of stylistic experimentatio...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Seattle, Washington :
University of Washington Press,
[2020]
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | From the first rap battles in Seattle's Central District to the Grammy stage, hip hop has shaped urban life and the music scene of the Pacific Northwest for more than four decades. In the early 1980s, Seattle's hip-hop artists developed a community-based culture of stylistic experimentation and multiethnic collaboration. Emerging at a distance from the hip-hop centers of New York City and Los Angeles, Seattle's most famous hip-hop figures, Sir Mix-A-Lot and Macklemore, found mainstream success twenty years apart by going directly against the grain of their respective eras. In addition, Seattle has produced a two-time world-champion breaking crew, globally renowned urban clothing designers, an international hip-hop magazine, and influential record producers. In Emerald Street, Daudi Abe chronicles the development of Seattle hip hop from its earliest days, drawing on interviews with artists and journalists to trace how the elements of hip hop--rapping, DJing, breaking, and graffiti--flourished in the Seattle scene. He shows how Seattle hip-hop culture goes beyond art and music, influencing politics, the relationships between communities of color and law enforcement, the changing media scene, and youth outreach and educational programs. The result is a rich narrative of a dynamic and influential force in Seattle music history and beyond. Emerald Street was made possible in part by a grant from 4Culture's Heritage Program. -- |
Beschreibung: | 1 online resource (xii, 280 pages) : illustrations, map |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780295747835 0295747838 |
Internformat
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505 | 0 | |a Introduction: "I'm the man they love to hate, the J. R. Ewing of Seattle" -- "Welcome to Seattle where the sun don't shine" : Seattle, the Central District, and the arrival of hip hop -- "Go back the other way, we'll stop and eat at Dick's" : Seattle hip hop in the 1980s -- "We got the talent, microphones, turntables, and crates" : Seattle hip hop in the 1990s -- "Solo Doe is my idol man, Cherry is the street" : 206/2K -- "The hood ain't the same" : traditions change and continue -- Conclusion: "Back when Empire Way became MLK." | |
520 | |a From the first rap battles in Seattle's Central District to the Grammy stage, hip hop has shaped urban life and the music scene of the Pacific Northwest for more than four decades. In the early 1980s, Seattle's hip-hop artists developed a community-based culture of stylistic experimentation and multiethnic collaboration. Emerging at a distance from the hip-hop centers of New York City and Los Angeles, Seattle's most famous hip-hop figures, Sir Mix-A-Lot and Macklemore, found mainstream success twenty years apart by going directly against the grain of their respective eras. In addition, Seattle has produced a two-time world-champion breaking crew, globally renowned urban clothing designers, an international hip-hop magazine, and influential record producers. In Emerald Street, Daudi Abe chronicles the development of Seattle hip hop from its earliest days, drawing on interviews with artists and journalists to trace how the elements of hip hop--rapping, DJing, breaking, and graffiti--flourished in the Seattle scene. He shows how Seattle hip-hop culture goes beyond art and music, influencing politics, the relationships between communities of color and law enforcement, the changing media scene, and youth outreach and educational programs. The result is a rich narrative of a dynamic and influential force in Seattle music history and beyond. Emerald Street was made possible in part by a grant from 4Culture's Heritage Program. -- |c Book cover. | ||
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adam_text | |
any_adam_object | |
author | Abe, Daudi J. |
author_GND | http://id.loc.gov/authorities/names/no2005008122 http://id.loc.gov/authorities/names/n91125805 |
author_facet | Abe, Daudi J. |
author_role | aut |
author_sort | Abe, Daudi J. |
author_variant | d j a dj dja |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | ML3531 |
callnumber-raw | ML3531 .A24 2020 |
callnumber-search | ML3531 .A24 2020 |
callnumber-sort | ML 43531 A24 42020 |
callnumber-subject | ML - Literature on Music |
collection | ZDB-4-EBA |
contents | Introduction: "I'm the man they love to hate, the J. R. Ewing of Seattle" -- "Welcome to Seattle where the sun don't shine" : Seattle, the Central District, and the arrival of hip hop -- "Go back the other way, we'll stop and eat at Dick's" : Seattle hip hop in the 1980s -- "We got the talent, microphones, turntables, and crates" : Seattle hip hop in the 1990s -- "Solo Doe is my idol man, Cherry is the street" : 206/2K -- "The hood ain't the same" : traditions change and continue -- Conclusion: "Back when Empire Way became MLK." |
ctrlnum | (OCoLC)1204177243 |
dewey-full | 782.421649 |
dewey-hundreds | 700 - The arts |
dewey-ones | 782 - Vocal music |
dewey-raw | 782.421649 |
dewey-search | 782.421649 |
dewey-sort | 3782.421649 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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spelling | Abe, Daudi J., author. http://id.loc.gov/authorities/names/no2005008122 Emerald Street : a history of hip hop in Seattle / Daudi Abe ; foreword by Sir Mix-A-Lot. Seattle, Washington : University of Washington Press, [2020] ©2020 1 online resource (xii, 280 pages) : illustrations, map text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Introduction: "I'm the man they love to hate, the J. R. Ewing of Seattle" -- "Welcome to Seattle where the sun don't shine" : Seattle, the Central District, and the arrival of hip hop -- "Go back the other way, we'll stop and eat at Dick's" : Seattle hip hop in the 1980s -- "We got the talent, microphones, turntables, and crates" : Seattle hip hop in the 1990s -- "Solo Doe is my idol man, Cherry is the street" : 206/2K -- "The hood ain't the same" : traditions change and continue -- Conclusion: "Back when Empire Way became MLK." From the first rap battles in Seattle's Central District to the Grammy stage, hip hop has shaped urban life and the music scene of the Pacific Northwest for more than four decades. In the early 1980s, Seattle's hip-hop artists developed a community-based culture of stylistic experimentation and multiethnic collaboration. Emerging at a distance from the hip-hop centers of New York City and Los Angeles, Seattle's most famous hip-hop figures, Sir Mix-A-Lot and Macklemore, found mainstream success twenty years apart by going directly against the grain of their respective eras. In addition, Seattle has produced a two-time world-champion breaking crew, globally renowned urban clothing designers, an international hip-hop magazine, and influential record producers. In Emerald Street, Daudi Abe chronicles the development of Seattle hip hop from its earliest days, drawing on interviews with artists and journalists to trace how the elements of hip hop--rapping, DJing, breaking, and graffiti--flourished in the Seattle scene. He shows how Seattle hip-hop culture goes beyond art and music, influencing politics, the relationships between communities of color and law enforcement, the changing media scene, and youth outreach and educational programs. The result is a rich narrative of a dynamic and influential force in Seattle music history and beyond. Emerald Street was made possible in part by a grant from 4Culture's Heritage Program. -- Book cover. Rap (Music) Washington (State) Seattle History. Music Political aspects Washington (State) Seattle. Music History and criticism. http://id.loc.gov/authorities/subjects/sh85088794 Musique Aspect politique Washington (État) Seattle. Musique Histoire et critique. MUSIC Genres & Styles Rap & Hip Hop. bisacsh Music fast Music Political aspects fast Rap (Music) fast Washington (State) Seattle fast https://id.oclc.org/worldcat/entity/E39PBJrWFwxmr6yX7fxxbMJv73 Electronic books. Criticism, interpretation, etc. fast History fast Sir Mix-A-Lot (Musician), writer of foreword. https://id.oclc.org/worldcat/entity/E39PBJjHhYcDYDCKPwrbTTHHmd http://id.loc.gov/authorities/names/n91125805 has work: Emerald street : a history of hip hop in Seattle (Text) https://id.oclc.org/worldcat/entity/E39PCH8VhJKdD4P3rcbmy9FcWC https://id.oclc.org/worldcat/ontology/hasWork Print version: Emerald street. Seattle : University of Washington Press, [2020] 9780295747576 (OCoLC)1151541983 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2667414 Volltext |
spellingShingle | Abe, Daudi J. Emerald Street : a history of hip hop in Seattle / Introduction: "I'm the man they love to hate, the J. R. Ewing of Seattle" -- "Welcome to Seattle where the sun don't shine" : Seattle, the Central District, and the arrival of hip hop -- "Go back the other way, we'll stop and eat at Dick's" : Seattle hip hop in the 1980s -- "We got the talent, microphones, turntables, and crates" : Seattle hip hop in the 1990s -- "Solo Doe is my idol man, Cherry is the street" : 206/2K -- "The hood ain't the same" : traditions change and continue -- Conclusion: "Back when Empire Way became MLK." Rap (Music) Washington (State) Seattle History. Music Political aspects Washington (State) Seattle. Music History and criticism. http://id.loc.gov/authorities/subjects/sh85088794 Musique Aspect politique Washington (État) Seattle. Musique Histoire et critique. MUSIC Genres & Styles Rap & Hip Hop. bisacsh Music fast Music Political aspects fast Rap (Music) fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85088794 |
title | Emerald Street : a history of hip hop in Seattle / |
title_auth | Emerald Street : a history of hip hop in Seattle / |
title_exact_search | Emerald Street : a history of hip hop in Seattle / |
title_full | Emerald Street : a history of hip hop in Seattle / Daudi Abe ; foreword by Sir Mix-A-Lot. |
title_fullStr | Emerald Street : a history of hip hop in Seattle / Daudi Abe ; foreword by Sir Mix-A-Lot. |
title_full_unstemmed | Emerald Street : a history of hip hop in Seattle / Daudi Abe ; foreword by Sir Mix-A-Lot. |
title_short | Emerald Street : |
title_sort | emerald street a history of hip hop in seattle |
title_sub | a history of hip hop in Seattle / |
topic | Rap (Music) Washington (State) Seattle History. Music Political aspects Washington (State) Seattle. Music History and criticism. http://id.loc.gov/authorities/subjects/sh85088794 Musique Aspect politique Washington (État) Seattle. Musique Histoire et critique. MUSIC Genres & Styles Rap & Hip Hop. bisacsh Music fast Music Political aspects fast Rap (Music) fast |
topic_facet | Rap (Music) Washington (State) Seattle History. Music Political aspects Washington (State) Seattle. Music History and criticism. Musique Aspect politique Washington (État) Seattle. Musique Histoire et critique. MUSIC Genres & Styles Rap & Hip Hop. Music Music Political aspects Rap (Music) Washington (State) Seattle Electronic books. Criticism, interpretation, etc. History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2667414 |
work_keys_str_mv | AT abedaudij emeraldstreetahistoryofhiphopinseattle AT sirmixalot emeraldstreetahistoryofhiphopinseattle |