Brick city vanguard :: Amiri Baraka, Black music, Black modernity /
"Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Br...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amherst :
University of Massachusetts Press,
[2020]
|
| Schriftenreihe: | African American intellectual history.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Brick City Vanguard demonstrates the continuity in his thinking about the meaning of black music in the material, psychic, and ideological development of black people. Drawing on primary texts, paratexts (including album liner notes), audio and visual recordings, and archival sources, James Smethurst takes a new look at how Baraka's writing on and performance of music envisioned the creation of an African American people or nation, as well as the growth and consolidation of a black working class within that nation, that resonates to this day. This vision also provides a way of understanding the encounter of black people with what has been called "the urban crisis" and a projection of a liberated black future beyond that crisis"-- |
| Beschreibung: | 1 online resource (xi, 227 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781613767641 1613767641 |
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| 245 | 1 | 0 | |a Brick city vanguard : |b Amiri Baraka, Black music, Black modernity / |c James Smethurst. |
| 264 | 1 | |a Amherst : |b University of Massachusetts Press, |c [2020] | |
| 300 | |a 1 online resource (xi, 227 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a African American intellectual history | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Brick City Vanguard demonstrates the continuity in his thinking about the meaning of black music in the material, psychic, and ideological development of black people. Drawing on primary texts, paratexts (including album liner notes), audio and visual recordings, and archival sources, James Smethurst takes a new look at how Baraka's writing on and performance of music envisioned the creation of an African American people or nation, as well as the growth and consolidation of a black working class within that nation, that resonates to this day. This vision also provides a way of understanding the encounter of black people with what has been called "the urban crisis" and a projection of a liberated black future beyond that crisis"-- |c Provided by publisher | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: Brick City Vanguard -- Chapter One. "That's Where Sarah Vaughan Lives": Amiri Baraka, Newark, and the Landscape and Soundscape of Black Modernity -- Chapter Two. "Formal Renditions": Revisiting the Baraka-Ellison Debate -- Chapter Three. "A Marching Song for Some Strange Uncharted Country": The Black Future and Amiri Baraka's Liner Notes -- Chapter Four. "Soul and Madness": Baraka's Recorded Music and Poetry from Bohemia to Black Arts | |
| 505 | 8 | |a Chapter Five. "I See Him Sometimes": William Parker Reimagines and Amiri Baraka Glosses Curtis Mayfield -- Conclusion: Blues People at Symphony Hall -- Notes -- Index -- About the Author -- Back Cover | |
| 600 | 1 | 0 | |a Baraka, Amiri, |d 1934-2014 |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Baraka, Amiri, |d 1934-2014 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Baraka, Amiri, |d 1934-2014 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJjHhYTKgk4dW4bTfPmyBP |
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| 650 | 6 | |a Nationalisme noir |z États-Unis |x Histoire |y 20e siècle. | |
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| 776 | 0 | 8 | |i Print version: |a Smethurst, James Edward. |t Brick city vanguard. |d Amherst : University of Massachusetts Press, [2020] |z 9781625345141 |w (DLC) 2019044529 |w (OCoLC)1122682153 |
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| adam_text | |
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| author | Smethurst, James Edward |
| author_GND | http://id.loc.gov/authorities/names/n98030866 |
| author_facet | Smethurst, James Edward |
| author_role | aut |
| author_sort | Smethurst, James Edward |
| author_variant | j e s je jes |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3478 |
| callnumber-raw | ML3478 .S6 2020eb |
| callnumber-search | ML3478 .S6 2020eb |
| callnumber-sort | ML 43478 S6 42020EB |
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| collection | ZDB-4-EBA |
| contents | Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: Brick City Vanguard -- Chapter One. "That's Where Sarah Vaughan Lives": Amiri Baraka, Newark, and the Landscape and Soundscape of Black Modernity -- Chapter Two. "Formal Renditions": Revisiting the Baraka-Ellison Debate -- Chapter Three. "A Marching Song for Some Strange Uncharted Country": The Black Future and Amiri Baraka's Liner Notes -- Chapter Four. "Soul and Madness": Baraka's Recorded Music and Poetry from Bohemia to Black Arts Chapter Five. "I See Him Sometimes": William Parker Reimagines and Amiri Baraka Glosses Curtis Mayfield -- Conclusion: Blues People at Symphony Hall -- Notes -- Index -- About the Author -- Back Cover |
| ctrlnum | (OCoLC)1157210043 |
| dewey-full | 780.89/96073 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.89/96073 |
| dewey-search | 780.89/96073 |
| dewey-sort | 3780.89 596073 |
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| discipline | Musikwissenschaft |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1157210043 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:54Z |
| institution | BVB |
| isbn | 9781613767641 1613767641 |
| language | English |
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| series | African American intellectual history. |
| series2 | African American intellectual history |
| spelling | Smethurst, James Edward, author. http://id.loc.gov/authorities/names/n98030866 Brick city vanguard : Amiri Baraka, Black music, Black modernity / James Smethurst. Amherst : University of Massachusetts Press, [2020] 1 online resource (xi, 227 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier African American intellectual history Includes bibliographical references and index. "Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Brick City Vanguard demonstrates the continuity in his thinking about the meaning of black music in the material, psychic, and ideological development of black people. Drawing on primary texts, paratexts (including album liner notes), audio and visual recordings, and archival sources, James Smethurst takes a new look at how Baraka's writing on and performance of music envisioned the creation of an African American people or nation, as well as the growth and consolidation of a black working class within that nation, that resonates to this day. This vision also provides a way of understanding the encounter of black people with what has been called "the urban crisis" and a projection of a liberated black future beyond that crisis"-- Provided by publisher Print version record. Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: Brick City Vanguard -- Chapter One. "That's Where Sarah Vaughan Lives": Amiri Baraka, Newark, and the Landscape and Soundscape of Black Modernity -- Chapter Two. "Formal Renditions": Revisiting the Baraka-Ellison Debate -- Chapter Three. "A Marching Song for Some Strange Uncharted Country": The Black Future and Amiri Baraka's Liner Notes -- Chapter Four. "Soul and Madness": Baraka's Recorded Music and Poetry from Bohemia to Black Arts Chapter Five. "I See Him Sometimes": William Parker Reimagines and Amiri Baraka Glosses Curtis Mayfield -- Conclusion: Blues People at Symphony Hall -- Notes -- Index -- About the Author -- Back Cover Baraka, Amiri, 1934-2014 Criticism and interpretation. Baraka, Amiri, 1934-2014 fast https://id.oclc.org/worldcat/entity/E39PBJjHhYTKgk4dW4bTfPmyBP African Americans Music History and criticism. http://id.loc.gov/authorities/subjects/sh2007100204 Black nationalism United States History 20th century. Nationalisme noir États-Unis Histoire 20e siècle. SOCIAL SCIENCE General. bisacsh African Americans Music fast Black nationalism fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1900-1999 fast Criticism, interpretation, etc. fast History fast has work: Brick city vanguard (Text) https://id.oclc.org/worldcat/entity/E39PCGycjHhgtQkHmD6KxcXRPP https://id.oclc.org/worldcat/ontology/hasWork Print version: Smethurst, James Edward. Brick city vanguard. Amherst : University of Massachusetts Press, [2020] 9781625345141 (DLC) 2019044529 (OCoLC)1122682153 African American intellectual history. http://id.loc.gov/authorities/names/no2019009620 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2493021 Volltext |
| spellingShingle | Smethurst, James Edward Brick city vanguard : Amiri Baraka, Black music, Black modernity / African American intellectual history. Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: Brick City Vanguard -- Chapter One. "That's Where Sarah Vaughan Lives": Amiri Baraka, Newark, and the Landscape and Soundscape of Black Modernity -- Chapter Two. "Formal Renditions": Revisiting the Baraka-Ellison Debate -- Chapter Three. "A Marching Song for Some Strange Uncharted Country": The Black Future and Amiri Baraka's Liner Notes -- Chapter Four. "Soul and Madness": Baraka's Recorded Music and Poetry from Bohemia to Black Arts Chapter Five. "I See Him Sometimes": William Parker Reimagines and Amiri Baraka Glosses Curtis Mayfield -- Conclusion: Blues People at Symphony Hall -- Notes -- Index -- About the Author -- Back Cover Baraka, Amiri, 1934-2014 Criticism and interpretation. Baraka, Amiri, 1934-2014 fast https://id.oclc.org/worldcat/entity/E39PBJjHhYTKgk4dW4bTfPmyBP African Americans Music History and criticism. http://id.loc.gov/authorities/subjects/sh2007100204 Black nationalism United States History 20th century. Nationalisme noir États-Unis Histoire 20e siècle. SOCIAL SCIENCE General. bisacsh African Americans Music fast Black nationalism fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2007100204 |
| title | Brick city vanguard : Amiri Baraka, Black music, Black modernity / |
| title_auth | Brick city vanguard : Amiri Baraka, Black music, Black modernity / |
| title_exact_search | Brick city vanguard : Amiri Baraka, Black music, Black modernity / |
| title_full | Brick city vanguard : Amiri Baraka, Black music, Black modernity / James Smethurst. |
| title_fullStr | Brick city vanguard : Amiri Baraka, Black music, Black modernity / James Smethurst. |
| title_full_unstemmed | Brick city vanguard : Amiri Baraka, Black music, Black modernity / James Smethurst. |
| title_short | Brick city vanguard : |
| title_sort | brick city vanguard amiri baraka black music black modernity |
| title_sub | Amiri Baraka, Black music, Black modernity / |
| topic | Baraka, Amiri, 1934-2014 Criticism and interpretation. Baraka, Amiri, 1934-2014 fast https://id.oclc.org/worldcat/entity/E39PBJjHhYTKgk4dW4bTfPmyBP African Americans Music History and criticism. http://id.loc.gov/authorities/subjects/sh2007100204 Black nationalism United States History 20th century. Nationalisme noir États-Unis Histoire 20e siècle. SOCIAL SCIENCE General. bisacsh African Americans Music fast Black nationalism fast |
| topic_facet | Baraka, Amiri, 1934-2014 Criticism and interpretation. Baraka, Amiri, 1934-2014 African Americans Music History and criticism. Black nationalism United States History 20th century. Nationalisme noir États-Unis Histoire 20e siècle. SOCIAL SCIENCE General. African Americans Music Black nationalism United States Criticism, interpretation, etc. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2493021 |
| work_keys_str_mv | AT smethurstjamesedward brickcityvanguardamiribarakablackmusicblackmodernity |