Victorians on Broadway :: literature, adaptation, and the modern American musical /
"Victorians on Broadway" is a wide-ranging interdisciplinary study of live stage musicals from the mid- to late twentieth century adapted from British literature written between 1837 and 1886. Investigating musical dramatizations of works by Charles Dickens, Charlotte Brontë, Christina Ro...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Charlottesville :
University of Virginia Press,
2020.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Victorians on Broadway" is a wide-ranging interdisciplinary study of live stage musicals from the mid- to late twentieth century adapted from British literature written between 1837 and 1886. Investigating musical dramatizations of works by Charles Dickens, Charlotte Brontë, Christina Rossetti, Robert Louis Stevenson, and others, Weltman considers what cultural and interpretive work adaptations such as "The King and I" (1951), "Oliver!" (1960), "Sweeney Todd" (1979), and "Jekyll and Hyde" (1997) accomplish when they are adapted for the Broadway stage. In addition, Weltman examines what these musicals teach us about the Victorian books from which they derive. "Victorians on Broadway" also provides us with a great deal of background theater history, making sure that we can understand how "the American musical" developed its own generic specificity. The book moves chronologically, reflecting the major developments in American musical theater, and Victorian-sourced Broadway musical adaptations have been produced at each stage: the Golden Age of Broadway, the musical theater experiments of the 1970s and 1980s that focus as much on concept as story (exemplified by Stephen Sondheim), and the era of pop megamusicals, revealing the Broadway musical's debt to melodrama. Organizing these chapters chronologically situates the adaptations within the history of musical theater and focuses attention on how they fit into aesthetic and intellectual movements"-- |
| Beschreibung: | 1 online resource : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780813944333 0813944333 |
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| 245 | 1 | 0 | |a Victorians on Broadway : |b literature, adaptation, and the modern American musical / |c Sharon Aronofsky Weltman. |
| 264 | 1 | |a Charlottesville : |b University of Virginia Press, |c 2020. | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource : |b illustrations | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "Victorians on Broadway" is a wide-ranging interdisciplinary study of live stage musicals from the mid- to late twentieth century adapted from British literature written between 1837 and 1886. Investigating musical dramatizations of works by Charles Dickens, Charlotte Brontë, Christina Rossetti, Robert Louis Stevenson, and others, Weltman considers what cultural and interpretive work adaptations such as "The King and I" (1951), "Oliver!" (1960), "Sweeney Todd" (1979), and "Jekyll and Hyde" (1997) accomplish when they are adapted for the Broadway stage. In addition, Weltman examines what these musicals teach us about the Victorian books from which they derive. "Victorians on Broadway" also provides us with a great deal of background theater history, making sure that we can understand how "the American musical" developed its own generic specificity. The book moves chronologically, reflecting the major developments in American musical theater, and Victorian-sourced Broadway musical adaptations have been produced at each stage: the Golden Age of Broadway, the musical theater experiments of the 1970s and 1980s that focus as much on concept as story (exemplified by Stephen Sondheim), and the era of pop megamusicals, revealing the Broadway musical's debt to melodrama. Organizing these chapters chronologically situates the adaptations within the history of musical theater and focuses attention on how they fit into aesthetic and intellectual movements"-- |c Provided by publisher. | ||
| 505 | 0 | |a Intro -- Contents -- Acknowledgments -- Introduction -- 1. Broadway, Victorian Venus, and the middlebrow -- 2. The King and who? -- 3. Performing Jewishness in Oliver! -- 4. Dickens, cultural anxiety, and Victorianness in Sweeney Todd -- 5. The meta-mystery of Edwin Drood -- 6. Goblin market, performance, and sexuality -- 7. "Bring on the men" and women -- 8. Broadway's "Jane! Jane! Jane!" -- Conclusion -- Notes -- Bibliography -- Index. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on July 24, 2020). | |
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| 650 | 6 | |a Théâtre musical |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Littérature anglaise |y 19e siècle |x Influence. | |
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| 758 | |i has work: |a Victorians on Broadway (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG4V47kjR3py9mGYr6KPQq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Weltman, Sharon Aronofsky, 1957- |t Victorians on Broadway. |d Charlottesville : University of Virginia Press, 2020 |z 9780813944319 |w (DLC) 2020017314 |
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| author | Weltman, Sharon Aronofsky, 1957- |
| author_GND | http://id.loc.gov/authorities/names/n98036030 |
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| contents | Intro -- Contents -- Acknowledgments -- Introduction -- 1. Broadway, Victorian Venus, and the middlebrow -- 2. The King and who? -- 3. Performing Jewishness in Oliver! -- 4. Dickens, cultural anxiety, and Victorianness in Sweeney Todd -- 5. The meta-mystery of Edwin Drood -- 6. Goblin market, performance, and sexuality -- 7. "Bring on the men" and women -- 8. Broadway's "Jane! Jane! Jane!" -- Conclusion -- Notes -- Bibliography -- Index. |
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| spelling | Weltman, Sharon Aronofsky, 1957- author. http://id.loc.gov/authorities/names/n98036030 Victorians on Broadway : literature, adaptation, and the modern American musical / Sharon Aronofsky Weltman. Charlottesville : University of Virginia Press, 2020. ©2020 1 online resource : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. "Victorians on Broadway" is a wide-ranging interdisciplinary study of live stage musicals from the mid- to late twentieth century adapted from British literature written between 1837 and 1886. Investigating musical dramatizations of works by Charles Dickens, Charlotte Brontë, Christina Rossetti, Robert Louis Stevenson, and others, Weltman considers what cultural and interpretive work adaptations such as "The King and I" (1951), "Oliver!" (1960), "Sweeney Todd" (1979), and "Jekyll and Hyde" (1997) accomplish when they are adapted for the Broadway stage. In addition, Weltman examines what these musicals teach us about the Victorian books from which they derive. "Victorians on Broadway" also provides us with a great deal of background theater history, making sure that we can understand how "the American musical" developed its own generic specificity. The book moves chronologically, reflecting the major developments in American musical theater, and Victorian-sourced Broadway musical adaptations have been produced at each stage: the Golden Age of Broadway, the musical theater experiments of the 1970s and 1980s that focus as much on concept as story (exemplified by Stephen Sondheim), and the era of pop megamusicals, revealing the Broadway musical's debt to melodrama. Organizing these chapters chronologically situates the adaptations within the history of musical theater and focuses attention on how they fit into aesthetic and intellectual movements"-- Provided by publisher. Intro -- Contents -- Acknowledgments -- Introduction -- 1. Broadway, Victorian Venus, and the middlebrow -- 2. The King and who? -- 3. Performing Jewishness in Oliver! -- 4. Dickens, cultural anxiety, and Victorianness in Sweeney Todd -- 5. The meta-mystery of Edwin Drood -- 6. Goblin market, performance, and sexuality -- 7. "Bring on the men" and women -- 8. Broadway's "Jane! Jane! Jane!" -- Conclusion -- Notes -- Bibliography -- Index. Online resource; title from digital title page (viewed on July 24, 2020). Musicals United States 20th century History and criticism. Musical theater United States History 20th century. English literature 19th century Influence. Musicals Stories, plots, etc. Théâtre musical États-Unis Histoire 20e siècle. Littérature anglaise 19e siècle Influence. LITERARY CRITICISM American General. bisacsh English literature Influence fast Musical theater fast Musicals fast United States fast 1800-1999 fast Criticism, interpretation, etc. fast History fast Stories, plots, etc. fast has work: Victorians on Broadway (Text) https://id.oclc.org/worldcat/entity/E39PCG4V47kjR3py9mGYr6KPQq https://id.oclc.org/worldcat/ontology/hasWork Print version: Weltman, Sharon Aronofsky, 1957- Victorians on Broadway. Charlottesville : University of Virginia Press, 2020 9780813944319 (DLC) 2020017314 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2513596 Volltext |
| spellingShingle | Weltman, Sharon Aronofsky, 1957- Victorians on Broadway : literature, adaptation, and the modern American musical / Intro -- Contents -- Acknowledgments -- Introduction -- 1. Broadway, Victorian Venus, and the middlebrow -- 2. The King and who? -- 3. Performing Jewishness in Oliver! -- 4. Dickens, cultural anxiety, and Victorianness in Sweeney Todd -- 5. The meta-mystery of Edwin Drood -- 6. Goblin market, performance, and sexuality -- 7. "Bring on the men" and women -- 8. Broadway's "Jane! Jane! Jane!" -- Conclusion -- Notes -- Bibliography -- Index. Musicals United States 20th century History and criticism. Musical theater United States History 20th century. English literature 19th century Influence. Musicals Stories, plots, etc. Théâtre musical États-Unis Histoire 20e siècle. Littérature anglaise 19e siècle Influence. LITERARY CRITICISM American General. bisacsh English literature Influence fast Musical theater fast Musicals fast |
| title | Victorians on Broadway : literature, adaptation, and the modern American musical / |
| title_auth | Victorians on Broadway : literature, adaptation, and the modern American musical / |
| title_exact_search | Victorians on Broadway : literature, adaptation, and the modern American musical / |
| title_full | Victorians on Broadway : literature, adaptation, and the modern American musical / Sharon Aronofsky Weltman. |
| title_fullStr | Victorians on Broadway : literature, adaptation, and the modern American musical / Sharon Aronofsky Weltman. |
| title_full_unstemmed | Victorians on Broadway : literature, adaptation, and the modern American musical / Sharon Aronofsky Weltman. |
| title_short | Victorians on Broadway : |
| title_sort | victorians on broadway literature adaptation and the modern american musical |
| title_sub | literature, adaptation, and the modern American musical / |
| topic | Musicals United States 20th century History and criticism. Musical theater United States History 20th century. English literature 19th century Influence. Musicals Stories, plots, etc. Théâtre musical États-Unis Histoire 20e siècle. Littérature anglaise 19e siècle Influence. LITERARY CRITICISM American General. bisacsh English literature Influence fast Musical theater fast Musicals fast |
| topic_facet | Musicals United States 20th century History and criticism. Musical theater United States History 20th century. English literature 19th century Influence. Musicals Stories, plots, etc. Théâtre musical États-Unis Histoire 20e siècle. Littérature anglaise 19e siècle Influence. LITERARY CRITICISM American General. English literature Influence Musical theater Musicals United States Criticism, interpretation, etc. History Stories, plots, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2513596 |
| work_keys_str_mv | AT weltmansharonaronofsky victoriansonbroadwayliteratureadaptationandthemodernamericanmusical |