Didi-Huberman and the image /:
This is the first English-language study of the legendary French art historian Georges Didi-Huberman. With clear discussions of Didi-Huberman's ideas and arguments, this book offers an excellent introduction to one of the most influential critical thinkers writing today.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
[Manchester] :
Manchester University Press,
[2020]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This is the first English-language study of the legendary French art historian Georges Didi-Huberman. With clear discussions of Didi-Huberman's ideas and arguments, this book offers an excellent introduction to one of the most influential critical thinkers writing today. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781526149251 1526149257 9781526149275 1526149273 |
Internformat
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| 520 | |a This is the first English-language study of the legendary French art historian Georges Didi-Huberman. With clear discussions of Didi-Huberman's ideas and arguments, this book offers an excellent introduction to one of the most influential critical thinkers writing today. | ||
| 505 | 0 | |a Intro -- Front matter -- Cover -- Half-title -- Title Page -- Copyright -- Table of Contents -- List of Figures -- Acknowledgements -- Introduction -- Representation and its discontents -- Notes -- The archaeological art historian -- Archaeological critique: mimesis as 'totem-notion' -- An aesthetics of the symptom -- Hysterical looking: Freud and Charcot -- Notes -- The materiality of images -- Fra Angelico -- Dissemblance and presence -- Notes -- Timely anachronisms -- Rethinking temporality -- Walter Benjamin -- Aby Warburg -- Montage -- Notes -- The empreinte -- Simon.Hantaï | |
| 505 | 8 | |a Empreinte as trace, trace as empreinte -- Against.Vasari -- On the liminal status.of.wax -- The index as vestige -- Notes -- Making monsters -- Son of.Saul -- Notes -- Thinking.images -- Montage as an epistemological.tool -- Notes -- Conclusion -- Notes -- Bibliography -- Index | |
| 504 | |a Includes bibliographical references and index. | ||
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Datensatz im Suchindex
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| adam_text | |
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| contents | Intro -- Front matter -- Cover -- Half-title -- Title Page -- Copyright -- Table of Contents -- List of Figures -- Acknowledgements -- Introduction -- Representation and its discontents -- Notes -- The archaeological art historian -- Archaeological critique: mimesis as 'totem-notion' -- An aesthetics of the symptom -- Hysterical looking: Freud and Charcot -- Notes -- The materiality of images -- Fra Angelico -- Dissemblance and presence -- Notes -- Timely anachronisms -- Rethinking temporality -- Walter Benjamin -- Aby Warburg -- Montage -- Notes -- The empreinte -- Simon.Hantaï Empreinte as trace, trace as empreinte -- Against.Vasari -- On the liminal status.of.wax -- The index as vestige -- Notes -- Making monsters -- Son of.Saul -- Notes -- Thinking.images -- Montage as an epistemological.tool -- Notes -- Conclusion -- Notes -- Bibliography -- Index |
| ctrlnum | (OCoLC)1200307370 |
| dewey-full | 709.2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.2 |
| dewey-search | 709.2 |
| dewey-sort | 3709.2 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| spelling | Larsson, Chari, author. Didi-Huberman and the image / Chari Larsson [Manchester] : Manchester University Press, [2020] ©2020 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Online resource; title from PDF title page (EBSCO, viewed October 22, 2020). This is the first English-language study of the legendary French art historian Georges Didi-Huberman. With clear discussions of Didi-Huberman's ideas and arguments, this book offers an excellent introduction to one of the most influential critical thinkers writing today. Intro -- Front matter -- Cover -- Half-title -- Title Page -- Copyright -- Table of Contents -- List of Figures -- Acknowledgements -- Introduction -- Representation and its discontents -- Notes -- The archaeological art historian -- Archaeological critique: mimesis as 'totem-notion' -- An aesthetics of the symptom -- Hysterical looking: Freud and Charcot -- Notes -- The materiality of images -- Fra Angelico -- Dissemblance and presence -- Notes -- Timely anachronisms -- Rethinking temporality -- Walter Benjamin -- Aby Warburg -- Montage -- Notes -- The empreinte -- Simon.Hantaï Empreinte as trace, trace as empreinte -- Against.Vasari -- On the liminal status.of.wax -- The index as vestige -- Notes -- Making monsters -- Son of.Saul -- Notes -- Thinking.images -- Montage as an epistemological.tool -- Notes -- Conclusion -- Notes -- Bibliography -- Index Includes bibliographical references and index. Didi-Huberman, Georges. http://id.loc.gov/authorities/names/n83317732 Didi-Huberman, Georges fast https://id.oclc.org/worldcat/entity/E39PBJdgVKrW4xmP8Y3pYHPfbd Art historians France. Image (Philosophy) http://id.loc.gov/authorities/subjects/sh91002569 Historiens d'art France. Image (Philosophie) ART / Criticism & Theory bisacsh Art historians fast Image (Philosophy) fast France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP Print version: 1526149265 9781526149268 (OCoLC)1137806959 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2649413 Volltext |
| spellingShingle | Larsson, Chari Didi-Huberman and the image / Intro -- Front matter -- Cover -- Half-title -- Title Page -- Copyright -- Table of Contents -- List of Figures -- Acknowledgements -- Introduction -- Representation and its discontents -- Notes -- The archaeological art historian -- Archaeological critique: mimesis as 'totem-notion' -- An aesthetics of the symptom -- Hysterical looking: Freud and Charcot -- Notes -- The materiality of images -- Fra Angelico -- Dissemblance and presence -- Notes -- Timely anachronisms -- Rethinking temporality -- Walter Benjamin -- Aby Warburg -- Montage -- Notes -- The empreinte -- Simon.Hantaï Empreinte as trace, trace as empreinte -- Against.Vasari -- On the liminal status.of.wax -- The index as vestige -- Notes -- Making monsters -- Son of.Saul -- Notes -- Thinking.images -- Montage as an epistemological.tool -- Notes -- Conclusion -- Notes -- Bibliography -- Index Didi-Huberman, Georges. http://id.loc.gov/authorities/names/n83317732 Didi-Huberman, Georges fast https://id.oclc.org/worldcat/entity/E39PBJdgVKrW4xmP8Y3pYHPfbd Art historians France. Image (Philosophy) http://id.loc.gov/authorities/subjects/sh91002569 Historiens d'art France. Image (Philosophie) ART / Criticism & Theory bisacsh Art historians fast Image (Philosophy) fast |
| subject_GND | http://id.loc.gov/authorities/names/n83317732 http://id.loc.gov/authorities/subjects/sh91002569 |
| title | Didi-Huberman and the image / |
| title_auth | Didi-Huberman and the image / |
| title_exact_search | Didi-Huberman and the image / |
| title_full | Didi-Huberman and the image / Chari Larsson |
| title_fullStr | Didi-Huberman and the image / Chari Larsson |
| title_full_unstemmed | Didi-Huberman and the image / Chari Larsson |
| title_short | Didi-Huberman and the image / |
| title_sort | didi huberman and the image |
| topic | Didi-Huberman, Georges. http://id.loc.gov/authorities/names/n83317732 Didi-Huberman, Georges fast https://id.oclc.org/worldcat/entity/E39PBJdgVKrW4xmP8Y3pYHPfbd Art historians France. Image (Philosophy) http://id.loc.gov/authorities/subjects/sh91002569 Historiens d'art France. Image (Philosophie) ART / Criticism & Theory bisacsh Art historians fast Image (Philosophy) fast |
| topic_facet | Didi-Huberman, Georges. Didi-Huberman, Georges Art historians France. Image (Philosophy) Historiens d'art France. Image (Philosophie) ART / Criticism & Theory Art historians France |
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