Indonesian cinema after the new order :: going mainstream /
"In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to internat...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Hong Kong :
HKU Press,
[2019]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This 'going mainstream' paradigm reaches far beyond film history and forms a methodology for understanding the market in which all cultural industries operate, where the citizen-consumer (not the state) becomes sovereign. Indonesia presents a particularly interesting case because 'going mainstream' has increasingly meant catering to the demands of new Islamic piety movements. It has also meant working with a new Ministry of Tourism and Creative Economy, established in 2011. Rather than a simplified creative world many hoped for, Indonesian filmmaking now navigates a new complex of challenges different to those faced before 1998. Barker sees this industry as a microcosm of the entire country: democratic yet burdened by authoritarian legacies, creative yet culturally contested, international yet domestically shaped."-- |
| Beschreibung: | 1 online resource (vii, 234 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789882204751 9882204759 |
Internformat
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| 245 | 1 | 0 | |a Indonesian cinema after the new order : |b going mainstream / |c Thomas Barker. |
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| 300 | |a 1 online resource (vii, 234 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : Indonesian cinema after authoritarianism -- Indonesian cinema before reformasi -- From indie to mainstream -- Horrifying youth -- Marrying Islam and pop culture -- Audiences without cinemas -- Producing an oligopoly -- Friction : society, censorship, and government policy -- Conclusion : Indonesian cinema as pop culture. | |
| 520 | |a "In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This 'going mainstream' paradigm reaches far beyond film history and forms a methodology for understanding the market in which all cultural industries operate, where the citizen-consumer (not the state) becomes sovereign. Indonesia presents a particularly interesting case because 'going mainstream' has increasingly meant catering to the demands of new Islamic piety movements. It has also meant working with a new Ministry of Tourism and Creative Economy, established in 2011. Rather than a simplified creative world many hoped for, Indonesian filmmaking now navigates a new complex of challenges different to those faced before 1998. Barker sees this industry as a microcosm of the entire country: democratic yet burdened by authoritarian legacies, creative yet culturally contested, international yet domestically shaped."-- |c Provided by publisher | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1142634353 |
|---|---|
| _version_ | 1816882512188669953 |
| adam_text | |
| any_adam_object | |
| author | Barker, Thomas (Thomas Alexander Charles) |
| author_GND | http://id.loc.gov/authorities/names/no2020136010 |
| author_facet | Barker, Thomas (Thomas Alexander Charles) |
| author_role | aut |
| author_sort | Barker, Thomas |
| author_variant | t b tb |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.I84 B37 2019eb |
| callnumber-search | PN1993.5.I84 B37 2019eb |
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| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Introduction : Indonesian cinema after authoritarianism -- Indonesian cinema before reformasi -- From indie to mainstream -- Horrifying youth -- Marrying Islam and pop culture -- Audiences without cinemas -- Producing an oligopoly -- Friction : society, censorship, and government policy -- Conclusion : Indonesian cinema as pop culture. |
| ctrlnum | (OCoLC)1142634353 |
| dewey-full | 792.4309598 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.4309598 |
| dewey-search | 792.4309598 |
| dewey-sort | 3792.4309598 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Electronic books. History fast |
| genre_facet | Electronic books. History |
| geographic | Indonesia fast https://id.oclc.org/worldcat/entity/E39PBJcrbVHmQ674B9vYY3X8G3 |
| geographic_facet | Indonesia |
| id | ZDB-4-EBA-on1142634353 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:29:47Z |
| institution | BVB |
| isbn | 9789882204751 9882204759 |
| language | English |
| oclc_num | 1142634353 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (vii, 234 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | HKU Press, |
| record_format | marc |
| spelling | Barker, Thomas (Thomas Alexander Charles), author. https://id.oclc.org/worldcat/entity/E39PCjyr8F3dqQVHFwqFQXPmV3 http://id.loc.gov/authorities/names/no2020136010 Indonesian cinema after the new order : going mainstream / Thomas Barker. Hong Kong : HKU Press, [2019] 1 online resource (vii, 234 pages) : illustrations text txt rdacontent still image sti rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Introduction : Indonesian cinema after authoritarianism -- Indonesian cinema before reformasi -- From indie to mainstream -- Horrifying youth -- Marrying Islam and pop culture -- Audiences without cinemas -- Producing an oligopoly -- Friction : society, censorship, and government policy -- Conclusion : Indonesian cinema as pop culture. "In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This 'going mainstream' paradigm reaches far beyond film history and forms a methodology for understanding the market in which all cultural industries operate, where the citizen-consumer (not the state) becomes sovereign. Indonesia presents a particularly interesting case because 'going mainstream' has increasingly meant catering to the demands of new Islamic piety movements. It has also meant working with a new Ministry of Tourism and Creative Economy, established in 2011. Rather than a simplified creative world many hoped for, Indonesian filmmaking now navigates a new complex of challenges different to those faced before 1998. Barker sees this industry as a microcosm of the entire country: democratic yet burdened by authoritarian legacies, creative yet culturally contested, international yet domestically shaped."-- Provided by publisher Print version record. Motion pictures Indonesia History. Motion picture industry Indonesia History. Cinéma Indonésie Histoire. Cinéma Industrie Indonésie Histoire. Motion picture industry fast Motion pictures fast Indonesia fast https://id.oclc.org/worldcat/entity/E39PBJcrbVHmQ674B9vYY3X8G3 Electronic books. History fast Print version: Barker, Thomas. Indonesian cinema after the new order. Hong Kong : HKU Press, [2019] 9789888528073 (OCoLC)1121092980 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2377766 Volltext |
| spellingShingle | Barker, Thomas (Thomas Alexander Charles) Indonesian cinema after the new order : going mainstream / Introduction : Indonesian cinema after authoritarianism -- Indonesian cinema before reformasi -- From indie to mainstream -- Horrifying youth -- Marrying Islam and pop culture -- Audiences without cinemas -- Producing an oligopoly -- Friction : society, censorship, and government policy -- Conclusion : Indonesian cinema as pop culture. Motion pictures Indonesia History. Motion picture industry Indonesia History. Cinéma Indonésie Histoire. Cinéma Industrie Indonésie Histoire. Motion picture industry fast Motion pictures fast |
| title | Indonesian cinema after the new order : going mainstream / |
| title_auth | Indonesian cinema after the new order : going mainstream / |
| title_exact_search | Indonesian cinema after the new order : going mainstream / |
| title_full | Indonesian cinema after the new order : going mainstream / Thomas Barker. |
| title_fullStr | Indonesian cinema after the new order : going mainstream / Thomas Barker. |
| title_full_unstemmed | Indonesian cinema after the new order : going mainstream / Thomas Barker. |
| title_short | Indonesian cinema after the new order : |
| title_sort | indonesian cinema after the new order going mainstream |
| title_sub | going mainstream / |
| topic | Motion pictures Indonesia History. Motion picture industry Indonesia History. Cinéma Indonésie Histoire. Cinéma Industrie Indonésie Histoire. Motion picture industry fast Motion pictures fast |
| topic_facet | Motion pictures Indonesia History. Motion picture industry Indonesia History. Cinéma Indonésie Histoire. Cinéma Industrie Indonésie Histoire. Motion picture industry Motion pictures Indonesia Electronic books. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2377766 |
| work_keys_str_mv | AT barkerthomas indonesiancinemaafterthenewordergoingmainstream |