Reframing screen performance /:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor :
University of Michigan Press,
[2008]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | 1 online resource |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780472025411 0472025414 1282597604 9781282597600 9786612597602 6612597607 |
Internformat
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| 042 | |a dlr | ||
| 050 | 0 | 0 | |a PN1995.9.A26 |
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| 049 | |a MAIN | ||
| 100 | 1 | |a Baron, Cynthia, |d 1954- |0 http://id.loc.gov/authorities/names/n2007052964 | |
| 245 | 1 | 0 | |a Reframing screen performance / |c Cynthia Baron and Sharon Marie Carnicke. |
| 264 | 1 | |a Ann Arbor : |b University of Michigan Press, |c [2008] | |
| 300 | |a 1 online resource | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a PART I: Cinema's varied use of gestures and expressions. Crafting, not capturing "natural" behavior on film -- Giving performance elements their due -- Thinking systematically about acting. PART II: Performance elements, cinematic conventions, and cultural traditions. Ostensive signs and performance montage -- Case study: Chaplin in city lights -- Acting choices and changing cinematic conventions -- Case studies: adaptations of Romeo and Juliet and Hamlet -- Acting styles and cultural-aesthetic traditions -- Case studies: seven Samurai and the magnificent seven. PART III: Terms and concepts from the craft of acting -- Delsarte and the dynamics of human expression -- Case study: smoke -- Laban: temporal and spatial dimensions of movement -- Case study: training day -- Stanislavsky: players' actions as a window into characters' interactions -- Case study: The Grifters. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 546 | |a English. | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 650 | 0 | |a Motion picture acting. |0 http://id.loc.gov/authorities/subjects/sh85088026 | |
| 650 | 6 | |a Art de l'acteur au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Acting & Auditioning. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion picture acting |2 fast | |
| 650 | 7 | |a Schauspielkunst |2 gnd | |
| 650 | 7 | |a Film |2 gnd |0 http://d-nb.info/gnd/4017102-4 | |
| 650 | 7 | |a Schauspielkunst |x Methode. |2 idsbb | |
| 650 | 7 | |a Film. |2 idszbz | |
| 650 | 7 | |a Filmästhetik. |2 idszbz | |
| 650 | 7 | |a Schauspielkunst. |2 idszbz | |
| 700 | 1 | |a Carnicke, Sharon Marie, |d 1949- |0 http://id.loc.gov/authorities/names/n88103342 | |
| 758 | |i has work: |a Reframing screen performance (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFPFPb4M4f97c79PVgKBdP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Reframing screen performance. |d Ann Arbor : University of Michigan Press, ©2008 |z 9780472070251 |w (DLC) 2007031014 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1196822537 |
|---|---|
| _version_ | 1813901690493992961 |
| adam_text | |
| any_adam_object | |
| author | Baron, Cynthia, 1954- |
| author2 | Carnicke, Sharon Marie, 1949- |
| author2_role | |
| author2_variant | s m c sm smc |
| author_GND | http://id.loc.gov/authorities/names/n2007052964 http://id.loc.gov/authorities/names/n88103342 |
| author_facet | Baron, Cynthia, 1954- Carnicke, Sharon Marie, 1949- |
| author_role | |
| author_sort | Baron, Cynthia, 1954- |
| author_variant | c b cb |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.A26 |
| callnumber-search | PN1995.9.A26 |
| callnumber-sort | PN 41995.9 A26 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | PART I: Cinema's varied use of gestures and expressions. Crafting, not capturing "natural" behavior on film -- Giving performance elements their due -- Thinking systematically about acting. PART II: Performance elements, cinematic conventions, and cultural traditions. Ostensive signs and performance montage -- Case study: Chaplin in city lights -- Acting choices and changing cinematic conventions -- Case studies: adaptations of Romeo and Juliet and Hamlet -- Acting styles and cultural-aesthetic traditions -- Case studies: seven Samurai and the magnificent seven. PART III: Terms and concepts from the craft of acting -- Delsarte and the dynamics of human expression -- Case study: smoke -- Laban: temporal and spatial dimensions of movement -- Case study: training day -- Stanislavsky: players' actions as a window into characters' interactions -- Case study: The Grifters. |
| ctrlnum | (OCoLC)1196822537 |
| dewey-full | 791.4302/8 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/8 |
| dewey-search | 791.4302/8 |
| dewey-sort | 3791.4302 18 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1196822537 |
| illustrated | Not Illustrated |
| indexdate | 2024-10-25T15:50:53Z |
| institution | BVB |
| isbn | 9780472025411 0472025414 1282597604 9781282597600 9786612597602 6612597607 |
| language | English |
| lccn | 2020706976 |
| oclc_num | 1196822537 |
| open_access_boolean | |
| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | University of Michigan Press, |
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| spelling | Baron, Cynthia, 1954- http://id.loc.gov/authorities/names/n2007052964 Reframing screen performance / Cynthia Baron and Sharon Marie Carnicke. Ann Arbor : University of Michigan Press, [2008] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references and index. Print version record. PART I: Cinema's varied use of gestures and expressions. Crafting, not capturing "natural" behavior on film -- Giving performance elements their due -- Thinking systematically about acting. PART II: Performance elements, cinematic conventions, and cultural traditions. Ostensive signs and performance montage -- Case study: Chaplin in city lights -- Acting choices and changing cinematic conventions -- Case studies: adaptations of Romeo and Juliet and Hamlet -- Acting styles and cultural-aesthetic traditions -- Case studies: seven Samurai and the magnificent seven. PART III: Terms and concepts from the craft of acting -- Delsarte and the dynamics of human expression -- Case study: smoke -- Laban: temporal and spatial dimensions of movement -- Case study: training day -- Stanislavsky: players' actions as a window into characters' interactions -- Case study: The Grifters. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL English. digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Motion picture acting. http://id.loc.gov/authorities/subjects/sh85088026 Art de l'acteur au cinéma. PERFORMING ARTS Acting & Auditioning. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion picture acting fast Schauspielkunst gnd Film gnd http://d-nb.info/gnd/4017102-4 Schauspielkunst Methode. idsbb Film. idszbz Filmästhetik. idszbz Schauspielkunst. idszbz Carnicke, Sharon Marie, 1949- http://id.loc.gov/authorities/names/n88103342 has work: Reframing screen performance (Text) https://id.oclc.org/worldcat/entity/E39PCFPFPb4M4f97c79PVgKBdP https://id.oclc.org/worldcat/ontology/hasWork Print version: Reframing screen performance. Ann Arbor : University of Michigan Press, ©2008 9780472070251 (DLC) 2007031014 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=310154 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=310154 Volltext |
| spellingShingle | Baron, Cynthia, 1954- Reframing screen performance / PART I: Cinema's varied use of gestures and expressions. Crafting, not capturing "natural" behavior on film -- Giving performance elements their due -- Thinking systematically about acting. PART II: Performance elements, cinematic conventions, and cultural traditions. Ostensive signs and performance montage -- Case study: Chaplin in city lights -- Acting choices and changing cinematic conventions -- Case studies: adaptations of Romeo and Juliet and Hamlet -- Acting styles and cultural-aesthetic traditions -- Case studies: seven Samurai and the magnificent seven. PART III: Terms and concepts from the craft of acting -- Delsarte and the dynamics of human expression -- Case study: smoke -- Laban: temporal and spatial dimensions of movement -- Case study: training day -- Stanislavsky: players' actions as a window into characters' interactions -- Case study: The Grifters. Motion picture acting. http://id.loc.gov/authorities/subjects/sh85088026 Art de l'acteur au cinéma. PERFORMING ARTS Acting & Auditioning. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion picture acting fast Schauspielkunst gnd Film gnd http://d-nb.info/gnd/4017102-4 Schauspielkunst Methode. idsbb Film. idszbz Filmästhetik. idszbz Schauspielkunst. idszbz |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088026 http://d-nb.info/gnd/4017102-4 |
| title | Reframing screen performance / |
| title_auth | Reframing screen performance / |
| title_exact_search | Reframing screen performance / |
| title_full | Reframing screen performance / Cynthia Baron and Sharon Marie Carnicke. |
| title_fullStr | Reframing screen performance / Cynthia Baron and Sharon Marie Carnicke. |
| title_full_unstemmed | Reframing screen performance / Cynthia Baron and Sharon Marie Carnicke. |
| title_short | Reframing screen performance / |
| title_sort | reframing screen performance |
| topic | Motion picture acting. http://id.loc.gov/authorities/subjects/sh85088026 Art de l'acteur au cinéma. PERFORMING ARTS Acting & Auditioning. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion picture acting fast Schauspielkunst gnd Film gnd http://d-nb.info/gnd/4017102-4 Schauspielkunst Methode. idsbb Film. idszbz Filmästhetik. idszbz Schauspielkunst. idszbz |
| topic_facet | Motion picture acting. Art de l'acteur au cinéma. PERFORMING ARTS Acting & Auditioning. PERFORMING ARTS Film & Video History & Criticism. Motion picture acting Schauspielkunst Film Schauspielkunst Methode. Film. Filmästhetik. Schauspielkunst. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=310154 |
| work_keys_str_mv | AT baroncynthia reframingscreenperformance AT carnickesharonmarie reframingscreenperformance |