Arvo Pärt :: sounding the sacred /
Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt's music (including the trope of sil...
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| Weitere Verfasser: | , , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Fordham University Press,
2021.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt's music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies? In taking up these questions, the book "de-Platonizes" Pärt studies by demystifying the notion of a single "Pärt sound." It offers innovative, critical analyses of the historical contexts of Pärt's experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Pärt's music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Pärt's music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces. |
| Beschreibung: | 1 online resource (259 pages) : illustrations, portraits, charts, music |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780823289783 0823289788 082328977X 9780823289776 |
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| 245 | 0 | 0 | |a Arvo Pärt : |b sounding the sacred / |c Peter C. Bouteneff, Jeffers Engelhardt, and Robert Saler, editors. |
| 264 | 1 | |a New York : |b Fordham University Press, |c 2021. | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (259 pages) : |b illustrations, portraits, charts, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a I. Introduction. Arvo Pärt and the art of embodiment -- The sound-and hearing-of Arvo Pärt -- II. History and context. Sounding structure, structured sound -- Colorful dreams : exploring Pärt's Soviet film music -- Arvo Pärt's tintinnabuli and the 1970s Soviet underground -- III. Performance. The Pärt sound -- The rest is silence -- IV. Materiality and phenomenology. Vibrating, and silent : listening to the material acoustics of tintinnabulation -- Medieval Pärt -- The piano and the performing body in the music of Arvo Pärt : phenomenological perspectives -- V. Theology. Presence, absence, and the ambiguities of ambiance : theological discourse and the move to sound in Pärt studies -- The materiality of sound and the theology of the incarnation in the music of Arvo Pärt -- Christian liturgical chant and the musical reorientation of Arvo Pärt -- In the beginning there was sound : hearing, tintinnabuli, and musical meaning in Sufism. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on December 21, 2020). | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt's music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies? In taking up these questions, the book "de-Platonizes" Pärt studies by demystifying the notion of a single "Pärt sound." It offers innovative, critical analyses of the historical contexts of Pärt's experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Pärt's music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Pärt's music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces. | ||
| 600 | 1 | 0 | |a Pärt, Arvo |x Criticism and interpretation. |
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| 653 | |a Arvo Pärt. | ||
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| 653 | |a religious studies. | ||
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| 653 | |a theology. | ||
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| 776 | 0 | 8 | |i Print version: |a Bouteneff, Peter C. |t Arvo Pärt : Sounding the Sacred. |d New York : Fordham University Press, ©2020 |
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| contents | I. Introduction. Arvo Pärt and the art of embodiment -- The sound-and hearing-of Arvo Pärt -- II. History and context. Sounding structure, structured sound -- Colorful dreams : exploring Pärt's Soviet film music -- Arvo Pärt's tintinnabuli and the 1970s Soviet underground -- III. Performance. The Pärt sound -- The rest is silence -- IV. Materiality and phenomenology. Vibrating, and silent : listening to the material acoustics of tintinnabulation -- Medieval Pärt -- The piano and the performing body in the music of Arvo Pärt : phenomenological perspectives -- V. Theology. Presence, absence, and the ambiguities of ambiance : theological discourse and the move to sound in Pärt studies -- The materiality of sound and the theology of the incarnation in the music of Arvo Pärt -- Christian liturgical chant and the musical reorientation of Arvo Pärt -- In the beginning there was sound : hearing, tintinnabuli, and musical meaning in Sufism. |
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| dewey-search | 780.92 |
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| discipline | Musikwissenschaft |
| format | Electronic eBook |
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Introduction. Arvo Pärt and the art of embodiment -- The sound-and hearing-of Arvo Pärt -- II. History and context. Sounding structure, structured sound -- Colorful dreams : exploring Pärt's Soviet film music -- Arvo Pärt's tintinnabuli and the 1970s Soviet underground -- III. Performance. The Pärt sound -- The rest is silence -- IV. Materiality and phenomenology. Vibrating, and silent : listening to the material acoustics of tintinnabulation -- Medieval Pärt -- The piano and the performing body in the music of Arvo Pärt : phenomenological perspectives -- V. Theology. 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| genre_facet | Electronic books. Criticism, interpretation, etc. |
| id | ZDB-4-EBA-on1204134209 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:07Z |
| institution | BVB |
| isbn | 9780823289783 0823289788 082328977X 9780823289776 |
| language | English |
| oclc_num | 1204134209 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (259 pages) : illustrations, portraits, charts, music |
| psigel | ZDB-4-EBA |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Fordham University Press, |
| record_format | marc |
| spelling | Arvo Pärt : sounding the sacred / Peter C. Bouteneff, Jeffers Engelhardt, and Robert Saler, editors. New York : Fordham University Press, 2021. ©2021 1 online resource (259 pages) : illustrations, portraits, charts, music text txt rdacontent computer c rdamedia online resource cr rdacarrier I. Introduction. Arvo Pärt and the art of embodiment -- The sound-and hearing-of Arvo Pärt -- II. History and context. Sounding structure, structured sound -- Colorful dreams : exploring Pärt's Soviet film music -- Arvo Pärt's tintinnabuli and the 1970s Soviet underground -- III. Performance. The Pärt sound -- The rest is silence -- IV. Materiality and phenomenology. Vibrating, and silent : listening to the material acoustics of tintinnabulation -- Medieval Pärt -- The piano and the performing body in the music of Arvo Pärt : phenomenological perspectives -- V. Theology. Presence, absence, and the ambiguities of ambiance : theological discourse and the move to sound in Pärt studies -- The materiality of sound and the theology of the incarnation in the music of Arvo Pärt -- Christian liturgical chant and the musical reorientation of Arvo Pärt -- In the beginning there was sound : hearing, tintinnabuli, and musical meaning in Sufism. Online resource; title from digital title page (viewed on December 21, 2020). Includes bibliographical references and index. Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt's music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies? In taking up these questions, the book "de-Platonizes" Pärt studies by demystifying the notion of a single "Pärt sound." It offers innovative, critical analyses of the historical contexts of Pärt's experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Pärt's music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Pärt's music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces. Pärt, Arvo Criticism and interpretation. Pärt, Arvo fast https://id.oclc.org/worldcat/entity/E39PBJcGj8VmWF3GqQyDRCCPcP Sound Religious aspects. http://id.loc.gov/authorities/subjects/sh92006339 Music Religious aspects. http://id.loc.gov/authorities/subjects/sh85088815 Musique Aspect religieux. MUSIC Individual Composer & Musician. bisacsh Music Religious aspects fast Sound Religious aspects fast Arvo Pärt. Estonia. Orthodox Christianity. Soviet music. embodiment. materiality. music studies. religious studies. sound studies. theology. Electronic books. Criticism, interpretation, etc. fast Criticism, interpretation, etc. lcgft Bouteneff, Peter, editor. http://id.loc.gov/authorities/names/n96052801 Engelhardt, Jeffers, editor. http://id.loc.gov/authorities/names/n2014008129 Saler, Robert C., editor. http://id.loc.gov/authorities/names/no2014135075 has work: Arvo Pärt (Text) https://id.oclc.org/worldcat/entity/E39PCGVDtR9T9yhB8xGRXY3hHC https://id.oclc.org/worldcat/ontology/hasWork Print version: Bouteneff, Peter C. Arvo Pärt : Sounding the Sacred. New York : Fordham University Press, ©2020 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2363936 Volltext |
| spellingShingle | Arvo Pärt : sounding the sacred / I. Introduction. Arvo Pärt and the art of embodiment -- The sound-and hearing-of Arvo Pärt -- II. History and context. Sounding structure, structured sound -- Colorful dreams : exploring Pärt's Soviet film music -- Arvo Pärt's tintinnabuli and the 1970s Soviet underground -- III. Performance. The Pärt sound -- The rest is silence -- IV. Materiality and phenomenology. Vibrating, and silent : listening to the material acoustics of tintinnabulation -- Medieval Pärt -- The piano and the performing body in the music of Arvo Pärt : phenomenological perspectives -- V. Theology. Presence, absence, and the ambiguities of ambiance : theological discourse and the move to sound in Pärt studies -- The materiality of sound and the theology of the incarnation in the music of Arvo Pärt -- Christian liturgical chant and the musical reorientation of Arvo Pärt -- In the beginning there was sound : hearing, tintinnabuli, and musical meaning in Sufism. Pärt, Arvo Criticism and interpretation. Pärt, Arvo fast https://id.oclc.org/worldcat/entity/E39PBJcGj8VmWF3GqQyDRCCPcP Sound Religious aspects. http://id.loc.gov/authorities/subjects/sh92006339 Music Religious aspects. http://id.loc.gov/authorities/subjects/sh85088815 Musique Aspect religieux. MUSIC Individual Composer & Musician. bisacsh Music Religious aspects fast Sound Religious aspects fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh92006339 http://id.loc.gov/authorities/subjects/sh85088815 |
| title | Arvo Pärt : sounding the sacred / |
| title_auth | Arvo Pärt : sounding the sacred / |
| title_exact_search | Arvo Pärt : sounding the sacred / |
| title_full | Arvo Pärt : sounding the sacred / Peter C. Bouteneff, Jeffers Engelhardt, and Robert Saler, editors. |
| title_fullStr | Arvo Pärt : sounding the sacred / Peter C. Bouteneff, Jeffers Engelhardt, and Robert Saler, editors. |
| title_full_unstemmed | Arvo Pärt : sounding the sacred / Peter C. Bouteneff, Jeffers Engelhardt, and Robert Saler, editors. |
| title_short | Arvo Pärt : |
| title_sort | arvo part sounding the sacred |
| title_sub | sounding the sacred / |
| topic | Pärt, Arvo Criticism and interpretation. Pärt, Arvo fast https://id.oclc.org/worldcat/entity/E39PBJcGj8VmWF3GqQyDRCCPcP Sound Religious aspects. http://id.loc.gov/authorities/subjects/sh92006339 Music Religious aspects. http://id.loc.gov/authorities/subjects/sh85088815 Musique Aspect religieux. MUSIC Individual Composer & Musician. bisacsh Music Religious aspects fast Sound Religious aspects fast |
| topic_facet | Pärt, Arvo Criticism and interpretation. Pärt, Arvo Sound Religious aspects. Music Religious aspects. Musique Aspect religieux. MUSIC Individual Composer & Musician. Music Religious aspects Sound Religious aspects Electronic books. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2363936 |
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