Pablo Picasso :: the Aphrodite period (1924-1936) /
As early as the ancient Greeks, goddesses served as Muses for artistic creation. In essence, a creatively charged energy inspired the artist, leaving a unique and recognizable mark on the artwork. Picassos relationships with the women in his life was deeply formative, and he often represented them a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Eastbourne, England :
Sussex Academic Press,
2020.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | As early as the ancient Greeks, goddesses served as Muses for artistic creation. In essence, a creatively charged energy inspired the artist, leaving a unique and recognizable mark on the artwork. Picassos relationships with the women in his life was deeply formative, and he often represented them as Muses. He was particularly unabashed in the declaration of his feelings to one of them, Marie-Therese Walter, his youthful mistress of 1927. But at that point Picasso was still married to Olga Khokhlova, thus forced to practice the utmost discretion. His marriage to Olga made him increasingly frustrated with her imposed bourgeois expectations. As a release from this marital burden, Marie-Therese was ever present in his work, often portrayed as Aphrodite with a wreath in her hair, a basket of flowers and fruits by her side. Marie-Therese was the Dream the Muse. This fertile period coincided with the strong influence of surrealism which helped liberate Picassos psyche from the straitjacket that Olgas lifestyle imposed on him. By 1935, however, the model and mistress became a mother to Maya, radically changing the role she previously had. The following year Picasso was introduced to a new woman, Dora Maar, an encounter that signalled the beginning of the end of Marie-Thereses exclusive claim on Picassos affections and the closing of an artistic period clearly marked by fertility. The Aphrodite Period (1924-1936) provides new insights and analysis of Picassos life as recently uncovered through the research of the Online Picasso Project. This time-span is one of the most illustrative periods of Picassos career in that it clearly demonstrates the close interdependence between sexuality and artistic creativity that characterize Picasso's entire output. |
| Beschreibung: | 1 online resource (viii, 327 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781782846628 178284662X |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1138012575 | ||
| 003 | OCoLC | ||
| 005 | 20250103110447.0 | ||
| 006 | m o d | ||
| 007 | cr mn||||||||| | ||
| 008 | 200130t20202020enk ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d EBLCP |d YDX |d OCLCF |d OCLCQ |d BNG |d OSU |d OCLCQ |d OCLCO |d JSTOR |d OCLCQ |d PSYSI |d OCLCQ |d OCLCO |d OCLCL | ||
| 020 | |a 9781782846628 |q (electronic bk.) | ||
| 020 | |a 178284662X |q (electronic bk.) | ||
| 020 | |z 9781789760088 |q (hardcover) | ||
| 020 | |z 1789760089 |q (hardcover) | ||
| 035 | |a (OCoLC)1138012575 | ||
| 037 | |a 22573/ctv30bbh1n |b JSTOR | ||
| 043 | |a e-fr--- | ||
| 050 | 4 | |a N6853.P5 |b M35 2020eb | |
| 082 | 7 | |a 759.4 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Mallen, Enrique, |e author. | |
| 245 | 1 | 0 | |a Pablo Picasso : |b the Aphrodite period (1924-1936) / |c Enrique Mallen. |
| 264 | 1 | |a Eastbourne, England : |b Sussex Academic Press, |c 2020. | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (viii, 327 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | 8 | |a As early as the ancient Greeks, goddesses served as Muses for artistic creation. In essence, a creatively charged energy inspired the artist, leaving a unique and recognizable mark on the artwork. Picassos relationships with the women in his life was deeply formative, and he often represented them as Muses. He was particularly unabashed in the declaration of his feelings to one of them, Marie-Therese Walter, his youthful mistress of 1927. But at that point Picasso was still married to Olga Khokhlova, thus forced to practice the utmost discretion. His marriage to Olga made him increasingly frustrated with her imposed bourgeois expectations. As a release from this marital burden, Marie-Therese was ever present in his work, often portrayed as Aphrodite with a wreath in her hair, a basket of flowers and fruits by her side. Marie-Therese was the Dream the Muse. This fertile period coincided with the strong influence of surrealism which helped liberate Picassos psyche from the straitjacket that Olgas lifestyle imposed on him. By 1935, however, the model and mistress became a mother to Maya, radically changing the role she previously had. The following year Picasso was introduced to a new woman, Dora Maar, an encounter that signalled the beginning of the end of Marie-Thereses exclusive claim on Picassos affections and the closing of an artistic period clearly marked by fertility. The Aphrodite Period (1924-1936) provides new insights and analysis of Picassos life as recently uncovered through the research of the Online Picasso Project. This time-span is one of the most illustrative periods of Picassos career in that it clearly demonstrates the close interdependence between sexuality and artistic creativity that characterize Picasso's entire output. | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a 1923 La flûte de Pan -- 1924 Mercure -- 1925 La danse -- 1926 L'atelier de la modiste -- 1927 Figure féminine sur une plage -- 1928 Le peintre et son modèle -- 1929 Grand nu au fauteuil rouge -- 1930 La crucifixion -- 1931 Figures au bord de la mer -- 1932 Le rêve -- 1933 Suite Vollard -- 1934 Course de taureaux -- 1935 La Minotauromachie -- 1936 Minotaure à la carriole. | |
| 588 | 0 | |a Print version record | |
| 600 | 1 | 0 | |a Picasso, Pablo, |d 1881-1973. |0 http://id.loc.gov/authorities/names/n78086005 |
| 600 | 1 | 7 | |a Picasso, Pablo, |d 1881-1973 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJwX7dpghGQjcMxhfXVHmd |
| 650 | 0 | |a Artists |z France. | |
| 650 | 6 | |a Artistes |z France. | |
| 650 | 7 | |a Artists |2 fast | |
| 651 | 7 | |a France |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP | |
| 758 | |i has work: |a Pablo Picasso (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGBMXF7pmrg8MvfCqP3JDq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Mallen, Enrique. |t Pablo Picasso. |d Eastbourne, England : Sussex Academic Press, 2019 |z 9781789760088 |w (OCoLC)1131890887 |
| 966 | 4 | 0 | |l DE-862 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2362102 |3 Volltext |
| 966 | 4 | 0 | |l DE-863 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2362102 |3 Volltext |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6031570 | ||
| 938 | |a EBSCOhost |b EBSC |n 2362102 | ||
| 938 | |a YBP Library Services |b YANK |n 301076580 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-862 | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1138012575 |
|---|---|
| _version_ | 1829095322351042560 |
| adam_text | |
| any_adam_object | |
| author | Mallen, Enrique |
| author_facet | Mallen, Enrique |
| author_role | aut |
| author_sort | Mallen, Enrique |
| author_variant | e m em |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6853 |
| callnumber-raw | N6853.P5 M35 2020eb |
| callnumber-search | N6853.P5 M35 2020eb |
| callnumber-sort | N 46853 P5 M35 42020EB |
| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | 1923 La flûte de Pan -- 1924 Mercure -- 1925 La danse -- 1926 L'atelier de la modiste -- 1927 Figure féminine sur une plage -- 1928 Le peintre et son modèle -- 1929 Grand nu au fauteuil rouge -- 1930 La crucifixion -- 1931 Figures au bord de la mer -- 1932 Le rêve -- 1933 Suite Vollard -- 1934 Course de taureaux -- 1935 La Minotauromachie -- 1936 Minotaure à la carriole. |
| ctrlnum | (OCoLC)1138012575 |
| dewey-full | 759.4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.4 |
| dewey-search | 759.4 |
| dewey-sort | 3759.4 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04361cam a2200529 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1138012575</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20250103110447.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr mn|||||||||</controlfield><controlfield tag="008">200130t20202020enk ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">EBLCP</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">BNG</subfield><subfield code="d">OSU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">JSTOR</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">PSYSI</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781782846628</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">178284662X</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781789760088</subfield><subfield code="q">(hardcover)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1789760089</subfield><subfield code="q">(hardcover)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1138012575</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv30bbh1n</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">e-fr---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">N6853.P5</subfield><subfield code="b">M35 2020eb</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">759.4</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Mallen, Enrique,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Pablo Picasso :</subfield><subfield code="b">the Aphrodite period (1924-1936) /</subfield><subfield code="c">Enrique Mallen.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Eastbourne, England :</subfield><subfield code="b">Sussex Academic Press,</subfield><subfield code="c">2020.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (viii, 327 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">As early as the ancient Greeks, goddesses served as Muses for artistic creation. In essence, a creatively charged energy inspired the artist, leaving a unique and recognizable mark on the artwork. Picassos relationships with the women in his life was deeply formative, and he often represented them as Muses. He was particularly unabashed in the declaration of his feelings to one of them, Marie-Therese Walter, his youthful mistress of 1927. But at that point Picasso was still married to Olga Khokhlova, thus forced to practice the utmost discretion. His marriage to Olga made him increasingly frustrated with her imposed bourgeois expectations. As a release from this marital burden, Marie-Therese was ever present in his work, often portrayed as Aphrodite with a wreath in her hair, a basket of flowers and fruits by her side. Marie-Therese was the Dream the Muse. This fertile period coincided with the strong influence of surrealism which helped liberate Picassos psyche from the straitjacket that Olgas lifestyle imposed on him. By 1935, however, the model and mistress became a mother to Maya, radically changing the role she previously had. The following year Picasso was introduced to a new woman, Dora Maar, an encounter that signalled the beginning of the end of Marie-Thereses exclusive claim on Picassos affections and the closing of an artistic period clearly marked by fertility. The Aphrodite Period (1924-1936) provides new insights and analysis of Picassos life as recently uncovered through the research of the Online Picasso Project. This time-span is one of the most illustrative periods of Picassos career in that it clearly demonstrates the close interdependence between sexuality and artistic creativity that characterize Picasso's entire output.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">1923 La flûte de Pan -- 1924 Mercure -- 1925 La danse -- 1926 L'atelier de la modiste -- 1927 Figure féminine sur une plage -- 1928 Le peintre et son modèle -- 1929 Grand nu au fauteuil rouge -- 1930 La crucifixion -- 1931 Figures au bord de la mer -- 1932 Le rêve -- 1933 Suite Vollard -- 1934 Course de taureaux -- 1935 La Minotauromachie -- 1936 Minotaure à la carriole.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Picasso, Pablo,</subfield><subfield code="d">1881-1973.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n78086005</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Picasso, Pablo,</subfield><subfield code="d">1881-1973</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJwX7dpghGQjcMxhfXVHmd</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Artists</subfield><subfield code="z">France.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Artistes</subfield><subfield code="z">France.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Artists</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">France</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Pablo Picasso (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGBMXF7pmrg8MvfCqP3JDq</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Mallen, Enrique.</subfield><subfield code="t">Pablo Picasso.</subfield><subfield code="d">Eastbourne, England : Sussex Academic Press, 2019</subfield><subfield code="z">9781789760088</subfield><subfield code="w">(OCoLC)1131890887</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-862</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2362102</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-863</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2362102</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL6031570</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">2362102</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">301076580</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-862</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| geographic | France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP |
| geographic_facet | France |
| id | ZDB-4-EBA-on1138012575 |
| illustrated | Not Illustrated |
| indexdate | 2025-04-11T08:47:11Z |
| institution | BVB |
| isbn | 9781782846628 178284662X |
| language | English |
| oclc_num | 1138012575 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (viii, 327 pages) |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Sussex Academic Press, |
| record_format | marc |
| spelling | Mallen, Enrique, author. Pablo Picasso : the Aphrodite period (1924-1936) / Enrique Mallen. Eastbourne, England : Sussex Academic Press, 2020. ©2020 1 online resource (viii, 327 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier As early as the ancient Greeks, goddesses served as Muses for artistic creation. In essence, a creatively charged energy inspired the artist, leaving a unique and recognizable mark on the artwork. Picassos relationships with the women in his life was deeply formative, and he often represented them as Muses. He was particularly unabashed in the declaration of his feelings to one of them, Marie-Therese Walter, his youthful mistress of 1927. But at that point Picasso was still married to Olga Khokhlova, thus forced to practice the utmost discretion. His marriage to Olga made him increasingly frustrated with her imposed bourgeois expectations. As a release from this marital burden, Marie-Therese was ever present in his work, often portrayed as Aphrodite with a wreath in her hair, a basket of flowers and fruits by her side. Marie-Therese was the Dream the Muse. This fertile period coincided with the strong influence of surrealism which helped liberate Picassos psyche from the straitjacket that Olgas lifestyle imposed on him. By 1935, however, the model and mistress became a mother to Maya, radically changing the role she previously had. The following year Picasso was introduced to a new woman, Dora Maar, an encounter that signalled the beginning of the end of Marie-Thereses exclusive claim on Picassos affections and the closing of an artistic period clearly marked by fertility. The Aphrodite Period (1924-1936) provides new insights and analysis of Picassos life as recently uncovered through the research of the Online Picasso Project. This time-span is one of the most illustrative periods of Picassos career in that it clearly demonstrates the close interdependence between sexuality and artistic creativity that characterize Picasso's entire output. Includes bibliographical references and index. 1923 La flûte de Pan -- 1924 Mercure -- 1925 La danse -- 1926 L'atelier de la modiste -- 1927 Figure féminine sur une plage -- 1928 Le peintre et son modèle -- 1929 Grand nu au fauteuil rouge -- 1930 La crucifixion -- 1931 Figures au bord de la mer -- 1932 Le rêve -- 1933 Suite Vollard -- 1934 Course de taureaux -- 1935 La Minotauromachie -- 1936 Minotaure à la carriole. Print version record Picasso, Pablo, 1881-1973. http://id.loc.gov/authorities/names/n78086005 Picasso, Pablo, 1881-1973 fast https://id.oclc.org/worldcat/entity/E39PBJwX7dpghGQjcMxhfXVHmd Artists France. Artistes France. Artists fast France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP has work: Pablo Picasso (Text) https://id.oclc.org/worldcat/entity/E39PCGBMXF7pmrg8MvfCqP3JDq https://id.oclc.org/worldcat/ontology/hasWork Print version: Mallen, Enrique. Pablo Picasso. Eastbourne, England : Sussex Academic Press, 2019 9781789760088 (OCoLC)1131890887 |
| spellingShingle | Mallen, Enrique Pablo Picasso : the Aphrodite period (1924-1936) / 1923 La flûte de Pan -- 1924 Mercure -- 1925 La danse -- 1926 L'atelier de la modiste -- 1927 Figure féminine sur une plage -- 1928 Le peintre et son modèle -- 1929 Grand nu au fauteuil rouge -- 1930 La crucifixion -- 1931 Figures au bord de la mer -- 1932 Le rêve -- 1933 Suite Vollard -- 1934 Course de taureaux -- 1935 La Minotauromachie -- 1936 Minotaure à la carriole. Picasso, Pablo, 1881-1973. http://id.loc.gov/authorities/names/n78086005 Picasso, Pablo, 1881-1973 fast https://id.oclc.org/worldcat/entity/E39PBJwX7dpghGQjcMxhfXVHmd Artists France. Artistes France. Artists fast |
| subject_GND | http://id.loc.gov/authorities/names/n78086005 |
| title | Pablo Picasso : the Aphrodite period (1924-1936) / |
| title_auth | Pablo Picasso : the Aphrodite period (1924-1936) / |
| title_exact_search | Pablo Picasso : the Aphrodite period (1924-1936) / |
| title_full | Pablo Picasso : the Aphrodite period (1924-1936) / Enrique Mallen. |
| title_fullStr | Pablo Picasso : the Aphrodite period (1924-1936) / Enrique Mallen. |
| title_full_unstemmed | Pablo Picasso : the Aphrodite period (1924-1936) / Enrique Mallen. |
| title_short | Pablo Picasso : |
| title_sort | pablo picasso the aphrodite period 1924 1936 |
| title_sub | the Aphrodite period (1924-1936) / |
| topic | Picasso, Pablo, 1881-1973. http://id.loc.gov/authorities/names/n78086005 Picasso, Pablo, 1881-1973 fast https://id.oclc.org/worldcat/entity/E39PBJwX7dpghGQjcMxhfXVHmd Artists France. Artistes France. Artists fast |
| topic_facet | Picasso, Pablo, 1881-1973. Picasso, Pablo, 1881-1973 Artists France. Artistes France. Artists France |
| work_keys_str_mv | AT mallenenrique pablopicassotheaphroditeperiod19241936 |