Killers, clients and kindred spirits :: the taboo cinema of Shohei Imamura /
"The only Japanese director to have won the Palme d'Or from Cannes more than once, and second only to Ozu Yasujiro in the number of times he has won the prestigious Kinema Jumpo Best One award, the late Imamura Shohei was one of Japan's leading and most controversial film directors. T...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2019]
|
| Schriftenreihe: | Edinburgh studies in East Asian film.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "The only Japanese director to have won the Palme d'Or from Cannes more than once, and second only to Ozu Yasujiro in the number of times he has won the prestigious Kinema Jumpo Best One award, the late Imamura Shohei was one of Japan's leading and most controversial film directors. This book is one of the first to study all of Imamura's major films alongside his television and theatrical documentaries, focusing on his major themes and concerns. By giving shape to Imamura's career, the book positions him as a stylistic innovator as well as an ethnographic investigator into Japanese culture and tradition; the preeminent examiner of the hidden, barely repressed underpinnings of Japanese society."-- |
| Beschreibung: | 1 online resource (xii, 348 pages) : illustrations. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781474411820 1474411827 9781474411837 1474411835 1474411819 9781474411813 |
| Zugangseinschränkungen: | Legal Deposit; |
Internformat
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| 245 | 0 | 0 | |a Killers, clients and kindred spirits : |b the taboo cinema of Shohei Imamura / |c edited by Lindsay Coleman and David Desser. |
| 246 | 3 | 0 | |a Taboo cinema of Shohei Imamura |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (xii, 348 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Edinburgh Studies in East Asian Film | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Introduction / |r Lindsay Coleman, David Desser -- |t Making of an auteur : the early films (1958-1959) / |r Jennifer Coates -- |t Confronting America : pigs and battleships and the politics of US bases in postwar Japan / |r Hiroshi Kitamura -- |t Insect men and women : gender, conflict and problematic modernity in Intentions of Murder / |r Adam Bingham -- |t Hidden in plain sight : the false leads and true mysteries of Vengeance Is Mine / |r John Berra -- |t Eel : trauma cinema / |r David Desser -- |t Insect Woman, or : the female art of failure / |r Michael Raine -- |t Obscene in the everyday : The Pornographers / |r Lindsay Coleman -- |t Shohei Imamura's profound desire for Japan's cultural roots : critical approaches to Profound Desires of the Gods / |r Mats Karlsson -- |t "Products of Japan" : Karayuh-san, The Making of a Prostitute / |r Joan Mellen -- |t Female body as transgressor of national boundaries : The History of Postwar Japan as Told by a Bar Hostess / |r Bianca Briciu -- |t Better off being bacteria : adaptation and allegory in Dr. Akagi / |r Lauri Kitsnik -- |t Time out of joint : Shohei Imamura and the search for an "other" Japan / |r Bill Mihalopoulos -- |t Promotional discourses and the meanings of The Ballad of Narayama / |r Rayna Denison -- |t Boundary play : truth, fiction, and performance in A Man Vanishes / |r Diane Wei Lewis -- |t Why Not? Imamura, Nietzsche, and the untimely / |r David Deamer -- |t Kuroi Ame : an anthropology of suffering / |r Dolores P. Martinez -- |t Symbolic function of water / |r Timothy Iles. |
| 520 | |a "The only Japanese director to have won the Palme d'Or from Cannes more than once, and second only to Ozu Yasujiro in the number of times he has won the prestigious Kinema Jumpo Best One award, the late Imamura Shohei was one of Japan's leading and most controversial film directors. This book is one of the first to study all of Imamura's major films alongside his television and theatrical documentaries, focusing on his major themes and concerns. By giving shape to Imamura's career, the book positions him as a stylistic innovator as well as an ethnographic investigator into Japanese culture and tradition; the preeminent examiner of the hidden, barely repressed underpinnings of Japanese society."-- |c Provided by publisher. | ||
| 545 | 0 | |a Lindsay Coleman is an independent film producer, and is completing his PhD thesis at the University of Melbourne. Professor David Desser is Professor Emeritus of Cinema Studies at the University of Illinois and Dean of Anaheim University Akira Kurosawa School of Film. | |
| 588 | 0 | |a Print version record. | |
| 506 | 1 | |a Legal Deposit; |c Only available on premises controlled by the deposit library and to one user at any one time; |e The Legal Deposit Libraries (Non-Print Works) Regulations (UK). |5 WlAbNL | |
| 600 | 1 | 0 | |a Imamura, Shōhei, |d 1926-2006 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Imamura, Shōhei, |d 1926-2006 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJgHhbj3bJkdV3hjvFhT73 |
| 650 | 0 | |a Motion picture producers and directors |z Japan. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma |z Japon. | |
| 650 | 7 | |a HISTORY / Asia / Japan. |2 bisacsh | |
| 650 | 7 | |a Motion picture producers and directors |2 fast | |
| 651 | 7 | |a Japan |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJkT7GyCmyjxytDfqk6Yfq | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Coleman, Lindsay, |d 1978- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjKBgKDVBfWWWfbTprgBj3 |0 http://id.loc.gov/authorities/names/n2014020428 | |
| 700 | 1 | |a Desser, David, |e editor. |0 http://id.loc.gov/authorities/names/n83201680 | |
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| 776 | 0 | 8 | |i Print version: |t Killers, clients and kindred spirits. |d Edinburgh : Edinburgh University Press, [2019] |z 1474411819 |w (OCoLC)1032716500 |
| 830 | 0 | |a Edinburgh studies in East Asian film. |0 http://id.loc.gov/authorities/names/no2014145303 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1148865764 |
|---|---|
| _version_ | 1813901677559808003 |
| adam_text | |
| any_adam_object | |
| author2 | Coleman, Lindsay, 1978- Desser, David |
| author2_role | edt edt |
| author2_variant | l c lc d d dd |
| author_GND | http://id.loc.gov/authorities/names/n2014020428 http://id.loc.gov/authorities/names/n83201680 |
| author_additional | Lindsay Coleman, David Desser -- Jennifer Coates -- Hiroshi Kitamura -- Adam Bingham -- John Berra -- David Desser -- Michael Raine -- Lindsay Coleman -- Mats Karlsson -- Joan Mellen -- Bianca Briciu -- Lauri Kitsnik -- Bill Mihalopoulos -- Rayna Denison -- Diane Wei Lewis -- David Deamer -- Dolores P. Martinez -- Timothy Iles. |
| author_facet | Coleman, Lindsay, 1978- Desser, David |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1998 |
| callnumber-raw | PN1998.3.I43 K55 2019eb |
| callnumber-search | PN1998.3.I43 K55 2019eb |
| callnumber-sort | PN 41998.3 I43 K55 42019EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Introduction / Making of an auteur : the early films (1958-1959) / Confronting America : pigs and battleships and the politics of US bases in postwar Japan / Insect men and women : gender, conflict and problematic modernity in Intentions of Murder / Hidden in plain sight : the false leads and true mysteries of Vengeance Is Mine / Eel : trauma cinema / Insect Woman, or : the female art of failure / Obscene in the everyday : The Pornographers / Shohei Imamura's profound desire for Japan's cultural roots : critical approaches to Profound Desires of the Gods / "Products of Japan" : Karayuh-san, The Making of a Prostitute / Female body as transgressor of national boundaries : The History of Postwar Japan as Told by a Bar Hostess / Better off being bacteria : adaptation and allegory in Dr. Akagi / Time out of joint : Shohei Imamura and the search for an "other" Japan / Promotional discourses and the meanings of The Ballad of Narayama / Boundary play : truth, fiction, and performance in A Man Vanishes / Why Not? Imamura, Nietzsche, and the untimely / Kuroi Ame : an anthropology of suffering / Symbolic function of water / |
| ctrlnum | (OCoLC)1148865764 |
| dewey-full | 791.4302/33092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | Japan fast https://id.oclc.org/worldcat/entity/E39PBJkT7GyCmyjxytDfqk6Yfq |
| geographic_facet | Japan |
| id | ZDB-4-EBA-on1148865764 |
| illustrated | Illustrated |
| indexdate | 2024-10-25T15:50:41Z |
| institution | BVB |
| isbn | 9781474411820 1474411827 9781474411837 1474411835 1474411819 9781474411813 |
| language | English |
| oclc_num | 1148865764 |
| open_access_boolean | |
| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource (xii, 348 pages) : illustrations. |
| psigel | ZDB-4-EBA |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| series | Edinburgh studies in East Asian film. |
| series2 | Edinburgh Studies in East Asian Film |
| spelling | Killers, clients and kindred spirits : the taboo cinema of Shohei Imamura / edited by Lindsay Coleman and David Desser. Taboo cinema of Shohei Imamura Edinburgh : Edinburgh University Press, [2019] ©2019 1 online resource (xii, 348 pages) : illustrations. text txt rdacontent still image sti rdacontent computer c rdamedia online resource cr rdacarrier Edinburgh Studies in East Asian Film Includes bibliographical references and index. Introduction / Lindsay Coleman, David Desser -- Making of an auteur : the early films (1958-1959) / Jennifer Coates -- Confronting America : pigs and battleships and the politics of US bases in postwar Japan / Hiroshi Kitamura -- Insect men and women : gender, conflict and problematic modernity in Intentions of Murder / Adam Bingham -- Hidden in plain sight : the false leads and true mysteries of Vengeance Is Mine / John Berra -- Eel : trauma cinema / David Desser -- Insect Woman, or : the female art of failure / Michael Raine -- Obscene in the everyday : The Pornographers / Lindsay Coleman -- Shohei Imamura's profound desire for Japan's cultural roots : critical approaches to Profound Desires of the Gods / Mats Karlsson -- "Products of Japan" : Karayuh-san, The Making of a Prostitute / Joan Mellen -- Female body as transgressor of national boundaries : The History of Postwar Japan as Told by a Bar Hostess / Bianca Briciu -- Better off being bacteria : adaptation and allegory in Dr. Akagi / Lauri Kitsnik -- Time out of joint : Shohei Imamura and the search for an "other" Japan / Bill Mihalopoulos -- Promotional discourses and the meanings of The Ballad of Narayama / Rayna Denison -- Boundary play : truth, fiction, and performance in A Man Vanishes / Diane Wei Lewis -- Why Not? Imamura, Nietzsche, and the untimely / David Deamer -- Kuroi Ame : an anthropology of suffering / Dolores P. Martinez -- Symbolic function of water / Timothy Iles. "The only Japanese director to have won the Palme d'Or from Cannes more than once, and second only to Ozu Yasujiro in the number of times he has won the prestigious Kinema Jumpo Best One award, the late Imamura Shohei was one of Japan's leading and most controversial film directors. This book is one of the first to study all of Imamura's major films alongside his television and theatrical documentaries, focusing on his major themes and concerns. By giving shape to Imamura's career, the book positions him as a stylistic innovator as well as an ethnographic investigator into Japanese culture and tradition; the preeminent examiner of the hidden, barely repressed underpinnings of Japanese society."-- Provided by publisher. Lindsay Coleman is an independent film producer, and is completing his PhD thesis at the University of Melbourne. Professor David Desser is Professor Emeritus of Cinema Studies at the University of Illinois and Dean of Anaheim University Akira Kurosawa School of Film. Print version record. Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK). WlAbNL Imamura, Shōhei, 1926-2006 Criticism and interpretation. Imamura, Shōhei, 1926-2006 fast https://id.oclc.org/worldcat/entity/E39PBJgHhbj3bJkdV3hjvFhT73 Motion picture producers and directors Japan. Producteurs et réalisateurs de cinéma Japon. HISTORY / Asia / Japan. bisacsh Motion picture producers and directors fast Japan fast https://id.oclc.org/worldcat/entity/E39PBJkT7GyCmyjxytDfqk6Yfq Criticism, interpretation, etc. fast Coleman, Lindsay, 1978- editor. https://id.oclc.org/worldcat/entity/E39PCjKBgKDVBfWWWfbTprgBj3 http://id.loc.gov/authorities/names/n2014020428 Desser, David, editor. http://id.loc.gov/authorities/names/n83201680 has work: Killers, clients and kindred spirits (Text) https://id.oclc.org/worldcat/entity/E39PCGRwW8RVWmCgxyGRhvbjRX https://id.oclc.org/worldcat/ontology/hasWork Print version: Killers, clients and kindred spirits. Edinburgh : Edinburgh University Press, [2019] 1474411819 (OCoLC)1032716500 Edinburgh studies in East Asian film. http://id.loc.gov/authorities/names/no2014145303 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2409404 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2409404 Volltext |
| spellingShingle | Killers, clients and kindred spirits : the taboo cinema of Shohei Imamura / Edinburgh studies in East Asian film. Introduction / Making of an auteur : the early films (1958-1959) / Confronting America : pigs and battleships and the politics of US bases in postwar Japan / Insect men and women : gender, conflict and problematic modernity in Intentions of Murder / Hidden in plain sight : the false leads and true mysteries of Vengeance Is Mine / Eel : trauma cinema / Insect Woman, or : the female art of failure / Obscene in the everyday : The Pornographers / Shohei Imamura's profound desire for Japan's cultural roots : critical approaches to Profound Desires of the Gods / "Products of Japan" : Karayuh-san, The Making of a Prostitute / Female body as transgressor of national boundaries : The History of Postwar Japan as Told by a Bar Hostess / Better off being bacteria : adaptation and allegory in Dr. Akagi / Time out of joint : Shohei Imamura and the search for an "other" Japan / Promotional discourses and the meanings of The Ballad of Narayama / Boundary play : truth, fiction, and performance in A Man Vanishes / Why Not? Imamura, Nietzsche, and the untimely / Kuroi Ame : an anthropology of suffering / Symbolic function of water / Imamura, Shōhei, 1926-2006 Criticism and interpretation. Imamura, Shōhei, 1926-2006 fast https://id.oclc.org/worldcat/entity/E39PBJgHhbj3bJkdV3hjvFhT73 Motion picture producers and directors Japan. Producteurs et réalisateurs de cinéma Japon. HISTORY / Asia / Japan. bisacsh Motion picture producers and directors fast |
| title | Killers, clients and kindred spirits : the taboo cinema of Shohei Imamura / |
| title_alt | Taboo cinema of Shohei Imamura Introduction / Making of an auteur : the early films (1958-1959) / Confronting America : pigs and battleships and the politics of US bases in postwar Japan / Insect men and women : gender, conflict and problematic modernity in Intentions of Murder / Hidden in plain sight : the false leads and true mysteries of Vengeance Is Mine / Eel : trauma cinema / Insect Woman, or : the female art of failure / Obscene in the everyday : The Pornographers / Shohei Imamura's profound desire for Japan's cultural roots : critical approaches to Profound Desires of the Gods / "Products of Japan" : Karayuh-san, The Making of a Prostitute / Female body as transgressor of national boundaries : The History of Postwar Japan as Told by a Bar Hostess / Better off being bacteria : adaptation and allegory in Dr. Akagi / Time out of joint : Shohei Imamura and the search for an "other" Japan / Promotional discourses and the meanings of The Ballad of Narayama / Boundary play : truth, fiction, and performance in A Man Vanishes / Why Not? Imamura, Nietzsche, and the untimely / Kuroi Ame : an anthropology of suffering / Symbolic function of water / |
| title_auth | Killers, clients and kindred spirits : the taboo cinema of Shohei Imamura / |
| title_exact_search | Killers, clients and kindred spirits : the taboo cinema of Shohei Imamura / |
| title_full | Killers, clients and kindred spirits : the taboo cinema of Shohei Imamura / edited by Lindsay Coleman and David Desser. |
| title_fullStr | Killers, clients and kindred spirits : the taboo cinema of Shohei Imamura / edited by Lindsay Coleman and David Desser. |
| title_full_unstemmed | Killers, clients and kindred spirits : the taboo cinema of Shohei Imamura / edited by Lindsay Coleman and David Desser. |
| title_short | Killers, clients and kindred spirits : |
| title_sort | killers clients and kindred spirits the taboo cinema of shohei imamura |
| title_sub | the taboo cinema of Shohei Imamura / |
| topic | Imamura, Shōhei, 1926-2006 Criticism and interpretation. Imamura, Shōhei, 1926-2006 fast https://id.oclc.org/worldcat/entity/E39PBJgHhbj3bJkdV3hjvFhT73 Motion picture producers and directors Japan. Producteurs et réalisateurs de cinéma Japon. HISTORY / Asia / Japan. bisacsh Motion picture producers and directors fast |
| topic_facet | Imamura, Shōhei, 1926-2006 Criticism and interpretation. Imamura, Shōhei, 1926-2006 Motion picture producers and directors Japan. Producteurs et réalisateurs de cinéma Japon. HISTORY / Asia / Japan. Motion picture producers and directors Japan Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2409404 |
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