Reframing Japonisme :: women and the Asian art market in nineteenth-century France (1853-1914) /
"Japonisme, the nineteenth-century fascination for Japanese art, has generated an enormous body of scholarship over the last twenty years, but most of it neglects women, who also acquired objects from the Far East and displayed them in their homes before selling or bequeathing them to museums....
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
Bloomsbury Visual Arts,
[2020].
|
| Schriftenreihe: | Contextualizing art markets.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Japonisme, the nineteenth-century fascination for Japanese art, has generated an enormous body of scholarship over the last twenty years, but most of it neglects women, who also acquired objects from the Far East and displayed them in their homes before selling or bequeathing them to museums. The stories of women collectors and shopkeepers rarely appear in memoirs left by those associated with the japoniste movement. The present volume thus brings to light the culturally important, yet largely forgotten artistic activities of women such as Clémence d'Ennery (1823-1898), who began collecting Japanese and Chinese chimeras in the 1840s, built a house for them in the 1870s, and bequeathed the 'Musée d'Ennery' to the state as a free public museum in 1893. A friend of the Goncourt brothers and a fifty-year patron of Parisian dealers of Asian art, d'Ennery's struggles to gain recognition as a collector and curator serve as a lens through which to examine the japonisme of other women of her day, from dealers of Japanese art (Madame Desoye, Florine Langweil), salon hostesses (Princesse Mathilde, Louise Cahen d'Anvers), and writers and actresses (Judith Gautier, Sarah Bernhardt), to travellers (Isabella Stewart Gardner, Louisine Havemeyer), and artists (Mary Cassatt, Marie Nordlinger). Largely absent from the history of japonisme , these women-and many others-actively collected Japanese art, interacted with auction houses and art dealers, and formed collections now at the heart of museums such as the Louvre, the Musée Guimet, the Musée Cernuschi, the Musée Unterlinden, and the Metropolitan Museum of Art."-- |
| Beschreibung: | Description based upon print version of record. |
| Beschreibung: | 1 online resource (xvi, 258 pages, 8 unnumbered pages of plates) : illustrations (black and white). |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781501344657 150134465X 9781501344640 1501344641 9781501344664 1501344668 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1195469508 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 200919t20202020enka ob 001 0 eng d | ||
| 040 | |a EBLCP |b eng |e rda |e pn |c EBLCP |d BLOOM |d OCLCO |d YDX |d NJM |d OCLCF |d UKAHL |d N$T |d UKMGB |d NLW |d VRC |d OCLCO |d GZM |d UEJ |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 015 | |a GBC0J6120 |2 bnb | ||
| 016 | 7 | |a 019987027 |2 Uk | |
| 019 | |a 1201218770 |a 1247604190 | ||
| 020 | |a 9781501344657 |q (electronic bk.) | ||
| 020 | |a 150134465X |q (electronic bk.) | ||
| 020 | |a 9781501344640 |q (electronic bk.) | ||
| 020 | |a 1501344641 |q (electronic bk.) | ||
| 020 | |z 1501344633 | ||
| 020 | |z 9781501344633 | ||
| 020 | |a 9781501344664 |q Electronic book (EPUB format) | ||
| 020 | |a 1501344668 |q Electronic book (EPUB format) | ||
| 027 | |a (Coutts)057348300 | ||
| 035 | |a (OCoLC)1195469508 |z (OCoLC)1201218770 |z (OCoLC)1247604190 | ||
| 037 | |a 9781501344664 |b codeMantra | ||
| 050 | 4 | |a N7429 | |
| 082 | 7 | |a 709.034 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Emery, Elizabeth |q (Elizabeth Nicole), |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjKJKmVjv43VjWkXDyQDv3 |0 http://id.loc.gov/authorities/names/n2001037363 | |
| 245 | 1 | 0 | |a Reframing Japonisme : |b women and the Asian art market in nineteenth-century France (1853-1914) / |c Elizabeth Emery. |
| 264 | 1 | |a London : |b Bloomsbury Visual Arts, |c [2020]. | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (xvi, 258 pages, 8 unnumbered pages of plates) : |b illustrations (black and white). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Contextualizing art markets | |
| 500 | |a Description based upon print version of record. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a List of Illustrations Acknowledgments Series Editor's Introduction Introduction -- 1. ?Come on up and see my Monsters?: Chinoiseries, Japonaiseries, and the Musée d'Ennery 2. The Market for Asian Collectibles in Nineteenth-Century Paris: From Department Store to Museum 3. Vitrines: From Drawing Room to Exhibit Hall and Museum 4. The Musée d'Ennery: The Reception of a Woman's Museum in the Parisian Press (1893?1908) Conclusion Bibliography Index | |
| 520 | |a "Japonisme, the nineteenth-century fascination for Japanese art, has generated an enormous body of scholarship over the last twenty years, but most of it neglects women, who also acquired objects from the Far East and displayed them in their homes before selling or bequeathing them to museums. The stories of women collectors and shopkeepers rarely appear in memoirs left by those associated with the japoniste movement. The present volume thus brings to light the culturally important, yet largely forgotten artistic activities of women such as Clémence d'Ennery (1823-1898), who began collecting Japanese and Chinese chimeras in the 1840s, built a house for them in the 1870s, and bequeathed the 'Musée d'Ennery' to the state as a free public museum in 1893. A friend of the Goncourt brothers and a fifty-year patron of Parisian dealers of Asian art, d'Ennery's struggles to gain recognition as a collector and curator serve as a lens through which to examine the japonisme of other women of her day, from dealers of Japanese art (Madame Desoye, Florine Langweil), salon hostesses (Princesse Mathilde, Louise Cahen d'Anvers), and writers and actresses (Judith Gautier, Sarah Bernhardt), to travellers (Isabella Stewart Gardner, Louisine Havemeyer), and artists (Mary Cassatt, Marie Nordlinger). Largely absent from the history of japonisme , these women-and many others-actively collected Japanese art, interacted with auction houses and art dealers, and formed collections now at the heart of museums such as the Louvre, the Musée Guimet, the Musée Cernuschi, the Musée Unterlinden, and the Metropolitan Museum of Art."-- |c Provided by publisher. | ||
| 650 | 0 | |a Japonism. |0 http://id.loc.gov/authorities/subjects/sh2009005016 | |
| 650 | 0 | |a Art, Modern |x Collectors and collecting |x History |y 19th century. | |
| 650 | 0 | |a Women art collectors |x History |y 19th century. | |
| 650 | 6 | |a Collectionneuses d'art |x Histoire |y 19e siècle. | |
| 650 | 7 | |a Oriental art. |2 bicssc | |
| 650 | 7 | |a Art: financial aspects. |2 bicssc | |
| 650 | 7 | |a History of art & design styles: c 1800 to c 1900. |2 bicssc | |
| 650 | 7 | |a Art |x History |x Modern (late 19th Century to 1945). |2 bisacsh | |
| 650 | 7 | |a Social Science |x Anthropology |x Cultural. |2 bisacsh | |
| 650 | 7 | |a Art, Modern |x Collectors and collecting |2 fast | |
| 650 | 7 | |a Japonism |2 fast | |
| 650 | 7 | |a Women art collectors |2 fast | |
| 648 | 7 | |a 1800-1899 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Emery, Elizabeth |t Reframing Japonisme : Women and the Asian Art Market in Nineteenth-Century France, 1853-1914 |d New York : Bloomsbury Publishing USA,c2020 |
| 830 | 0 | |a Contextualizing art markets. |0 http://id.loc.gov/authorities/names/no2019086683 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2600503 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37754986 | ||
| 938 | |a Bloomsbury Publishing |b BLOO |n 9781501344657 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6335224 | ||
| 938 | |a YBP Library Services |b YANK |n 300874673 | ||
| 938 | |a EBSCOhost |b EBSC |n 2600503 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1195469508 |
|---|---|
| _version_ | 1816882528708984832 |
| adam_text | |
| any_adam_object | |
| author | Emery, Elizabeth (Elizabeth Nicole) |
| author_GND | http://id.loc.gov/authorities/names/n2001037363 |
| author_facet | Emery, Elizabeth (Elizabeth Nicole) |
| author_role | aut |
| author_sort | Emery, Elizabeth |
| author_variant | e e ee |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N7429 |
| callnumber-raw | N7429 |
| callnumber-search | N7429 |
| callnumber-sort | N 47429 |
| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | List of Illustrations Acknowledgments Series Editor's Introduction Introduction -- 1. ?Come on up and see my Monsters?: Chinoiseries, Japonaiseries, and the Musée d'Ennery 2. The Market for Asian Collectibles in Nineteenth-Century Paris: From Department Store to Museum 3. Vitrines: From Drawing Room to Exhibit Hall and Museum 4. The Musée d'Ennery: The Reception of a Woman's Museum in the Parisian Press (1893?1908) Conclusion Bibliography Index |
| ctrlnum | (OCoLC)1195469508 |
| dewey-full | 709.034 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.034 |
| dewey-search | 709.034 |
| dewey-sort | 3709.034 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | 1800-1899 fast |
| era_facet | 1800-1899 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05447cam a2200745 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1195469508</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">200919t20202020enka ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">EBLCP</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">EBLCP</subfield><subfield code="d">BLOOM</subfield><subfield code="d">OCLCO</subfield><subfield code="d">YDX</subfield><subfield code="d">NJM</subfield><subfield code="d">OCLCF</subfield><subfield code="d">UKAHL</subfield><subfield code="d">N$T</subfield><subfield code="d">UKMGB</subfield><subfield code="d">NLW</subfield><subfield code="d">VRC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">GZM</subfield><subfield code="d">UEJ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBC0J6120</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">019987027</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1201218770</subfield><subfield code="a">1247604190</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501344657</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">150134465X</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501344640</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1501344641</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1501344633</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781501344633</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501344664</subfield><subfield code="q">Electronic book (EPUB format)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1501344668</subfield><subfield code="q">Electronic book (EPUB format)</subfield></datafield><datafield tag="027" ind1=" " ind2=" "><subfield code="a">(Coutts)057348300</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1195469508</subfield><subfield code="z">(OCoLC)1201218770</subfield><subfield code="z">(OCoLC)1247604190</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">9781501344664</subfield><subfield code="b">codeMantra</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">N7429</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">709.034</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Emery, Elizabeth</subfield><subfield code="q">(Elizabeth Nicole),</subfield><subfield code="e">author.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjKJKmVjv43VjWkXDyQDv3</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2001037363</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Reframing Japonisme :</subfield><subfield code="b">women and the Asian art market in nineteenth-century France (1853-1914) /</subfield><subfield code="c">Elizabeth Emery.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London :</subfield><subfield code="b">Bloomsbury Visual Arts,</subfield><subfield code="c">[2020].</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xvi, 258 pages, 8 unnumbered pages of plates) :</subfield><subfield code="b">illustrations (black and white).</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Contextualizing art markets</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based upon print version of record.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">List of Illustrations Acknowledgments Series Editor's Introduction Introduction -- 1. ?Come on up and see my Monsters?: Chinoiseries, Japonaiseries, and the Musée d'Ennery 2. The Market for Asian Collectibles in Nineteenth-Century Paris: From Department Store to Museum 3. Vitrines: From Drawing Room to Exhibit Hall and Museum 4. The Musée d'Ennery: The Reception of a Woman's Museum in the Parisian Press (1893?1908) Conclusion Bibliography Index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Japonisme, the nineteenth-century fascination for Japanese art, has generated an enormous body of scholarship over the last twenty years, but most of it neglects women, who also acquired objects from the Far East and displayed them in their homes before selling or bequeathing them to museums. The stories of women collectors and shopkeepers rarely appear in memoirs left by those associated with the japoniste movement. The present volume thus brings to light the culturally important, yet largely forgotten artistic activities of women such as Clémence d'Ennery (1823-1898), who began collecting Japanese and Chinese chimeras in the 1840s, built a house for them in the 1870s, and bequeathed the 'Musée d'Ennery' to the state as a free public museum in 1893. A friend of the Goncourt brothers and a fifty-year patron of Parisian dealers of Asian art, d'Ennery's struggles to gain recognition as a collector and curator serve as a lens through which to examine the japonisme of other women of her day, from dealers of Japanese art (Madame Desoye, Florine Langweil), salon hostesses (Princesse Mathilde, Louise Cahen d'Anvers), and writers and actresses (Judith Gautier, Sarah Bernhardt), to travellers (Isabella Stewart Gardner, Louisine Havemeyer), and artists (Mary Cassatt, Marie Nordlinger). Largely absent from the history of japonisme , these women-and many others-actively collected Japanese art, interacted with auction houses and art dealers, and formed collections now at the heart of museums such as the Louvre, the Musée Guimet, the Musée Cernuschi, the Musée Unterlinden, and the Metropolitan Museum of Art."--</subfield><subfield code="c">Provided by publisher.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Japonism.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh2009005016</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art, Modern</subfield><subfield code="x">Collectors and collecting</subfield><subfield code="x">History</subfield><subfield code="y">19th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Women art collectors</subfield><subfield code="x">History</subfield><subfield code="y">19th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Collectionneuses d'art</subfield><subfield code="x">Histoire</subfield><subfield code="y">19e siècle.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Oriental art.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art: financial aspects.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">History of art & design styles: c 1800 to c 1900.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art</subfield><subfield code="x">History</subfield><subfield code="x">Modern (late 19th Century to 1945).</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Social Science</subfield><subfield code="x">Anthropology</subfield><subfield code="x">Cultural.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art, Modern</subfield><subfield code="x">Collectors and collecting</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Japonism</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Women art collectors</subfield><subfield code="2">fast</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1800-1899</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">History</subfield><subfield code="2">fast</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Emery, Elizabeth</subfield><subfield code="t">Reframing Japonisme : Women and the Asian Art Market in Nineteenth-Century France, 1853-1914</subfield><subfield code="d">New York : Bloomsbury Publishing USA,c2020</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Contextualizing art markets.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2019086683</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2600503</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH37754986</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Bloomsbury Publishing</subfield><subfield code="b">BLOO</subfield><subfield code="n">9781501344657</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL6335224</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">300874673</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">2600503</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | History fast |
| genre_facet | History |
| id | ZDB-4-EBA-on1195469508 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:03Z |
| institution | BVB |
| isbn | 9781501344657 150134465X 9781501344640 1501344641 9781501344664 1501344668 |
| language | English |
| oclc_num | 1195469508 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xvi, 258 pages, 8 unnumbered pages of plates) : illustrations (black and white). |
| psigel | ZDB-4-EBA |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Bloomsbury Visual Arts, |
| record_format | marc |
| series | Contextualizing art markets. |
| series2 | Contextualizing art markets |
| spelling | Emery, Elizabeth (Elizabeth Nicole), author. https://id.oclc.org/worldcat/entity/E39PCjKJKmVjv43VjWkXDyQDv3 http://id.loc.gov/authorities/names/n2001037363 Reframing Japonisme : women and the Asian art market in nineteenth-century France (1853-1914) / Elizabeth Emery. London : Bloomsbury Visual Arts, [2020]. ©2020 1 online resource (xvi, 258 pages, 8 unnumbered pages of plates) : illustrations (black and white). text txt rdacontent computer c rdamedia online resource cr rdacarrier Contextualizing art markets Description based upon print version of record. Includes bibliographical references and index. List of Illustrations Acknowledgments Series Editor's Introduction Introduction -- 1. ?Come on up and see my Monsters?: Chinoiseries, Japonaiseries, and the Musée d'Ennery 2. The Market for Asian Collectibles in Nineteenth-Century Paris: From Department Store to Museum 3. Vitrines: From Drawing Room to Exhibit Hall and Museum 4. The Musée d'Ennery: The Reception of a Woman's Museum in the Parisian Press (1893?1908) Conclusion Bibliography Index "Japonisme, the nineteenth-century fascination for Japanese art, has generated an enormous body of scholarship over the last twenty years, but most of it neglects women, who also acquired objects from the Far East and displayed them in their homes before selling or bequeathing them to museums. The stories of women collectors and shopkeepers rarely appear in memoirs left by those associated with the japoniste movement. The present volume thus brings to light the culturally important, yet largely forgotten artistic activities of women such as Clémence d'Ennery (1823-1898), who began collecting Japanese and Chinese chimeras in the 1840s, built a house for them in the 1870s, and bequeathed the 'Musée d'Ennery' to the state as a free public museum in 1893. A friend of the Goncourt brothers and a fifty-year patron of Parisian dealers of Asian art, d'Ennery's struggles to gain recognition as a collector and curator serve as a lens through which to examine the japonisme of other women of her day, from dealers of Japanese art (Madame Desoye, Florine Langweil), salon hostesses (Princesse Mathilde, Louise Cahen d'Anvers), and writers and actresses (Judith Gautier, Sarah Bernhardt), to travellers (Isabella Stewart Gardner, Louisine Havemeyer), and artists (Mary Cassatt, Marie Nordlinger). Largely absent from the history of japonisme , these women-and many others-actively collected Japanese art, interacted with auction houses and art dealers, and formed collections now at the heart of museums such as the Louvre, the Musée Guimet, the Musée Cernuschi, the Musée Unterlinden, and the Metropolitan Museum of Art."-- Provided by publisher. Japonism. http://id.loc.gov/authorities/subjects/sh2009005016 Art, Modern Collectors and collecting History 19th century. Women art collectors History 19th century. Collectionneuses d'art Histoire 19e siècle. Oriental art. bicssc Art: financial aspects. bicssc History of art & design styles: c 1800 to c 1900. bicssc Art History Modern (late 19th Century to 1945). bisacsh Social Science Anthropology Cultural. bisacsh Art, Modern Collectors and collecting fast Japonism fast Women art collectors fast 1800-1899 fast History fast Print version: Emery, Elizabeth Reframing Japonisme : Women and the Asian Art Market in Nineteenth-Century France, 1853-1914 New York : Bloomsbury Publishing USA,c2020 Contextualizing art markets. http://id.loc.gov/authorities/names/no2019086683 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2600503 Volltext |
| spellingShingle | Emery, Elizabeth (Elizabeth Nicole) Reframing Japonisme : women and the Asian art market in nineteenth-century France (1853-1914) / Contextualizing art markets. List of Illustrations Acknowledgments Series Editor's Introduction Introduction -- 1. ?Come on up and see my Monsters?: Chinoiseries, Japonaiseries, and the Musée d'Ennery 2. The Market for Asian Collectibles in Nineteenth-Century Paris: From Department Store to Museum 3. Vitrines: From Drawing Room to Exhibit Hall and Museum 4. The Musée d'Ennery: The Reception of a Woman's Museum in the Parisian Press (1893?1908) Conclusion Bibliography Index Japonism. http://id.loc.gov/authorities/subjects/sh2009005016 Art, Modern Collectors and collecting History 19th century. Women art collectors History 19th century. Collectionneuses d'art Histoire 19e siècle. Oriental art. bicssc Art: financial aspects. bicssc History of art & design styles: c 1800 to c 1900. bicssc Art History Modern (late 19th Century to 1945). bisacsh Social Science Anthropology Cultural. bisacsh Art, Modern Collectors and collecting fast Japonism fast Women art collectors fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2009005016 |
| title | Reframing Japonisme : women and the Asian art market in nineteenth-century France (1853-1914) / |
| title_auth | Reframing Japonisme : women and the Asian art market in nineteenth-century France (1853-1914) / |
| title_exact_search | Reframing Japonisme : women and the Asian art market in nineteenth-century France (1853-1914) / |
| title_full | Reframing Japonisme : women and the Asian art market in nineteenth-century France (1853-1914) / Elizabeth Emery. |
| title_fullStr | Reframing Japonisme : women and the Asian art market in nineteenth-century France (1853-1914) / Elizabeth Emery. |
| title_full_unstemmed | Reframing Japonisme : women and the Asian art market in nineteenth-century France (1853-1914) / Elizabeth Emery. |
| title_short | Reframing Japonisme : |
| title_sort | reframing japonisme women and the asian art market in nineteenth century france 1853 1914 |
| title_sub | women and the Asian art market in nineteenth-century France (1853-1914) / |
| topic | Japonism. http://id.loc.gov/authorities/subjects/sh2009005016 Art, Modern Collectors and collecting History 19th century. Women art collectors History 19th century. Collectionneuses d'art Histoire 19e siècle. Oriental art. bicssc Art: financial aspects. bicssc History of art & design styles: c 1800 to c 1900. bicssc Art History Modern (late 19th Century to 1945). bisacsh Social Science Anthropology Cultural. bisacsh Art, Modern Collectors and collecting fast Japonism fast Women art collectors fast |
| topic_facet | Japonism. Art, Modern Collectors and collecting History 19th century. Women art collectors History 19th century. Collectionneuses d'art Histoire 19e siècle. Oriental art. Art: financial aspects. History of art & design styles: c 1800 to c 1900. Art History Modern (late 19th Century to 1945). Social Science Anthropology Cultural. Art, Modern Collectors and collecting Japonism Women art collectors History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2600503 |
| work_keys_str_mv | AT emeryelizabeth reframingjaponismewomenandtheasianartmarketinnineteenthcenturyfrance18531914 |