London's arts labs and the 60s avant-garde /:
This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967-69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challe...
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| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Burnet, Herts., United Kingdom :
John Libbey Publishing Limited,
[2020]
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967-69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko/John Latham/Takis/Roelof Louw), poetry and music (first UK performance of Erik Satie's 24-hour Vexations) and fringe theatre (People Show/Freehold/Jane Arden's Vagina Rex and the Gas Oven/Will Spoor Mime Theatre). The Robert Street "New Arts Lab" (1969-71) housed Britain's first video workshop TVX, the London Filmmakers Co-op's first workshop, and a 5-days-a-week cinema devoted to showing new work by moving-image artists (David Larcher/Malcolm Le Grice/Sally Potter/Carolee Schneemann/Peter Gidal). It staged J.G. Ballard's infamous Crashed Cars exhibition and John & Dianne Lifton's pioneering computer-aided dance/mime performances. The impact of London's Labs led to an explosion of new artist-led spaces across Britain. This book relates the struggles of FACOP (Friends of the Arts Council Operative) to make the case for these new kinds of space and these new art-forms and the Arts Council's hesitant response--in the context of a popular press already hostile to youth culture, experimental art and the "underground." |
| Beschreibung: | 1 online resource (vi, 170 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780861969791 0861969790 9780861969807 0861969804 |
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| 264 | 1 | |a New Burnet, Herts., United Kingdom : |b John Libbey Publishing Limited, |c [2020] | |
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| 520 | |a This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967-69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko/John Latham/Takis/Roelof Louw), poetry and music (first UK performance of Erik Satie's 24-hour Vexations) and fringe theatre (People Show/Freehold/Jane Arden's Vagina Rex and the Gas Oven/Will Spoor Mime Theatre). The Robert Street "New Arts Lab" (1969-71) housed Britain's first video workshop TVX, the London Filmmakers Co-op's first workshop, and a 5-days-a-week cinema devoted to showing new work by moving-image artists (David Larcher/Malcolm Le Grice/Sally Potter/Carolee Schneemann/Peter Gidal). It staged J.G. Ballard's infamous Crashed Cars exhibition and John & Dianne Lifton's pioneering computer-aided dance/mime performances. The impact of London's Labs led to an explosion of new artist-led spaces across Britain. This book relates the struggles of FACOP (Friends of the Arts Council Operative) to make the case for these new kinds of space and these new art-forms and the Arts Council's hesitant response--in the context of a popular press already hostile to youth culture, experimental art and the "underground." | ||
| 588 | |a Description based on print version record and CIP data provided by publisher; resource not viewed. | ||
| 505 | 0 | |a Foreword: 'It's not easy' : 'the best arts laboratories are play pens' / Andrew Wilson -- Drury Lane Arts Lab -- The New arts Lab at Robert St. (IRAT). | |
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| contents | Foreword: 'It's not easy' : 'the best arts laboratories are play pens' / Andrew Wilson -- Drury Lane Arts Lab -- The New arts Lab at Robert St. (IRAT). |
| ctrlnum | (OCoLC)1202814514 |
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| oclc_num | 1202814514 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (vi, 170 pages) |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | John Libbey Publishing Limited, |
| record_format | marc |
| spelling | Curtis, David, 1942- author. https://id.oclc.org/worldcat/entity/E39PCjwMMD8BB6hc4kqWPy3d43 http://id.loc.gov/authorities/names/n86122487 London's arts labs and the 60s avant-garde / David Curtis. New Burnet, Herts., United Kingdom : John Libbey Publishing Limited, [2020] Bloomington, IN, USA : Distributed worldwide by Indiana University Press. ©2020 1 online resource (vi, 170 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967-69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko/John Latham/Takis/Roelof Louw), poetry and music (first UK performance of Erik Satie's 24-hour Vexations) and fringe theatre (People Show/Freehold/Jane Arden's Vagina Rex and the Gas Oven/Will Spoor Mime Theatre). The Robert Street "New Arts Lab" (1969-71) housed Britain's first video workshop TVX, the London Filmmakers Co-op's first workshop, and a 5-days-a-week cinema devoted to showing new work by moving-image artists (David Larcher/Malcolm Le Grice/Sally Potter/Carolee Schneemann/Peter Gidal). It staged J.G. Ballard's infamous Crashed Cars exhibition and John & Dianne Lifton's pioneering computer-aided dance/mime performances. The impact of London's Labs led to an explosion of new artist-led spaces across Britain. This book relates the struggles of FACOP (Friends of the Arts Council Operative) to make the case for these new kinds of space and these new art-forms and the Arts Council's hesitant response--in the context of a popular press already hostile to youth culture, experimental art and the "underground." Description based on print version record and CIP data provided by publisher; resource not viewed. Foreword: 'It's not easy' : 'the best arts laboratories are play pens' / Andrew Wilson -- Drury Lane Arts Lab -- The New arts Lab at Robert St. (IRAT). Alternative spaces (Arts facilities) England London. Arts Great Britain History 20th century. Arts and society England London History. Avant-garde (Aesthetics) Great Britain History 20th century. Arts Grande-Bretagne Expositions Histoire. Centres d'artistes autogérés Angleterre Londres. Arts et société Angleterre Londres Histoire. ART / Film & Video. bisacsh Alternative spaces (Arts facilities) fast Arts fast Arts, British fast Avant-garde (Aesthetics) fast Nineteen sixties fast Social conditions fast England London fast https://id.oclc.org/worldcat/entity/E39PBJp68ckpMtKGHPFWQrwDMP Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP Since 1900 fast Electronic books. History fast Print version: London's arts labs and the 60s avant-garde New Burnet, Herts., United Kingdom : John Libbey Publishing Ltd., [2020] 0861967488 (DLC) 2021279220 |
| spellingShingle | Curtis, David, 1942- London's arts labs and the 60s avant-garde / Foreword: 'It's not easy' : 'the best arts laboratories are play pens' / Andrew Wilson -- Drury Lane Arts Lab -- The New arts Lab at Robert St. (IRAT). Alternative spaces (Arts facilities) England London. Arts Great Britain History 20th century. Arts and society England London History. Avant-garde (Aesthetics) Great Britain History 20th century. Arts Grande-Bretagne Expositions Histoire. Centres d'artistes autogérés Angleterre Londres. Arts et société Angleterre Londres Histoire. ART / Film & Video. bisacsh Alternative spaces (Arts facilities) fast Arts fast Arts, British fast Avant-garde (Aesthetics) fast Nineteen sixties fast Social conditions fast |
| title | London's arts labs and the 60s avant-garde / |
| title_auth | London's arts labs and the 60s avant-garde / |
| title_exact_search | London's arts labs and the 60s avant-garde / |
| title_full | London's arts labs and the 60s avant-garde / David Curtis. |
| title_fullStr | London's arts labs and the 60s avant-garde / David Curtis. |
| title_full_unstemmed | London's arts labs and the 60s avant-garde / David Curtis. |
| title_short | London's arts labs and the 60s avant-garde / |
| title_sort | london s arts labs and the 60s avant garde |
| topic | Alternative spaces (Arts facilities) England London. Arts Great Britain History 20th century. Arts and society England London History. Avant-garde (Aesthetics) Great Britain History 20th century. Arts Grande-Bretagne Expositions Histoire. Centres d'artistes autogérés Angleterre Londres. Arts et société Angleterre Londres Histoire. ART / Film & Video. bisacsh Alternative spaces (Arts facilities) fast Arts fast Arts, British fast Avant-garde (Aesthetics) fast Nineteen sixties fast Social conditions fast |
| topic_facet | Alternative spaces (Arts facilities) England London. Arts Great Britain History 20th century. Arts and society England London History. Avant-garde (Aesthetics) Great Britain History 20th century. Arts Grande-Bretagne Expositions Histoire. Centres d'artistes autogérés Angleterre Londres. Arts et société Angleterre Londres Histoire. ART / Film & Video. Alternative spaces (Arts facilities) Arts Arts, British Avant-garde (Aesthetics) Nineteen sixties Social conditions England London Great Britain Electronic books. History |
| work_keys_str_mv | AT curtisdavid londonsartslabsandthe60savantgarde |