Stitching the self :: identity and the needle arts /
The needle arts are traditionally associated with the decorative, domestic, and feminine. Stitching the Self sets out to expand this narrow view, demonstrating how needlework has emerged as an art form through which both objects and identities - social, political, and often non-conformist - are craf...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London, UK ; New York, NY, USA :
Bloomsbury Visual Arts,
2020.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The needle arts are traditionally associated with the decorative, domestic, and feminine. Stitching the Self sets out to expand this narrow view, demonstrating how needlework has emerged as an art form through which both objects and identities - social, political, and often non-conformist - are crafted. Bringing together the work of ten art and craft historians, this illustrated collection focuses on the interplay between craft and artistry, amateurism and professionalism, and re-evaluates ideas of gendered production between 1850 and the present. From quilting in settler Canada to the embroidery of suffragist banners and the needlework of the Bloomsbury Group, it reveals how needlework is a transformative process - one which is used to express political ideas, forge professional relationships, and document shifting identities. With a range of methodological approaches, including object-based, feminist, and historical analyses, Stitching the Self examines individual and communal involvement in a range of textile practices. Exploring how stitching shapes both self and world, the book recognizes the needle as a powerful tool in the fight for self-expression. |
| Beschreibung: | 1 online resource (xv, 227 pages, 8 unnumbered pages of plates ): illustrations (black and white, and colour. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781350070394 1350070394 9781350070400 1350070408 9781350070417 1350070416 |
Internformat
MARC
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| 245 | 0 | 0 | |a Stitching the self : |b identity and the needle arts / |c edited by Johanna Amos and Lisa Binkley. |
| 264 | 1 | |a London, UK ; |a New York, NY, USA : |b Bloomsbury Visual Arts, |c 2020. | |
| 300 | |a 1 online resource (xv, 227 pages, 8 unnumbered pages of plates ): |b illustrations (black and white, and colour. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |2 rdamedia | ||
| 338 | |a online resource |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a The needle arts are traditionally associated with the decorative, domestic, and feminine. Stitching the Self sets out to expand this narrow view, demonstrating how needlework has emerged as an art form through which both objects and identities - social, political, and often non-conformist - are crafted. Bringing together the work of ten art and craft historians, this illustrated collection focuses on the interplay between craft and artistry, amateurism and professionalism, and re-evaluates ideas of gendered production between 1850 and the present. From quilting in settler Canada to the embroidery of suffragist banners and the needlework of the Bloomsbury Group, it reveals how needlework is a transformative process - one which is used to express political ideas, forge professional relationships, and document shifting identities. With a range of methodological approaches, including object-based, feminist, and historical analyses, Stitching the Self examines individual and communal involvement in a range of textile practices. Exploring how stitching shapes both self and world, the book recognizes the needle as a powerful tool in the fight for self-expression. | |
| 588 | |a Description based on print version record. | ||
| 505 | 0 | |a List of FiguresList of PlatesList of TablesNotes on ContributorsAcknowledgmentsIntroduction: Stitching the self ...Johanna Amos and Lisa BinkleyPart I: Emerging identity: Reconsidering the narratives of the needle1 The identity of an embroidering woman: The needle arts in Brussels, Belgium, 1850-1914Wendy Wiertz2 'Experiments in silk and gold work afterwards to bloom': The embroidering of Jane Burden MorrisJohanna Amos3 Becoming the boss of your knitting: Elizabeth Zimmermann and the emergence of critical knittingM. Lilly Marsh4 'Knitting is the saving of life; Adrian has taken it up too': Needlework, gender and the Bloomsbury group Joseph McBrinnPart II: Elaborating identity: Expressing ideology, crafting community5 Whig's Defeat: Stitching settler culture, politics, and identityLisa Binkley6 'From Prison to Citizenship,' 1910: The making and display of a suffragist bannerJanice Helland7 Our Lady of the Snows: Settlement, empire, and 'the children of Canada' in the needlework of Mary Seton Watts (1848-1938)Elaine Cheasley PatersonPart III: Recovering Identity: Locating the self through needlework8 'Je me declare Dieu-Mère, Femme Créateur': Johanna Wintsch's needlework at the Swiss psychiatric asylums Burghölzli and Rheinau, 1922-25Sabine Wieber9 Hybrid language: The interstitial stitches of Anna Torma's embroideriesAnne Koval10 Suturing my soul: In pursuit of the Broderie de BayeuxJanet Catherine BerloIndex. | |
| 650 | 0 | |a Needlework |x History. | |
| 650 | 0 | |a Needlework |x Social aspects. | |
| 650 | 0 | |a Expression in art. |0 http://id.loc.gov/authorities/subjects/sh97000236 | |
| 650 | 6 | |a Travaux à l'aiguille |x Histoire. | |
| 650 | 6 | |a Travaux à l'aiguille |x Aspect social. | |
| 650 | 6 | |a Expression dans l'art. | |
| 650 | 7 | |a Needlework & fabric crafts. |2 bicssc | |
| 650 | 7 | |a Crafts. |2 eflch | |
| 650 | 7 | |a Expression in art |2 fast | |
| 650 | 7 | |a Needlework |2 fast | |
| 650 | 7 | |a Crafts. |2 ukslc | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Amos, Johanna, |e editor. |0 http://id.loc.gov/authorities/names/no2020044206 | |
| 700 | 1 | |a Binkley, Lisa, |e editor. |0 http://id.loc.gov/authorities/names/no2020044118 | |
| 758 | |i has work: |a Stitching the self (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFBKY4tPQx9b7M6yjkXXtX |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |z 9781350070387 |z 1350070386 |w (OCoLC)1127085418 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2293693 |3 Volltext |
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| 994 | |a 92 |b GEBAY | ||
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| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1137838896 |
|---|---|
| _version_ | 1816882509837762560 |
| adam_text | |
| any_adam_object | |
| author2 | Amos, Johanna Binkley, Lisa |
| author2_role | edt edt |
| author2_variant | j a ja l b lb |
| author_GND | http://id.loc.gov/authorities/names/no2020044206 http://id.loc.gov/authorities/names/no2020044118 |
| author_facet | Amos, Johanna Binkley, Lisa |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | NK8806 |
| callnumber-raw | NK8806 .S75 2020 |
| callnumber-search | NK8806 .S75 2020 |
| callnumber-sort | NK 48806 S75 42020 |
| callnumber-subject | NK - Decorative Arts |
| collection | ZDB-4-EBA |
| contents | List of FiguresList of PlatesList of TablesNotes on ContributorsAcknowledgmentsIntroduction: Stitching the self ...Johanna Amos and Lisa BinkleyPart I: Emerging identity: Reconsidering the narratives of the needle1 The identity of an embroidering woman: The needle arts in Brussels, Belgium, 1850-1914Wendy Wiertz2 'Experiments in silk and gold work afterwards to bloom': The embroidering of Jane Burden MorrisJohanna Amos3 Becoming the boss of your knitting: Elizabeth Zimmermann and the emergence of critical knittingM. Lilly Marsh4 'Knitting is the saving of life; Adrian has taken it up too': Needlework, gender and the Bloomsbury group Joseph McBrinnPart II: Elaborating identity: Expressing ideology, crafting community5 Whig's Defeat: Stitching settler culture, politics, and identityLisa Binkley6 'From Prison to Citizenship,' 1910: The making and display of a suffragist bannerJanice Helland7 Our Lady of the Snows: Settlement, empire, and 'the children of Canada' in the needlework of Mary Seton Watts (1848-1938)Elaine Cheasley PatersonPart III: Recovering Identity: Locating the self through needlework8 'Je me declare Dieu-Mère, Femme Créateur': Johanna Wintsch's needlework at the Swiss psychiatric asylums Burghölzli and Rheinau, 1922-25Sabine Wieber9 Hybrid language: The interstitial stitches of Anna Torma's embroideriesAnne Koval10 Suturing my soul: In pursuit of the Broderie de BayeuxJanet Catherine BerloIndex. |
| ctrlnum | (OCoLC)1137838896 |
| dewey-full | 746.4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 746 - Textile arts |
| dewey-raw | 746.4 |
| dewey-search | 746.4 |
| dewey-sort | 3746.4 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| id | ZDB-4-EBA-on1137838896 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:29:45Z |
| institution | BVB |
| isbn | 9781350070394 1350070394 9781350070400 1350070408 9781350070417 1350070416 |
| language | English |
| oclc_num | 1137838896 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xv, 227 pages, 8 unnumbered pages of plates ): illustrations (black and white, and colour. |
| psigel | ZDB-4-EBA |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Bloomsbury Visual Arts, |
| record_format | marc |
| spelling | Stitching the self : identity and the needle arts / edited by Johanna Amos and Lisa Binkley. London, UK ; New York, NY, USA : Bloomsbury Visual Arts, 2020. 1 online resource (xv, 227 pages, 8 unnumbered pages of plates ): illustrations (black and white, and colour. text txt rdacontent computer rdamedia online resource rdacarrier Includes bibliographical references and index. The needle arts are traditionally associated with the decorative, domestic, and feminine. Stitching the Self sets out to expand this narrow view, demonstrating how needlework has emerged as an art form through which both objects and identities - social, political, and often non-conformist - are crafted. Bringing together the work of ten art and craft historians, this illustrated collection focuses on the interplay between craft and artistry, amateurism and professionalism, and re-evaluates ideas of gendered production between 1850 and the present. From quilting in settler Canada to the embroidery of suffragist banners and the needlework of the Bloomsbury Group, it reveals how needlework is a transformative process - one which is used to express political ideas, forge professional relationships, and document shifting identities. With a range of methodological approaches, including object-based, feminist, and historical analyses, Stitching the Self examines individual and communal involvement in a range of textile practices. Exploring how stitching shapes both self and world, the book recognizes the needle as a powerful tool in the fight for self-expression. Description based on print version record. List of FiguresList of PlatesList of TablesNotes on ContributorsAcknowledgmentsIntroduction: Stitching the self ...Johanna Amos and Lisa BinkleyPart I: Emerging identity: Reconsidering the narratives of the needle1 The identity of an embroidering woman: The needle arts in Brussels, Belgium, 1850-1914Wendy Wiertz2 'Experiments in silk and gold work afterwards to bloom': The embroidering of Jane Burden MorrisJohanna Amos3 Becoming the boss of your knitting: Elizabeth Zimmermann and the emergence of critical knittingM. Lilly Marsh4 'Knitting is the saving of life; Adrian has taken it up too': Needlework, gender and the Bloomsbury group Joseph McBrinnPart II: Elaborating identity: Expressing ideology, crafting community5 Whig's Defeat: Stitching settler culture, politics, and identityLisa Binkley6 'From Prison to Citizenship,' 1910: The making and display of a suffragist bannerJanice Helland7 Our Lady of the Snows: Settlement, empire, and 'the children of Canada' in the needlework of Mary Seton Watts (1848-1938)Elaine Cheasley PatersonPart III: Recovering Identity: Locating the self through needlework8 'Je me declare Dieu-Mère, Femme Créateur': Johanna Wintsch's needlework at the Swiss psychiatric asylums Burghölzli and Rheinau, 1922-25Sabine Wieber9 Hybrid language: The interstitial stitches of Anna Torma's embroideriesAnne Koval10 Suturing my soul: In pursuit of the Broderie de BayeuxJanet Catherine BerloIndex. Needlework History. Needlework Social aspects. Expression in art. http://id.loc.gov/authorities/subjects/sh97000236 Travaux à l'aiguille Histoire. Travaux à l'aiguille Aspect social. Expression dans l'art. Needlework & fabric crafts. bicssc Crafts. eflch Expression in art fast Needlework fast Crafts. ukslc History fast Amos, Johanna, editor. http://id.loc.gov/authorities/names/no2020044206 Binkley, Lisa, editor. http://id.loc.gov/authorities/names/no2020044118 has work: Stitching the self (Text) https://id.oclc.org/worldcat/entity/E39PCFBKY4tPQx9b7M6yjkXXtX https://id.oclc.org/worldcat/ontology/hasWork Print version: 9781350070387 1350070386 (OCoLC)1127085418 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2293693 Volltext |
| spellingShingle | Stitching the self : identity and the needle arts / List of FiguresList of PlatesList of TablesNotes on ContributorsAcknowledgmentsIntroduction: Stitching the self ...Johanna Amos and Lisa BinkleyPart I: Emerging identity: Reconsidering the narratives of the needle1 The identity of an embroidering woman: The needle arts in Brussels, Belgium, 1850-1914Wendy Wiertz2 'Experiments in silk and gold work afterwards to bloom': The embroidering of Jane Burden MorrisJohanna Amos3 Becoming the boss of your knitting: Elizabeth Zimmermann and the emergence of critical knittingM. Lilly Marsh4 'Knitting is the saving of life; Adrian has taken it up too': Needlework, gender and the Bloomsbury group Joseph McBrinnPart II: Elaborating identity: Expressing ideology, crafting community5 Whig's Defeat: Stitching settler culture, politics, and identityLisa Binkley6 'From Prison to Citizenship,' 1910: The making and display of a suffragist bannerJanice Helland7 Our Lady of the Snows: Settlement, empire, and 'the children of Canada' in the needlework of Mary Seton Watts (1848-1938)Elaine Cheasley PatersonPart III: Recovering Identity: Locating the self through needlework8 'Je me declare Dieu-Mère, Femme Créateur': Johanna Wintsch's needlework at the Swiss psychiatric asylums Burghölzli and Rheinau, 1922-25Sabine Wieber9 Hybrid language: The interstitial stitches of Anna Torma's embroideriesAnne Koval10 Suturing my soul: In pursuit of the Broderie de BayeuxJanet Catherine BerloIndex. Needlework History. Needlework Social aspects. Expression in art. http://id.loc.gov/authorities/subjects/sh97000236 Travaux à l'aiguille Histoire. Travaux à l'aiguille Aspect social. Expression dans l'art. Needlework & fabric crafts. bicssc Crafts. eflch Expression in art fast Needlework fast Crafts. ukslc |
| subject_GND | http://id.loc.gov/authorities/subjects/sh97000236 |
| title | Stitching the self : identity and the needle arts / |
| title_auth | Stitching the self : identity and the needle arts / |
| title_exact_search | Stitching the self : identity and the needle arts / |
| title_full | Stitching the self : identity and the needle arts / edited by Johanna Amos and Lisa Binkley. |
| title_fullStr | Stitching the self : identity and the needle arts / edited by Johanna Amos and Lisa Binkley. |
| title_full_unstemmed | Stitching the self : identity and the needle arts / edited by Johanna Amos and Lisa Binkley. |
| title_short | Stitching the self : |
| title_sort | stitching the self identity and the needle arts |
| title_sub | identity and the needle arts / |
| topic | Needlework History. Needlework Social aspects. Expression in art. http://id.loc.gov/authorities/subjects/sh97000236 Travaux à l'aiguille Histoire. Travaux à l'aiguille Aspect social. Expression dans l'art. Needlework & fabric crafts. bicssc Crafts. eflch Expression in art fast Needlework fast Crafts. ukslc |
| topic_facet | Needlework History. Needlework Social aspects. Expression in art. Travaux à l'aiguille Histoire. Travaux à l'aiguille Aspect social. Expression dans l'art. Needlework & fabric crafts. Crafts. Expression in art Needlework History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2293693 |
| work_keys_str_mv | AT amosjohanna stitchingtheselfidentityandtheneedlearts AT binkleylisa stitchingtheselfidentityandtheneedlearts |