Peculiar attunements :: how affect theory turned musical /
Peculiar Attunements places the recent turn to affect into conversation with a parallel movement in European music theory of the eighteenth century. During that time the affects-or passions, as they were also called-formed a vital component of a mimetic model of the arts. Eighteenth-century critics...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Fordham University Press,
2020.
|
| Ausgabe: | First edition. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Peculiar Attunements places the recent turn to affect into conversation with a parallel movement in European music theory of the eighteenth century. During that time the affects-or passions, as they were also called-formed a vital component of a mimetic model of the arts. Eighteenth-century critics held that artworks imitated or copied the natural world in order to produce copies of the affects in their beholders. But music caused a problem for such theories, since it wasn't apparent that musical tones could imitate anything with any dependability, beyond the rare thunderclap or birdcall. Struggling to articulate how it was that music managed to move its auditors without imitation, certain theorists developed a new affect theory crafted especially for music, postulating that music's physical materiality as sound vibrated the nerves of listeners and attuned them to the affects through sympathetic resonance. This was a theory of affective attunement that bypassed the entire structure of representation, offering a non-discursive, corporeal alternative. It is a pendant to contemporary theories of affect, and one from which they have much to learn. Inflecting our current intellectual moment through eighteenth-century music theory and aesthetics, this book offers a reassessment of affect theory's common systems and processes. It offers a new way of thinking through affect dialectically, drawing attention to patterns and problems in affect theory that we have been given to repeating. Finally, taking a cue from eighteenth-century theory, it gives renewed attention to the objects that generate affects in subjects. |
| Beschreibung: | 1 online resource (165 pages.) |
| Bibliographie: | Includes bibliographical references (pages 147-159) and index. |
| ISBN: | 9780823288076 0823288072 9780823290413 0823290417 |
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| 520 | |a Peculiar Attunements places the recent turn to affect into conversation with a parallel movement in European music theory of the eighteenth century. During that time the affects-or passions, as they were also called-formed a vital component of a mimetic model of the arts. Eighteenth-century critics held that artworks imitated or copied the natural world in order to produce copies of the affects in their beholders. But music caused a problem for such theories, since it wasn't apparent that musical tones could imitate anything with any dependability, beyond the rare thunderclap or birdcall. Struggling to articulate how it was that music managed to move its auditors without imitation, certain theorists developed a new affect theory crafted especially for music, postulating that music's physical materiality as sound vibrated the nerves of listeners and attuned them to the affects through sympathetic resonance. This was a theory of affective attunement that bypassed the entire structure of representation, offering a non-discursive, corporeal alternative. It is a pendant to contemporary theories of affect, and one from which they have much to learn. Inflecting our current intellectual moment through eighteenth-century music theory and aesthetics, this book offers a reassessment of affect theory's common systems and processes. It offers a new way of thinking through affect dialectically, drawing attention to patterns and problems in affect theory that we have been given to repeating. Finally, taking a cue from eighteenth-century theory, it gives renewed attention to the objects that generate affects in subjects. | ||
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| contents | Introduction -- Eighteenth-century and opera and the mimetic Affektenlehre -- Comic opera : Mimesis exploded -- Sonate, que me veux-tu and other dilemmas of instrumental music -- The attunement Affektenlehre -- Coda : Affect after the Affektenlehre. |
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| discipline | Musikwissenschaft |
| edition | First edition. |
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| spelling | Grant, Roger Mathew, author. Peculiar attunements : how affect theory turned musical / Roger Mathew Grant. First edition. New York : Fordham University Press, 2020. ©2020 1 online resource (165 pages.) text txt rdacontent computer rdamedia online resource rdacarrier Includes bibliographical references (pages 147-159) and index. Description based on print version record. Peculiar Attunements places the recent turn to affect into conversation with a parallel movement in European music theory of the eighteenth century. During that time the affects-or passions, as they were also called-formed a vital component of a mimetic model of the arts. Eighteenth-century critics held that artworks imitated or copied the natural world in order to produce copies of the affects in their beholders. But music caused a problem for such theories, since it wasn't apparent that musical tones could imitate anything with any dependability, beyond the rare thunderclap or birdcall. Struggling to articulate how it was that music managed to move its auditors without imitation, certain theorists developed a new affect theory crafted especially for music, postulating that music's physical materiality as sound vibrated the nerves of listeners and attuned them to the affects through sympathetic resonance. This was a theory of affective attunement that bypassed the entire structure of representation, offering a non-discursive, corporeal alternative. It is a pendant to contemporary theories of affect, and one from which they have much to learn. Inflecting our current intellectual moment through eighteenth-century music theory and aesthetics, this book offers a reassessment of affect theory's common systems and processes. It offers a new way of thinking through affect dialectically, drawing attention to patterns and problems in affect theory that we have been given to repeating. Finally, taking a cue from eighteenth-century theory, it gives renewed attention to the objects that generate affects in subjects. Introduction -- Eighteenth-century and opera and the mimetic Affektenlehre -- Comic opera : Mimesis exploded -- Sonate, que me veux-tu and other dilemmas of instrumental music -- The attunement Affektenlehre -- Coda : Affect after the Affektenlehre. Doctrine of the affections. http://id.loc.gov/authorities/subjects/sh93004725 Music Physiological effect. http://id.loc.gov/authorities/subjects/sh85088810 Emotions in music. http://id.loc.gov/authorities/subjects/sh2005003066 Mimesis in music. http://id.loc.gov/authorities/subjects/sh2014000284 Music Europe 18th century Philosophy and aesthetics. Musique Effets physiologiques. Mimêsis dans la musique. Doctrine of the affections fast Emotions in music fast Mimesis in music fast Music Philosophy and aesthetics fast Music Physiological effect fast Europe fast https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq 1700-1799 fast Literary criticism. lcgft http://id.loc.gov/authorities/genreForms/gf2017026126 Critiques littéraires. rvmgf has work: Peculiar attunements (Text) https://id.oclc.org/worldcat/entity/E39PCFTCB97RmcbrHJKQCbrWH3 https://id.oclc.org/worldcat/ontology/hasWork Print version: 0823288064 9780823288069 0823287742 9780823287741 (OCoLC)1117902039 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2237346 Volltext |
| spellingShingle | Grant, Roger Mathew Peculiar attunements : how affect theory turned musical / Introduction -- Eighteenth-century and opera and the mimetic Affektenlehre -- Comic opera : Mimesis exploded -- Sonate, que me veux-tu and other dilemmas of instrumental music -- The attunement Affektenlehre -- Coda : Affect after the Affektenlehre. Doctrine of the affections. http://id.loc.gov/authorities/subjects/sh93004725 Music Physiological effect. http://id.loc.gov/authorities/subjects/sh85088810 Emotions in music. http://id.loc.gov/authorities/subjects/sh2005003066 Mimesis in music. http://id.loc.gov/authorities/subjects/sh2014000284 Music Europe 18th century Philosophy and aesthetics. Musique Effets physiologiques. Mimêsis dans la musique. Doctrine of the affections fast Emotions in music fast Mimesis in music fast Music Philosophy and aesthetics fast Music Physiological effect fast |
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| title | Peculiar attunements : how affect theory turned musical / |
| title_auth | Peculiar attunements : how affect theory turned musical / |
| title_exact_search | Peculiar attunements : how affect theory turned musical / |
| title_full | Peculiar attunements : how affect theory turned musical / Roger Mathew Grant. |
| title_fullStr | Peculiar attunements : how affect theory turned musical / Roger Mathew Grant. |
| title_full_unstemmed | Peculiar attunements : how affect theory turned musical / Roger Mathew Grant. |
| title_short | Peculiar attunements : |
| title_sort | peculiar attunements how affect theory turned musical |
| title_sub | how affect theory turned musical / |
| topic | Doctrine of the affections. http://id.loc.gov/authorities/subjects/sh93004725 Music Physiological effect. http://id.loc.gov/authorities/subjects/sh85088810 Emotions in music. http://id.loc.gov/authorities/subjects/sh2005003066 Mimesis in music. http://id.loc.gov/authorities/subjects/sh2014000284 Music Europe 18th century Philosophy and aesthetics. Musique Effets physiologiques. Mimêsis dans la musique. Doctrine of the affections fast Emotions in music fast Mimesis in music fast Music Philosophy and aesthetics fast Music Physiological effect fast |
| topic_facet | Doctrine of the affections. Music Physiological effect. Emotions in music. Mimesis in music. Music Europe 18th century Philosophy and aesthetics. Musique Effets physiologiques. Mimêsis dans la musique. Doctrine of the affections Emotions in music Mimesis in music Music Philosophy and aesthetics Music Physiological effect Europe Literary criticism. Critiques littéraires. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2237346 |
| work_keys_str_mv | AT grantrogermathew peculiarattunementshowaffecttheoryturnedmusical |