Texas made modern :: the art of Everett Spruce /
Everett Spruce came to Texas from his Arkansas home in 1925 to study at the Dallas Art Institute. Over the next seven decades, he became one of the most important painters and teachers in the region. One of the "Dallas Nine," a group of influential Texas Regionalists that included Jerry By...
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Weitere Verfasser: | , |
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
College Station :
Texas A & M University Press,
[2020]
|
Ausgabe: | First edition. |
Schriftenreihe: | Joe and Betty Moore Texas art series ;
no. 22. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Everett Spruce came to Texas from his Arkansas home in 1925 to study at the Dallas Art Institute. Over the next seven decades, he became one of the most important painters and teachers in the region. One of the "Dallas Nine," a group of influential Texas Regionalists that included Jerry Bywaters, Otis Dozier, William Lester, and others, Spruce was among the artists who lobbied the Texas Centennial Commission for a greater role in the Centennial Exposition of 1936. These efforts, though unsuccessful, nevertheless led to greater recognition and influence for Texas art and artists. Spruce was assistant director and taught art at the Dallas Museum of Fine Arts until 1940 when he joined the faculty of the University of Texas at Austin. He painted and taught at the university for the next 38 years, guiding and shaping the next generation of Texas artists, including Roger Winter, William Hoey, and others. Spruce died in 2002 at the age of 94. Texas Made Modern: The Art of Everett Spruce traces Spruce's artistic evolution from his early experimental work of the 1920s through the mysterious, surrealist-imbued landscapes of the 1930s. The work addresses his boldly expressionistic imagery of the 1940s and his abstract expressionist-inspired paintings of the mid-twentieth century. Departing from previous accounts of Spruce, which label him a prototypical regionalist, this study reveals the nuanced meanings behind the artist's shifting approaches to Texas subject matter and resituates his artwork within the broader narrative of American art "Texas Made Modern: The Art of Everett Spruce traces Spruce's artistic evolution from his early experimental work of the 1920s through the mysterious, surrealist-imbued landscapes of the 1930s. The work addresses his boldly expressionistic imagery of the 1940s and his abstract expressionist-inspired paintings of the mid-twentieth century. Departing from previous accounts of Spruce, which label him a prototypical regionalist, this study reveals the nuanced meanings behind the artist's shifting approaches to Texas subject matter and resituates his artwork within the broader narrative of American art"-- |
Beschreibung: | "This publication was supported by the Amon Carter Museum of American Art, Fort Worth"--Half title page Published in conjunction with the exhibition Texas Made Modern: The Art of Everett Spruce, at the Amon Carter Museum of American Art, May 30-September 20, 2020, and at the San Antonio Museum of Art, October 10, 2020 - January 2, 2021. [Dates as originally scheduled.] |
Beschreibung: | 1 online resource (159 pages) : color illustrations |
Bibliographie: | Includes bibliographical references (pages 147-149) and index (pages 151-159). |
ISBN: | 1623498899 9781623498894 |
Internformat
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020 | |a 1623498899 | ||
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049 | |a MAIN | ||
245 | 0 | 0 | |a Texas made modern : |b the art of Everett Spruce / |c Shirley Reece-Hughes. |
250 | |a First edition. | ||
264 | 1 | |a College Station : |b Texas A & M University Press, |c [2020] | |
264 | 4 | |c ©2020 | |
300 | |a 1 online resource (159 pages) : |b color illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
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337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Joe and Bette Moore Texas art series ; |v number 22 | |
588 | 0 | |a Print version record. | |
500 | |a "This publication was supported by the Amon Carter Museum of American Art, Fort Worth"--Half title page | ||
500 | |a Published in conjunction with the exhibition Texas Made Modern: The Art of Everett Spruce, at the Amon Carter Museum of American Art, May 30-September 20, 2020, and at the San Antonio Museum of Art, October 10, 2020 - January 2, 2021. [Dates as originally scheduled.] | ||
504 | |a Includes bibliographical references (pages 147-149) and index (pages 151-159). | ||
520 | |a Everett Spruce came to Texas from his Arkansas home in 1925 to study at the Dallas Art Institute. Over the next seven decades, he became one of the most important painters and teachers in the region. One of the "Dallas Nine," a group of influential Texas Regionalists that included Jerry Bywaters, Otis Dozier, William Lester, and others, Spruce was among the artists who lobbied the Texas Centennial Commission for a greater role in the Centennial Exposition of 1936. These efforts, though unsuccessful, nevertheless led to greater recognition and influence for Texas art and artists. Spruce was assistant director and taught art at the Dallas Museum of Fine Arts until 1940 when he joined the faculty of the University of Texas at Austin. He painted and taught at the university for the next 38 years, guiding and shaping the next generation of Texas artists, including Roger Winter, William Hoey, and others. Spruce died in 2002 at the age of 94. Texas Made Modern: The Art of Everett Spruce traces Spruce's artistic evolution from his early experimental work of the 1920s through the mysterious, surrealist-imbued landscapes of the 1930s. The work addresses his boldly expressionistic imagery of the 1940s and his abstract expressionist-inspired paintings of the mid-twentieth century. Departing from previous accounts of Spruce, which label him a prototypical regionalist, this study reveals the nuanced meanings behind the artist's shifting approaches to Texas subject matter and resituates his artwork within the broader narrative of American art | ||
520 | |a "Texas Made Modern: The Art of Everett Spruce traces Spruce's artistic evolution from his early experimental work of the 1920s through the mysterious, surrealist-imbued landscapes of the 1930s. The work addresses his boldly expressionistic imagery of the 1940s and his abstract expressionist-inspired paintings of the mid-twentieth century. Departing from previous accounts of Spruce, which label him a prototypical regionalist, this study reveals the nuanced meanings behind the artist's shifting approaches to Texas subject matter and resituates his artwork within the broader narrative of American art"-- |c Provided by publisher | ||
505 | 0 | |a Cover -- Title -- Copyright -- Contents -- Foreword -- Acknowledgments -- Everett Spruce: "A Deeper Realism" -- An Interview with Alice Spruce Meriwether -- "A Highly Personal Idiom": Everett Spruce Chronology -- Gallery of Works -- Works in the Exhibition -- Lenders to the Exhibition -- About the Exhibition -- Selected Bibliography -- Index | |
600 | 1 | 0 | |a Spruce, Everett, |d 1908-2002 |v Exhibitions. |
600 | 1 | 7 | |a Spruce, Everett, |d 1908-2002 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJwCYg4tdg6vDPBTDKwQv3 |
650 | 0 | |a Painting, American |z Texas |y 20th century |v Exhibitions. | |
650 | 0 | |a Painting, Modern |v Exhibitions. | |
650 | 0 | |a Painters |z Texas |v Exhibitions. | |
650 | 6 | |a Peinture américaine |z Texas |y 20e siècle |v Expositions. | |
650 | 6 | |a Peintres |z Texas |v Expositions. | |
650 | 7 | |a Art / Individual Artists. |2 bisacsh | |
650 | 7 | |a Art / American. |2 bisacsh | |
650 | 7 | |a Art / Collections, Catalogs, Exhibitions. |2 bisacsh | |
650 | 7 | |a Painters |2 fast | |
650 | 7 | |a Painting, American |2 fast | |
650 | 7 | |a Painting, Modern |2 fast | |
651 | 7 | |a Texas |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJj8XjVR9hP7dPxwVtRqcP | |
648 | 7 | |a 1900-1999 |2 fast | |
655 | 0 | |a Electronic books. | |
655 | 7 | |a Exhibition catalogs |2 fast | |
700 | 1 | |a Reece-Hughes, Shirley, |e author. |0 http://id.loc.gov/authorities/names/nr2002002373 | |
700 | 1 | |a Spruce, Everett, |d 1908-2002, |e artist. |1 https://id.oclc.org/worldcat/entity/E39PBJwCYg4tdg6vDPBTDKwQv3 | |
700 | 1 | |a Montgomery, S. Janelle, |e contributor. |0 http://id.loc.gov/authorities/names/no2019187699 | |
700 | 1 | |a Walker, Andrew, |d 1964- |e writer of foreword. |1 https://id.oclc.org/worldcat/entity/E39PCjDB94VFtkj7XJFh7jbVyd |0 http://id.loc.gov/authorities/names/no2007116175 | |
700 | 1 | 2 | |a Spruce, Everett, |d 1908-2002. |t Paintings. |k Selections. |
710 | 2 | |a Amon Carter Museum of American Art, |e host institution. |0 http://id.loc.gov/authorities/names/no2010138007 | |
710 | 2 | |a San Antonio Museum of Art, |e host institution. |0 http://id.loc.gov/authorities/names/n81105611 | |
758 | |i has work: |a Texas made modern (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFGGrX9XYpfFyY6kVPd4YK |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |t Texas made modern. |b First edition. |d College Station : Texas A & M University Press, [2020] |w (DLC) 2020932211 |
830 | 0 | |a Joe and Betty Moore Texas art series ; |v no. 22. |0 http://id.loc.gov/authorities/names/n42013969 | |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2634463 |3 Volltext |
938 | |a ProQuest Ebook Central |b EBLB |n EBL6356990 | ||
938 | |a EBSCOhost |b EBSC |n 2634463 | ||
938 | |a Project MUSE |b MUSE |n muse92352 | ||
938 | |a YBP Library Services |b YANK |n 301567429 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-on1198712959 |
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_version_ | 1816882530030190592 |
adam_text | |
any_adam_object | |
author | Reece-Hughes, Shirley |
author2 | Montgomery, S. Janelle Spruce, Everett, 1908-2002 |
author2_role | ctb |
author2_variant | s j m sj sjm e s es |
author_GND | http://id.loc.gov/authorities/names/nr2002002373 http://id.loc.gov/authorities/names/no2019187699 http://id.loc.gov/authorities/names/no2007116175 |
author_facet | Reece-Hughes, Shirley Montgomery, S. Janelle Spruce, Everett, 1908-2002 |
author_role | aut |
author_sort | Reece-Hughes, Shirley |
author_variant | s r h srh |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | N - Fine Arts |
callnumber-label | ND237 |
callnumber-raw | ND237.S646 A4 2020eb |
callnumber-search | ND237.S646 A4 2020eb |
callnumber-sort | ND 3237 S646 A4 42020EB |
callnumber-subject | ND - Painting |
collection | ZDB-4-EBA |
contents | Cover -- Title -- Copyright -- Contents -- Foreword -- Acknowledgments -- Everett Spruce: "A Deeper Realism" -- An Interview with Alice Spruce Meriwether -- "A Highly Personal Idiom": Everett Spruce Chronology -- Gallery of Works -- Works in the Exhibition -- Lenders to the Exhibition -- About the Exhibition -- Selected Bibliography -- Index |
ctrlnum | (OCoLC)1198712959 |
dewey-full | 759.164 |
dewey-hundreds | 700 - The arts |
dewey-ones | 759 - History, geographic treatment, biography |
dewey-raw | 759.164 |
dewey-search | 759.164 |
dewey-sort | 3759.164 |
dewey-tens | 750 - Painting and paintings |
discipline | Kunstgeschichte |
edition | First edition. |
era | 1900-1999 fast |
era_facet | 1900-1999 |
format | Electronic eBook |
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genre | Electronic books. Exhibition catalogs fast |
genre_facet | Electronic books. Exhibition catalogs |
geographic | Texas fast https://id.oclc.org/worldcat/entity/E39PBJj8XjVR9hP7dPxwVtRqcP |
geographic_facet | Texas |
id | ZDB-4-EBA-on1198712959 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:30:04Z |
institution | BVB |
institution_GND | http://id.loc.gov/authorities/names/no2010138007 http://id.loc.gov/authorities/names/n81105611 |
isbn | 1623498899 9781623498894 |
language | English |
oclc_num | 1198712959 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (159 pages) : color illustrations |
psigel | ZDB-4-EBA |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Texas A & M University Press, |
record_format | marc |
series | Joe and Betty Moore Texas art series ; |
series2 | Joe and Bette Moore Texas art series ; |
spelling | Texas made modern : the art of Everett Spruce / Shirley Reece-Hughes. First edition. College Station : Texas A & M University Press, [2020] ©2020 1 online resource (159 pages) : color illustrations text txt rdacontent still image sti rdacontent computer c rdamedia online resource cr rdacarrier Joe and Bette Moore Texas art series ; number 22 Print version record. "This publication was supported by the Amon Carter Museum of American Art, Fort Worth"--Half title page Published in conjunction with the exhibition Texas Made Modern: The Art of Everett Spruce, at the Amon Carter Museum of American Art, May 30-September 20, 2020, and at the San Antonio Museum of Art, October 10, 2020 - January 2, 2021. [Dates as originally scheduled.] Includes bibliographical references (pages 147-149) and index (pages 151-159). Everett Spruce came to Texas from his Arkansas home in 1925 to study at the Dallas Art Institute. Over the next seven decades, he became one of the most important painters and teachers in the region. One of the "Dallas Nine," a group of influential Texas Regionalists that included Jerry Bywaters, Otis Dozier, William Lester, and others, Spruce was among the artists who lobbied the Texas Centennial Commission for a greater role in the Centennial Exposition of 1936. These efforts, though unsuccessful, nevertheless led to greater recognition and influence for Texas art and artists. Spruce was assistant director and taught art at the Dallas Museum of Fine Arts until 1940 when he joined the faculty of the University of Texas at Austin. He painted and taught at the university for the next 38 years, guiding and shaping the next generation of Texas artists, including Roger Winter, William Hoey, and others. Spruce died in 2002 at the age of 94. Texas Made Modern: The Art of Everett Spruce traces Spruce's artistic evolution from his early experimental work of the 1920s through the mysterious, surrealist-imbued landscapes of the 1930s. The work addresses his boldly expressionistic imagery of the 1940s and his abstract expressionist-inspired paintings of the mid-twentieth century. Departing from previous accounts of Spruce, which label him a prototypical regionalist, this study reveals the nuanced meanings behind the artist's shifting approaches to Texas subject matter and resituates his artwork within the broader narrative of American art "Texas Made Modern: The Art of Everett Spruce traces Spruce's artistic evolution from his early experimental work of the 1920s through the mysterious, surrealist-imbued landscapes of the 1930s. The work addresses his boldly expressionistic imagery of the 1940s and his abstract expressionist-inspired paintings of the mid-twentieth century. Departing from previous accounts of Spruce, which label him a prototypical regionalist, this study reveals the nuanced meanings behind the artist's shifting approaches to Texas subject matter and resituates his artwork within the broader narrative of American art"-- Provided by publisher Cover -- Title -- Copyright -- Contents -- Foreword -- Acknowledgments -- Everett Spruce: "A Deeper Realism" -- An Interview with Alice Spruce Meriwether -- "A Highly Personal Idiom": Everett Spruce Chronology -- Gallery of Works -- Works in the Exhibition -- Lenders to the Exhibition -- About the Exhibition -- Selected Bibliography -- Index Spruce, Everett, 1908-2002 Exhibitions. Spruce, Everett, 1908-2002 fast https://id.oclc.org/worldcat/entity/E39PBJwCYg4tdg6vDPBTDKwQv3 Painting, American Texas 20th century Exhibitions. Painting, Modern Exhibitions. Painters Texas Exhibitions. Peinture américaine Texas 20e siècle Expositions. Peintres Texas Expositions. Art / Individual Artists. bisacsh Art / American. bisacsh Art / Collections, Catalogs, Exhibitions. bisacsh Painters fast Painting, American fast Painting, Modern fast Texas fast https://id.oclc.org/worldcat/entity/E39PBJj8XjVR9hP7dPxwVtRqcP 1900-1999 fast Electronic books. Exhibition catalogs fast Reece-Hughes, Shirley, author. http://id.loc.gov/authorities/names/nr2002002373 Spruce, Everett, 1908-2002, artist. https://id.oclc.org/worldcat/entity/E39PBJwCYg4tdg6vDPBTDKwQv3 Montgomery, S. Janelle, contributor. http://id.loc.gov/authorities/names/no2019187699 Walker, Andrew, 1964- writer of foreword. https://id.oclc.org/worldcat/entity/E39PCjDB94VFtkj7XJFh7jbVyd http://id.loc.gov/authorities/names/no2007116175 Spruce, Everett, 1908-2002. Paintings. Selections. Amon Carter Museum of American Art, host institution. http://id.loc.gov/authorities/names/no2010138007 San Antonio Museum of Art, host institution. http://id.loc.gov/authorities/names/n81105611 has work: Texas made modern (Text) https://id.oclc.org/worldcat/entity/E39PCFGGrX9XYpfFyY6kVPd4YK https://id.oclc.org/worldcat/ontology/hasWork Print version: Texas made modern. First edition. College Station : Texas A & M University Press, [2020] (DLC) 2020932211 Joe and Betty Moore Texas art series ; no. 22. http://id.loc.gov/authorities/names/n42013969 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2634463 Volltext |
spellingShingle | Reece-Hughes, Shirley Texas made modern : the art of Everett Spruce / Joe and Betty Moore Texas art series ; Cover -- Title -- Copyright -- Contents -- Foreword -- Acknowledgments -- Everett Spruce: "A Deeper Realism" -- An Interview with Alice Spruce Meriwether -- "A Highly Personal Idiom": Everett Spruce Chronology -- Gallery of Works -- Works in the Exhibition -- Lenders to the Exhibition -- About the Exhibition -- Selected Bibliography -- Index Spruce, Everett, 1908-2002 Exhibitions. Spruce, Everett, 1908-2002 fast https://id.oclc.org/worldcat/entity/E39PBJwCYg4tdg6vDPBTDKwQv3 Painting, American Texas 20th century Exhibitions. Painting, Modern Exhibitions. Painters Texas Exhibitions. Peinture américaine Texas 20e siècle Expositions. Peintres Texas Expositions. Art / Individual Artists. bisacsh Art / American. bisacsh Art / Collections, Catalogs, Exhibitions. bisacsh Painters fast Painting, American fast Painting, Modern fast |
title | Texas made modern : the art of Everett Spruce / |
title_alt | Paintings. |
title_auth | Texas made modern : the art of Everett Spruce / |
title_exact_search | Texas made modern : the art of Everett Spruce / |
title_full | Texas made modern : the art of Everett Spruce / Shirley Reece-Hughes. |
title_fullStr | Texas made modern : the art of Everett Spruce / Shirley Reece-Hughes. |
title_full_unstemmed | Texas made modern : the art of Everett Spruce / Shirley Reece-Hughes. |
title_short | Texas made modern : |
title_sort | texas made modern the art of everett spruce |
title_sub | the art of Everett Spruce / |
topic | Spruce, Everett, 1908-2002 Exhibitions. Spruce, Everett, 1908-2002 fast https://id.oclc.org/worldcat/entity/E39PBJwCYg4tdg6vDPBTDKwQv3 Painting, American Texas 20th century Exhibitions. Painting, Modern Exhibitions. Painters Texas Exhibitions. Peinture américaine Texas 20e siècle Expositions. Peintres Texas Expositions. Art / Individual Artists. bisacsh Art / American. bisacsh Art / Collections, Catalogs, Exhibitions. bisacsh Painters fast Painting, American fast Painting, Modern fast |
topic_facet | Spruce, Everett, 1908-2002 Exhibitions. Spruce, Everett, 1908-2002 Painting, American Texas 20th century Exhibitions. Painting, Modern Exhibitions. Painters Texas Exhibitions. Peinture américaine Texas 20e siècle Expositions. Peintres Texas Expositions. Art / Individual Artists. Art / American. Art / Collections, Catalogs, Exhibitions. Painters Painting, American Painting, Modern Texas Electronic books. Exhibition catalogs |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2634463 |
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