Performing history :: approaches to history across musicology /
"The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter. This book's chapters are structured into six key areas: historically informed performance; ethnomusicological perspectives; part...
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| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Boston :
Academic Studies Press,
2020.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter. This book's chapters are structured into six key areas: historically informed performance; ethnomusicological perspectives; particular musical works that "tell," "enact," or "perform" war histories; operatic works that works that "tell," "enact," or "perform" power or enlightenment; musical works that deploy the body and a broad range of senses to convey histories; and histories involving popular music and performance. Diverse lines of evidence and manifold methodologies are represented here, ranging from traditional historical archival research to interviewing, performing, and composing. The modes of analyzing music and its associated texts represented here are as various as the kinds of evidence explored, including, for example, reading historical accounts against other contextual backdrops, and reading "between the lines" to access other voices than those provided by mainstream interpretation or traditional musicology"-- |
| Beschreibung: | 1 online resource (vi, 351 pages) : illustrations, music |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781644693551 1644693550 |
Internformat
MARC
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| 245 | 0 | 0 | |a Performing history : |b approaches to history across musicology / |c edited by Nancy November. |
| 264 | 1 | |a Boston : |b Academic Studies Press, |c 2020. | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (vi, 351 pages) : |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a notated music |b ntm |2 rdacontent | ||
| 337 | |a computer |b n |2 rdamedia | ||
| 338 | |a online resource |b nc |2 rdacarrier | ||
| 347 | |a text file | ||
| 347 | |b PDF | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Some senses of history among HIP performers / |r Mary Hunter -- |t Counting to four : the flûte du quatre in Charles Dieupart's Six suittes (1701) / |r Imogen Morris -- |t The French style of viol bowing and the enflé in the works of Marin Marais / |r Polly Sussex -- |t Contextual history through rhetorical visuality in performing Monteverdi's Il pianto della Madonna / |r Daniela Kaleva -- |t Celebrating and enhancing a virtual past through singing : the Polynesian community on Takū / |r Richard Moyle -- |t Reimagining traditional ritual music of Sabah for contemporary performance as a means of conservation / |r Mia Palencia -- |t Historical fidelity and creative license in two Viennese battles of the Nile / |r Allan Badley -- |t Gallipoli to the Somme : a musical witness to history / |r Anthony Ritchie -- |t Britten's primal scream / |r Sterling Lambert -- |t Staging power : the role of Duchess Sophie Elisabeth of Braunschweig-Lüneburg (1613-76) in Wolfenbüttel court festivities of the 1650s / |r Hannah Spracklan-Holl -- |t An enlightened future history on the Milan Opera stage : Niccolò Piccinni's Il regno della Luna / |r Lawrence Mays -- |t "A new world is opened up to view" : orchestral gesture in Berlioz's Roméo et Juliette / |r Inge van Rij -- |t Italian futurism : music and the senses in the modern age / |r Jennifer Rumbell -- |t "Saxophones sobbed out jazz" : New Zealand's first jazz recording / |r Aleisha Ward -- |t "To display her chief accomplishment" : domestic manuscript music collections in colonial Australia / |r Rosemary Richards. |
| 520 | |a "The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter. This book's chapters are structured into six key areas: historically informed performance; ethnomusicological perspectives; particular musical works that "tell," "enact," or "perform" war histories; operatic works that works that "tell," "enact," or "perform" power or enlightenment; musical works that deploy the body and a broad range of senses to convey histories; and histories involving popular music and performance. Diverse lines of evidence and manifold methodologies are represented here, ranging from traditional historical archival research to interviewing, performing, and composing. The modes of analyzing music and its associated texts represented here are as various as the kinds of evidence explored, including, for example, reading historical accounts against other contextual backdrops, and reading "between the lines" to access other voices than those provided by mainstream interpretation or traditional musicology"-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on August 28, 2020). | ||
| 546 | |a In English. | ||
| 650 | 0 | |a Music |x Performance. |0 http://id.loc.gov/authorities/subjects/sh85088806 | |
| 650 | 0 | |a Music |x Performance |x History. |0 http://id.loc.gov/authorities/subjects/sh85088807 | |
| 650 | 0 | |a Music |x Interpretation (Phrasing, dynamics, etc.) |0 http://id.loc.gov/authorities/subjects/sh85088799 | |
| 650 | 0 | |a Music and history. |0 http://id.loc.gov/authorities/subjects/sh2005000301 | |
| 650 | 0 | |a Historiography. |0 http://id.loc.gov/authorities/subjects/sh85061211 | |
| 650 | 6 | |a Musique |x Exécution. | |
| 650 | 6 | |a Musique et histoire. | |
| 650 | 6 | |a Historiographie. | |
| 650 | 7 | |a historiography. |2 aat | |
| 650 | 7 | |a MUSIC / History & Criticism |2 bisacsh | |
| 650 | 7 | |a Historiography |2 fast | |
| 650 | 7 | |a Music and history |2 fast | |
| 650 | 7 | |a Music |x Interpretation (Phrasing, dynamics, etc.) |2 fast | |
| 650 | 7 | |a Music |x Performance |2 fast | |
| 653 | |a Australasia. | ||
| 653 | |a Bach. | ||
| 653 | |a Baroque. | ||
| 653 | |a Dieupart. | ||
| 653 | |a Indonesia. | ||
| 653 | |a Marais. | ||
| 653 | |a Monteverdi. | ||
| 653 | |a Music history. | ||
| 653 | |a New Zealand. | ||
| 653 | |a Pacific Rim. | ||
| 653 | |a Polynesia. | ||
| 653 | |a aesthetics. | ||
| 653 | |a art. | ||
| 653 | |a composition. | ||
| 653 | |a contemporary. | ||
| 653 | |a critique. | ||
| 653 | |a ethnomusicology. | ||
| 653 | |a historically informed performance. | ||
| 653 | |a instruments. | ||
| 653 | |a methodologies. | ||
| 653 | |a multisensory. | ||
| 653 | |a musicology. | ||
| 653 | |a opera. | ||
| 653 | |a popular music. | ||
| 653 | |a preservation. | ||
| 653 | |a song. | ||
| 653 | |a staging. | ||
| 653 | |a theory. | ||
| 653 | |a war. | ||
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a November, Nancy, |e editor. | |
| 758 | |i has work: |a Performing history (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG6tx7h94cRJ7BJFbQGj4q |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Performing history |d Boston : Academic Studies Press, 2020. |z 9781644693544 |w (DLC) 2020009722 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2565525 |3 Volltext |
| 938 | |a EBSCOhost |b EBSC |n 2565525 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6286901 | ||
| 938 | |a YBP Library Services |b YANK |n 16702144 | ||
| 938 | |a De Gruyter |b DEGR |n 9781644693551 | ||
| 994 | |a 92 |b GEBAY | ||
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| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1149213152 |
|---|---|
| _version_ | 1816882514970542080 |
| adam_text | |
| any_adam_object | |
| author2 | November, Nancy |
| author2_role | edt |
| author2_variant | n n nn |
| author_additional | Mary Hunter -- Imogen Morris -- Polly Sussex -- Daniela Kaleva -- Richard Moyle -- Mia Palencia -- Allan Badley -- Anthony Ritchie -- Sterling Lambert -- Hannah Spracklan-Holl -- Lawrence Mays -- Inge van Rij -- Jennifer Rumbell -- Aleisha Ward -- Rosemary Richards. |
| author_facet | November, Nancy |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML457 |
| callnumber-raw | ML457 .P497 2020 |
| callnumber-search | ML457 .P497 2020 |
| callnumber-sort | ML 3457 P497 42020 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Some senses of history among HIP performers / Counting to four : the flûte du quatre in Charles Dieupart's Six suittes (1701) / The French style of viol bowing and the enflé in the works of Marin Marais / Contextual history through rhetorical visuality in performing Monteverdi's Il pianto della Madonna / Celebrating and enhancing a virtual past through singing : the Polynesian community on Takū / Reimagining traditional ritual music of Sabah for contemporary performance as a means of conservation / Historical fidelity and creative license in two Viennese battles of the Nile / Gallipoli to the Somme : a musical witness to history / Britten's primal scream / Staging power : the role of Duchess Sophie Elisabeth of Braunschweig-Lüneburg (1613-76) in Wolfenbüttel court festivities of the 1650s / An enlightened future history on the Milan Opera stage : Niccolò Piccinni's Il regno della Luna / "A new world is opened up to view" : orchestral gesture in Berlioz's Roméo et Juliette / Italian futurism : music and the senses in the modern age / "Saxophones sobbed out jazz" : New Zealand's first jazz recording / "To display her chief accomplishment" : domestic manuscript music collections in colonial Australia / |
| ctrlnum | (OCoLC)1149213152 |
| dewey-full | 780.7809 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.7809 |
| dewey-search | 780.7809 |
| dewey-sort | 3780.7809 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| id | ZDB-4-EBA-on1149213152 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:29:50Z |
| institution | BVB |
| isbn | 9781644693551 1644693550 |
| language | English |
| lccn | 2020009723 |
| oclc_num | 1149213152 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (vi, 351 pages) : illustrations, music |
| psigel | ZDB-4-EBA |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Academic Studies Press, |
| record_format | marc |
| spelling | Performing history : approaches to history across musicology / edited by Nancy November. Boston : Academic Studies Press, 2020. ©2020 1 online resource (vi, 351 pages) : illustrations, music text txt rdacontent notated music ntm rdacontent computer n rdamedia online resource nc rdacarrier text file Includes bibliographical references and index. Some senses of history among HIP performers / Mary Hunter -- Counting to four : the flûte du quatre in Charles Dieupart's Six suittes (1701) / Imogen Morris -- The French style of viol bowing and the enflé in the works of Marin Marais / Polly Sussex -- Contextual history through rhetorical visuality in performing Monteverdi's Il pianto della Madonna / Daniela Kaleva -- Celebrating and enhancing a virtual past through singing : the Polynesian community on Takū / Richard Moyle -- Reimagining traditional ritual music of Sabah for contemporary performance as a means of conservation / Mia Palencia -- Historical fidelity and creative license in two Viennese battles of the Nile / Allan Badley -- Gallipoli to the Somme : a musical witness to history / Anthony Ritchie -- Britten's primal scream / Sterling Lambert -- Staging power : the role of Duchess Sophie Elisabeth of Braunschweig-Lüneburg (1613-76) in Wolfenbüttel court festivities of the 1650s / Hannah Spracklan-Holl -- An enlightened future history on the Milan Opera stage : Niccolò Piccinni's Il regno della Luna / Lawrence Mays -- "A new world is opened up to view" : orchestral gesture in Berlioz's Roméo et Juliette / Inge van Rij -- Italian futurism : music and the senses in the modern age / Jennifer Rumbell -- "Saxophones sobbed out jazz" : New Zealand's first jazz recording / Aleisha Ward -- "To display her chief accomplishment" : domestic manuscript music collections in colonial Australia / Rosemary Richards. "The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter. This book's chapters are structured into six key areas: historically informed performance; ethnomusicological perspectives; particular musical works that "tell," "enact," or "perform" war histories; operatic works that works that "tell," "enact," or "perform" power or enlightenment; musical works that deploy the body and a broad range of senses to convey histories; and histories involving popular music and performance. Diverse lines of evidence and manifold methodologies are represented here, ranging from traditional historical archival research to interviewing, performing, and composing. The modes of analyzing music and its associated texts represented here are as various as the kinds of evidence explored, including, for example, reading historical accounts against other contextual backdrops, and reading "between the lines" to access other voices than those provided by mainstream interpretation or traditional musicology"-- Provided by publisher. Description based on online resource; title from digital title page (viewed on August 28, 2020). In English. Music Performance. http://id.loc.gov/authorities/subjects/sh85088806 Music Performance History. http://id.loc.gov/authorities/subjects/sh85088807 Music Interpretation (Phrasing, dynamics, etc.) http://id.loc.gov/authorities/subjects/sh85088799 Music and history. http://id.loc.gov/authorities/subjects/sh2005000301 Historiography. http://id.loc.gov/authorities/subjects/sh85061211 Musique Exécution. Musique et histoire. Historiographie. historiography. aat MUSIC / History & Criticism bisacsh Historiography fast Music and history fast Music Interpretation (Phrasing, dynamics, etc.) fast Music Performance fast Australasia. Bach. Baroque. Dieupart. Indonesia. Marais. Monteverdi. Music history. New Zealand. Pacific Rim. Polynesia. aesthetics. art. composition. contemporary. critique. ethnomusicology. historically informed performance. instruments. methodologies. multisensory. musicology. opera. popular music. preservation. song. staging. theory. war. History fast November, Nancy, editor. has work: Performing history (Text) https://id.oclc.org/worldcat/entity/E39PCG6tx7h94cRJ7BJFbQGj4q https://id.oclc.org/worldcat/ontology/hasWork Print version: Performing history Boston : Academic Studies Press, 2020. 9781644693544 (DLC) 2020009722 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2565525 Volltext |
| spellingShingle | Performing history : approaches to history across musicology / Some senses of history among HIP performers / Counting to four : the flûte du quatre in Charles Dieupart's Six suittes (1701) / The French style of viol bowing and the enflé in the works of Marin Marais / Contextual history through rhetorical visuality in performing Monteverdi's Il pianto della Madonna / Celebrating and enhancing a virtual past through singing : the Polynesian community on Takū / Reimagining traditional ritual music of Sabah for contemporary performance as a means of conservation / Historical fidelity and creative license in two Viennese battles of the Nile / Gallipoli to the Somme : a musical witness to history / Britten's primal scream / Staging power : the role of Duchess Sophie Elisabeth of Braunschweig-Lüneburg (1613-76) in Wolfenbüttel court festivities of the 1650s / An enlightened future history on the Milan Opera stage : Niccolò Piccinni's Il regno della Luna / "A new world is opened up to view" : orchestral gesture in Berlioz's Roméo et Juliette / Italian futurism : music and the senses in the modern age / "Saxophones sobbed out jazz" : New Zealand's first jazz recording / "To display her chief accomplishment" : domestic manuscript music collections in colonial Australia / Music Performance. http://id.loc.gov/authorities/subjects/sh85088806 Music Performance History. http://id.loc.gov/authorities/subjects/sh85088807 Music Interpretation (Phrasing, dynamics, etc.) http://id.loc.gov/authorities/subjects/sh85088799 Music and history. http://id.loc.gov/authorities/subjects/sh2005000301 Historiography. http://id.loc.gov/authorities/subjects/sh85061211 Musique Exécution. Musique et histoire. Historiographie. historiography. aat MUSIC / History & Criticism bisacsh Historiography fast Music and history fast Music Interpretation (Phrasing, dynamics, etc.) fast Music Performance fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088806 http://id.loc.gov/authorities/subjects/sh85088807 http://id.loc.gov/authorities/subjects/sh85088799 http://id.loc.gov/authorities/subjects/sh2005000301 http://id.loc.gov/authorities/subjects/sh85061211 |
| title | Performing history : approaches to history across musicology / |
| title_alt | Some senses of history among HIP performers / Counting to four : the flûte du quatre in Charles Dieupart's Six suittes (1701) / The French style of viol bowing and the enflé in the works of Marin Marais / Contextual history through rhetorical visuality in performing Monteverdi's Il pianto della Madonna / Celebrating and enhancing a virtual past through singing : the Polynesian community on Takū / Reimagining traditional ritual music of Sabah for contemporary performance as a means of conservation / Historical fidelity and creative license in two Viennese battles of the Nile / Gallipoli to the Somme : a musical witness to history / Britten's primal scream / Staging power : the role of Duchess Sophie Elisabeth of Braunschweig-Lüneburg (1613-76) in Wolfenbüttel court festivities of the 1650s / An enlightened future history on the Milan Opera stage : Niccolò Piccinni's Il regno della Luna / "A new world is opened up to view" : orchestral gesture in Berlioz's Roméo et Juliette / Italian futurism : music and the senses in the modern age / "Saxophones sobbed out jazz" : New Zealand's first jazz recording / "To display her chief accomplishment" : domestic manuscript music collections in colonial Australia / |
| title_auth | Performing history : approaches to history across musicology / |
| title_exact_search | Performing history : approaches to history across musicology / |
| title_full | Performing history : approaches to history across musicology / edited by Nancy November. |
| title_fullStr | Performing history : approaches to history across musicology / edited by Nancy November. |
| title_full_unstemmed | Performing history : approaches to history across musicology / edited by Nancy November. |
| title_short | Performing history : |
| title_sort | performing history approaches to history across musicology |
| title_sub | approaches to history across musicology / |
| topic | Music Performance. http://id.loc.gov/authorities/subjects/sh85088806 Music Performance History. http://id.loc.gov/authorities/subjects/sh85088807 Music Interpretation (Phrasing, dynamics, etc.) http://id.loc.gov/authorities/subjects/sh85088799 Music and history. http://id.loc.gov/authorities/subjects/sh2005000301 Historiography. http://id.loc.gov/authorities/subjects/sh85061211 Musique Exécution. Musique et histoire. Historiographie. historiography. aat MUSIC / History & Criticism bisacsh Historiography fast Music and history fast Music Interpretation (Phrasing, dynamics, etc.) fast Music Performance fast |
| topic_facet | Music Performance. Music Performance History. Music Interpretation (Phrasing, dynamics, etc.) Music and history. Historiography. Musique Exécution. Musique et histoire. Historiographie. historiography. MUSIC / History & Criticism Historiography Music and history Music Performance History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2565525 |
| work_keys_str_mv | AT novembernancy performinghistoryapproachestohistoryacrossmusicology |