We have always been minimalist :: the construction and triumph of a musical style /
"Rising out of the American art music movement of the late 1950s and 1960s, minimalism shook the foundations of the traditional constructs of classical music, becoming one of the most important and influential trends of the twentieth century. The emergence of minimalism sparked an active writin...
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| Format: | Elektronisch E-Book |
| Sprache: | English French |
| Veröffentlicht: |
Oakland :
University of California Press,
[2020]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Rising out of the American art music movement of the late 1950s and 1960s, minimalism shook the foundations of the traditional constructs of classical music, becoming one of the most important and influential trends of the twentieth century. The emergence of minimalism sparked an active writing culture around the controversies, philosophies, and forms represented in the music's style and performance, and its defenders faced a relentless struggle within the music establishment and beyond. Focusing on how facts about music are constructed, negotiated, and continually remodeled, We Have Always Been Minimalist retraces the story of this fight that--from pure fiction to proven truth--led to the triumph of minimalism. Christophe Levaux's critical analysis of literature surrounding the origins and transformations of the stylistic movement offers radical insights and a unique new history"-- |
| Beschreibung: | 1 online resource (277 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780520968080 0520968085 |
Internformat
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| 100 | 1 | |a Levaux, Christophe, |d 1982- |e author. |0 http://id.loc.gov/authorities/names/n2017056335 | |
| 240 | 1 | 0 | |a Nous avons toujours été minimalistes. |l English |
| 245 | 1 | 0 | |a We have always been minimalist : |b the construction and triumph of a musical style / |c Christophe Levaux ; translated by Rose Vekony. |
| 264 | 1 | |a Oakland : |b University of California Press, |c [2020] | |
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| 520 | |a "Rising out of the American art music movement of the late 1950s and 1960s, minimalism shook the foundations of the traditional constructs of classical music, becoming one of the most important and influential trends of the twentieth century. The emergence of minimalism sparked an active writing culture around the controversies, philosophies, and forms represented in the music's style and performance, and its defenders faced a relentless struggle within the music establishment and beyond. Focusing on how facts about music are constructed, negotiated, and continually remodeled, We Have Always Been Minimalist retraces the story of this fight that--from pure fiction to proven truth--led to the triumph of minimalism. Christophe Levaux's critical analysis of literature surrounding the origins and transformations of the stylistic movement offers radical insights and a unique new history"-- |c Provided by publisher | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on August 13, 2020). | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Introduction -- |t 1. 1960: Before Minimalism -- |t 2. Taking Root in Modernity: New Music -- |t 3. Transcribing Music: New York Avant-Gardists and Monotonality -- |t 4. 1967: Giants? -- |t 5. Creating Genres: The Theatre of Mixed Means and Dream Music -- |t 6. Taking Sides over a New Medium: Electronic Music -- |t 7. The New York Hypnotic School: Founding a Movement -- |t 8. Untying the Bonds: Process Music -- |t 9. Transfiguring Experimental Music: Minimal Music -- |t 10. 1975: The Emergence of Minimalism -- |t 11. Fighting or Laying Down Arms: Music with Roots in the Aether and Simplicity -- |t 12. Persevering: Systems -- |t 13. Giving Up Ground; Retaking It: Minimal Music -- |t 14. Subscribing to an Idea: A New Current and Modern Music -- |t 15. Disrupting the Status Quo: American Minimal Music -- |t 16. Going beyond Modernity: Jameson and Lyotard -- |t 17. Opening the Borders: Popular Music -- |t 18. 1984: The Spread of Minimalism -- |t 19. Confirming an Established Fact: Perspectives of New Music -- |t 20. Furthering the Fight: New Sounds -- |t 21. 1994: The Arrival of Minimalism -- |t 22. In Conquest of the Twenty-First Century -- |t Epilogue -- |t Notes -- |t References -- |t Index |
| 546 | |a In English. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 650 | 0 | |a Minimal music |x History and criticism. | |
| 650 | 0 | |a Music |y 20th century |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh2001000180 | |
| 650 | 6 | |a Musique répétitive |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Minimal music |2 fast | |
| 650 | 7 | |a Music |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 653 | |a american art music movement. | ||
| 653 | |a emergence of minimalism. | ||
| 653 | |a influential trend of 20th century. | ||
| 653 | |a musics style and performance. | ||
| 653 | |a nineteen fifties and sixties. | ||
| 653 | |a origins and transformations of stylistic movement. | ||
| 653 | |a sparked active writing culture. | ||
| 653 | |a story of minimalism. | ||
| 653 | |a struggle with music establishment. | ||
| 653 | |a triumph of minimalism. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Vekony, Rose, |e translator. |0 http://id.loc.gov/authorities/names/no2016086110 | |
| 758 | |i has work: |a We have always been minimalist (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFV7vrgG7t6cbXkb49fYHd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Levaux, Christophe, 1982- |s Nous avons toujours été minimalistes. English. |t We have always been minimalist. |d Oakland : University of California Press, [2020] |z 9780520968080 |
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Datensatz im Suchindex
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| _version_ | 1816882524076376064 |
| adam_text | |
| any_adam_object | |
| author | Levaux, Christophe, 1982- |
| author2 | Vekony, Rose |
| author2_role | trl |
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| author_GND | http://id.loc.gov/authorities/names/n2017056335 http://id.loc.gov/authorities/names/no2016086110 |
| author_facet | Levaux, Christophe, 1982- Vekony, Rose |
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| author_sort | Levaux, Christophe, 1982- |
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| callnumber-first | M - Music |
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| contents | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. 1960: Before Minimalism -- 2. Taking Root in Modernity: New Music -- 3. Transcribing Music: New York Avant-Gardists and Monotonality -- 4. 1967: Giants? -- 5. Creating Genres: The Theatre of Mixed Means and Dream Music -- 6. Taking Sides over a New Medium: Electronic Music -- 7. The New York Hypnotic School: Founding a Movement -- 8. Untying the Bonds: Process Music -- 9. Transfiguring Experimental Music: Minimal Music -- 10. 1975: The Emergence of Minimalism -- 11. Fighting or Laying Down Arms: Music with Roots in the Aether and Simplicity -- 12. Persevering: Systems -- 13. Giving Up Ground; Retaking It: Minimal Music -- 14. Subscribing to an Idea: A New Current and Modern Music -- 15. Disrupting the Status Quo: American Minimal Music -- 16. Going beyond Modernity: Jameson and Lyotard -- 17. Opening the Borders: Popular Music -- 18. 1984: The Spread of Minimalism -- 19. Confirming an Established Fact: Perspectives of New Music -- 20. Furthering the Fight: New Sounds -- 21. 1994: The Arrival of Minimalism -- 22. In Conquest of the Twenty-First Century -- Epilogue -- Notes -- References -- Index |
| ctrlnum | (OCoLC)1163558100 |
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| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.68 |
| dewey-search | 781.68 |
| dewey-sort | 3781.68 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1900-1999 fast |
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| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:59Z |
| institution | BVB |
| isbn | 9780520968080 0520968085 |
| language | English French |
| oclc_num | 1163558100 |
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| publisher | University of California Press, |
| record_format | marc |
| spelling | Levaux, Christophe, 1982- author. http://id.loc.gov/authorities/names/n2017056335 Nous avons toujours été minimalistes. English We have always been minimalist : the construction and triumph of a musical style / Christophe Levaux ; translated by Rose Vekony. Oakland : University of California Press, [2020] 1 online resource (277 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file "Rising out of the American art music movement of the late 1950s and 1960s, minimalism shook the foundations of the traditional constructs of classical music, becoming one of the most important and influential trends of the twentieth century. The emergence of minimalism sparked an active writing culture around the controversies, philosophies, and forms represented in the music's style and performance, and its defenders faced a relentless struggle within the music establishment and beyond. Focusing on how facts about music are constructed, negotiated, and continually remodeled, We Have Always Been Minimalist retraces the story of this fight that--from pure fiction to proven truth--led to the triumph of minimalism. Christophe Levaux's critical analysis of literature surrounding the origins and transformations of the stylistic movement offers radical insights and a unique new history"-- Provided by publisher Online resource; title from digital title page (viewed on August 13, 2020). Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. 1960: Before Minimalism -- 2. Taking Root in Modernity: New Music -- 3. Transcribing Music: New York Avant-Gardists and Monotonality -- 4. 1967: Giants? -- 5. Creating Genres: The Theatre of Mixed Means and Dream Music -- 6. Taking Sides over a New Medium: Electronic Music -- 7. The New York Hypnotic School: Founding a Movement -- 8. Untying the Bonds: Process Music -- 9. Transfiguring Experimental Music: Minimal Music -- 10. 1975: The Emergence of Minimalism -- 11. Fighting or Laying Down Arms: Music with Roots in the Aether and Simplicity -- 12. Persevering: Systems -- 13. Giving Up Ground; Retaking It: Minimal Music -- 14. Subscribing to an Idea: A New Current and Modern Music -- 15. Disrupting the Status Quo: American Minimal Music -- 16. Going beyond Modernity: Jameson and Lyotard -- 17. Opening the Borders: Popular Music -- 18. 1984: The Spread of Minimalism -- 19. Confirming an Established Fact: Perspectives of New Music -- 20. Furthering the Fight: New Sounds -- 21. 1994: The Arrival of Minimalism -- 22. In Conquest of the Twenty-First Century -- Epilogue -- Notes -- References -- Index In English. Includes bibliographical references and index. Minimal music History and criticism. Music 20th century History and criticism. http://id.loc.gov/authorities/subjects/sh2001000180 Musique répétitive Histoire et critique. MUSIC History & Criticism. bisacsh Minimal music fast Music fast 1900-1999 fast american art music movement. emergence of minimalism. influential trend of 20th century. musics style and performance. nineteen fifties and sixties. origins and transformations of stylistic movement. sparked active writing culture. story of minimalism. struggle with music establishment. triumph of minimalism. Criticism, interpretation, etc. fast Vekony, Rose, translator. http://id.loc.gov/authorities/names/no2016086110 has work: We have always been minimalist (Text) https://id.oclc.org/worldcat/entity/E39PCFV7vrgG7t6cbXkb49fYHd https://id.oclc.org/worldcat/ontology/hasWork Print version: Levaux, Christophe, 1982- Nous avons toujours été minimalistes. English. We have always been minimalist. Oakland : University of California Press, [2020] 9780520968080 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2513839 Volltext |
| spellingShingle | Levaux, Christophe, 1982- We have always been minimalist : the construction and triumph of a musical style / Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. 1960: Before Minimalism -- 2. Taking Root in Modernity: New Music -- 3. Transcribing Music: New York Avant-Gardists and Monotonality -- 4. 1967: Giants? -- 5. Creating Genres: The Theatre of Mixed Means and Dream Music -- 6. Taking Sides over a New Medium: Electronic Music -- 7. The New York Hypnotic School: Founding a Movement -- 8. Untying the Bonds: Process Music -- 9. Transfiguring Experimental Music: Minimal Music -- 10. 1975: The Emergence of Minimalism -- 11. Fighting or Laying Down Arms: Music with Roots in the Aether and Simplicity -- 12. Persevering: Systems -- 13. Giving Up Ground; Retaking It: Minimal Music -- 14. Subscribing to an Idea: A New Current and Modern Music -- 15. Disrupting the Status Quo: American Minimal Music -- 16. Going beyond Modernity: Jameson and Lyotard -- 17. Opening the Borders: Popular Music -- 18. 1984: The Spread of Minimalism -- 19. Confirming an Established Fact: Perspectives of New Music -- 20. Furthering the Fight: New Sounds -- 21. 1994: The Arrival of Minimalism -- 22. In Conquest of the Twenty-First Century -- Epilogue -- Notes -- References -- Index Minimal music History and criticism. Music 20th century History and criticism. http://id.loc.gov/authorities/subjects/sh2001000180 Musique répétitive Histoire et critique. MUSIC History & Criticism. bisacsh Minimal music fast Music fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2001000180 |
| title | We have always been minimalist : the construction and triumph of a musical style / |
| title_alt | Nous avons toujours été minimalistes. Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. 1960: Before Minimalism -- 2. Taking Root in Modernity: New Music -- 3. Transcribing Music: New York Avant-Gardists and Monotonality -- 4. 1967: Giants? -- 5. Creating Genres: The Theatre of Mixed Means and Dream Music -- 6. Taking Sides over a New Medium: Electronic Music -- 7. The New York Hypnotic School: Founding a Movement -- 8. Untying the Bonds: Process Music -- 9. Transfiguring Experimental Music: Minimal Music -- 10. 1975: The Emergence of Minimalism -- 11. Fighting or Laying Down Arms: Music with Roots in the Aether and Simplicity -- 12. Persevering: Systems -- 13. Giving Up Ground; Retaking It: Minimal Music -- 14. Subscribing to an Idea: A New Current and Modern Music -- 15. Disrupting the Status Quo: American Minimal Music -- 16. Going beyond Modernity: Jameson and Lyotard -- 17. Opening the Borders: Popular Music -- 18. 1984: The Spread of Minimalism -- 19. Confirming an Established Fact: Perspectives of New Music -- 20. Furthering the Fight: New Sounds -- 21. 1994: The Arrival of Minimalism -- 22. In Conquest of the Twenty-First Century -- Epilogue -- Notes -- References -- Index |
| title_auth | We have always been minimalist : the construction and triumph of a musical style / |
| title_exact_search | We have always been minimalist : the construction and triumph of a musical style / |
| title_full | We have always been minimalist : the construction and triumph of a musical style / Christophe Levaux ; translated by Rose Vekony. |
| title_fullStr | We have always been minimalist : the construction and triumph of a musical style / Christophe Levaux ; translated by Rose Vekony. |
| title_full_unstemmed | We have always been minimalist : the construction and triumph of a musical style / Christophe Levaux ; translated by Rose Vekony. |
| title_short | We have always been minimalist : |
| title_sort | we have always been minimalist the construction and triumph of a musical style |
| title_sub | the construction and triumph of a musical style / |
| topic | Minimal music History and criticism. Music 20th century History and criticism. http://id.loc.gov/authorities/subjects/sh2001000180 Musique répétitive Histoire et critique. MUSIC History & Criticism. bisacsh Minimal music fast Music fast |
| topic_facet | Minimal music History and criticism. Music 20th century History and criticism. Musique répétitive Histoire et critique. MUSIC History & Criticism. Minimal music Music Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2513839 |
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