The productions of time :: a study of the human imagination /
"The Productions of Time argues that it is time to return to myth criticism to refine its genuine vision from its ideological limitations. Myth criticism flourished briefly in the 1960s but was eclipsed by literary theories that asserted difference and diversity and were skeptical about common,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Montreal ; Chicago :
McGill-Queen's University Press,
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "The Productions of Time argues that it is time to return to myth criticism to refine its genuine vision from its ideological limitations. Myth criticism flourished briefly in the 1960s but was eclipsed by literary theories that asserted difference and diversity and were skeptical about common, unifying patterns. But theories affirming only difference and conflict proved incapable of inspiring solidarity or guiding progressive social action. The book sketches an anatomy of the imagination as evidenced in the total body of its productions, including mythology, the arts, popular culture, and religious and political texts, thereby suggesting a symbolic language as a lingua franca enabling dialogue across ideological and individual differences. The imagination is an expanded vision of reality that does not suppress the distinction between self and other, self and world, but unites them as what William Blake called Contraries. It becomes the only possible model of a just society that does not achieve unity at the expense of differences. The Productions of Time argues that the imagination is part of the human inheritance, common to all and not just to poets and mystics."-- |
| Beschreibung: | 1 online resource (xviii, 449 pages) : illustration |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780228006480 0228006473 9780228006473 0228006481 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1198089759 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 200929s2021 quca ob 001 0 eng | ||
| 040 | |a NLC |b eng |e rda |e pn |c NLC |d NLC |d OCLCF |d YDX |d EBLCP |d N$T |d JSTOR |d OCLCO |d YDX |d SFB |d ANV |d CELBN |d OCLCO |d OCLCQ |d WAU |d UKAHL |d DEGRU |d OCLCO |d OCLCQ |d OCLCL |d UEJ |d OCLCO | ||
| 015 | |a 20200348418 |2 can | ||
| 020 | |a 9780228006480 |q (electronic book) | ||
| 020 | |a 0228006473 |q (electronic book) | ||
| 020 | |a 9780228006473 |q (electronic book) | ||
| 020 | |a 0228006481 |q (electronic book) | ||
| 020 | |z 9780228005582 |q (hardcover) | ||
| 020 | |z 0228005582 |q (hardcover) | ||
| 035 | |a (OCoLC)1198089759 | ||
| 037 | |a 22573/ctv1h4rv0v |b JSTOR | ||
| 042 | |a lac | ||
| 050 | 4 | |a PN56.M95 |b D65 2021 | |
| 055 | 0 | |a PN56.M95 |b D65 2021 | |
| 072 | 7 | |a LIT |x 004190 |2 bisacsh | |
| 072 | 7 | |a LIT |x 022000 |2 bisacsh | |
| 082 | 0 | |a 809/.915 |2 23 | |
| 084 | |a cci1icc |2 lacc | ||
| 049 | |a MAIN | ||
| 100 | 1 | |a Dolzani, Michael, |d 1951- |e author. | |
| 245 | 1 | 4 | |a The productions of time : |b a study of the human imagination / |c Michael Dolzani. |
| 264 | 1 | |a Montreal ; |a Chicago : |b McGill-Queen's University Press, |c [2021] | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (xviii, 449 pages) : |b illustration | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Overture: Concerning mandala symbolism : the symbol with and without meaning -- Introduction: The state of criticism at the present time -- Part 1. First there is a mountain : the vertical axis ascending. Revelation, or imagination -- Emanation -- Creation -- Scripture as creation -- "Our great salvation from above" : traditional mythology and the point of transcendence -- Part 2. There is a season : the cycle. Paradise -- The fall -- The fallen world of cyclical time : law and sacrifice -- Tragedy -- Comedy -- The form of drama -- Part 3. The eye begins to see : the horizontal axis. The affirmation of the cycle -- The progressive vision -- What the hammer? The forge of language -- The ironic cycle and the clarification of vision -- The recreation of evolution : hunting cultures -- The recreation of evolution : gathering and planting cultures -- The mythology of urban civilization and empire -- The progressive vision of the Bible : the trickster God -- The progressive vision of the Bible : letter and spirit -- The progressive vision of the Bible : typology -- The progressive vision in classical mythology -- The middle ages and Renaissance : romantic and spiritual heroes -- Shakespearean tragicomedy or romance -- Summary and prelude : the historical Nexus of romanticism -- In the white giant's thigh : romantic and anti-romantic -- Prometheus Agonistes : German idealism and Marxism -- Romantic internalization -- The novel : the realistic horizontal -- The historical novel and science fiction -- The novel as epic -- The lyric as epic -- Part 4. You want it darker : the vertical axis descending. Decreation and the descent quest -- Decreative realism -- Creative non-fiction : surface and depth -- The lyric : surface and depth -- The decreation myth of language -- The otherworld : traditional and dark romance -- The sublime -- The urban otherworld -- The demonic : the principle of negation -- The pluralistic afterlife -- Nothing -- Reversal -- Satire and apocalypse -- Satire, laughter, and the redemption of time. | |
| 520 | |a "The Productions of Time argues that it is time to return to myth criticism to refine its genuine vision from its ideological limitations. Myth criticism flourished briefly in the 1960s but was eclipsed by literary theories that asserted difference and diversity and were skeptical about common, unifying patterns. But theories affirming only difference and conflict proved incapable of inspiring solidarity or guiding progressive social action. The book sketches an anatomy of the imagination as evidenced in the total body of its productions, including mythology, the arts, popular culture, and religious and political texts, thereby suggesting a symbolic language as a lingua franca enabling dialogue across ideological and individual differences. The imagination is an expanded vision of reality that does not suppress the distinction between self and other, self and world, but unites them as what William Blake called Contraries. It becomes the only possible model of a just society that does not achieve unity at the expense of differences. The Productions of Time argues that the imagination is part of the human inheritance, common to all and not just to poets and mystics."-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on March 10, 2021). | ||
| 650 | 0 | |a Mythology in literature. |0 http://id.loc.gov/authorities/subjects/sh85089438 | |
| 650 | 0 | |a Criticism. |0 http://id.loc.gov/authorities/subjects/sh85034149 | |
| 650 | 6 | |a Mythologie dans la littérature. | |
| 650 | 6 | |a Critique. | |
| 650 | 7 | |a literary criticism. |2 aat | |
| 650 | 7 | |a criticism. |2 aat | |
| 650 | 7 | |a LITERARY CRITICISM / Ancient & Classical |2 bisacsh | |
| 650 | 7 | |a Criticism |2 fast | |
| 650 | 7 | |a Mythology in literature |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Literary criticism |2 fast | |
| 655 | 7 | |a Literary criticism. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2017026126 | |
| 655 | 7 | |a Critiques littéraires. |2 rvmgf | |
| 758 | |i has work: |a The productions of time (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGqykxYgcXbWfPrdgRGQHK |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Dolzani, Michael, 1951- |t Productions of time. |d Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2021 |z 0228005582 |z 9780228005582 |w (OCoLC)1198089946 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2734284 |3 Volltext |
| 938 | |a De Gruyter |b DEGR |n 9780228006473 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH41240514 | ||
| 938 | |a Canadian Electronic Library |b CELB |n 460316 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6462047 | ||
| 938 | |a YBP Library Services |b YANK |n 301895020 | ||
| 938 | |a EBSCOhost |b EBSC |n 2734284 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1198089759 |
|---|---|
| _version_ | 1816882529871855616 |
| adam_text | |
| any_adam_object | |
| author | Dolzani, Michael, 1951- |
| author_facet | Dolzani, Michael, 1951- |
| author_role | aut |
| author_sort | Dolzani, Michael, 1951- |
| author_variant | m d md |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN56 |
| callnumber-raw | PN56.M95 D65 2021 |
| callnumber-search | PN56.M95 D65 2021 |
| callnumber-sort | PN 256 M95 D65 42021 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Overture: Concerning mandala symbolism : the symbol with and without meaning -- Introduction: The state of criticism at the present time -- Part 1. First there is a mountain : the vertical axis ascending. Revelation, or imagination -- Emanation -- Creation -- Scripture as creation -- "Our great salvation from above" : traditional mythology and the point of transcendence -- Part 2. There is a season : the cycle. Paradise -- The fall -- The fallen world of cyclical time : law and sacrifice -- Tragedy -- Comedy -- The form of drama -- Part 3. The eye begins to see : the horizontal axis. The affirmation of the cycle -- The progressive vision -- What the hammer? The forge of language -- The ironic cycle and the clarification of vision -- The recreation of evolution : hunting cultures -- The recreation of evolution : gathering and planting cultures -- The mythology of urban civilization and empire -- The progressive vision of the Bible : the trickster God -- The progressive vision of the Bible : letter and spirit -- The progressive vision of the Bible : typology -- The progressive vision in classical mythology -- The middle ages and Renaissance : romantic and spiritual heroes -- Shakespearean tragicomedy or romance -- Summary and prelude : the historical Nexus of romanticism -- In the white giant's thigh : romantic and anti-romantic -- Prometheus Agonistes : German idealism and Marxism -- Romantic internalization -- The novel : the realistic horizontal -- The historical novel and science fiction -- The novel as epic -- The lyric as epic -- Part 4. You want it darker : the vertical axis descending. Decreation and the descent quest -- Decreative realism -- Creative non-fiction : surface and depth -- The lyric : surface and depth -- The decreation myth of language -- The otherworld : traditional and dark romance -- The sublime -- The urban otherworld -- The demonic : the principle of negation -- The pluralistic afterlife -- Nothing -- Reversal -- Satire and apocalypse -- Satire, laughter, and the redemption of time. |
| ctrlnum | (OCoLC)1198089759 |
| dewey-full | 809/.915 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809/.915 |
| dewey-search | 809/.915 |
| dewey-sort | 3809 3915 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06413cam a2200733 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1198089759</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">200929s2021 quca ob 001 0 eng </controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">NLC</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">NLC</subfield><subfield code="d">NLC</subfield><subfield code="d">OCLCF</subfield><subfield code="d">YDX</subfield><subfield code="d">EBLCP</subfield><subfield code="d">N$T</subfield><subfield code="d">JSTOR</subfield><subfield code="d">OCLCO</subfield><subfield code="d">YDX</subfield><subfield code="d">SFB</subfield><subfield code="d">ANV</subfield><subfield code="d">CELBN</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">WAU</subfield><subfield code="d">UKAHL</subfield><subfield code="d">DEGRU</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCL</subfield><subfield code="d">UEJ</subfield><subfield code="d">OCLCO</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">20200348418</subfield><subfield code="2">can</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780228006480</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0228006473</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780228006473</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0228006481</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780228005582</subfield><subfield code="q">(hardcover)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0228005582</subfield><subfield code="q">(hardcover)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1198089759</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv1h4rv0v</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="042" ind1=" " ind2=" "><subfield code="a">lac</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN56.M95</subfield><subfield code="b">D65 2021</subfield></datafield><datafield tag="055" ind1=" " ind2="0"><subfield code="a">PN56.M95</subfield><subfield code="b">D65 2021</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT</subfield><subfield code="x">004190</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT</subfield><subfield code="x">022000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">809/.915</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">cci1icc</subfield><subfield code="2">lacc</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Dolzani, Michael,</subfield><subfield code="d">1951-</subfield><subfield code="e">author.</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The productions of time :</subfield><subfield code="b">a study of the human imagination /</subfield><subfield code="c">Michael Dolzani.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Montreal ;</subfield><subfield code="a">Chicago :</subfield><subfield code="b">McGill-Queen's University Press,</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xviii, 449 pages) :</subfield><subfield code="b">illustration</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Overture: Concerning mandala symbolism : the symbol with and without meaning -- Introduction: The state of criticism at the present time -- Part 1. First there is a mountain : the vertical axis ascending. Revelation, or imagination -- Emanation -- Creation -- Scripture as creation -- "Our great salvation from above" : traditional mythology and the point of transcendence -- Part 2. There is a season : the cycle. Paradise -- The fall -- The fallen world of cyclical time : law and sacrifice -- Tragedy -- Comedy -- The form of drama -- Part 3. The eye begins to see : the horizontal axis. The affirmation of the cycle -- The progressive vision -- What the hammer? The forge of language -- The ironic cycle and the clarification of vision -- The recreation of evolution : hunting cultures -- The recreation of evolution : gathering and planting cultures -- The mythology of urban civilization and empire -- The progressive vision of the Bible : the trickster God -- The progressive vision of the Bible : letter and spirit -- The progressive vision of the Bible : typology -- The progressive vision in classical mythology -- The middle ages and Renaissance : romantic and spiritual heroes -- Shakespearean tragicomedy or romance -- Summary and prelude : the historical Nexus of romanticism -- In the white giant's thigh : romantic and anti-romantic -- Prometheus Agonistes : German idealism and Marxism -- Romantic internalization -- The novel : the realistic horizontal -- The historical novel and science fiction -- The novel as epic -- The lyric as epic -- Part 4. You want it darker : the vertical axis descending. Decreation and the descent quest -- Decreative realism -- Creative non-fiction : surface and depth -- The lyric : surface and depth -- The decreation myth of language -- The otherworld : traditional and dark romance -- The sublime -- The urban otherworld -- The demonic : the principle of negation -- The pluralistic afterlife -- Nothing -- Reversal -- Satire and apocalypse -- Satire, laughter, and the redemption of time.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"The Productions of Time argues that it is time to return to myth criticism to refine its genuine vision from its ideological limitations. Myth criticism flourished briefly in the 1960s but was eclipsed by literary theories that asserted difference and diversity and were skeptical about common, unifying patterns. But theories affirming only difference and conflict proved incapable of inspiring solidarity or guiding progressive social action. The book sketches an anatomy of the imagination as evidenced in the total body of its productions, including mythology, the arts, popular culture, and religious and political texts, thereby suggesting a symbolic language as a lingua franca enabling dialogue across ideological and individual differences. The imagination is an expanded vision of reality that does not suppress the distinction between self and other, self and world, but unites them as what William Blake called Contraries. It becomes the only possible model of a just society that does not achieve unity at the expense of differences. The Productions of Time argues that the imagination is part of the human inheritance, common to all and not just to poets and mystics."--</subfield><subfield code="c">Provided by publisher.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from digital title page (viewed on March 10, 2021).</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Mythology in literature.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85089438</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Criticism.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85034149</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Mythologie dans la littérature.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">literary criticism.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">criticism.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / Ancient & Classical</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Criticism</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Mythology in literature</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="0"><subfield code="a">Electronic books.</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Literary criticism</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Literary criticism.</subfield><subfield code="2">lcgft</subfield><subfield code="0">http://id.loc.gov/authorities/genreForms/gf2017026126</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Critiques littéraires.</subfield><subfield code="2">rvmgf</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">The productions of time (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGqykxYgcXbWfPrdgRGQHK</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Dolzani, Michael, 1951-</subfield><subfield code="t">Productions of time.</subfield><subfield code="d">Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2021</subfield><subfield code="z">0228005582</subfield><subfield code="z">9780228005582</subfield><subfield code="w">(OCoLC)1198089946</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2734284</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9780228006473</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH41240514</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Canadian Electronic Library</subfield><subfield code="b">CELB</subfield><subfield code="n">460316</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL6462047</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">301895020</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">2734284</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Electronic books. Literary criticism fast Literary criticism. lcgft http://id.loc.gov/authorities/genreForms/gf2017026126 Critiques littéraires. rvmgf |
| genre_facet | Electronic books. Literary criticism Literary criticism. Critiques littéraires. |
| id | ZDB-4-EBA-on1198089759 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:04Z |
| institution | BVB |
| isbn | 9780228006480 0228006473 9780228006473 0228006481 |
| language | English |
| oclc_num | 1198089759 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xviii, 449 pages) : illustration |
| psigel | ZDB-4-EBA |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | McGill-Queen's University Press, |
| record_format | marc |
| spelling | Dolzani, Michael, 1951- author. The productions of time : a study of the human imagination / Michael Dolzani. Montreal ; Chicago : McGill-Queen's University Press, [2021] ©2021 1 online resource (xviii, 449 pages) : illustration text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Overture: Concerning mandala symbolism : the symbol with and without meaning -- Introduction: The state of criticism at the present time -- Part 1. First there is a mountain : the vertical axis ascending. Revelation, or imagination -- Emanation -- Creation -- Scripture as creation -- "Our great salvation from above" : traditional mythology and the point of transcendence -- Part 2. There is a season : the cycle. Paradise -- The fall -- The fallen world of cyclical time : law and sacrifice -- Tragedy -- Comedy -- The form of drama -- Part 3. The eye begins to see : the horizontal axis. The affirmation of the cycle -- The progressive vision -- What the hammer? The forge of language -- The ironic cycle and the clarification of vision -- The recreation of evolution : hunting cultures -- The recreation of evolution : gathering and planting cultures -- The mythology of urban civilization and empire -- The progressive vision of the Bible : the trickster God -- The progressive vision of the Bible : letter and spirit -- The progressive vision of the Bible : typology -- The progressive vision in classical mythology -- The middle ages and Renaissance : romantic and spiritual heroes -- Shakespearean tragicomedy or romance -- Summary and prelude : the historical Nexus of romanticism -- In the white giant's thigh : romantic and anti-romantic -- Prometheus Agonistes : German idealism and Marxism -- Romantic internalization -- The novel : the realistic horizontal -- The historical novel and science fiction -- The novel as epic -- The lyric as epic -- Part 4. You want it darker : the vertical axis descending. Decreation and the descent quest -- Decreative realism -- Creative non-fiction : surface and depth -- The lyric : surface and depth -- The decreation myth of language -- The otherworld : traditional and dark romance -- The sublime -- The urban otherworld -- The demonic : the principle of negation -- The pluralistic afterlife -- Nothing -- Reversal -- Satire and apocalypse -- Satire, laughter, and the redemption of time. "The Productions of Time argues that it is time to return to myth criticism to refine its genuine vision from its ideological limitations. Myth criticism flourished briefly in the 1960s but was eclipsed by literary theories that asserted difference and diversity and were skeptical about common, unifying patterns. But theories affirming only difference and conflict proved incapable of inspiring solidarity or guiding progressive social action. The book sketches an anatomy of the imagination as evidenced in the total body of its productions, including mythology, the arts, popular culture, and religious and political texts, thereby suggesting a symbolic language as a lingua franca enabling dialogue across ideological and individual differences. The imagination is an expanded vision of reality that does not suppress the distinction between self and other, self and world, but unites them as what William Blake called Contraries. It becomes the only possible model of a just society that does not achieve unity at the expense of differences. The Productions of Time argues that the imagination is part of the human inheritance, common to all and not just to poets and mystics."-- Provided by publisher. Description based on online resource; title from digital title page (viewed on March 10, 2021). Mythology in literature. http://id.loc.gov/authorities/subjects/sh85089438 Criticism. http://id.loc.gov/authorities/subjects/sh85034149 Mythologie dans la littérature. Critique. literary criticism. aat criticism. aat LITERARY CRITICISM / Ancient & Classical bisacsh Criticism fast Mythology in literature fast Electronic books. Literary criticism fast Literary criticism. lcgft http://id.loc.gov/authorities/genreForms/gf2017026126 Critiques littéraires. rvmgf has work: The productions of time (Text) https://id.oclc.org/worldcat/entity/E39PCGqykxYgcXbWfPrdgRGQHK https://id.oclc.org/worldcat/ontology/hasWork Print version: Dolzani, Michael, 1951- Productions of time. Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2021 0228005582 9780228005582 (OCoLC)1198089946 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2734284 Volltext |
| spellingShingle | Dolzani, Michael, 1951- The productions of time : a study of the human imagination / Overture: Concerning mandala symbolism : the symbol with and without meaning -- Introduction: The state of criticism at the present time -- Part 1. First there is a mountain : the vertical axis ascending. Revelation, or imagination -- Emanation -- Creation -- Scripture as creation -- "Our great salvation from above" : traditional mythology and the point of transcendence -- Part 2. There is a season : the cycle. Paradise -- The fall -- The fallen world of cyclical time : law and sacrifice -- Tragedy -- Comedy -- The form of drama -- Part 3. The eye begins to see : the horizontal axis. The affirmation of the cycle -- The progressive vision -- What the hammer? The forge of language -- The ironic cycle and the clarification of vision -- The recreation of evolution : hunting cultures -- The recreation of evolution : gathering and planting cultures -- The mythology of urban civilization and empire -- The progressive vision of the Bible : the trickster God -- The progressive vision of the Bible : letter and spirit -- The progressive vision of the Bible : typology -- The progressive vision in classical mythology -- The middle ages and Renaissance : romantic and spiritual heroes -- Shakespearean tragicomedy or romance -- Summary and prelude : the historical Nexus of romanticism -- In the white giant's thigh : romantic and anti-romantic -- Prometheus Agonistes : German idealism and Marxism -- Romantic internalization -- The novel : the realistic horizontal -- The historical novel and science fiction -- The novel as epic -- The lyric as epic -- Part 4. You want it darker : the vertical axis descending. Decreation and the descent quest -- Decreative realism -- Creative non-fiction : surface and depth -- The lyric : surface and depth -- The decreation myth of language -- The otherworld : traditional and dark romance -- The sublime -- The urban otherworld -- The demonic : the principle of negation -- The pluralistic afterlife -- Nothing -- Reversal -- Satire and apocalypse -- Satire, laughter, and the redemption of time. Mythology in literature. http://id.loc.gov/authorities/subjects/sh85089438 Criticism. http://id.loc.gov/authorities/subjects/sh85034149 Mythologie dans la littérature. Critique. literary criticism. aat criticism. aat LITERARY CRITICISM / Ancient & Classical bisacsh Criticism fast Mythology in literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85089438 http://id.loc.gov/authorities/subjects/sh85034149 http://id.loc.gov/authorities/genreForms/gf2017026126 |
| title | The productions of time : a study of the human imagination / |
| title_auth | The productions of time : a study of the human imagination / |
| title_exact_search | The productions of time : a study of the human imagination / |
| title_full | The productions of time : a study of the human imagination / Michael Dolzani. |
| title_fullStr | The productions of time : a study of the human imagination / Michael Dolzani. |
| title_full_unstemmed | The productions of time : a study of the human imagination / Michael Dolzani. |
| title_short | The productions of time : |
| title_sort | productions of time a study of the human imagination |
| title_sub | a study of the human imagination / |
| topic | Mythology in literature. http://id.loc.gov/authorities/subjects/sh85089438 Criticism. http://id.loc.gov/authorities/subjects/sh85034149 Mythologie dans la littérature. Critique. literary criticism. aat criticism. aat LITERARY CRITICISM / Ancient & Classical bisacsh Criticism fast Mythology in literature fast |
| topic_facet | Mythology in literature. Criticism. Mythologie dans la littérature. Critique. literary criticism. criticism. LITERARY CRITICISM / Ancient & Classical Criticism Mythology in literature Electronic books. Literary criticism Literary criticism. Critiques littéraires. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2734284 |
| work_keys_str_mv | AT dolzanimichael theproductionsoftimeastudyofthehumanimagination AT dolzanimichael productionsoftimeastudyofthehumanimagination |