Caught in-between :: intermediality in contemporary Eastern European and Russian cinema /
"This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc. As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other art...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2020]
|
| Schriftenreihe: | Edinburgh studies in film and intermediality.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc. As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina and Russia demonstrate that intermediality can be employed in this way as a form of introspection dealing with complex issues of art and society. Appearing in a variety of sensuous or intellectual modes, intermediality can become an effective poetic strategy to communicate how the cultures of the region are caught in-between East and West, past and present, emotional turmoil and more detached self-awareness. The diverse theoretical approaches that unravel this in-betweenness contribute to the understanding of intermedial phenomena in contemporary cinema as a whole."--Publisher description |
| Beschreibung: | 1 online resource (xii, 260 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781474435505 1474435505 1474481078 9781474481076 9781474435512 1474435513 |
Internformat
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| 264 | 4 | |c ©2020 | |
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| 490 | 1 | |a Edinburgh studies in film and intermediality | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: The Art of In-Betweenness in Contemporary Eastern European Cinema / Agnes Petho -- Part 1: Entangled Sensations, Cinema in-between the Arts. Intermedially Emotional: Musical Mood Cues, Disembodied Feelings in Contemporary Hungarian Melodramas / Hajnal Kiraly -- Black-and-White Sensations of History and Female Identity in Contemporary Polish and Czech Cinema / Judit Pieldner -- Sculpture and Affect in Cinema's Expanded Field. From Aleksey Gherman's Hard to Be a God to Aleksey Gherman Jr's Under Electric Clouds / Agnes Petho -- Intermedial Densities in the Work of Jan Švankmajer: A Media-Anthropological Case Study / Mareike Sera -- Part 2: Immersions into Memory, Culture and Intermediality. Trickster Narratives and Carnivalesque Intermediality in Contemporary Romanian Cinema / Christina Stojanova -- Photographic Passages to the Past in Eastern European Non-Fiction Films / Melinda Blos-Jani -- Trauma, Memorialisation and Intermediality in Jasmila Žbanić's For Those Who Can Tell No Tales / Katalin Sandor -- An Immersive Theatrical Journey through Media and Time in Alexander Sokurov's Russian Ark / Fatima Chinita -- Part 3: Reflections upon Reality, Representation and Power. The Real and the Intermedial in Alexander Sokurov's Family Trilogy / Malgorzata Bugaj -- This is Not Magritte: Corneliu Porumboiu's Theory of Representation / Zsolt Gyenge -- Intermedial Détrompe l'Oeil and Contemporary Polish Narrative Cinema / Gabriel Laverdiere -- Superhero Genre and Graphic Storytelling in Contemporary Hungarian and Russian Cinema / Bence Kranicz. | |
| 520 | |a "This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc. As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina and Russia demonstrate that intermediality can be employed in this way as a form of introspection dealing with complex issues of art and society. Appearing in a variety of sensuous or intellectual modes, intermediality can become an effective poetic strategy to communicate how the cultures of the region are caught in-between East and West, past and present, emotional turmoil and more detached self-awareness. The diverse theoretical approaches that unravel this in-betweenness contribute to the understanding of intermedial phenomena in contemporary cinema as a whole."--Publisher description | ||
| 588 | 0 | |a Print version record. | |
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| 650 | 6 | |a Cinéma |z Russie |x Histoire. | |
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| 651 | 7 | |a Eastern Europe |2 fast | |
| 651 | 7 | |a Russia |2 fast | |
| 655 | 7 | |a History |2 fast | |
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| 830 | 0 | |a Edinburgh studies in film and intermediality. |0 http://id.loc.gov/authorities/names/no2015082032 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1156664432 |
|---|---|
| _version_ | 1816882519173234688 |
| adam_text | |
| any_adam_object | |
| author2 | Pethő, Ágnes |
| author2_role | edt |
| author2_variant | a p ap |
| author_facet | Pethő, Ágnes |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.E82 C38 2020eb |
| callnumber-search | PN1993.5.E82 C38 2020eb |
| callnumber-sort | PN 41993.5 E82 C38 42020EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Introduction: The Art of In-Betweenness in Contemporary Eastern European Cinema / Agnes Petho -- Part 1: Entangled Sensations, Cinema in-between the Arts. Intermedially Emotional: Musical Mood Cues, Disembodied Feelings in Contemporary Hungarian Melodramas / Hajnal Kiraly -- Black-and-White Sensations of History and Female Identity in Contemporary Polish and Czech Cinema / Judit Pieldner -- Sculpture and Affect in Cinema's Expanded Field. From Aleksey Gherman's Hard to Be a God to Aleksey Gherman Jr's Under Electric Clouds / Agnes Petho -- Intermedial Densities in the Work of Jan Švankmajer: A Media-Anthropological Case Study / Mareike Sera -- Part 2: Immersions into Memory, Culture and Intermediality. Trickster Narratives and Carnivalesque Intermediality in Contemporary Romanian Cinema / Christina Stojanova -- Photographic Passages to the Past in Eastern European Non-Fiction Films / Melinda Blos-Jani -- Trauma, Memorialisation and Intermediality in Jasmila Žbanić's For Those Who Can Tell No Tales / Katalin Sandor -- An Immersive Theatrical Journey through Media and Time in Alexander Sokurov's Russian Ark / Fatima Chinita -- Part 3: Reflections upon Reality, Representation and Power. The Real and the Intermedial in Alexander Sokurov's Family Trilogy / Malgorzata Bugaj -- This is Not Magritte: Corneliu Porumboiu's Theory of Representation / Zsolt Gyenge -- Intermedial Détrompe l'Oeil and Contemporary Polish Narrative Cinema / Gabriel Laverdiere -- Superhero Genre and Graphic Storytelling in Contemporary Hungarian and Russian Cinema / Bence Kranicz. |
| ctrlnum | (OCoLC)1156664432 |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4309437 |
| dewey-search | 791.4309437 |
| dewey-sort | 3791.4309437 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | Eastern Europe fast Russia fast |
| geographic_facet | Eastern Europe Russia |
| id | ZDB-4-EBA-on1156664432 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:29:54Z |
| institution | BVB |
| isbn | 9781474435505 1474435505 1474481078 9781474481076 9781474435512 1474435513 |
| language | English |
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| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| series | Edinburgh studies in film and intermediality. |
| series2 | Edinburgh studies in film and intermediality |
| spelling | Caught in-between : intermediality in contemporary Eastern European and Russian cinema / edited by Ágnes Pethő. Edinburgh : Edinburgh University Press, [2020] ©2020 1 online resource (xii, 260 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Edinburgh studies in film and intermediality Includes bibliographical references and index. Introduction: The Art of In-Betweenness in Contemporary Eastern European Cinema / Agnes Petho -- Part 1: Entangled Sensations, Cinema in-between the Arts. Intermedially Emotional: Musical Mood Cues, Disembodied Feelings in Contemporary Hungarian Melodramas / Hajnal Kiraly -- Black-and-White Sensations of History and Female Identity in Contemporary Polish and Czech Cinema / Judit Pieldner -- Sculpture and Affect in Cinema's Expanded Field. From Aleksey Gherman's Hard to Be a God to Aleksey Gherman Jr's Under Electric Clouds / Agnes Petho -- Intermedial Densities in the Work of Jan Švankmajer: A Media-Anthropological Case Study / Mareike Sera -- Part 2: Immersions into Memory, Culture and Intermediality. Trickster Narratives and Carnivalesque Intermediality in Contemporary Romanian Cinema / Christina Stojanova -- Photographic Passages to the Past in Eastern European Non-Fiction Films / Melinda Blos-Jani -- Trauma, Memorialisation and Intermediality in Jasmila Žbanić's For Those Who Can Tell No Tales / Katalin Sandor -- An Immersive Theatrical Journey through Media and Time in Alexander Sokurov's Russian Ark / Fatima Chinita -- Part 3: Reflections upon Reality, Representation and Power. The Real and the Intermedial in Alexander Sokurov's Family Trilogy / Malgorzata Bugaj -- This is Not Magritte: Corneliu Porumboiu's Theory of Representation / Zsolt Gyenge -- Intermedial Détrompe l'Oeil and Contemporary Polish Narrative Cinema / Gabriel Laverdiere -- Superhero Genre and Graphic Storytelling in Contemporary Hungarian and Russian Cinema / Bence Kranicz. "This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc. As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina and Russia demonstrate that intermediality can be employed in this way as a form of introspection dealing with complex issues of art and society. Appearing in a variety of sensuous or intellectual modes, intermediality can become an effective poetic strategy to communicate how the cultures of the region are caught in-between East and West, past and present, emotional turmoil and more detached self-awareness. The diverse theoretical approaches that unravel this in-betweenness contribute to the understanding of intermedial phenomena in contemporary cinema as a whole."--Publisher description Print version record. Motion pictures Europe, Eastern History. Motion pictures Russia History. Cinéma Europe de l'Est Histoire. Cinéma Russie Histoire. HISTORY Europe Former Soviet Republics. bisacsh Motion pictures fast Eastern Europe fast Russia fast History fast Pethő, Ágnes, editor. has work: Caught in-between (Text) https://id.oclc.org/worldcat/entity/E39PD3hTdQMv7FTtYqDBjDjJwC https://id.oclc.org/worldcat/ontology/hasWork Print version: Caught in-between. Edinburgh : Edinburgh University Press, [2020] 1474435491 (OCoLC)1039934797 Edinburgh studies in film and intermediality. http://id.loc.gov/authorities/names/no2015082032 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2491281 Volltext |
| spellingShingle | Caught in-between : intermediality in contemporary Eastern European and Russian cinema / Edinburgh studies in film and intermediality. Introduction: The Art of In-Betweenness in Contemporary Eastern European Cinema / Agnes Petho -- Part 1: Entangled Sensations, Cinema in-between the Arts. Intermedially Emotional: Musical Mood Cues, Disembodied Feelings in Contemporary Hungarian Melodramas / Hajnal Kiraly -- Black-and-White Sensations of History and Female Identity in Contemporary Polish and Czech Cinema / Judit Pieldner -- Sculpture and Affect in Cinema's Expanded Field. From Aleksey Gherman's Hard to Be a God to Aleksey Gherman Jr's Under Electric Clouds / Agnes Petho -- Intermedial Densities in the Work of Jan Švankmajer: A Media-Anthropological Case Study / Mareike Sera -- Part 2: Immersions into Memory, Culture and Intermediality. Trickster Narratives and Carnivalesque Intermediality in Contemporary Romanian Cinema / Christina Stojanova -- Photographic Passages to the Past in Eastern European Non-Fiction Films / Melinda Blos-Jani -- Trauma, Memorialisation and Intermediality in Jasmila Žbanić's For Those Who Can Tell No Tales / Katalin Sandor -- An Immersive Theatrical Journey through Media and Time in Alexander Sokurov's Russian Ark / Fatima Chinita -- Part 3: Reflections upon Reality, Representation and Power. The Real and the Intermedial in Alexander Sokurov's Family Trilogy / Malgorzata Bugaj -- This is Not Magritte: Corneliu Porumboiu's Theory of Representation / Zsolt Gyenge -- Intermedial Détrompe l'Oeil and Contemporary Polish Narrative Cinema / Gabriel Laverdiere -- Superhero Genre and Graphic Storytelling in Contemporary Hungarian and Russian Cinema / Bence Kranicz. Motion pictures Europe, Eastern History. Motion pictures Russia History. Cinéma Europe de l'Est Histoire. Cinéma Russie Histoire. HISTORY Europe Former Soviet Republics. bisacsh Motion pictures fast |
| title | Caught in-between : intermediality in contemporary Eastern European and Russian cinema / |
| title_auth | Caught in-between : intermediality in contemporary Eastern European and Russian cinema / |
| title_exact_search | Caught in-between : intermediality in contemporary Eastern European and Russian cinema / |
| title_full | Caught in-between : intermediality in contemporary Eastern European and Russian cinema / edited by Ágnes Pethő. |
| title_fullStr | Caught in-between : intermediality in contemporary Eastern European and Russian cinema / edited by Ágnes Pethő. |
| title_full_unstemmed | Caught in-between : intermediality in contemporary Eastern European and Russian cinema / edited by Ágnes Pethő. |
| title_short | Caught in-between : |
| title_sort | caught in between intermediality in contemporary eastern european and russian cinema |
| title_sub | intermediality in contemporary Eastern European and Russian cinema / |
| topic | Motion pictures Europe, Eastern History. Motion pictures Russia History. Cinéma Europe de l'Est Histoire. Cinéma Russie Histoire. HISTORY Europe Former Soviet Republics. bisacsh Motion pictures fast |
| topic_facet | Motion pictures Europe, Eastern History. Motion pictures Russia History. Cinéma Europe de l'Est Histoire. Cinéma Russie Histoire. HISTORY Europe Former Soviet Republics. Motion pictures Eastern Europe Russia History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2491281 |
| work_keys_str_mv | AT pethoagnes caughtinbetweenintermedialityincontemporaryeasterneuropeanandrussiancinema |