Between discipline and a hard place :: the value of contemporary art /
"Written from the perspective of a practising artist, this book proposes that, against a groundswell of historians, museums and commentators claiming to speak on behalf of art, it is artists alone who may define what art really is. Jelinek contends that while there are objects called 'art&...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London, UK ; New York, NY :
Bloomsbury Academic,
2020.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | "Written from the perspective of a practising artist, this book proposes that, against a groundswell of historians, museums and commentators claiming to speak on behalf of art, it is artists alone who may define what art really is. Jelinek contends that while there are objects called 'art' in museums from deep into human history and from around the globe - from Hans Sloane's collection, which became the foundation of the British Museum, to Alfred Barr's inclusion of 'primitive art' within the walls of MoMA, the Museum of Modern Art - only those that have been made with the knowledge and discipline of art should rightly be termed as such. Policing the definition of art in this way is not to entrench it as an elitist occupation, but in order to focus on its liberal democratic potential. The Discipline of Art describes the value of art outside the current preoccupation with economic considerations yet without resorting to a range of stereotypical and ultimately instrumentalist political or social goods, such as social inclusion or education. A wider argument is also made for disciplinarity, as Jelinek discusses the great potential as well as the pitfalls of interdisciplinary and multidisciplinary working, particularly with the so-called 'creative' arts. A passionate treatise arguing for a new way of understanding art that forefronts the role of the artist and the importance of inclusion within both the concept of art and the art world"-- |
| Beschreibung: | 1 online resource (ix, 283 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781350100503 1350100501 9781350100473 1350100471 9781350100510 135010051X |
Internformat
MARC
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|---|---|---|---|
| 001 | ZDB-4-EBA-on1154099938 | ||
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| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 200430t20202020enka ob 001 0 eng | ||
| 010 | |a 2020015205 | ||
| 040 | |a DLC |b eng |e rda |e pn |c DLC |d OCLCO |d EBLCP |d OCLCF |d UKAHL |d BLOOM |d OCLCQ |d N$T |d YDX |d NLW |d TXM |d OCLCQ |d LUN |d S2H |d SFB |d OCLCO |d OCL |d OCLCQ |d OL$ |d OCL |d OCLCO |d OCLCL | ||
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| 020 | |z 135010048X |q (hardcover) | ||
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| 050 | 0 | 4 | |a N6497 |b .J444 2020 |
| 082 | 7 | |a 701 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Jelinek, Alana, |e author. |0 http://id.loc.gov/authorities/names/nb2004006011 | |
| 245 | 1 | 0 | |a Between discipline and a hard place : |b the value of contemporary art / |c Alana Jelinek. |
| 264 | 1 | |a London, UK ; |a New York, NY : |b Bloomsbury Academic, |c 2020. | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (ix, 283 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "Written from the perspective of a practising artist, this book proposes that, against a groundswell of historians, museums and commentators claiming to speak on behalf of art, it is artists alone who may define what art really is. Jelinek contends that while there are objects called 'art' in museums from deep into human history and from around the globe - from Hans Sloane's collection, which became the foundation of the British Museum, to Alfred Barr's inclusion of 'primitive art' within the walls of MoMA, the Museum of Modern Art - only those that have been made with the knowledge and discipline of art should rightly be termed as such. Policing the definition of art in this way is not to entrench it as an elitist occupation, but in order to focus on its liberal democratic potential. The Discipline of Art describes the value of art outside the current preoccupation with economic considerations yet without resorting to a range of stereotypical and ultimately instrumentalist political or social goods, such as social inclusion or education. A wider argument is also made for disciplinarity, as Jelinek discusses the great potential as well as the pitfalls of interdisciplinary and multidisciplinary working, particularly with the so-called 'creative' arts. A passionate treatise arguing for a new way of understanding art that forefronts the role of the artist and the importance of inclusion within both the concept of art and the art world"-- |c Provided by publisher | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on October 27, 2020). | |
| 505 | 0 | |a Cover -- Halftitle Page -- Title Page -- Contents -- Lists of illustrations -- Acknowledgements -- 1 First things first . -- Summary -- First things first . -- Art within neoliberalism -- Art as knowledge -- The personal is political -- Parameters, or what I'm trying to do -- Meaning-making -- The power of metaphor -- 2 What is art? -- Summary -- What is art? Artists and audiences -- A history of definitions of art -- Art as defined by art historians -- Anthropology and art -- Art and philosophy -- The art world -- 3 Why discipline? -- Summary -- Why discipline? | |
| 505 | 8 | |a Neoliberal and liberal culture -- Disciplines, elites and pluralism -- Elites and expertise -- Communities and status -- 4 Art: A knowledge-forming discipline -- Summary -- Art: A knowledge-forming discipline -- Knowledge -- Adisciplinarity (=without or not discipline) -- Art -- Not art -- Academia -- Art and truth -- Knowledge -- Art knowledge and truth -- Concluding -- 5 Corporate censorship -- Corporate censorship -- Not censorship but something else: The art world -- Not censorship but something else: The market -- (Corporate) censorship -- The self-censoring artist -- 6 Art in society. | |
| 505 | 8 | |a Types of art history: Population view -- Types of art history: Community view -- Types of art history: Examples of ecological narrations of art history -- Other types of change -- Not a teleology -- Notes -- Bibliography -- Index -- Imprint. | |
| 650 | 0 | |a Art, Modern |y 21st century |x Philosophy. | |
| 650 | 0 | |a Electronic books. |0 http://id.loc.gov/authorities/subjects/sh93007047 | |
| 650 | 6 | |a Art |y 21e siècle |x Philosophie. | |
| 650 | 6 | |a Livres numériques. | |
| 650 | 7 | |a e-books. |2 aat | |
| 650 | 7 | |a Theory of art. |2 bicssc | |
| 650 | 7 | |a Art |x Art & Politics. |2 bisacsh | |
| 650 | 7 | |a Art |x Criticism & Theory. |2 bisacsh | |
| 650 | 7 | |a Philosophy |x Aesthetics. |2 bisacsh | |
| 650 | 7 | |a Philosophy |x Political. |2 bisacsh | |
| 650 | 7 | |a Art, Modern |x Philosophy |2 fast | |
| 648 | 7 | |a 2000-2099 |2 fast | |
| 758 | |i has work: |a Between discipline and a hard place (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFB9fY4X7DQDQHkmxfwgXb |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Jelinek, Alana. |t Between discipline and a hard place. |d London ; New York : Bloomsbury Academic, 2020 |z 9781350100497 |w (DLC) 2020015204 |
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| 938 | |a Askews and Holts Library Services |b ASKH |n AH37428031 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37428030 | ||
| 938 | |a Bloomsbury Publishing |b BLOO |n 9781350100510 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6207606 | ||
| 938 | |a EBSCOhost |b EBSC |n 2481911 | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1154099938 |
|---|---|
| _version_ | 1826942313169944576 |
| adam_text | |
| any_adam_object | |
| author | Jelinek, Alana |
| author_GND | http://id.loc.gov/authorities/names/nb2004006011 |
| author_facet | Jelinek, Alana |
| author_role | aut |
| author_sort | Jelinek, Alana |
| author_variant | a j aj |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6497 |
| callnumber-raw | N6497 .J444 2020 |
| callnumber-search | N6497 .J444 2020 |
| callnumber-sort | N 46497 J444 42020 |
| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | Cover -- Halftitle Page -- Title Page -- Contents -- Lists of illustrations -- Acknowledgements -- 1 First things first . -- Summary -- First things first . -- Art within neoliberalism -- Art as knowledge -- The personal is political -- Parameters, or what I'm trying to do -- Meaning-making -- The power of metaphor -- 2 What is art? -- Summary -- What is art? Artists and audiences -- A history of definitions of art -- Art as defined by art historians -- Anthropology and art -- Art and philosophy -- The art world -- 3 Why discipline? -- Summary -- Why discipline? Neoliberal and liberal culture -- Disciplines, elites and pluralism -- Elites and expertise -- Communities and status -- 4 Art: A knowledge-forming discipline -- Summary -- Art: A knowledge-forming discipline -- Knowledge -- Adisciplinarity (=without or not discipline) -- Art -- Not art -- Academia -- Art and truth -- Knowledge -- Art knowledge and truth -- Concluding -- 5 Corporate censorship -- Corporate censorship -- Not censorship but something else: The art world -- Not censorship but something else: The market -- (Corporate) censorship -- The self-censoring artist -- 6 Art in society. Types of art history: Population view -- Types of art history: Community view -- Types of art history: Examples of ecological narrations of art history -- Other types of change -- Not a teleology -- Notes -- Bibliography -- Index -- Imprint. |
| ctrlnum | (OCoLC)1154099938 |
| dewey-full | 701 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701 |
| dewey-search | 701 |
| dewey-sort | 3701 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | 2000-2099 fast |
| era_facet | 2000-2099 |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1154099938 |
| illustrated | Illustrated |
| indexdate | 2025-03-18T14:26:01Z |
| institution | BVB |
| isbn | 9781350100503 1350100501 9781350100473 1350100471 9781350100510 135010051X |
| language | English |
| lccn | 2020015205 |
| oclc_num | 1154099938 |
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| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (ix, 283 pages) : illustrations |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Bloomsbury Academic, |
| record_format | marc |
| spelling | Jelinek, Alana, author. http://id.loc.gov/authorities/names/nb2004006011 Between discipline and a hard place : the value of contemporary art / Alana Jelinek. London, UK ; New York, NY : Bloomsbury Academic, 2020. ©2020 1 online resource (ix, 283 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. "Written from the perspective of a practising artist, this book proposes that, against a groundswell of historians, museums and commentators claiming to speak on behalf of art, it is artists alone who may define what art really is. Jelinek contends that while there are objects called 'art' in museums from deep into human history and from around the globe - from Hans Sloane's collection, which became the foundation of the British Museum, to Alfred Barr's inclusion of 'primitive art' within the walls of MoMA, the Museum of Modern Art - only those that have been made with the knowledge and discipline of art should rightly be termed as such. Policing the definition of art in this way is not to entrench it as an elitist occupation, but in order to focus on its liberal democratic potential. The Discipline of Art describes the value of art outside the current preoccupation with economic considerations yet without resorting to a range of stereotypical and ultimately instrumentalist political or social goods, such as social inclusion or education. A wider argument is also made for disciplinarity, as Jelinek discusses the great potential as well as the pitfalls of interdisciplinary and multidisciplinary working, particularly with the so-called 'creative' arts. A passionate treatise arguing for a new way of understanding art that forefronts the role of the artist and the importance of inclusion within both the concept of art and the art world"-- Provided by publisher Online resource; title from digital title page (viewed on October 27, 2020). Cover -- Halftitle Page -- Title Page -- Contents -- Lists of illustrations -- Acknowledgements -- 1 First things first . -- Summary -- First things first . -- Art within neoliberalism -- Art as knowledge -- The personal is political -- Parameters, or what I'm trying to do -- Meaning-making -- The power of metaphor -- 2 What is art? -- Summary -- What is art? Artists and audiences -- A history of definitions of art -- Art as defined by art historians -- Anthropology and art -- Art and philosophy -- The art world -- 3 Why discipline? -- Summary -- Why discipline? Neoliberal and liberal culture -- Disciplines, elites and pluralism -- Elites and expertise -- Communities and status -- 4 Art: A knowledge-forming discipline -- Summary -- Art: A knowledge-forming discipline -- Knowledge -- Adisciplinarity (=without or not discipline) -- Art -- Not art -- Academia -- Art and truth -- Knowledge -- Art knowledge and truth -- Concluding -- 5 Corporate censorship -- Corporate censorship -- Not censorship but something else: The art world -- Not censorship but something else: The market -- (Corporate) censorship -- The self-censoring artist -- 6 Art in society. Types of art history: Population view -- Types of art history: Community view -- Types of art history: Examples of ecological narrations of art history -- Other types of change -- Not a teleology -- Notes -- Bibliography -- Index -- Imprint. Art, Modern 21st century Philosophy. Electronic books. http://id.loc.gov/authorities/subjects/sh93007047 Art 21e siècle Philosophie. Livres numériques. e-books. aat Theory of art. bicssc Art Art & Politics. bisacsh Art Criticism & Theory. bisacsh Philosophy Aesthetics. bisacsh Philosophy Political. bisacsh Art, Modern Philosophy fast 2000-2099 fast has work: Between discipline and a hard place (Text) https://id.oclc.org/worldcat/entity/E39PCFB9fY4X7DQDQHkmxfwgXb https://id.oclc.org/worldcat/ontology/hasWork Print version: Jelinek, Alana. Between discipline and a hard place. London ; New York : Bloomsbury Academic, 2020 9781350100497 (DLC) 2020015204 |
| spellingShingle | Jelinek, Alana Between discipline and a hard place : the value of contemporary art / Cover -- Halftitle Page -- Title Page -- Contents -- Lists of illustrations -- Acknowledgements -- 1 First things first . -- Summary -- First things first . -- Art within neoliberalism -- Art as knowledge -- The personal is political -- Parameters, or what I'm trying to do -- Meaning-making -- The power of metaphor -- 2 What is art? -- Summary -- What is art? Artists and audiences -- A history of definitions of art -- Art as defined by art historians -- Anthropology and art -- Art and philosophy -- The art world -- 3 Why discipline? -- Summary -- Why discipline? Neoliberal and liberal culture -- Disciplines, elites and pluralism -- Elites and expertise -- Communities and status -- 4 Art: A knowledge-forming discipline -- Summary -- Art: A knowledge-forming discipline -- Knowledge -- Adisciplinarity (=without or not discipline) -- Art -- Not art -- Academia -- Art and truth -- Knowledge -- Art knowledge and truth -- Concluding -- 5 Corporate censorship -- Corporate censorship -- Not censorship but something else: The art world -- Not censorship but something else: The market -- (Corporate) censorship -- The self-censoring artist -- 6 Art in society. Types of art history: Population view -- Types of art history: Community view -- Types of art history: Examples of ecological narrations of art history -- Other types of change -- Not a teleology -- Notes -- Bibliography -- Index -- Imprint. Art, Modern 21st century Philosophy. Electronic books. http://id.loc.gov/authorities/subjects/sh93007047 Art 21e siècle Philosophie. Livres numériques. e-books. aat Theory of art. bicssc Art Art & Politics. bisacsh Art Criticism & Theory. bisacsh Philosophy Aesthetics. bisacsh Philosophy Political. bisacsh Art, Modern Philosophy fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh93007047 |
| title | Between discipline and a hard place : the value of contemporary art / |
| title_auth | Between discipline and a hard place : the value of contemporary art / |
| title_exact_search | Between discipline and a hard place : the value of contemporary art / |
| title_full | Between discipline and a hard place : the value of contemporary art / Alana Jelinek. |
| title_fullStr | Between discipline and a hard place : the value of contemporary art / Alana Jelinek. |
| title_full_unstemmed | Between discipline and a hard place : the value of contemporary art / Alana Jelinek. |
| title_short | Between discipline and a hard place : |
| title_sort | between discipline and a hard place the value of contemporary art |
| title_sub | the value of contemporary art / |
| topic | Art, Modern 21st century Philosophy. Electronic books. http://id.loc.gov/authorities/subjects/sh93007047 Art 21e siècle Philosophie. Livres numériques. e-books. aat Theory of art. bicssc Art Art & Politics. bisacsh Art Criticism & Theory. bisacsh Philosophy Aesthetics. bisacsh Philosophy Political. bisacsh Art, Modern Philosophy fast |
| topic_facet | Art, Modern 21st century Philosophy. Electronic books. Art 21e siècle Philosophie. Livres numériques. e-books. Theory of art. Art Art & Politics. Art Criticism & Theory. Philosophy Aesthetics. Philosophy Political. Art, Modern Philosophy |
| work_keys_str_mv | AT jelinekalana betweendisciplineandahardplacethevalueofcontemporaryart |