Crime and spy jazz on screen, 1950-1970 :: a history and discography /
""Henry Mancini's Peter Gunn theme. Lalo Schifrin's Mission: Impossible theme. John Barry's arrangement of the James Bond theme. These iconic melodies have remained a part of the pop culture landscape since their debuts in the late 1950s and early '60s: a "golden d...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Jefferson :
McFarland & Company, Inc., Publishers,
2020.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | ""Henry Mancini's Peter Gunn theme. Lalo Schifrin's Mission: Impossible theme. John Barry's arrangement of the James Bond theme. These iconic melodies have remained a part of the pop culture landscape since their debuts in the late 1950s and early '60s: a "golden decade" that highlighted an era when movie studios and TV production companies employed full orchestral ensembles to provide a jazz backdrop for the suspenseful adventures of secret agents, private detectives, cops, spies and heist-minded criminals. Hundreds of additional films and television shows made during this period were propelled by similarly swinging title themes and underscores, many of which have (undeservedly) faded into obscurity. This meticulously researched book traces the embryonic use of jazz in mainstream entertainment from the early 1950s-when conservative viewers still considered this genre "the devil's music"-to its explosive heyday throughout the 1960s. Fans frustrated by the lack of attention paid to jazz soundtrack composers-including Jerry Goldsmith, Edwin Astley, Roy Budd, Quincy Jones, Dave Grusin, Jerry Fielding and many, many others-will find solace in these pages (along with all the information needed to enhance one's music library). The exploration of action jazz continues in this book's companion volume, Crime and Action Jazz on Screen Since 1971."-Provided by publisher"-- |
| Beschreibung: | 1 online resource |
| ISBN: | 9781476639888 1476639884 |
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| 505 | 0 | |a Cover -- Table of Contents -- Acknowledgments -- Foreword by Cheryl Pawelski -- Introduction -- Prologue: The Naked Truth -- 1. Audition: 1947-1956 -- 2. Dreamsville: 1957-1958 -- 3. Blue Satin: 1959 -- 4. Breezy Capers: 1960 -- 5. Contract with Depravity: 1961 -- 6. Jamaica Jazz: 1962 -- 7. Champagne and Quail: 1963 -- 8. Meet Mr. Solo: 1964 -- 9. Mr. Kiss Kiss Bang Bang: 1965 -- 10. Mission Blues: 1966 -- 11. Home, James, Don't Spare the Horses: 1967 -- 12. Shifting Gears: 1968 -- 13. This Never Happened to the Other Fella: 1969 -- 14. Soul Flower: 1970 | |
| 505 | 8 | |a Appendix A: Instrument Abbreviations -- Appendix B: Discography -- Chapter Notes -- Bibliography -- Index | |
| 520 | |a ""Henry Mancini's Peter Gunn theme. Lalo Schifrin's Mission: Impossible theme. John Barry's arrangement of the James Bond theme. These iconic melodies have remained a part of the pop culture landscape since their debuts in the late 1950s and early '60s: a "golden decade" that highlighted an era when movie studios and TV production companies employed full orchestral ensembles to provide a jazz backdrop for the suspenseful adventures of secret agents, private detectives, cops, spies and heist-minded criminals. Hundreds of additional films and television shows made during this period were propelled by similarly swinging title themes and underscores, many of which have (undeservedly) faded into obscurity. This meticulously researched book traces the embryonic use of jazz in mainstream entertainment from the early 1950s-when conservative viewers still considered this genre "the devil's music"-to its explosive heyday throughout the 1960s. Fans frustrated by the lack of attention paid to jazz soundtrack composers-including Jerry Goldsmith, Edwin Astley, Roy Budd, Quincy Jones, Dave Grusin, Jerry Fielding and many, many others-will find solace in these pages (along with all the information needed to enhance one's music library). The exploration of action jazz continues in this book's companion volume, Crime and Action Jazz on Screen Since 1971."-Provided by publisher"-- |c Provided by publisher. | ||
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| contents | Cover -- Table of Contents -- Acknowledgments -- Foreword by Cheryl Pawelski -- Introduction -- Prologue: The Naked Truth -- 1. Audition: 1947-1956 -- 2. Dreamsville: 1957-1958 -- 3. Blue Satin: 1959 -- 4. Breezy Capers: 1960 -- 5. Contract with Depravity: 1961 -- 6. Jamaica Jazz: 1962 -- 7. Champagne and Quail: 1963 -- 8. Meet Mr. Solo: 1964 -- 9. Mr. Kiss Kiss Bang Bang: 1965 -- 10. Mission Blues: 1966 -- 11. Home, James, Don't Spare the Horses: 1967 -- 12. Shifting Gears: 1968 -- 13. This Never Happened to the Other Fella: 1969 -- 14. Soul Flower: 1970 Appendix A: Instrument Abbreviations -- Appendix B: Discography -- Chapter Notes -- Bibliography -- Index |
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| genre | Criticism, interpretation, etc. fast |
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| id | ZDB-4-EBA-on1149554392 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:50Z |
| institution | BVB |
| isbn | 9781476639888 1476639884 |
| language | English |
| oclc_num | 1149554392 |
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| spelling | Bang, Derrick, 1955- author. Crime and spy jazz on screen, 1950-1970 : a history and discography / Derrick Bang. Jefferson : McFarland & Company, Inc., Publishers, 2020. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Cover -- Table of Contents -- Acknowledgments -- Foreword by Cheryl Pawelski -- Introduction -- Prologue: The Naked Truth -- 1. Audition: 1947-1956 -- 2. Dreamsville: 1957-1958 -- 3. Blue Satin: 1959 -- 4. Breezy Capers: 1960 -- 5. Contract with Depravity: 1961 -- 6. Jamaica Jazz: 1962 -- 7. Champagne and Quail: 1963 -- 8. Meet Mr. Solo: 1964 -- 9. Mr. Kiss Kiss Bang Bang: 1965 -- 10. Mission Blues: 1966 -- 11. Home, James, Don't Spare the Horses: 1967 -- 12. Shifting Gears: 1968 -- 13. This Never Happened to the Other Fella: 1969 -- 14. Soul Flower: 1970 Appendix A: Instrument Abbreviations -- Appendix B: Discography -- Chapter Notes -- Bibliography -- Index ""Henry Mancini's Peter Gunn theme. Lalo Schifrin's Mission: Impossible theme. John Barry's arrangement of the James Bond theme. These iconic melodies have remained a part of the pop culture landscape since their debuts in the late 1950s and early '60s: a "golden decade" that highlighted an era when movie studios and TV production companies employed full orchestral ensembles to provide a jazz backdrop for the suspenseful adventures of secret agents, private detectives, cops, spies and heist-minded criminals. Hundreds of additional films and television shows made during this period were propelled by similarly swinging title themes and underscores, many of which have (undeservedly) faded into obscurity. This meticulously researched book traces the embryonic use of jazz in mainstream entertainment from the early 1950s-when conservative viewers still considered this genre "the devil's music"-to its explosive heyday throughout the 1960s. Fans frustrated by the lack of attention paid to jazz soundtrack composers-including Jerry Goldsmith, Edwin Astley, Roy Budd, Quincy Jones, Dave Grusin, Jerry Fielding and many, many others-will find solace in these pages (along with all the information needed to enhance one's music library). The exploration of action jazz continues in this book's companion volume, Crime and Action Jazz on Screen Since 1971."-Provided by publisher"-- Provided by publisher. Motion picture music History and criticism. Jazz in motion pictures. http://id.loc.gov/authorities/subjects/sh2001003412 Jazz History and criticism. Crime films History and criticism. Spy films History and criticism. Television music History and criticism. Film, Musique de Histoire et critique. Jazz au cinéma. Films criminels Histoire et critique. Films d'espionnage Histoire et critique. Télévision, Musique de Histoire et critique. Crime films fast Jazz fast Jazz in motion pictures fast Motion picture music fast Spy films fast Television music fast Criticism, interpretation, etc. fast has work: Crime and spy jazz on screen, 1950-1970 (Text) https://id.oclc.org/worldcat/entity/E39PCFw4BR4fBJb7TJ6DkF3cMX https://id.oclc.org/worldcat/ontology/hasWork Print version: 9781476667478 1476667470 (DLC) 2020011238 (OCoLC)1129099110 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2429879 Volltext |
| spellingShingle | Bang, Derrick, 1955- Crime and spy jazz on screen, 1950-1970 : a history and discography / Cover -- Table of Contents -- Acknowledgments -- Foreword by Cheryl Pawelski -- Introduction -- Prologue: The Naked Truth -- 1. Audition: 1947-1956 -- 2. Dreamsville: 1957-1958 -- 3. Blue Satin: 1959 -- 4. Breezy Capers: 1960 -- 5. Contract with Depravity: 1961 -- 6. Jamaica Jazz: 1962 -- 7. Champagne and Quail: 1963 -- 8. Meet Mr. Solo: 1964 -- 9. Mr. Kiss Kiss Bang Bang: 1965 -- 10. Mission Blues: 1966 -- 11. Home, James, Don't Spare the Horses: 1967 -- 12. Shifting Gears: 1968 -- 13. This Never Happened to the Other Fella: 1969 -- 14. Soul Flower: 1970 Appendix A: Instrument Abbreviations -- Appendix B: Discography -- Chapter Notes -- Bibliography -- Index Motion picture music History and criticism. Jazz in motion pictures. http://id.loc.gov/authorities/subjects/sh2001003412 Jazz History and criticism. Crime films History and criticism. Spy films History and criticism. Television music History and criticism. Film, Musique de Histoire et critique. Jazz au cinéma. Films criminels Histoire et critique. Films d'espionnage Histoire et critique. Télévision, Musique de Histoire et critique. Crime films fast Jazz fast Jazz in motion pictures fast Motion picture music fast Spy films fast Television music fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2001003412 |
| title | Crime and spy jazz on screen, 1950-1970 : a history and discography / |
| title_auth | Crime and spy jazz on screen, 1950-1970 : a history and discography / |
| title_exact_search | Crime and spy jazz on screen, 1950-1970 : a history and discography / |
| title_full | Crime and spy jazz on screen, 1950-1970 : a history and discography / Derrick Bang. |
| title_fullStr | Crime and spy jazz on screen, 1950-1970 : a history and discography / Derrick Bang. |
| title_full_unstemmed | Crime and spy jazz on screen, 1950-1970 : a history and discography / Derrick Bang. |
| title_short | Crime and spy jazz on screen, 1950-1970 : |
| title_sort | crime and spy jazz on screen 1950 1970 a history and discography |
| title_sub | a history and discography / |
| topic | Motion picture music History and criticism. Jazz in motion pictures. http://id.loc.gov/authorities/subjects/sh2001003412 Jazz History and criticism. Crime films History and criticism. Spy films History and criticism. Television music History and criticism. Film, Musique de Histoire et critique. Jazz au cinéma. Films criminels Histoire et critique. Films d'espionnage Histoire et critique. Télévision, Musique de Histoire et critique. Crime films fast Jazz fast Jazz in motion pictures fast Motion picture music fast Spy films fast Television music fast |
| topic_facet | Motion picture music History and criticism. Jazz in motion pictures. Jazz History and criticism. Crime films History and criticism. Spy films History and criticism. Television music History and criticism. Film, Musique de Histoire et critique. Jazz au cinéma. Films criminels Histoire et critique. Films d'espionnage Histoire et critique. Télévision, Musique de Histoire et critique. Crime films Jazz Jazz in motion pictures Motion picture music Spy films Television music Criticism, interpretation, etc. |
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