Tales, tunes, and tassa drums :: retention and invention in Indo-Caribbean music /
"Today's popular tassa drumming emerged from the fragments of transplanted Indian music traditions half-forgotten and creatively recombined, rearticulated, and elaborated into a dynamic musical genre. A uniquely Indo-Trinidadian form, tassa drumming invites exploration of how the distincti...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Urbana ; Chicago ; Springfield :
University of Illinois Press,
[2015]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Today's popular tassa drumming emerged from the fragments of transplanted Indian music traditions half-forgotten and creatively recombined, rearticulated, and elaborated into a dynamic musical genre. A uniquely Indo-Trinidadian form, tassa drumming invites exploration of how the distinctive nature of the Indian diaspora and its relationship to its ancestral homeland influenced Indo-Caribbean music culture. Music scholar Peter Manuel traces the roots of neotraditional music genres like tassa drumming to North India and reveals the ways these genres represent survivals, departures, or innovative elaborations of transplanted music forms. Drawing on ethnographic work and a rich archive of field recordings, he contemplates the music carried to Trinidad by Bhojpuri-speaking and other immigrants, including forms that died out in India but continued to thrive in the Caribbean. His reassessment of ideas of creolization, retention, and cultural survival defies suggestions that the diaspora experience inevitably leads to the loss of the original culture, while also providing avenues to broader applications for work being done in other ethnic contexts"-- "In this study, Peter Manuel discusses Indo-Caribbean music that uses a set of neotraditional music genres to explore how the distinctive nature of the diaspora and its relation to the ancestral homeland have conditioned the trajectories of its music culture. Focusing particularly on tassa drumming, a popular Indo-Trinidadian genre, Manuel traces the roots of neotraditional Indo-Caribbean music genres to North India and explores the ways in which these genres can be seen variously to represent survivals, departures, or innovative elaborations of transplanted genres. He examines music that was carried to Trinidad by Indian immigrants in the early twentieth century, including some forms that died out in India while thriving and evolving in their new world home. Drawing on rich ethnographic work, Manuel reassesses ideas of creolization, retention, and cultural survival in ways that have potentially broad application to other ethnic contexts"-- |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references (pages 258-263) and index. |
| ISBN: | 9780252096778 0252096770 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1200832531 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 140424s2015 ilu ob 001 0 eng | ||
| 010 | |a 2019725036 | ||
| 040 | |a DLC |b eng |e rda |c DLC |d OCLCO |d OCLCF |d N$T |d P@U |d YDXCP |d JSTOR |d TEFOD |d E7B |d EBLCP |d K6U |d COCUF |d AGLDB |d DGU |d PIFFA |d FVL |d ZCU |d MERUC |d DEBSZ |d IOG |d U3W |d EZ9 |d STF |d VTS |d ICG |d INT |d VT2 |d AU@ |d IDB |d WYU |d LVT |d TKN |d DKC |d M8D |d KIJ |d HS0 |d CZL |d SFB |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 019 | |a 897117177 |a 923499839 |a 961625725 |a 962626207 |a 1055401930 |a 1066512942 |a 1081293610 |a 1096420412 |a 1097087662 |a 1228574513 |a 1290089816 |a 1296460662 |a 1300667135 |a 1303343479 |a 1303429804 | ||
| 020 | |a 9780252096778 |q (ebook) | ||
| 020 | |a 0252096770 | ||
| 020 | |z 9780252038815 |q (hardback) | ||
| 020 | |z 0252038819 | ||
| 035 | |a (OCoLC)1200832531 |z (OCoLC)897117177 |z (OCoLC)923499839 |z (OCoLC)961625725 |z (OCoLC)962626207 |z (OCoLC)1055401930 |z (OCoLC)1066512942 |z (OCoLC)1081293610 |z (OCoLC)1096420412 |z (OCoLC)1097087662 |z (OCoLC)1228574513 |z (OCoLC)1290089816 |z (OCoLC)1296460662 |z (OCoLC)1300667135 |z (OCoLC)1303343479 |z (OCoLC)1303429804 | ||
| 037 | |a 22573/ctt66brx9 |b JSTOR | ||
| 037 | |a 07C8B4CC-1338-4CB2-8FD2-6C43B5C5A6C4 |b OverDrive, Inc. |n http://www.overdrive.com | ||
| 042 | |a pcc | ||
| 043 | |a cc----- | ||
| 050 | 0 | 0 | |a ML3565 |
| 072 | 7 | |a MUS |x 041000 |2 bisacsh | |
| 072 | 7 | |a HIS041000 |2 bisacsh | |
| 072 | 7 | |a HIS017000 |2 bisacsh | |
| 072 | 7 | |a MUS015000 |2 bisacsh | |
| 082 | 7 | |a 781.62/91454072983 |2 23 | |
| 084 | |a MUS015000 |a HIS041000 |a HIS017000 |2 bisacsh | ||
| 049 | |a MAIN | ||
| 100 | 1 | |a Manuel, Peter, |d 1952- |e author. |0 http://id.loc.gov/authorities/names/n2008071177 | |
| 245 | 1 | 0 | |a Tales, tunes, and tassa drums : |b retention and invention in Indo-Caribbean music / |c Peter Manuel. |
| 264 | 1 | |a Urbana ; |a Chicago ; |a Springfield : |b University of Illinois Press, |c [2015] | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | |a "Today's popular tassa drumming emerged from the fragments of transplanted Indian music traditions half-forgotten and creatively recombined, rearticulated, and elaborated into a dynamic musical genre. A uniquely Indo-Trinidadian form, tassa drumming invites exploration of how the distinctive nature of the Indian diaspora and its relationship to its ancestral homeland influenced Indo-Caribbean music culture. Music scholar Peter Manuel traces the roots of neotraditional music genres like tassa drumming to North India and reveals the ways these genres represent survivals, departures, or innovative elaborations of transplanted music forms. Drawing on ethnographic work and a rich archive of field recordings, he contemplates the music carried to Trinidad by Bhojpuri-speaking and other immigrants, including forms that died out in India but continued to thrive in the Caribbean. His reassessment of ideas of creolization, retention, and cultural survival defies suggestions that the diaspora experience inevitably leads to the loss of the original culture, while also providing avenues to broader applications for work being done in other ethnic contexts"-- |c Provided by publisher. | ||
| 520 | |a "In this study, Peter Manuel discusses Indo-Caribbean music that uses a set of neotraditional music genres to explore how the distinctive nature of the diaspora and its relation to the ancestral homeland have conditioned the trajectories of its music culture. Focusing particularly on tassa drumming, a popular Indo-Trinidadian genre, Manuel traces the roots of neotraditional Indo-Caribbean music genres to North India and explores the ways in which these genres can be seen variously to represent survivals, departures, or innovative elaborations of transplanted genres. He examines music that was carried to Trinidad by Indian immigrants in the early twentieth century, including some forms that died out in India while thriving and evolving in their new world home. Drawing on rich ethnographic work, Manuel reassesses ideas of creolization, retention, and cultural survival in ways that have potentially broad application to other ethnic contexts"-- |c Provided by publisher. | ||
| 504 | |a Includes bibliographical references (pages 258-263) and index. | ||
| 588 | |a Description based on online resource; title from .pdf title page (provided by publisher, viewed 2020-10-15). | ||
| 505 | 0 | |a Cover -- Title Page -- Copyright -- Contents -- Preface -- 1. Introduction: Global Perspectives on the Indo-Caribbean Bhojpuri Diaspora and Its Music -- 2. The Trajectories of Transplants: Singing Alha, Birha, and the Ramayan in the Indic Caribbean -- 3. Chowtal and the Dantal: Finding Fertile Soil in the New Homelands -- 4. Bhojpuri Diasporic Music and the Encounter with India -- 5. Tassa Drumming from India to the Caribbean and Beyond -- 6. Concluding Perspectives -- Notes -- Glossary -- References -- Index | |
| 546 | |a English. | ||
| 650 | 0 | |a Bhojpuri (Indic people) |z Caribbean Area |x Music |x History and criticism. | |
| 650 | 0 | |a Folk music |z Caribbean Area |x History and criticism. | |
| 650 | 7 | |a MUSIC / Ethnomusicology. |2 bisacsh | |
| 650 | 7 | |a HISTORY / Caribbean & West Indies / General. |2 bisacsh | |
| 650 | 7 | |a HISTORY / Asia / India & South Asia. |2 bisacsh | |
| 650 | 7 | |a Folk music |2 fast | |
| 651 | 7 | |a Caribbean Area |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Tales, tunes, and tassa drums (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGJ6cGDDtvV8x9yqCf88cq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Manuel, Peter, 1952- |t Tales, tunes, and tassa drums |d Urbana ; Chicago ; Springfield : University of Illinois Press, [2015] |z 9780252038815 (hardback) |w (DLC) 2014016323 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=760234 |3 Volltext |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL3414449 | ||
| 938 | |a ebrary |b EBRY |n ebr11047732 | ||
| 938 | |a EBSCOhost |b EBSC |n 760234 | ||
| 938 | |a Project MUSE |b MUSE |n muse35756 | ||
| 938 | |a YBP Library Services |b YANK |n 12012063 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1200832531 |
|---|---|
| _version_ | 1816882530848079872 |
| adam_text | |
| any_adam_object | |
| author | Manuel, Peter, 1952- |
| author_GND | http://id.loc.gov/authorities/names/n2008071177 |
| author_facet | Manuel, Peter, 1952- |
| author_role | aut |
| author_sort | Manuel, Peter, 1952- |
| author_variant | p m pm |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3565 |
| callnumber-raw | ML3565 |
| callnumber-search | ML3565 |
| callnumber-sort | ML 43565 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Cover -- Title Page -- Copyright -- Contents -- Preface -- 1. Introduction: Global Perspectives on the Indo-Caribbean Bhojpuri Diaspora and Its Music -- 2. The Trajectories of Transplants: Singing Alha, Birha, and the Ramayan in the Indic Caribbean -- 3. Chowtal and the Dantal: Finding Fertile Soil in the New Homelands -- 4. Bhojpuri Diasporic Music and the Encounter with India -- 5. Tassa Drumming from India to the Caribbean and Beyond -- 6. Concluding Perspectives -- Notes -- Glossary -- References -- Index |
| ctrlnum | (OCoLC)1200832531 |
| dewey-full | 781.62/91454072983 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.62/91454072983 |
| dewey-search | 781.62/91454072983 |
| dewey-sort | 3781.62 1191454072983 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06219cam a2200697 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1200832531</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">140424s2015 ilu ob 001 0 eng </controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2019725036</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DLC</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="c">DLC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCF</subfield><subfield code="d">N$T</subfield><subfield code="d">P@U</subfield><subfield code="d">YDXCP</subfield><subfield code="d">JSTOR</subfield><subfield code="d">TEFOD</subfield><subfield code="d">E7B</subfield><subfield code="d">EBLCP</subfield><subfield code="d">K6U</subfield><subfield code="d">COCUF</subfield><subfield code="d">AGLDB</subfield><subfield code="d">DGU</subfield><subfield code="d">PIFFA</subfield><subfield code="d">FVL</subfield><subfield code="d">ZCU</subfield><subfield code="d">MERUC</subfield><subfield code="d">DEBSZ</subfield><subfield code="d">IOG</subfield><subfield code="d">U3W</subfield><subfield code="d">EZ9</subfield><subfield code="d">STF</subfield><subfield code="d">VTS</subfield><subfield code="d">ICG</subfield><subfield code="d">INT</subfield><subfield code="d">VT2</subfield><subfield code="d">AU@</subfield><subfield code="d">IDB</subfield><subfield code="d">WYU</subfield><subfield code="d">LVT</subfield><subfield code="d">TKN</subfield><subfield code="d">DKC</subfield><subfield code="d">M8D</subfield><subfield code="d">KIJ</subfield><subfield code="d">HS0</subfield><subfield code="d">CZL</subfield><subfield code="d">SFB</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">897117177</subfield><subfield code="a">923499839</subfield><subfield code="a">961625725</subfield><subfield code="a">962626207</subfield><subfield code="a">1055401930</subfield><subfield code="a">1066512942</subfield><subfield code="a">1081293610</subfield><subfield code="a">1096420412</subfield><subfield code="a">1097087662</subfield><subfield code="a">1228574513</subfield><subfield code="a">1290089816</subfield><subfield code="a">1296460662</subfield><subfield code="a">1300667135</subfield><subfield code="a">1303343479</subfield><subfield code="a">1303429804</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780252096778</subfield><subfield code="q">(ebook)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0252096770</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780252038815</subfield><subfield code="q">(hardback)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0252038819</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1200832531</subfield><subfield code="z">(OCoLC)897117177</subfield><subfield code="z">(OCoLC)923499839</subfield><subfield code="z">(OCoLC)961625725</subfield><subfield code="z">(OCoLC)962626207</subfield><subfield code="z">(OCoLC)1055401930</subfield><subfield code="z">(OCoLC)1066512942</subfield><subfield code="z">(OCoLC)1081293610</subfield><subfield code="z">(OCoLC)1096420412</subfield><subfield code="z">(OCoLC)1097087662</subfield><subfield code="z">(OCoLC)1228574513</subfield><subfield code="z">(OCoLC)1290089816</subfield><subfield code="z">(OCoLC)1296460662</subfield><subfield code="z">(OCoLC)1300667135</subfield><subfield code="z">(OCoLC)1303343479</subfield><subfield code="z">(OCoLC)1303429804</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt66brx9</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">07C8B4CC-1338-4CB2-8FD2-6C43B5C5A6C4</subfield><subfield code="b">OverDrive, Inc.</subfield><subfield code="n">http://www.overdrive.com</subfield></datafield><datafield tag="042" ind1=" " ind2=" "><subfield code="a">pcc</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">cc-----</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">ML3565</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">041000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">HIS041000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">HIS017000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS015000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">781.62/91454072983</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS015000</subfield><subfield code="a">HIS041000</subfield><subfield code="a">HIS017000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Manuel, Peter,</subfield><subfield code="d">1952-</subfield><subfield code="e">author.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2008071177</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Tales, tunes, and tassa drums :</subfield><subfield code="b">retention and invention in Indo-Caribbean music /</subfield><subfield code="c">Peter Manuel.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Urbana ;</subfield><subfield code="a">Chicago ;</subfield><subfield code="a">Springfield :</subfield><subfield code="b">University of Illinois Press,</subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Today's popular tassa drumming emerged from the fragments of transplanted Indian music traditions half-forgotten and creatively recombined, rearticulated, and elaborated into a dynamic musical genre. A uniquely Indo-Trinidadian form, tassa drumming invites exploration of how the distinctive nature of the Indian diaspora and its relationship to its ancestral homeland influenced Indo-Caribbean music culture. Music scholar Peter Manuel traces the roots of neotraditional music genres like tassa drumming to North India and reveals the ways these genres represent survivals, departures, or innovative elaborations of transplanted music forms. Drawing on ethnographic work and a rich archive of field recordings, he contemplates the music carried to Trinidad by Bhojpuri-speaking and other immigrants, including forms that died out in India but continued to thrive in the Caribbean. His reassessment of ideas of creolization, retention, and cultural survival defies suggestions that the diaspora experience inevitably leads to the loss of the original culture, while also providing avenues to broader applications for work being done in other ethnic contexts"--</subfield><subfield code="c">Provided by publisher.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"In this study, Peter Manuel discusses Indo-Caribbean music that uses a set of neotraditional music genres to explore how the distinctive nature of the diaspora and its relation to the ancestral homeland have conditioned the trajectories of its music culture. Focusing particularly on tassa drumming, a popular Indo-Trinidadian genre, Manuel traces the roots of neotraditional Indo-Caribbean music genres to North India and explores the ways in which these genres can be seen variously to represent survivals, departures, or innovative elaborations of transplanted genres. He examines music that was carried to Trinidad by Indian immigrants in the early twentieth century, including some forms that died out in India while thriving and evolving in their new world home. Drawing on rich ethnographic work, Manuel reassesses ideas of creolization, retention, and cultural survival in ways that have potentially broad application to other ethnic contexts"--</subfield><subfield code="c">Provided by publisher.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 258-263) and index.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from .pdf title page (provided by publisher, viewed 2020-10-15).</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover -- Title Page -- Copyright -- Contents -- Preface -- 1. Introduction: Global Perspectives on the Indo-Caribbean Bhojpuri Diaspora and Its Music -- 2. The Trajectories of Transplants: Singing Alha, Birha, and the Ramayan in the Indic Caribbean -- 3. Chowtal and the Dantal: Finding Fertile Soil in the New Homelands -- 4. Bhojpuri Diasporic Music and the Encounter with India -- 5. Tassa Drumming from India to the Caribbean and Beyond -- 6. Concluding Perspectives -- Notes -- Glossary -- References -- Index</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Bhojpuri (Indic people)</subfield><subfield code="z">Caribbean Area</subfield><subfield code="x">Music</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Folk music</subfield><subfield code="z">Caribbean Area</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / Ethnomusicology.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">HISTORY / Caribbean & West Indies / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">HISTORY / Asia / India & South Asia.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Folk music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Caribbean Area</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Tales, tunes, and tassa drums (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGJ6cGDDtvV8x9yqCf88cq</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Manuel, Peter, 1952-</subfield><subfield code="t">Tales, tunes, and tassa drums</subfield><subfield code="d">Urbana ; Chicago ; Springfield : University of Illinois Press, [2015]</subfield><subfield code="z">9780252038815 (hardback)</subfield><subfield code="w">(DLC) 2014016323</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=760234</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL3414449</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr11047732</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">760234</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">muse35756</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">12012063</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | Caribbean Area fast |
| geographic_facet | Caribbean Area |
| id | ZDB-4-EBA-on1200832531 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:30:05Z |
| institution | BVB |
| isbn | 9780252096778 0252096770 |
| language | English |
| lccn | 2019725036 |
| oclc_num | 1200832531 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | University of Illinois Press, |
| record_format | marc |
| spelling | Manuel, Peter, 1952- author. http://id.loc.gov/authorities/names/n2008071177 Tales, tunes, and tassa drums : retention and invention in Indo-Caribbean music / Peter Manuel. Urbana ; Chicago ; Springfield : University of Illinois Press, [2015] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier "Today's popular tassa drumming emerged from the fragments of transplanted Indian music traditions half-forgotten and creatively recombined, rearticulated, and elaborated into a dynamic musical genre. A uniquely Indo-Trinidadian form, tassa drumming invites exploration of how the distinctive nature of the Indian diaspora and its relationship to its ancestral homeland influenced Indo-Caribbean music culture. Music scholar Peter Manuel traces the roots of neotraditional music genres like tassa drumming to North India and reveals the ways these genres represent survivals, departures, or innovative elaborations of transplanted music forms. Drawing on ethnographic work and a rich archive of field recordings, he contemplates the music carried to Trinidad by Bhojpuri-speaking and other immigrants, including forms that died out in India but continued to thrive in the Caribbean. His reassessment of ideas of creolization, retention, and cultural survival defies suggestions that the diaspora experience inevitably leads to the loss of the original culture, while also providing avenues to broader applications for work being done in other ethnic contexts"-- Provided by publisher. "In this study, Peter Manuel discusses Indo-Caribbean music that uses a set of neotraditional music genres to explore how the distinctive nature of the diaspora and its relation to the ancestral homeland have conditioned the trajectories of its music culture. Focusing particularly on tassa drumming, a popular Indo-Trinidadian genre, Manuel traces the roots of neotraditional Indo-Caribbean music genres to North India and explores the ways in which these genres can be seen variously to represent survivals, departures, or innovative elaborations of transplanted genres. He examines music that was carried to Trinidad by Indian immigrants in the early twentieth century, including some forms that died out in India while thriving and evolving in their new world home. Drawing on rich ethnographic work, Manuel reassesses ideas of creolization, retention, and cultural survival in ways that have potentially broad application to other ethnic contexts"-- Provided by publisher. Includes bibliographical references (pages 258-263) and index. Description based on online resource; title from .pdf title page (provided by publisher, viewed 2020-10-15). Cover -- Title Page -- Copyright -- Contents -- Preface -- 1. Introduction: Global Perspectives on the Indo-Caribbean Bhojpuri Diaspora and Its Music -- 2. The Trajectories of Transplants: Singing Alha, Birha, and the Ramayan in the Indic Caribbean -- 3. Chowtal and the Dantal: Finding Fertile Soil in the New Homelands -- 4. Bhojpuri Diasporic Music and the Encounter with India -- 5. Tassa Drumming from India to the Caribbean and Beyond -- 6. Concluding Perspectives -- Notes -- Glossary -- References -- Index English. Bhojpuri (Indic people) Caribbean Area Music History and criticism. Folk music Caribbean Area History and criticism. MUSIC / Ethnomusicology. bisacsh HISTORY / Caribbean & West Indies / General. bisacsh HISTORY / Asia / India & South Asia. bisacsh Folk music fast Caribbean Area fast Criticism, interpretation, etc. fast has work: Tales, tunes, and tassa drums (Text) https://id.oclc.org/worldcat/entity/E39PCGJ6cGDDtvV8x9yqCf88cq https://id.oclc.org/worldcat/ontology/hasWork Print version: Manuel, Peter, 1952- Tales, tunes, and tassa drums Urbana ; Chicago ; Springfield : University of Illinois Press, [2015] 9780252038815 (hardback) (DLC) 2014016323 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=760234 Volltext |
| spellingShingle | Manuel, Peter, 1952- Tales, tunes, and tassa drums : retention and invention in Indo-Caribbean music / Cover -- Title Page -- Copyright -- Contents -- Preface -- 1. Introduction: Global Perspectives on the Indo-Caribbean Bhojpuri Diaspora and Its Music -- 2. The Trajectories of Transplants: Singing Alha, Birha, and the Ramayan in the Indic Caribbean -- 3. Chowtal and the Dantal: Finding Fertile Soil in the New Homelands -- 4. Bhojpuri Diasporic Music and the Encounter with India -- 5. Tassa Drumming from India to the Caribbean and Beyond -- 6. Concluding Perspectives -- Notes -- Glossary -- References -- Index Bhojpuri (Indic people) Caribbean Area Music History and criticism. Folk music Caribbean Area History and criticism. MUSIC / Ethnomusicology. bisacsh HISTORY / Caribbean & West Indies / General. bisacsh HISTORY / Asia / India & South Asia. bisacsh Folk music fast |
| title | Tales, tunes, and tassa drums : retention and invention in Indo-Caribbean music / |
| title_auth | Tales, tunes, and tassa drums : retention and invention in Indo-Caribbean music / |
| title_exact_search | Tales, tunes, and tassa drums : retention and invention in Indo-Caribbean music / |
| title_full | Tales, tunes, and tassa drums : retention and invention in Indo-Caribbean music / Peter Manuel. |
| title_fullStr | Tales, tunes, and tassa drums : retention and invention in Indo-Caribbean music / Peter Manuel. |
| title_full_unstemmed | Tales, tunes, and tassa drums : retention and invention in Indo-Caribbean music / Peter Manuel. |
| title_short | Tales, tunes, and tassa drums : |
| title_sort | tales tunes and tassa drums retention and invention in indo caribbean music |
| title_sub | retention and invention in Indo-Caribbean music / |
| topic | Bhojpuri (Indic people) Caribbean Area Music History and criticism. Folk music Caribbean Area History and criticism. MUSIC / Ethnomusicology. bisacsh HISTORY / Caribbean & West Indies / General. bisacsh HISTORY / Asia / India & South Asia. bisacsh Folk music fast |
| topic_facet | Bhojpuri (Indic people) Caribbean Area Music History and criticism. Folk music Caribbean Area History and criticism. MUSIC / Ethnomusicology. HISTORY / Caribbean & West Indies / General. HISTORY / Asia / India & South Asia. Folk music Caribbean Area Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=760234 |
| work_keys_str_mv | AT manuelpeter talestunesandtassadrumsretentionandinventioninindocaribbeanmusic |