Political adaptation in Canadian theatre /:
"In Canada, adaptation is a national mode of survival, but it is also a way to create radical change. Throughout history, Canadians have been inheritors and adaptors: of political systems, stories, and customs from the old world and the new. More than updating popular narratives, adaptation inf...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Montreal ; Kingston ; London ; Chicago :
McGill-Queen's University Press,
[2020]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In Canada, adaptation is a national mode of survival, but it is also a way to create radical change. Throughout history, Canadians have been inheritors and adaptors: of political systems, stories, and customs from the old world and the new. More than updating popular narratives, adaptation informs understandings of culture, race, gender, and sexuality, as well as individual experiences. In Political Adaptation in Canadian Theatre Kailin Wright investigates adaptations that retell popular stories with a political purpose and examines how they acknowledge diverse realities and transform our past. Political Adaptation in Canadian Theatre explores adaptations of Canadian history, Shakespeare, Greek mythologies, and Indigenous history by playwrights who identify as English-Canadian, African-Canadian, French-Canadian, French, Kuna Rappahannock, and Delaware from the Six Nations. Along with new considerations of the activist potential of popular Canadian theatre, this book outlines eight strategies that adaptors employ to challenge conceptions of what it means to be Indigenous, Black, queer, or female. Recent cancellations of theatre productions whose creators borrowed elements from minority cultures demonstrate the need for a distinction between political adaptation and cultural appropriation. Wright builds on Linda Hutcheon's definition of adaptation as repetition with difference and applies identification theory to illustrate how political adaptation at once underlines and undermines its canonical source. An exciting intervention in adaptation studies, Political Adaptation in Canadian Theatre unsettles the dynamics of popular and political theatre and rethinks the ways performance can contribute to how one country defines itself."-- |
| Beschreibung: | 1 online resource (x, 253 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 0228003237 9780228003243 0228003245 9780228003236 |
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| 520 | |a "In Canada, adaptation is a national mode of survival, but it is also a way to create radical change. Throughout history, Canadians have been inheritors and adaptors: of political systems, stories, and customs from the old world and the new. More than updating popular narratives, adaptation informs understandings of culture, race, gender, and sexuality, as well as individual experiences. In Political Adaptation in Canadian Theatre Kailin Wright investigates adaptations that retell popular stories with a political purpose and examines how they acknowledge diverse realities and transform our past. Political Adaptation in Canadian Theatre explores adaptations of Canadian history, Shakespeare, Greek mythologies, and Indigenous history by playwrights who identify as English-Canadian, African-Canadian, French-Canadian, French, Kuna Rappahannock, and Delaware from the Six Nations. Along with new considerations of the activist potential of popular Canadian theatre, this book outlines eight strategies that adaptors employ to challenge conceptions of what it means to be Indigenous, Black, queer, or female. Recent cancellations of theatre productions whose creators borrowed elements from minority cultures demonstrate the need for a distinction between political adaptation and cultural appropriation. Wright builds on Linda Hutcheon's definition of adaptation as repetition with difference and applies identification theory to illustrate how political adaptation at once underlines and undermines its canonical source. An exciting intervention in adaptation studies, Political Adaptation in Canadian Theatre unsettles the dynamics of popular and political theatre and rethinks the ways performance can contribute to how one country defines itself."-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on July 21, 2020). | ||
| 505 | 0 | 0 | |t Front Matter -- |t Contents -- |t Tables and Figures -- |t Acknowledgments -- |t Introduction -- |t The Limits of Political Adaptation in Le Théâtre de Neptune en la Nouvelle-France and Sinking Neptune -- |t Political Adaptation as Disidentification in Gertrude and Ophelia and Harlem Duet -- |t Popular Yet Political Audiences in The Penelopiad and If We Were Birds -- |t Beyond the Limits of Adaptation in Princess Pocahontas and the Blue Spots and Almighty Voice and His Wife -- |t Conclusion -- |t Notes -- |t Bibliography -- |t Index |
| 650 | 0 | |a Political plays, Canadian |x History and criticism. | |
| 650 | 0 | |a Canadian drama |x History and criticism. | |
| 650 | 0 | |a Adaptation (Literary, artistic, etc.) |0 http://id.loc.gov/authorities/subjects/sh2018002625 | |
| 650 | 6 | |a Théâtre politique canadien |x Histoire et critique. | |
| 650 | 6 | |a Adaptation littéraire, artistique, etc. | |
| 650 | 7 | |a LITERARY CRITICISM / Drama |2 bisacsh | |
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| contents | Front Matter -- Contents -- Tables and Figures -- Acknowledgments -- Introduction -- The Limits of Political Adaptation in Le Théâtre de Neptune en la Nouvelle-France and Sinking Neptune -- Political Adaptation as Disidentification in Gertrude and Ophelia and Harlem Duet -- Popular Yet Political Audiences in The Penelopiad and If We Were Birds -- Beyond the Limits of Adaptation in Princess Pocahontas and the Blue Spots and Almighty Voice and His Wife -- Conclusion -- Notes -- Bibliography -- Index |
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| spelling | Wright, Kailin, author. Political adaptation in Canadian theatre / Kailin Wright. Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2020] 1 online resource (x, 253 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. "In Canada, adaptation is a national mode of survival, but it is also a way to create radical change. Throughout history, Canadians have been inheritors and adaptors: of political systems, stories, and customs from the old world and the new. More than updating popular narratives, adaptation informs understandings of culture, race, gender, and sexuality, as well as individual experiences. In Political Adaptation in Canadian Theatre Kailin Wright investigates adaptations that retell popular stories with a political purpose and examines how they acknowledge diverse realities and transform our past. Political Adaptation in Canadian Theatre explores adaptations of Canadian history, Shakespeare, Greek mythologies, and Indigenous history by playwrights who identify as English-Canadian, African-Canadian, French-Canadian, French, Kuna Rappahannock, and Delaware from the Six Nations. Along with new considerations of the activist potential of popular Canadian theatre, this book outlines eight strategies that adaptors employ to challenge conceptions of what it means to be Indigenous, Black, queer, or female. Recent cancellations of theatre productions whose creators borrowed elements from minority cultures demonstrate the need for a distinction between political adaptation and cultural appropriation. Wright builds on Linda Hutcheon's definition of adaptation as repetition with difference and applies identification theory to illustrate how political adaptation at once underlines and undermines its canonical source. An exciting intervention in adaptation studies, Political Adaptation in Canadian Theatre unsettles the dynamics of popular and political theatre and rethinks the ways performance can contribute to how one country defines itself."-- Provided by publisher. Description based on online resource; title from digital title page (viewed on July 21, 2020). Front Matter -- Contents -- Tables and Figures -- Acknowledgments -- Introduction -- The Limits of Political Adaptation in Le Théâtre de Neptune en la Nouvelle-France and Sinking Neptune -- Political Adaptation as Disidentification in Gertrude and Ophelia and Harlem Duet -- Popular Yet Political Audiences in The Penelopiad and If We Were Birds -- Beyond the Limits of Adaptation in Princess Pocahontas and the Blue Spots and Almighty Voice and His Wife -- Conclusion -- Notes -- Bibliography -- Index Political plays, Canadian History and criticism. Canadian drama History and criticism. Adaptation (Literary, artistic, etc.) http://id.loc.gov/authorities/subjects/sh2018002625 Théâtre politique canadien Histoire et critique. Adaptation littéraire, artistique, etc. LITERARY CRITICISM / Drama bisacsh Adaptation (Literary, artistic, etc.) fast Canadian drama fast Political plays, Canadian fast Electronic books. Criticism, interpretation, etc. fast has work: Political adaptation in Canadian theatre (Text) https://id.oclc.org/worldcat/entity/E39PCFHBpPdxYg3RkBQKYKxRrq https://id.oclc.org/worldcat/ontology/hasWork Print version: Wright, Kailin. Political adaptation in Canadian theatre. Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2020 0228001900 9780228001904 (OCoLC)1126211348 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2579379 Volltext |
| spellingShingle | Wright, Kailin Political adaptation in Canadian theatre / Front Matter -- Contents -- Tables and Figures -- Acknowledgments -- Introduction -- The Limits of Political Adaptation in Le Théâtre de Neptune en la Nouvelle-France and Sinking Neptune -- Political Adaptation as Disidentification in Gertrude and Ophelia and Harlem Duet -- Popular Yet Political Audiences in The Penelopiad and If We Were Birds -- Beyond the Limits of Adaptation in Princess Pocahontas and the Blue Spots and Almighty Voice and His Wife -- Conclusion -- Notes -- Bibliography -- Index Political plays, Canadian History and criticism. Canadian drama History and criticism. Adaptation (Literary, artistic, etc.) http://id.loc.gov/authorities/subjects/sh2018002625 Théâtre politique canadien Histoire et critique. Adaptation littéraire, artistique, etc. LITERARY CRITICISM / Drama bisacsh Adaptation (Literary, artistic, etc.) fast Canadian drama fast Political plays, Canadian fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2018002625 |
| title | Political adaptation in Canadian theatre / |
| title_alt | Front Matter -- Contents -- Tables and Figures -- Acknowledgments -- Introduction -- The Limits of Political Adaptation in Le Théâtre de Neptune en la Nouvelle-France and Sinking Neptune -- Political Adaptation as Disidentification in Gertrude and Ophelia and Harlem Duet -- Popular Yet Political Audiences in The Penelopiad and If We Were Birds -- Beyond the Limits of Adaptation in Princess Pocahontas and the Blue Spots and Almighty Voice and His Wife -- Conclusion -- Notes -- Bibliography -- Index |
| title_auth | Political adaptation in Canadian theatre / |
| title_exact_search | Political adaptation in Canadian theatre / |
| title_full | Political adaptation in Canadian theatre / Kailin Wright. |
| title_fullStr | Political adaptation in Canadian theatre / Kailin Wright. |
| title_full_unstemmed | Political adaptation in Canadian theatre / Kailin Wright. |
| title_short | Political adaptation in Canadian theatre / |
| title_sort | political adaptation in canadian theatre |
| topic | Political plays, Canadian History and criticism. Canadian drama History and criticism. Adaptation (Literary, artistic, etc.) http://id.loc.gov/authorities/subjects/sh2018002625 Théâtre politique canadien Histoire et critique. Adaptation littéraire, artistique, etc. LITERARY CRITICISM / Drama bisacsh Adaptation (Literary, artistic, etc.) fast Canadian drama fast Political plays, Canadian fast |
| topic_facet | Political plays, Canadian History and criticism. Canadian drama History and criticism. Adaptation (Literary, artistic, etc.) Théâtre politique canadien Histoire et critique. Adaptation littéraire, artistique, etc. LITERARY CRITICISM / Drama Canadian drama Political plays, Canadian Electronic books. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2579379 |
| work_keys_str_mv | AT wrightkailin politicaladaptationincanadiantheatre |