Painting with Light /:
Few cinematographers have had as decisive an impact on the cinematic medium as John Alton. Best known for his highly stylized film noir classics T-Men, He Walked by Night, and The Big Combo, Alton earned a reputation during the 1940s and 1950s as one of Hollywood's consummate craftsmen through...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley, CA :
University of California Press,
[2020]
|
| Ausgabe: | Reprint 2020. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Few cinematographers have had as decisive an impact on the cinematic medium as John Alton. Best known for his highly stylized film noir classics T-Men, He Walked by Night, and The Big Combo, Alton earned a reputation during the 1940s and 1950s as one of Hollywood's consummate craftsmen through his visual signature of crisp shadows and sculpted beams of light. No less renowned for his virtuoso color cinematography and deft appropriation of widescreen and Technicolor, he earned an Academy Award in 1951 for his work on the musical An American in Paris. First published in 1949, Painting With Light remains one of the few truly canonical statements on the art of motion picture photography, an unrivaled historical document on the workings of postwar American cinema. In simple, non-technical language, Alton explains the job of the cinematographer and explores how lighting, camera techniques, and choice of locations determine the visual mood of film. Todd McCarthy's introduction provides an overview of Alton's biography and career and explores the influence of his work on contemporary cinematography and the foreword, written expressly for this edition by award-winning cinematographer John Bailey, explores Alton's often contentious relationships with colleagues, the American Society of Cinematographers, and the movie industry itself. |
| Beschreibung: | 1 online resource (248 p.) |
| ISBN: | 0520355938 9780520355934 |
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| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t FILM NOIR'S SORCERER OF LIGHT: JOHN ALTON -- |t PREFACE -- |t THROUGH A LENS DARKLY: THE LIFE AND FILMS OF JOHN ALTON -- |t FILMOGRAPHY -- |t CHAPTER 1. HOLLYWOOD PHOTOGRAPHY -- |t CHAPTER 2. MOTION PICTURE ILLUMINATION -- |t CHAPTER 3. MYSTERY LIGHTING -- |t CHAPTER 4. SPECIAL ILLUMINATION -- |t CHAPTER 5. THE HOLLYWOOD CLOSE-UP -- |t CHAPTER 6. OUTDOOR PHOTOGRAPHY -- |t CHAPTER 7. SYMPHONY IN SNOW -- |t CHAPTER 8. OCEAN VOYAGE -- |t CHAPTER 9. VISUAL MUSIC -- |t CHAPTER 10. THE PORTRAIT STUDIO -- |t CHAPTER 11. THE LABORATORY -- |t CHAPTER 12. DAY AND NIGHT, LADIES, WATCH YOUR LIGHT -- |t CHAPTER 13. MOTION PICTURE THEATRES -- |t CHAPTER 14. THE WORLD IS A HUGE TELEVISION STUDIO AND WE ARE ALL PHOTOGRAPHERS |
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Okt 2020). | |
| 520 | |a Few cinematographers have had as decisive an impact on the cinematic medium as John Alton. Best known for his highly stylized film noir classics T-Men, He Walked by Night, and The Big Combo, Alton earned a reputation during the 1940s and 1950s as one of Hollywood's consummate craftsmen through his visual signature of crisp shadows and sculpted beams of light. No less renowned for his virtuoso color cinematography and deft appropriation of widescreen and Technicolor, he earned an Academy Award in 1951 for his work on the musical An American in Paris. First published in 1949, Painting With Light remains one of the few truly canonical statements on the art of motion picture photography, an unrivaled historical document on the workings of postwar American cinema. In simple, non-technical language, Alton explains the job of the cinematographer and explores how lighting, camera techniques, and choice of locations determine the visual mood of film. Todd McCarthy's introduction provides an overview of Alton's biography and career and explores the influence of his work on contemporary cinematography and the foreword, written expressly for this edition by award-winning cinematographer John Bailey, explores Alton's often contentious relationships with colleagues, the American Society of Cinematographers, and the movie industry itself. | ||
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| 600 | 1 | 7 | |a Alton, John |2 fast |
| 650 | 0 | |a Cinematography |x Lighting. |0 http://id.loc.gov/authorities/subjects/sh85026019 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1198931732 |
|---|---|
| _version_ | 1816882530167554049 |
| adam_text | |
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| author | Alton, John |
| author2 | Bailey, John McCarthy, Todd |
| author2_role | |
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| author_facet | Alton, John Bailey, John McCarthy, Todd |
| author_role | aut |
| author_sort | Alton, John |
| author_variant | j a ja |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | T - Technology |
| callnumber-label | TR891 |
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| callnumber-search | TR891 |
| callnumber-sort | TR 3891 |
| callnumber-subject | TR - Photography |
| collection | ZDB-4-EBA |
| contents | Frontmatter -- CONTENTS -- FILM NOIR'S SORCERER OF LIGHT: JOHN ALTON -- PREFACE -- THROUGH A LENS DARKLY: THE LIFE AND FILMS OF JOHN ALTON -- FILMOGRAPHY -- CHAPTER 1. HOLLYWOOD PHOTOGRAPHY -- CHAPTER 2. MOTION PICTURE ILLUMINATION -- CHAPTER 3. MYSTERY LIGHTING -- CHAPTER 4. SPECIAL ILLUMINATION -- CHAPTER 5. THE HOLLYWOOD CLOSE-UP -- CHAPTER 6. OUTDOOR PHOTOGRAPHY -- CHAPTER 7. SYMPHONY IN SNOW -- CHAPTER 8. OCEAN VOYAGE -- CHAPTER 9. VISUAL MUSIC -- CHAPTER 10. THE PORTRAIT STUDIO -- CHAPTER 11. THE LABORATORY -- CHAPTER 12. DAY AND NIGHT, LADIES, WATCH YOUR LIGHT -- CHAPTER 13. MOTION PICTURE THEATRES -- CHAPTER 14. THE WORLD IS A HUGE TELEVISION STUDIO AND WE ARE ALL PHOTOGRAPHERS |
| ctrlnum | (OCoLC)1198931732 |
| dewey-full | 791.43025 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43025 |
| dewey-search | 791.43025 |
| dewey-sort | 3791.43025 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | Reprint 2020. |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1198931732 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:30:04Z |
| institution | BVB |
| isbn | 0520355938 9780520355934 |
| language | English |
| oclc_num | 1198931732 |
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| physical | 1 online resource (248 p.) |
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| publishDateSort | 2020 |
| publisher | University of California Press, |
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| spelling | Alton, John, author. aut http://id.loc.gov/vocabulary/relators/aut Painting with Light / John Alton. Reprint 2020. Berkeley, CA : University of California Press, [2020] ©1995 1 online resource (248 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- CONTENTS -- FILM NOIR'S SORCERER OF LIGHT: JOHN ALTON -- PREFACE -- THROUGH A LENS DARKLY: THE LIFE AND FILMS OF JOHN ALTON -- FILMOGRAPHY -- CHAPTER 1. HOLLYWOOD PHOTOGRAPHY -- CHAPTER 2. MOTION PICTURE ILLUMINATION -- CHAPTER 3. MYSTERY LIGHTING -- CHAPTER 4. SPECIAL ILLUMINATION -- CHAPTER 5. THE HOLLYWOOD CLOSE-UP -- CHAPTER 6. OUTDOOR PHOTOGRAPHY -- CHAPTER 7. SYMPHONY IN SNOW -- CHAPTER 8. OCEAN VOYAGE -- CHAPTER 9. VISUAL MUSIC -- CHAPTER 10. THE PORTRAIT STUDIO -- CHAPTER 11. THE LABORATORY -- CHAPTER 12. DAY AND NIGHT, LADIES, WATCH YOUR LIGHT -- CHAPTER 13. MOTION PICTURE THEATRES -- CHAPTER 14. THE WORLD IS A HUGE TELEVISION STUDIO AND WE ARE ALL PHOTOGRAPHERS In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Okt 2020). Few cinematographers have had as decisive an impact on the cinematic medium as John Alton. Best known for his highly stylized film noir classics T-Men, He Walked by Night, and The Big Combo, Alton earned a reputation during the 1940s and 1950s as one of Hollywood's consummate craftsmen through his visual signature of crisp shadows and sculpted beams of light. No less renowned for his virtuoso color cinematography and deft appropriation of widescreen and Technicolor, he earned an Academy Award in 1951 for his work on the musical An American in Paris. First published in 1949, Painting With Light remains one of the few truly canonical statements on the art of motion picture photography, an unrivaled historical document on the workings of postwar American cinema. In simple, non-technical language, Alton explains the job of the cinematographer and explores how lighting, camera techniques, and choice of locations determine the visual mood of film. Todd McCarthy's introduction provides an overview of Alton's biography and career and explores the influence of his work on contemporary cinematography and the foreword, written expressly for this edition by award-winning cinematographer John Bailey, explores Alton's often contentious relationships with colleagues, the American Society of Cinematographers, and the movie industry itself. Alton, John. Alton, John fast Cinematography Lighting. http://id.loc.gov/authorities/subjects/sh85026019 Cinéma Éclairage. NON-CLASSIFIABLE. bisacsh PERFORMING ARTS / Film / General bisacsh Cinematography Lighting fast Bailey, John. McCarthy, Todd. Print version: 9780520275843 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3719725 Volltext |
| spellingShingle | Alton, John Painting with Light / Frontmatter -- CONTENTS -- FILM NOIR'S SORCERER OF LIGHT: JOHN ALTON -- PREFACE -- THROUGH A LENS DARKLY: THE LIFE AND FILMS OF JOHN ALTON -- FILMOGRAPHY -- CHAPTER 1. HOLLYWOOD PHOTOGRAPHY -- CHAPTER 2. MOTION PICTURE ILLUMINATION -- CHAPTER 3. MYSTERY LIGHTING -- CHAPTER 4. SPECIAL ILLUMINATION -- CHAPTER 5. THE HOLLYWOOD CLOSE-UP -- CHAPTER 6. OUTDOOR PHOTOGRAPHY -- CHAPTER 7. SYMPHONY IN SNOW -- CHAPTER 8. OCEAN VOYAGE -- CHAPTER 9. VISUAL MUSIC -- CHAPTER 10. THE PORTRAIT STUDIO -- CHAPTER 11. THE LABORATORY -- CHAPTER 12. DAY AND NIGHT, LADIES, WATCH YOUR LIGHT -- CHAPTER 13. MOTION PICTURE THEATRES -- CHAPTER 14. THE WORLD IS A HUGE TELEVISION STUDIO AND WE ARE ALL PHOTOGRAPHERS Alton, John. Alton, John fast Cinematography Lighting. http://id.loc.gov/authorities/subjects/sh85026019 Cinéma Éclairage. NON-CLASSIFIABLE. bisacsh PERFORMING ARTS / Film / General bisacsh Cinematography Lighting fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85026019 |
| title | Painting with Light / |
| title_alt | Frontmatter -- CONTENTS -- FILM NOIR'S SORCERER OF LIGHT: JOHN ALTON -- PREFACE -- THROUGH A LENS DARKLY: THE LIFE AND FILMS OF JOHN ALTON -- FILMOGRAPHY -- CHAPTER 1. HOLLYWOOD PHOTOGRAPHY -- CHAPTER 2. MOTION PICTURE ILLUMINATION -- CHAPTER 3. MYSTERY LIGHTING -- CHAPTER 4. SPECIAL ILLUMINATION -- CHAPTER 5. THE HOLLYWOOD CLOSE-UP -- CHAPTER 6. OUTDOOR PHOTOGRAPHY -- CHAPTER 7. SYMPHONY IN SNOW -- CHAPTER 8. OCEAN VOYAGE -- CHAPTER 9. VISUAL MUSIC -- CHAPTER 10. THE PORTRAIT STUDIO -- CHAPTER 11. THE LABORATORY -- CHAPTER 12. DAY AND NIGHT, LADIES, WATCH YOUR LIGHT -- CHAPTER 13. MOTION PICTURE THEATRES -- CHAPTER 14. THE WORLD IS A HUGE TELEVISION STUDIO AND WE ARE ALL PHOTOGRAPHERS |
| title_auth | Painting with Light / |
| title_exact_search | Painting with Light / |
| title_full | Painting with Light / John Alton. |
| title_fullStr | Painting with Light / John Alton. |
| title_full_unstemmed | Painting with Light / John Alton. |
| title_short | Painting with Light / |
| title_sort | painting with light |
| topic | Alton, John. Alton, John fast Cinematography Lighting. http://id.loc.gov/authorities/subjects/sh85026019 Cinéma Éclairage. NON-CLASSIFIABLE. bisacsh PERFORMING ARTS / Film / General bisacsh Cinematography Lighting fast |
| topic_facet | Alton, John. Alton, John Cinematography Lighting. Cinéma Éclairage. NON-CLASSIFIABLE. PERFORMING ARTS / Film / General Cinematography Lighting |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3719725 |
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