Why Marianne Faithfull matters /:
"Marianne Faithfull has been an actress and model as well as a musician who has released more than a dozen albums over five decades. She first entered the public sphere in 1964 with the song "As Tears Go By," which also was recorded by the Rolling Stones, and she is still best known t...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Austin :
University of Texas Press,
2021.
|
Ausgabe: | First edition. |
Schriftenreihe: | Music matters ;
007. |
Schlagworte: | |
Online-Zugang: | DE-862 DE-863 |
Zusammenfassung: | "Marianne Faithfull has been an actress and model as well as a musician who has released more than a dozen albums over five decades. She first entered the public sphere in 1964 with the song "As Tears Go By," which also was recorded by the Rolling Stones, and she is still best known to some people as Mick Jagger's girlfriend of the late 60s. As her autobiographies attest, Faithfull was involved with the Stones for years -- as both "muse" and co-writer of songs like "Sister Morphine"--And lived a rock-n-roll life for a long time. Her punk-influenced album of 1979, Broken English, was widely praised but by the late 1980s she had re-invented herself as a chanteuse. She managed to kick her heroin addiction by the mid 80s and has continued to make music and act in films, and has been the subject of numerous tributes and recipient of several lifetime achievement awards. Tanya Pearson's manuscript looks at Faithfull's life and art, which resonates with her on multiple levels: "as an avid fan, a recovered addict, a feminist, a musician, a gay, perpetually single woman, and a professional historian." The narrative is mostly chronological, divided into three parts, with short sketches devoted to specific experiences or songs. Part one covers Faithfull's rise to It Girl of the Swinging 60s, the infamous drug bust at Keith Richards's house, her breakup with Mick Jagger and subsequent fall after the inevitable slut-shaming. Part two focuses on the depths of her heroin addiction, and eventual resurrection with Broken English. Part three brings us up to the present, with MF as survivor and icon, sober and sui generis. For the author, this is Faithfull's most interesting period and the era that produced her greatest work. Throughout the book, Pearson inserts herself as a sort of narrator, one who has walked some similar roads and been inspired by MF even when their literal circumstances were very different. She's not so much equating herself and her subject, but using her own experience as a way to understand Faithfull's life and work. So, for instance, when discussing Faithfull's first record after getting sober, Pearson talks about how difficult it is to plumb one's emotional depths in the early stages of recovery, which made it impossible for Pearson herself to write songs. This leads into the story of Faithfull's Strange Weather, which is composed of covers and songs written for her by other people. The book concludes with a discography and list of films"-- |
Beschreibung: | 1 online resource (179 pages). |
Bibliographie: | Includes bibliographical references. |
ISBN: | 9781477323489 1477323481 9781477323496 147732349X |
Internformat
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082 | 7 | |a 782.42166092 |a B |2 23 | |
049 | |a MAIN | ||
100 | 1 | |a Pearson, Tanya, |d 1980 or 1981- |e author. |0 http://id.loc.gov/authorities/names/no2020098702 | |
245 | 1 | 0 | |a Why Marianne Faithfull matters / |c Tanya Pearson. |
250 | |a First edition. | ||
264 | 1 | |a Austin : |b University of Texas Press, |c 2021. | |
264 | 4 | |c ©2021 | |
300 | |a 1 online resource (179 pages). | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Music matters ; |v 007 | |
504 | |a Includes bibliographical references. | ||
505 | 0 | |a Introduction: Women are born cultural archaeologists -- I. The "It Girl" of the swinging sixties -- Parents -- The British Invasion -- Pop stardom -- Breasts -- "Wild horses couldn't drag me away" -- "It's all over now, Baby Blue" -- II. Falling from grace -- Trauma is a gateway drug -- A punk comeback -- III. The chanteuse -- Strange weather -- The 90s: a good decade for women in rock -- Before the poison -- "In my own particular way" -- Capricorn -- Love in the time of coronavirus -- Epilogue: Memory, "show me the dick." | |
520 | |a "Marianne Faithfull has been an actress and model as well as a musician who has released more than a dozen albums over five decades. She first entered the public sphere in 1964 with the song "As Tears Go By," which also was recorded by the Rolling Stones, and she is still best known to some people as Mick Jagger's girlfriend of the late 60s. As her autobiographies attest, Faithfull was involved with the Stones for years -- as both "muse" and co-writer of songs like "Sister Morphine"--And lived a rock-n-roll life for a long time. Her punk-influenced album of 1979, Broken English, was widely praised but by the late 1980s she had re-invented herself as a chanteuse. She managed to kick her heroin addiction by the mid 80s and has continued to make music and act in films, and has been the subject of numerous tributes and recipient of several lifetime achievement awards. Tanya Pearson's manuscript looks at Faithfull's life and art, which resonates with her on multiple levels: "as an avid fan, a recovered addict, a feminist, a musician, a gay, perpetually single woman, and a professional historian." The narrative is mostly chronological, divided into three parts, with short sketches devoted to specific experiences or songs. Part one covers Faithfull's rise to It Girl of the Swinging 60s, the infamous drug bust at Keith Richards's house, her breakup with Mick Jagger and subsequent fall after the inevitable slut-shaming. Part two focuses on the depths of her heroin addiction, and eventual resurrection with Broken English. Part three brings us up to the present, with MF as survivor and icon, sober and sui generis. For the author, this is Faithfull's most interesting period and the era that produced her greatest work. Throughout the book, Pearson inserts herself as a sort of narrator, one who has walked some similar roads and been inspired by MF even when their literal circumstances were very different. She's not so much equating herself and her subject, but using her own experience as a way to understand Faithfull's life and work. So, for instance, when discussing Faithfull's first record after getting sober, Pearson talks about how difficult it is to plumb one's emotional depths in the early stages of recovery, which made it impossible for Pearson herself to write songs. This leads into the story of Faithfull's Strange Weather, which is composed of covers and songs written for her by other people. The book concludes with a discography and list of films"-- |c Provided by publisher | ||
588 | |a Description based on online resource; title from digital title page (viewed on November 16, 2021). | ||
600 | 1 | 0 | |a Faithfull, Marianne. |0 http://id.loc.gov/authorities/names/n91026554 |
600 | 1 | 7 | |a Faithfull, Marianne |2 fast |
650 | 0 | |a Women singers |v Biography. | |
650 | 0 | |a Women composers |v Biography. | |
650 | 0 | |a Actresses |v Biography. | |
650 | 6 | |a Chanteuses |v Biographies. | |
650 | 6 | |a Compositrices |v Biographies. | |
650 | 6 | |a Actrices |v Biographies. | |
650 | 7 | |a MUSIC / History & Criticism. |2 bisacsh | |
650 | 7 | |a Actresses |2 fast | |
650 | 7 | |a Women composers |2 fast | |
650 | 7 | |a Women singers |2 fast | |
655 | 0 | |a Electronic books. | |
655 | 7 | |a collective biographies. |2 aat | |
655 | 7 | |a Biographies |2 fast | |
655 | 7 | |a Biographies. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2014026049 | |
655 | 7 | |a Biographies. |2 rvmgf | |
758 | |i has work: |a Why Marianne Faithfull matters (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGRPVQtVY7McktJbBQwqDC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Pearson, Tanya, 1980 or 1981- |t Why Marianne Faithfull matters. |b First edition. |d Austin : University of Texas Press, 2021 |z 9781477321164 |w (DLC) 2020036119 |
830 | 0 | |a Music matters ; |v 007. |0 http://id.loc.gov/authorities/names/no2018110367 | |
966 | 4 | 0 | |l DE-862 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3044884 |3 Volltext |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-on1200037668 |
---|---|
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adam_text | |
any_adam_object | |
author | Pearson, Tanya, 1980 or 1981- |
author_GND | http://id.loc.gov/authorities/names/no2020098702 |
author_facet | Pearson, Tanya, 1980 or 1981- |
author_role | aut |
author_sort | Pearson, Tanya, 1980 or 1981- |
author_variant | t p tp |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | ML420 |
callnumber-raw | ML420.F218 P43 2021 |
callnumber-search | ML420.F218 P43 2021 |
callnumber-sort | ML 3420 F218 P43 42021 |
callnumber-subject | ML - Literature on Music |
collection | ZDB-4-EBA |
contents | Introduction: Women are born cultural archaeologists -- I. The "It Girl" of the swinging sixties -- Parents -- The British Invasion -- Pop stardom -- Breasts -- "Wild horses couldn't drag me away" -- "It's all over now, Baby Blue" -- II. Falling from grace -- Trauma is a gateway drug -- A punk comeback -- III. The chanteuse -- Strange weather -- The 90s: a good decade for women in rock -- Before the poison -- "In my own particular way" -- Capricorn -- Love in the time of coronavirus -- Epilogue: Memory, "show me the dick." |
ctrlnum | (OCoLC)1200037668 |
dewey-full | 782.42166092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 782 - Vocal music |
dewey-raw | 782.42166092 B |
dewey-search | 782.42166092 B |
dewey-sort | 3782.42166092 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
edition | First edition. |
format | Electronic eBook |
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genre_facet | Electronic books. collective biographies. Biographies Biographies. |
id | ZDB-4-EBA-on1200037668 |
illustrated | Not Illustrated |
indexdate | 2025-04-11T08:47:29Z |
institution | BVB |
isbn | 9781477323489 1477323481 9781477323496 147732349X |
language | English |
lccn | 2020036120 |
oclc_num | 1200037668 |
open_access_boolean | |
owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
physical | 1 online resource (179 pages). |
psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | University of Texas Press, |
record_format | marc |
series | Music matters ; |
series2 | Music matters ; |
spelling | Pearson, Tanya, 1980 or 1981- author. http://id.loc.gov/authorities/names/no2020098702 Why Marianne Faithfull matters / Tanya Pearson. First edition. Austin : University of Texas Press, 2021. ©2021 1 online resource (179 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Music matters ; 007 Includes bibliographical references. Introduction: Women are born cultural archaeologists -- I. The "It Girl" of the swinging sixties -- Parents -- The British Invasion -- Pop stardom -- Breasts -- "Wild horses couldn't drag me away" -- "It's all over now, Baby Blue" -- II. Falling from grace -- Trauma is a gateway drug -- A punk comeback -- III. The chanteuse -- Strange weather -- The 90s: a good decade for women in rock -- Before the poison -- "In my own particular way" -- Capricorn -- Love in the time of coronavirus -- Epilogue: Memory, "show me the dick." "Marianne Faithfull has been an actress and model as well as a musician who has released more than a dozen albums over five decades. She first entered the public sphere in 1964 with the song "As Tears Go By," which also was recorded by the Rolling Stones, and she is still best known to some people as Mick Jagger's girlfriend of the late 60s. As her autobiographies attest, Faithfull was involved with the Stones for years -- as both "muse" and co-writer of songs like "Sister Morphine"--And lived a rock-n-roll life for a long time. Her punk-influenced album of 1979, Broken English, was widely praised but by the late 1980s she had re-invented herself as a chanteuse. She managed to kick her heroin addiction by the mid 80s and has continued to make music and act in films, and has been the subject of numerous tributes and recipient of several lifetime achievement awards. Tanya Pearson's manuscript looks at Faithfull's life and art, which resonates with her on multiple levels: "as an avid fan, a recovered addict, a feminist, a musician, a gay, perpetually single woman, and a professional historian." The narrative is mostly chronological, divided into three parts, with short sketches devoted to specific experiences or songs. Part one covers Faithfull's rise to It Girl of the Swinging 60s, the infamous drug bust at Keith Richards's house, her breakup with Mick Jagger and subsequent fall after the inevitable slut-shaming. Part two focuses on the depths of her heroin addiction, and eventual resurrection with Broken English. Part three brings us up to the present, with MF as survivor and icon, sober and sui generis. For the author, this is Faithfull's most interesting period and the era that produced her greatest work. Throughout the book, Pearson inserts herself as a sort of narrator, one who has walked some similar roads and been inspired by MF even when their literal circumstances were very different. She's not so much equating herself and her subject, but using her own experience as a way to understand Faithfull's life and work. So, for instance, when discussing Faithfull's first record after getting sober, Pearson talks about how difficult it is to plumb one's emotional depths in the early stages of recovery, which made it impossible for Pearson herself to write songs. This leads into the story of Faithfull's Strange Weather, which is composed of covers and songs written for her by other people. The book concludes with a discography and list of films"-- Provided by publisher Description based on online resource; title from digital title page (viewed on November 16, 2021). Faithfull, Marianne. http://id.loc.gov/authorities/names/n91026554 Faithfull, Marianne fast Women singers Biography. Women composers Biography. Actresses Biography. Chanteuses Biographies. Compositrices Biographies. Actrices Biographies. MUSIC / History & Criticism. bisacsh Actresses fast Women composers fast Women singers fast Electronic books. collective biographies. aat Biographies fast Biographies. lcgft http://id.loc.gov/authorities/genreForms/gf2014026049 Biographies. rvmgf has work: Why Marianne Faithfull matters (Text) https://id.oclc.org/worldcat/entity/E39PCGRPVQtVY7McktJbBQwqDC https://id.oclc.org/worldcat/ontology/hasWork Print version: Pearson, Tanya, 1980 or 1981- Why Marianne Faithfull matters. First edition. Austin : University of Texas Press, 2021 9781477321164 (DLC) 2020036119 Music matters ; 007. http://id.loc.gov/authorities/names/no2018110367 |
spellingShingle | Pearson, Tanya, 1980 or 1981- Why Marianne Faithfull matters / Music matters ; Introduction: Women are born cultural archaeologists -- I. The "It Girl" of the swinging sixties -- Parents -- The British Invasion -- Pop stardom -- Breasts -- "Wild horses couldn't drag me away" -- "It's all over now, Baby Blue" -- II. Falling from grace -- Trauma is a gateway drug -- A punk comeback -- III. The chanteuse -- Strange weather -- The 90s: a good decade for women in rock -- Before the poison -- "In my own particular way" -- Capricorn -- Love in the time of coronavirus -- Epilogue: Memory, "show me the dick." Faithfull, Marianne. http://id.loc.gov/authorities/names/n91026554 Faithfull, Marianne fast Women singers Biography. Women composers Biography. Actresses Biography. Chanteuses Biographies. Compositrices Biographies. Actrices Biographies. MUSIC / History & Criticism. bisacsh Actresses fast Women composers fast Women singers fast |
subject_GND | http://id.loc.gov/authorities/names/n91026554 http://id.loc.gov/authorities/genreForms/gf2014026049 |
title | Why Marianne Faithfull matters / |
title_auth | Why Marianne Faithfull matters / |
title_exact_search | Why Marianne Faithfull matters / |
title_full | Why Marianne Faithfull matters / Tanya Pearson. |
title_fullStr | Why Marianne Faithfull matters / Tanya Pearson. |
title_full_unstemmed | Why Marianne Faithfull matters / Tanya Pearson. |
title_short | Why Marianne Faithfull matters / |
title_sort | why marianne faithfull matters |
topic | Faithfull, Marianne. http://id.loc.gov/authorities/names/n91026554 Faithfull, Marianne fast Women singers Biography. Women composers Biography. Actresses Biography. Chanteuses Biographies. Compositrices Biographies. Actrices Biographies. MUSIC / History & Criticism. bisacsh Actresses fast Women composers fast Women singers fast |
topic_facet | Faithfull, Marianne. Faithfull, Marianne Women singers Biography. Women composers Biography. Actresses Biography. Chanteuses Biographies. Compositrices Biographies. Actrices Biographies. MUSIC / History & Criticism. Actresses Women composers Women singers Electronic books. collective biographies. Biographies Biographies. |
work_keys_str_mv | AT pearsontanya whymariannefaithfullmatters |