Transporting Chaucer:
This book draws on the work of the British sculptor Antony Gormley alongside more traditional literary scholarship to argue for new relationships between Chaucer's poetry and works by others. Chaucer's playfulness with textual history and chronology anticipates how his own work is figured...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Manchester, UK :
Manchester University Press,
2015.
|
Schriftenreihe: | Manchester medieval literature and culture.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | This book draws on the work of the British sculptor Antony Gormley alongside more traditional literary scholarship to argue for new relationships between Chaucer's poetry and works by others. Chaucer's playfulness with textual history and chronology anticipates how his own work is figured in later (and earlier) texts. Conventional models of source and analogue study are re-energised to reveal unexpected, and sometimes unsettling, literary cohabitations and re-placements. The author presents innovative readings of relationships between medieval texts and early modern drama, and between literary texts and material culture. Associations between medieval architecture, pilgrim practice, manuscript illustration and the soundscapes of dramatic performance reposition how we read Chaucer's oeuvre and what gets made of it. An invaluable resource for scholars and students of all levels with an interest in medieval English literary studies and early modern drama, Transporting Chaucer offers a new approach to how we encounter texts through time. "What happens when Chaucer turns up where we don't expect him to be? Transporting Chaucer draws on the work of the British sculptor Antony Gormley alongside more traditional literary scholarship to show that Chaucer's play with textual history and chronological time prefigures how his poetry becomes incorporate with later (and earlier) texts. The shuttling of bodies, names, and sounds in and amongst works that Chaucer did write anticipates Chaucerian presences in later (and earlier) works that he did not. Chaucer's characters, including 'himself' refuse to stay put in one place and time. This book bypasses the chronological borders of literary succession to read The Canterbury Tales and Chaucer's Dream Vision poetry in present company with Chaucerian 'apocrypha', and works by Shakespeare, Davenant and Dryden. Conventional models of source and analogue study are re-energised to reveal unexpected (and sometimes unsettling) literary cohabitations and re-placements. Barr presents innovative readings of relationships between medieval texts and early modern drama, and between literary texts and material culture. Associations between medieval architecture, pilgrim practice, manuscript illustration, and the soundscapes of dramatic performance reposition how we read Chaucer's oeuvre and what gets made of it. Written for scholars and students (undergraduate and graduate) who work in medieval English literary studies and early modern drama, Transporting Chaucer offers a new approach to how we encounter texts through time." --Back cover. |
Beschreibung: | MUP 2020 titles. Available through ManchesterHive. |
Beschreibung: | 1 online resource (288 pages) : illustrations. |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781526103154 152610315X 9781526103161 1526103168 |
Internformat
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245 | 1 | 0 | |a Transporting Chaucer |h [Electronic book (temporary access enabled until 31st August 2020)] / |c Helen Barr. |
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300 | |a 1 online resource (288 pages) : |b illustrations. | ||
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504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Introduction: Transporting Chaucer -- 1. The figure in the Canterbury stained glass: Chaucerian Beckets -- 2. Crossing borders: Northumberland bodies unbound -- 3. Chaucer's hands -- 4. 'Wrinkled deep in time': Emily and Arcite in A Midsummer Night's Dream -- 5. Bones and bays: on with The Knight's Tale -- 6. Reverberate Troy: sounding The House of Fame in Troilus and Cressida -- 7. Da capo -- Select bibliography -- Index. | |
520 | |a This book draws on the work of the British sculptor Antony Gormley alongside more traditional literary scholarship to argue for new relationships between Chaucer's poetry and works by others. Chaucer's playfulness with textual history and chronology anticipates how his own work is figured in later (and earlier) texts. Conventional models of source and analogue study are re-energised to reveal unexpected, and sometimes unsettling, literary cohabitations and re-placements. The author presents innovative readings of relationships between medieval texts and early modern drama, and between literary texts and material culture. Associations between medieval architecture, pilgrim practice, manuscript illustration and the soundscapes of dramatic performance reposition how we read Chaucer's oeuvre and what gets made of it. An invaluable resource for scholars and students of all levels with an interest in medieval English literary studies and early modern drama, Transporting Chaucer offers a new approach to how we encounter texts through time. | ||
520 | 8 | |a "What happens when Chaucer turns up where we don't expect him to be? Transporting Chaucer draws on the work of the British sculptor Antony Gormley alongside more traditional literary scholarship to show that Chaucer's play with textual history and chronological time prefigures how his poetry becomes incorporate with later (and earlier) texts. The shuttling of bodies, names, and sounds in and amongst works that Chaucer did write anticipates Chaucerian presences in later (and earlier) works that he did not. Chaucer's characters, including 'himself' refuse to stay put in one place and time. This book bypasses the chronological borders of literary succession to read The Canterbury Tales and Chaucer's Dream Vision poetry in present company with Chaucerian 'apocrypha', and works by Shakespeare, Davenant and Dryden. Conventional models of source and analogue study are re-energised to reveal unexpected (and sometimes unsettling) literary cohabitations and re-placements. Barr presents innovative readings of relationships between medieval texts and early modern drama, and between literary texts and material culture. Associations between medieval architecture, pilgrim practice, manuscript illustration, and the soundscapes of dramatic performance reposition how we read Chaucer's oeuvre and what gets made of it. Written for scholars and students (undergraduate and graduate) who work in medieval English literary studies and early modern drama, Transporting Chaucer offers a new approach to how we encounter texts through time." --Back cover. | |
546 | |a In English. | ||
588 | |a Description based on print record. | ||
500 | |a Available through ManchesterHive. | ||
600 | 1 | 0 | |a Chaucer, Geoffrey, |d -1400 |x Criticism and interpretation. |
600 | 1 | 7 | |a Chaucer, Geoffrey, |d -1400 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJp6cpHBPPhxvByfWWkdQq |
650 | 7 | |a LITERARY CRITICISM / Semiotics & Theory. |2 bisacsh | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
710 | 2 | |a Manchester University Press, |e publisher. |0 http://id.loc.gov/authorities/names/n83201318 | |
758 | |i has work: |a Transporting Chaucer (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGTw37wfCkW8VBgMJ6jFXd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Barr, Helen. |t Transporting Chaucer, |d Manchester, UK. : Manchester University Press, 2014, |z 9780719091490 |
830 | 0 | |a Manchester medieval literature and culture. |0 http://id.loc.gov/authorities/names/no2011090661 | |
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938 | |a De Gruyter |b DEGR |n 9781526103154 | ||
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994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-on1164780988 |
---|---|
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adam_text | |
any_adam_object | |
author | Barr, Helen |
author_facet | Barr, Helen |
author_role | aut |
author_sort | Barr, Helen |
author_variant | h b hb |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PR1905 |
callnumber-raw | PR1905 |
callnumber-search | PR1905 |
callnumber-sort | PR 41905 |
callnumber-subject | PR - English Literature |
collection | ZDB-4-EBA |
contents | Introduction: Transporting Chaucer -- 1. The figure in the Canterbury stained glass: Chaucerian Beckets -- 2. Crossing borders: Northumberland bodies unbound -- 3. Chaucer's hands -- 4. 'Wrinkled deep in time': Emily and Arcite in A Midsummer Night's Dream -- 5. Bones and bays: on with The Knight's Tale -- 6. Reverberate Troy: sounding The House of Fame in Troilus and Cressida -- 7. Da capo -- Select bibliography -- Index. |
ctrlnum | (OCoLC)1164780988 |
dewey-full | 821.1 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 821 - English poetry |
dewey-raw | 821.1 |
dewey-search | 821.1 |
dewey-sort | 3821.1 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
format | Electronic eBook |
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id | ZDB-4-EBA-on1164780988 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:29:59Z |
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institution_GND | http://id.loc.gov/authorities/names/n83201318 |
isbn | 9781526103154 152610315X 9781526103161 1526103168 |
language | English |
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spelling | Barr, Helen, author. Transporting Chaucer [Electronic book (temporary access enabled until 31st August 2020)] / Helen Barr. 201511 Manchester, UK : Manchester University Press, 2015. ©2014 1 online resource (288 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier Manchester Medieval Literature and Culture MUP 2020 titles. Includes bibliographical references and index. Introduction: Transporting Chaucer -- 1. The figure in the Canterbury stained glass: Chaucerian Beckets -- 2. Crossing borders: Northumberland bodies unbound -- 3. Chaucer's hands -- 4. 'Wrinkled deep in time': Emily and Arcite in A Midsummer Night's Dream -- 5. Bones and bays: on with The Knight's Tale -- 6. Reverberate Troy: sounding The House of Fame in Troilus and Cressida -- 7. Da capo -- Select bibliography -- Index. This book draws on the work of the British sculptor Antony Gormley alongside more traditional literary scholarship to argue for new relationships between Chaucer's poetry and works by others. Chaucer's playfulness with textual history and chronology anticipates how his own work is figured in later (and earlier) texts. Conventional models of source and analogue study are re-energised to reveal unexpected, and sometimes unsettling, literary cohabitations and re-placements. The author presents innovative readings of relationships between medieval texts and early modern drama, and between literary texts and material culture. Associations between medieval architecture, pilgrim practice, manuscript illustration and the soundscapes of dramatic performance reposition how we read Chaucer's oeuvre and what gets made of it. An invaluable resource for scholars and students of all levels with an interest in medieval English literary studies and early modern drama, Transporting Chaucer offers a new approach to how we encounter texts through time. "What happens when Chaucer turns up where we don't expect him to be? Transporting Chaucer draws on the work of the British sculptor Antony Gormley alongside more traditional literary scholarship to show that Chaucer's play with textual history and chronological time prefigures how his poetry becomes incorporate with later (and earlier) texts. The shuttling of bodies, names, and sounds in and amongst works that Chaucer did write anticipates Chaucerian presences in later (and earlier) works that he did not. Chaucer's characters, including 'himself' refuse to stay put in one place and time. This book bypasses the chronological borders of literary succession to read The Canterbury Tales and Chaucer's Dream Vision poetry in present company with Chaucerian 'apocrypha', and works by Shakespeare, Davenant and Dryden. Conventional models of source and analogue study are re-energised to reveal unexpected (and sometimes unsettling) literary cohabitations and re-placements. Barr presents innovative readings of relationships between medieval texts and early modern drama, and between literary texts and material culture. Associations between medieval architecture, pilgrim practice, manuscript illustration, and the soundscapes of dramatic performance reposition how we read Chaucer's oeuvre and what gets made of it. Written for scholars and students (undergraduate and graduate) who work in medieval English literary studies and early modern drama, Transporting Chaucer offers a new approach to how we encounter texts through time." --Back cover. In English. Description based on print record. Available through ManchesterHive. Chaucer, Geoffrey, -1400 Criticism and interpretation. Chaucer, Geoffrey, -1400 fast https://id.oclc.org/worldcat/entity/E39PBJp6cpHBPPhxvByfWWkdQq LITERARY CRITICISM / Semiotics & Theory. bisacsh Criticism, interpretation, etc. fast Manchester University Press, publisher. http://id.loc.gov/authorities/names/n83201318 has work: Transporting Chaucer (Text) https://id.oclc.org/worldcat/entity/E39PCGTw37wfCkW8VBgMJ6jFXd https://id.oclc.org/worldcat/ontology/hasWork Print version: Barr, Helen. Transporting Chaucer, Manchester, UK. : Manchester University Press, 2014, 9780719091490 Manchester medieval literature and culture. http://id.loc.gov/authorities/names/no2011090661 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2649460 Volltext |
spellingShingle | Barr, Helen Transporting Chaucer Manchester medieval literature and culture. Introduction: Transporting Chaucer -- 1. The figure in the Canterbury stained glass: Chaucerian Beckets -- 2. Crossing borders: Northumberland bodies unbound -- 3. Chaucer's hands -- 4. 'Wrinkled deep in time': Emily and Arcite in A Midsummer Night's Dream -- 5. Bones and bays: on with The Knight's Tale -- 6. Reverberate Troy: sounding The House of Fame in Troilus and Cressida -- 7. Da capo -- Select bibliography -- Index. Chaucer, Geoffrey, -1400 Criticism and interpretation. Chaucer, Geoffrey, -1400 fast https://id.oclc.org/worldcat/entity/E39PBJp6cpHBPPhxvByfWWkdQq LITERARY CRITICISM / Semiotics & Theory. bisacsh |
title | Transporting Chaucer |
title_auth | Transporting Chaucer |
title_exact_search | Transporting Chaucer |
title_full | Transporting Chaucer [Electronic book (temporary access enabled until 31st August 2020)] / Helen Barr. |
title_fullStr | Transporting Chaucer [Electronic book (temporary access enabled until 31st August 2020)] / Helen Barr. |
title_full_unstemmed | Transporting Chaucer [Electronic book (temporary access enabled until 31st August 2020)] / Helen Barr. |
title_short | Transporting Chaucer |
title_sort | transporting chaucer |
topic | Chaucer, Geoffrey, -1400 Criticism and interpretation. Chaucer, Geoffrey, -1400 fast https://id.oclc.org/worldcat/entity/E39PBJp6cpHBPPhxvByfWWkdQq LITERARY CRITICISM / Semiotics & Theory. bisacsh |
topic_facet | Chaucer, Geoffrey, -1400 Criticism and interpretation. Chaucer, Geoffrey, -1400 LITERARY CRITICISM / Semiotics & Theory. Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2649460 |
work_keys_str_mv | AT barrhelen transportingchaucer AT manchesteruniversitypress transportingchaucer |