Showing and telling :: film heritage institutes and their performance of public accountability /
"Showing and Telling' is the first academic work to explore how publicly funded film heritage institutes account for their mandate in their public activities. It does that by inspecting and evaluating public presentations and visitor information about these presentations. The research was...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Wilmington, Delaware, United States :
Vernon Press,
[2019]
|
| Schriftenreihe: | Vernon series in art.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Showing and Telling' is the first academic work to explore how publicly funded film heritage institutes account for their mandate in their public activities. It does that by inspecting and evaluating public presentations and visitor information about these presentations. The research was done by juxtaposing two complementary approaches. The first is grounded in the author's experience as a collection researcher and curator and makes a case for the richness of archival objects usually ignored for their lack of aesthetic qualities. The second is a survey of the public activities of 24 institutes worldwide, based on their websites, in February 2014; the latter constitutes a unique source. This original work uncovers the disconnect between the curatorial activities of these institutes and their missions. A central finding is that publicly funded film heritage institutes give their public an inadequate sense of cinema history. By and large they offer a mainstream-oriented repertoire of presentations, overwhelmingly consisting of feature fiction; they show a disproportionate amount of recent and new works, often through commercial distribution; their screenings consist of an unexplained melee of technological formats (sometimes substandard); and their presentations monotonously frame film as art, although their professed aesthetics are mostly of a cinephile nature and rest on received opinion. Specific materials, early cinema in particular, and specialist knowledge, both historical and methodological, are largely restricted to their network of peer communities. Wholesome transfer of full knowledge, in word and image, to the public is not a major concern. 'Showing and Telling' concludes with recommendations for curatorial activities. Firstly, with a conceptual apparatus that allows a more complete understanding of film heritage and its histories. Secondly, with a plea for rethinking the institutes' gatekeeper function and for developing more varied, imaginative, and informative public presentations, both on site and online, that reflect the range of their collections and their histories."-- |
| Beschreibung: | Revised and updated version of author's 2015 doctoral thesis. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781622736522 1622736524 |
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| 520 | |a "Showing and Telling' is the first academic work to explore how publicly funded film heritage institutes account for their mandate in their public activities. It does that by inspecting and evaluating public presentations and visitor information about these presentations. The research was done by juxtaposing two complementary approaches. The first is grounded in the author's experience as a collection researcher and curator and makes a case for the richness of archival objects usually ignored for their lack of aesthetic qualities. The second is a survey of the public activities of 24 institutes worldwide, based on their websites, in February 2014; the latter constitutes a unique source. This original work uncovers the disconnect between the curatorial activities of these institutes and their missions. A central finding is that publicly funded film heritage institutes give their public an inadequate sense of cinema history. By and large they offer a mainstream-oriented repertoire of presentations, overwhelmingly consisting of feature fiction; they show a disproportionate amount of recent and new works, often through commercial distribution; their screenings consist of an unexplained melee of technological formats (sometimes substandard); and their presentations monotonously frame film as art, although their professed aesthetics are mostly of a cinephile nature and rest on received opinion. Specific materials, early cinema in particular, and specialist knowledge, both historical and methodological, are largely restricted to their network of peer communities. Wholesome transfer of full knowledge, in word and image, to the public is not a major concern. 'Showing and Telling' concludes with recommendations for curatorial activities. Firstly, with a conceptual apparatus that allows a more complete understanding of film heritage and its histories. Secondly, with a plea for rethinking the institutes' gatekeeper function and for developing more varied, imaginative, and informative public presentations, both on site and online, that reflect the range of their collections and their histories."-- |c Provided by publisher | ||
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| author | Klerk, Nico de |
| author_GND | http://id.loc.gov/authorities/names/n98058146 http://id.loc.gov/authorities/names/n90695759 |
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| contents | 1. Shared poverty -- 2. Unstated understandings -- 3. Showing and telling : an exploratory survey -- 4. A programmatic conclusion. |
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| discipline | Allgemeines |
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| id | ZDB-4-EBA-on1149150704 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:50Z |
| institution | BVB |
| isbn | 9781622736522 1622736524 |
| language | English |
| oclc_num | 1149150704 |
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| spelling | Klerk, Nico de, author. http://id.loc.gov/authorities/names/n98058146 Showing and telling : film heritage institutes and their performance of public accountability / Nico de Klerk ; with an introduction by Professor William Uricchio, MIT. Film heritage institutes and their performance of public accountability Wilmington, Delaware, United States : Vernon Press, [2019] ©2019 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Vernon series in art Online resource; title from digital title page (viewed on April 08, 2020) Revised and updated version of author's 2015 doctoral thesis. Includes bibliographical references and index. 1. Shared poverty -- 2. Unstated understandings -- 3. Showing and telling : an exploratory survey -- 4. A programmatic conclusion. "Showing and Telling' is the first academic work to explore how publicly funded film heritage institutes account for their mandate in their public activities. It does that by inspecting and evaluating public presentations and visitor information about these presentations. The research was done by juxtaposing two complementary approaches. The first is grounded in the author's experience as a collection researcher and curator and makes a case for the richness of archival objects usually ignored for their lack of aesthetic qualities. The second is a survey of the public activities of 24 institutes worldwide, based on their websites, in February 2014; the latter constitutes a unique source. This original work uncovers the disconnect between the curatorial activities of these institutes and their missions. A central finding is that publicly funded film heritage institutes give their public an inadequate sense of cinema history. By and large they offer a mainstream-oriented repertoire of presentations, overwhelmingly consisting of feature fiction; they show a disproportionate amount of recent and new works, often through commercial distribution; their screenings consist of an unexplained melee of technological formats (sometimes substandard); and their presentations monotonously frame film as art, although their professed aesthetics are mostly of a cinephile nature and rest on received opinion. Specific materials, early cinema in particular, and specialist knowledge, both historical and methodological, are largely restricted to their network of peer communities. Wholesome transfer of full knowledge, in word and image, to the public is not a major concern. 'Showing and Telling' concludes with recommendations for curatorial activities. Firstly, with a conceptual apparatus that allows a more complete understanding of film heritage and its histories. Secondly, with a plea for rethinking the institutes' gatekeeper function and for developing more varied, imaginative, and informative public presentations, both on site and online, that reflect the range of their collections and their histories."-- Provided by publisher Film archives. http://id.loc.gov/authorities/subjects/sh85006925 Motion picture film collections. http://id.loc.gov/authorities/subjects/sh85088046 Archives cinématographiques. Cinémathèques. Film archives fast Motion picture film collections fast Uricchio, William, writer of introduction. http://id.loc.gov/authorities/names/n90695759 has work: Showing and telling (Text) https://id.oclc.org/worldcat/entity/E39PCGM6TVkFFbrp8jW8rJMVYd https://id.oclc.org/worldcat/ontology/hasWork Print version: De Klerk, Nico. Showing and Telling: Film heritage institutes and their performance of public accountability. Wilmington, DE : Vernon Press, ©2017 9781622732036 Vernon series in art. http://id.loc.gov/authorities/names/no2019062461 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2174178 Volltext |
| spellingShingle | Klerk, Nico de Showing and telling : film heritage institutes and their performance of public accountability / Vernon series in art. 1. Shared poverty -- 2. Unstated understandings -- 3. Showing and telling : an exploratory survey -- 4. A programmatic conclusion. Film archives. http://id.loc.gov/authorities/subjects/sh85006925 Motion picture film collections. http://id.loc.gov/authorities/subjects/sh85088046 Archives cinématographiques. Cinémathèques. Film archives fast Motion picture film collections fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85006925 http://id.loc.gov/authorities/subjects/sh85088046 |
| title | Showing and telling : film heritage institutes and their performance of public accountability / |
| title_alt | Film heritage institutes and their performance of public accountability |
| title_auth | Showing and telling : film heritage institutes and their performance of public accountability / |
| title_exact_search | Showing and telling : film heritage institutes and their performance of public accountability / |
| title_full | Showing and telling : film heritage institutes and their performance of public accountability / Nico de Klerk ; with an introduction by Professor William Uricchio, MIT. |
| title_fullStr | Showing and telling : film heritage institutes and their performance of public accountability / Nico de Klerk ; with an introduction by Professor William Uricchio, MIT. |
| title_full_unstemmed | Showing and telling : film heritage institutes and their performance of public accountability / Nico de Klerk ; with an introduction by Professor William Uricchio, MIT. |
| title_short | Showing and telling : |
| title_sort | showing and telling film heritage institutes and their performance of public accountability |
| title_sub | film heritage institutes and their performance of public accountability / |
| topic | Film archives. http://id.loc.gov/authorities/subjects/sh85006925 Motion picture film collections. http://id.loc.gov/authorities/subjects/sh85088046 Archives cinématographiques. Cinémathèques. Film archives fast Motion picture film collections fast |
| topic_facet | Film archives. Motion picture film collections. Archives cinématographiques. Cinémathèques. Film archives Motion picture film collections |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2174178 |
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