Danièle Huillet, Jean-Marie Straub :: objectivists in cinema /
Danièle Huillet and Jean-Marie Straub collaborated on films together from the mid-1960s through the mid-2000s, making formally radical adaptations in several languages of major works of European literature by authors including Franz Kafka, Bertolt Brecht, Friedrich Hölderlin, Pierre Corneille, Arno...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English French |
| Veröffentlicht: |
Amsterdam :
Amsterdam University Press,
[2020]
|
| Schriftenreihe: | Film culture in transition.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Danièle Huillet and Jean-Marie Straub collaborated on films together from the mid-1960s through the mid-2000s, making formally radical adaptations in several languages of major works of European literature by authors including Franz Kafka, Bertolt Brecht, Friedrich Hölderlin, Pierre Corneille, Arnold Schoenberg, Cesare Pavese, and Elio Vitorrini. The impact of their work comes in part from a search for radical objectivity, a theme present in certain underground currents of modernist art and theory in the writings of Benjamin and Adorno and in a long-forgotten movement of American modernist poetry, "Objectivism," whose members included Louis Zukofsky, George Oppen, and Charles Reznikoff, with connections to William Carlos Williams and Ezra Pound. Through a detailed analysis of the films of Straub and Huillet, the works they adapted, and Objectivist poems and essays, Benoît Turquety locates common practices and explores a singular aesthetic approach where a work of art is conceived as an object, the artist an anonymous artisan, and where the force of politics and formal research attempt to reconcile with one another |
| Beschreibung: | 1 online resource (315 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789048543069 9048543061 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1134854684 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 200104s2020 ne ob 001 0 eng d | ||
| 040 | |a EBLCP |b eng |e rda |e pn |c EBLCP |d JSTOR |d OCLCF |d N$T |d YDX |d DEGRU |d UKAHL |d OCLCQ |d LUN |d UX1 |d YDXIT |d CAMBR |d K6U |d OCLCO |d OCLCQ |d DGITA |d OCLCO |d OCLCQ |d NLAUP |d YWS |d OCLCO |d OCLCL |d BLOOM | ||
| 019 | |a 1134776278 |a 1167555985 |a 1175634769 | ||
| 020 | |a 9789048543069 |q (electronic book) | ||
| 020 | |a 9048543061 |q (electronic book) | ||
| 020 | |z 9463722203 | ||
| 020 | |z 9789463722209 | ||
| 024 | 7 | |a 10.1515/9789048543069. |2 doi | |
| 035 | |a (OCoLC)1134854684 |z (OCoLC)1134776278 |z (OCoLC)1167555985 |z (OCoLC)1175634769 | ||
| 041 | 1 | |a eng |h fre | |
| 050 | 4 | |a PN1998.3.S77 |b T8713 2020 | |
| 072 | 7 | |a PER |x 018000 |2 bisacsh | |
| 072 | 7 | |a LIT |x 000000 |2 bisacsh | |
| 072 | 7 | |a PER |x 004010 |2 bisacsh | |
| 082 | 7 | |a 790 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Turquety, Benoît, |e author. | |
| 240 | 1 | 0 | |a Danièle Huillet, Jean-Marie Straub. |l English |
| 245 | 1 | 0 | |a Danièle Huillet, Jean-Marie Straub : |b objectivists in cinema / |c Benoît Turquety ; translated from the French by Ted Fendt. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2020] | |
| 300 | |a 1 online resource (315 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Film culture in transition | |
| 505 | 0 | |a Cover -- Contents -- Introduction -- Part One Foundations -- 1. Erotic Barbarity: Othon -- A Play, A Film -- Principles -- Tradition and Opacity -- 2. Objectivity and Objectivities -- Huillet and Straub-style "Objectivity" -- Objectivities -- The Objectivists: A History -- Objectivist Poetic Theory -- Part Two Language/Authority -- 3. The Power of Speech (or the Voice), of Seeing and the Path: Moses And Aaron -- Moses, Aaron, Schoenberg, Huillet & Straub -- The Cinematic Form of (the Absence of) God: "The Calling of Moses" -- Language Remains -- Birth of a Nation: Act II and End | |
| 505 | 8 | |a Objective on Objective: Huillet and Straub's Position -- 4. Speech against Power, or Poetry, Love, and Revolution: "A"-9 -- A Poem, History -- The Form of "A"-9 -- Value and Meaning: Capitalism and Abstraction -- Love as a Poetic/Revolutionary Technique -- Part Three Interruptions -- 5. Cinema, Poetry, History: Immobilizations -- Introduction to Arnold Schoenberg's "Musical Accompaniment to a Cinematographic Scene": Motion and Pause, Cinema as History -- From Ideogram to Fugue: Poetry/Cinema -- Interruptions -- Continuities -- History Without a Name -- Braiding, Cutting | |
| 505 | 8 | |a Part Four Trials, Series -- 6. Industrial Civilization for the Last Time: Class Relations -- Trials -- On Space -- 7. On Dissolution -- Speech Without Authority: The Death of Empedocles -- On Dismantling: Testimony and Workers, Peasants -- Conclusion -- About the Author -- Index | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a Danièle Huillet and Jean-Marie Straub collaborated on films together from the mid-1960s through the mid-2000s, making formally radical adaptations in several languages of major works of European literature by authors including Franz Kafka, Bertolt Brecht, Friedrich Hölderlin, Pierre Corneille, Arnold Schoenberg, Cesare Pavese, and Elio Vitorrini. The impact of their work comes in part from a search for radical objectivity, a theme present in certain underground currents of modernist art and theory in the writings of Benjamin and Adorno and in a long-forgotten movement of American modernist poetry, "Objectivism," whose members included Louis Zukofsky, George Oppen, and Charles Reznikoff, with connections to William Carlos Williams and Ezra Pound. Through a detailed analysis of the films of Straub and Huillet, the works they adapted, and Objectivist poems and essays, Benoît Turquety locates common practices and explores a singular aesthetic approach where a work of art is conceived as an object, the artist an anonymous artisan, and where the force of politics and formal research attempt to reconcile with one another | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on August 06, 2020). | |
| 600 | 1 | 0 | |a Straub, Jean-Marie |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Huillet, Danièle |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Huillet, Danièle |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJrwV9WhmtYktCTfhmQ8YP |
| 600 | 1 | 7 | |a Straub, Jean-Marie |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJrmchjppQcjcqRckDXyBP |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
| 650 | 7 | |a Individual film directors, film-makers. |2 bicssc | |
| 650 | 7 | |a Literature: history and criticism. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Individual Director. |2 bisacsh | |
| 653 | |a Straub, Huillet, Cinema, Modernist Poetry, Zukofsky, Oppen. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Fendt, Ted, |e translator. | |
| 758 | |i has work: |a Danièle Huillet, Jean-Marie Straub (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGKQ6DvJfVqWDMjpHFrwmd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Turquety, Benoît. |t Danièle Huillet, Jean-Marie Straub. |d Amsterdam : Amsterdam University Press, 2020 |z 9789048543069 |
| 830 | 0 | |a Film culture in transition. |0 http://id.loc.gov/authorities/names/n94045741 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2368011 |3 Volltext |
| 938 | |a Bloomsbury Publishing |b BLOO |n BP9789048561544SS | ||
| 938 | |a Amsterdam University Press |b AUPA |n 9789048543069 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37098193 | ||
| 938 | |a De Gruyter |b DEGR |n 9789048543069 | ||
| 938 | |a Digitalia Publishing |b DGIT |n DIGAMSTUP0319 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6002215 | ||
| 938 | |a EBSCOhost |b EBSC |n 2368011 | ||
| 938 | |a YBP Library Services |b YANK |n 16601526 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1134854684 |
|---|---|
| _version_ | 1816882508652871680 |
| adam_text | |
| any_adam_object | |
| author | Turquety, Benoît |
| author2 | Fendt, Ted |
| author2_role | trl |
| author2_variant | t f tf |
| author_facet | Turquety, Benoît Fendt, Ted |
| author_role | aut |
| author_sort | Turquety, Benoît |
| author_variant | b t bt |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1998 |
| callnumber-raw | PN1998.3.S77 T8713 2020 |
| callnumber-search | PN1998.3.S77 T8713 2020 |
| callnumber-sort | PN 41998.3 S77 T8713 42020 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Cover -- Contents -- Introduction -- Part One Foundations -- 1. Erotic Barbarity: Othon -- A Play, A Film -- Principles -- Tradition and Opacity -- 2. Objectivity and Objectivities -- Huillet and Straub-style "Objectivity" -- Objectivities -- The Objectivists: A History -- Objectivist Poetic Theory -- Part Two Language/Authority -- 3. The Power of Speech (or the Voice), of Seeing and the Path: Moses And Aaron -- Moses, Aaron, Schoenberg, Huillet & Straub -- The Cinematic Form of (the Absence of) God: "The Calling of Moses" -- Language Remains -- Birth of a Nation: Act II and End Objective on Objective: Huillet and Straub's Position -- 4. Speech against Power, or Poetry, Love, and Revolution: "A"-9 -- A Poem, History -- The Form of "A"-9 -- Value and Meaning: Capitalism and Abstraction -- Love as a Poetic/Revolutionary Technique -- Part Three Interruptions -- 5. Cinema, Poetry, History: Immobilizations -- Introduction to Arnold Schoenberg's "Musical Accompaniment to a Cinematographic Scene": Motion and Pause, Cinema as History -- From Ideogram to Fugue: Poetry/Cinema -- Interruptions -- Continuities -- History Without a Name -- Braiding, Cutting Part Four Trials, Series -- 6. Industrial Civilization for the Last Time: Class Relations -- Trials -- On Space -- 7. On Dissolution -- Speech Without Authority: The Death of Empedocles -- On Dismantling: Testimony and Workers, Peasants -- Conclusion -- About the Author -- Index |
| ctrlnum | (OCoLC)1134854684 |
| dewey-full | 790 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 790 - Recreational and performing arts |
| dewey-raw | 790 |
| dewey-search | 790 |
| dewey-sort | 3790 |
| dewey-tens | 790 - Recreational and performing arts |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06023cam a2200745 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1134854684</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">200104s2020 ne ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">EBLCP</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">EBLCP</subfield><subfield code="d">JSTOR</subfield><subfield code="d">OCLCF</subfield><subfield code="d">N$T</subfield><subfield code="d">YDX</subfield><subfield code="d">DEGRU</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LUN</subfield><subfield code="d">UX1</subfield><subfield code="d">YDXIT</subfield><subfield code="d">CAMBR</subfield><subfield code="d">K6U</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">DGITA</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">NLAUP</subfield><subfield code="d">YWS</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">BLOOM</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1134776278</subfield><subfield code="a">1167555985</subfield><subfield code="a">1175634769</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789048543069</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9048543061</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9463722203</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9789463722209</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9789048543069.</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1134854684</subfield><subfield code="z">(OCoLC)1134776278</subfield><subfield code="z">(OCoLC)1167555985</subfield><subfield code="z">(OCoLC)1175634769</subfield></datafield><datafield tag="041" ind1="1" ind2=" "><subfield code="a">eng</subfield><subfield code="h">fre</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1998.3.S77</subfield><subfield code="b">T8713 2020</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">018000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT</subfield><subfield code="x">000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">004010</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">790</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Turquety, Benoît,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Danièle Huillet, Jean-Marie Straub.</subfield><subfield code="l">English</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Danièle Huillet, Jean-Marie Straub :</subfield><subfield code="b">objectivists in cinema /</subfield><subfield code="c">Benoît Turquety ; translated from the French by Ted Fendt.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam :</subfield><subfield code="b">Amsterdam University Press,</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (315 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Film culture in transition</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover -- Contents -- Introduction -- Part One Foundations -- 1. Erotic Barbarity: Othon -- A Play, A Film -- Principles -- Tradition and Opacity -- 2. Objectivity and Objectivities -- Huillet and Straub-style "Objectivity" -- Objectivities -- The Objectivists: A History -- Objectivist Poetic Theory -- Part Two Language/Authority -- 3. The Power of Speech (or the Voice), of Seeing and the Path: Moses And Aaron -- Moses, Aaron, Schoenberg, Huillet & Straub -- The Cinematic Form of (the Absence of) God: "The Calling of Moses" -- Language Remains -- Birth of a Nation: Act II and End</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Objective on Objective: Huillet and Straub's Position -- 4. Speech against Power, or Poetry, Love, and Revolution: "A"-9 -- A Poem, History -- The Form of "A"-9 -- Value and Meaning: Capitalism and Abstraction -- Love as a Poetic/Revolutionary Technique -- Part Three Interruptions -- 5. Cinema, Poetry, History: Immobilizations -- Introduction to Arnold Schoenberg's "Musical Accompaniment to a Cinematographic Scene": Motion and Pause, Cinema as History -- From Ideogram to Fugue: Poetry/Cinema -- Interruptions -- Continuities -- History Without a Name -- Braiding, Cutting</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Part Four Trials, Series -- 6. Industrial Civilization for the Last Time: Class Relations -- Trials -- On Space -- 7. On Dissolution -- Speech Without Authority: The Death of Empedocles -- On Dismantling: Testimony and Workers, Peasants -- Conclusion -- About the Author -- Index</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Danièle Huillet and Jean-Marie Straub collaborated on films together from the mid-1960s through the mid-2000s, making formally radical adaptations in several languages of major works of European literature by authors including Franz Kafka, Bertolt Brecht, Friedrich Hölderlin, Pierre Corneille, Arnold Schoenberg, Cesare Pavese, and Elio Vitorrini. The impact of their work comes in part from a search for radical objectivity, a theme present in certain underground currents of modernist art and theory in the writings of Benjamin and Adorno and in a long-forgotten movement of American modernist poetry, "Objectivism," whose members included Louis Zukofsky, George Oppen, and Charles Reznikoff, with connections to William Carlos Williams and Ezra Pound. Through a detailed analysis of the films of Straub and Huillet, the works they adapted, and Objectivist poems and essays, Benoît Turquety locates common practices and explores a singular aesthetic approach where a work of art is conceived as an object, the artist an anonymous artisan, and where the force of politics and formal research attempt to reconcile with one another</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from digital title page (viewed on August 06, 2020).</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Straub, Jean-Marie</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Huillet, Danièle</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Huillet, Danièle</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJrwV9WhmtYktCTfhmQ8YP</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Straub, Jean-Marie</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJrmchjppQcjcqRckDXyBP</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Films, cinema.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Individual film directors, film-makers.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Literature: history and criticism.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Individual Director.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Straub, Huillet, Cinema, Modernist Poetry, Zukofsky, Oppen.</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Fendt, Ted,</subfield><subfield code="e">translator.</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Danièle Huillet, Jean-Marie Straub (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGKQ6DvJfVqWDMjpHFrwmd</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Turquety, Benoît.</subfield><subfield code="t">Danièle Huillet, Jean-Marie Straub.</subfield><subfield code="d">Amsterdam : Amsterdam University Press, 2020</subfield><subfield code="z">9789048543069</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Film culture in transition.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n94045741</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2368011</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Bloomsbury Publishing</subfield><subfield code="b">BLOO</subfield><subfield code="n">BP9789048561544SS</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Amsterdam University Press</subfield><subfield code="b">AUPA</subfield><subfield code="n">9789048543069</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH37098193</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9789048543069</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Digitalia Publishing</subfield><subfield code="b">DGIT</subfield><subfield code="n">DIGAMSTUP0319</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL6002215</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">2368011</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">16601526</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-on1134854684 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:44Z |
| institution | BVB |
| isbn | 9789048543069 9048543061 |
| language | English French |
| oclc_num | 1134854684 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (315 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Amsterdam University Press, |
| record_format | marc |
| series | Film culture in transition. |
| series2 | Film culture in transition |
| spelling | Turquety, Benoît, author. Danièle Huillet, Jean-Marie Straub. English Danièle Huillet, Jean-Marie Straub : objectivists in cinema / Benoît Turquety ; translated from the French by Ted Fendt. Amsterdam : Amsterdam University Press, [2020] 1 online resource (315 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Film culture in transition Cover -- Contents -- Introduction -- Part One Foundations -- 1. Erotic Barbarity: Othon -- A Play, A Film -- Principles -- Tradition and Opacity -- 2. Objectivity and Objectivities -- Huillet and Straub-style "Objectivity" -- Objectivities -- The Objectivists: A History -- Objectivist Poetic Theory -- Part Two Language/Authority -- 3. The Power of Speech (or the Voice), of Seeing and the Path: Moses And Aaron -- Moses, Aaron, Schoenberg, Huillet & Straub -- The Cinematic Form of (the Absence of) God: "The Calling of Moses" -- Language Remains -- Birth of a Nation: Act II and End Objective on Objective: Huillet and Straub's Position -- 4. Speech against Power, or Poetry, Love, and Revolution: "A"-9 -- A Poem, History -- The Form of "A"-9 -- Value and Meaning: Capitalism and Abstraction -- Love as a Poetic/Revolutionary Technique -- Part Three Interruptions -- 5. Cinema, Poetry, History: Immobilizations -- Introduction to Arnold Schoenberg's "Musical Accompaniment to a Cinematographic Scene": Motion and Pause, Cinema as History -- From Ideogram to Fugue: Poetry/Cinema -- Interruptions -- Continuities -- History Without a Name -- Braiding, Cutting Part Four Trials, Series -- 6. Industrial Civilization for the Last Time: Class Relations -- Trials -- On Space -- 7. On Dissolution -- Speech Without Authority: The Death of Empedocles -- On Dismantling: Testimony and Workers, Peasants -- Conclusion -- About the Author -- Index Includes bibliographical references and index. Danièle Huillet and Jean-Marie Straub collaborated on films together from the mid-1960s through the mid-2000s, making formally radical adaptations in several languages of major works of European literature by authors including Franz Kafka, Bertolt Brecht, Friedrich Hölderlin, Pierre Corneille, Arnold Schoenberg, Cesare Pavese, and Elio Vitorrini. The impact of their work comes in part from a search for radical objectivity, a theme present in certain underground currents of modernist art and theory in the writings of Benjamin and Adorno and in a long-forgotten movement of American modernist poetry, "Objectivism," whose members included Louis Zukofsky, George Oppen, and Charles Reznikoff, with connections to William Carlos Williams and Ezra Pound. Through a detailed analysis of the films of Straub and Huillet, the works they adapted, and Objectivist poems and essays, Benoît Turquety locates common practices and explores a singular aesthetic approach where a work of art is conceived as an object, the artist an anonymous artisan, and where the force of politics and formal research attempt to reconcile with one another Online resource; title from digital title page (viewed on August 06, 2020). Straub, Jean-Marie Criticism and interpretation. Huillet, Danièle Criticism and interpretation. Huillet, Danièle fast https://id.oclc.org/worldcat/entity/E39PBJrwV9WhmtYktCTfhmQ8YP Straub, Jean-Marie fast https://id.oclc.org/worldcat/entity/E39PBJrmchjppQcjcqRckDXyBP Films, cinema. bicssc Individual film directors, film-makers. bicssc Literature: history and criticism. bicssc PERFORMING ARTS Individual Director. bisacsh Straub, Huillet, Cinema, Modernist Poetry, Zukofsky, Oppen. Criticism, interpretation, etc. fast Fendt, Ted, translator. has work: Danièle Huillet, Jean-Marie Straub (Text) https://id.oclc.org/worldcat/entity/E39PCGKQ6DvJfVqWDMjpHFrwmd https://id.oclc.org/worldcat/ontology/hasWork Print version: Turquety, Benoît. Danièle Huillet, Jean-Marie Straub. Amsterdam : Amsterdam University Press, 2020 9789048543069 Film culture in transition. http://id.loc.gov/authorities/names/n94045741 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2368011 Volltext |
| spellingShingle | Turquety, Benoît Danièle Huillet, Jean-Marie Straub : objectivists in cinema / Film culture in transition. Cover -- Contents -- Introduction -- Part One Foundations -- 1. Erotic Barbarity: Othon -- A Play, A Film -- Principles -- Tradition and Opacity -- 2. Objectivity and Objectivities -- Huillet and Straub-style "Objectivity" -- Objectivities -- The Objectivists: A History -- Objectivist Poetic Theory -- Part Two Language/Authority -- 3. The Power of Speech (or the Voice), of Seeing and the Path: Moses And Aaron -- Moses, Aaron, Schoenberg, Huillet & Straub -- The Cinematic Form of (the Absence of) God: "The Calling of Moses" -- Language Remains -- Birth of a Nation: Act II and End Objective on Objective: Huillet and Straub's Position -- 4. Speech against Power, or Poetry, Love, and Revolution: "A"-9 -- A Poem, History -- The Form of "A"-9 -- Value and Meaning: Capitalism and Abstraction -- Love as a Poetic/Revolutionary Technique -- Part Three Interruptions -- 5. Cinema, Poetry, History: Immobilizations -- Introduction to Arnold Schoenberg's "Musical Accompaniment to a Cinematographic Scene": Motion and Pause, Cinema as History -- From Ideogram to Fugue: Poetry/Cinema -- Interruptions -- Continuities -- History Without a Name -- Braiding, Cutting Part Four Trials, Series -- 6. Industrial Civilization for the Last Time: Class Relations -- Trials -- On Space -- 7. On Dissolution -- Speech Without Authority: The Death of Empedocles -- On Dismantling: Testimony and Workers, Peasants -- Conclusion -- About the Author -- Index Straub, Jean-Marie Criticism and interpretation. Huillet, Danièle Criticism and interpretation. Huillet, Danièle fast https://id.oclc.org/worldcat/entity/E39PBJrwV9WhmtYktCTfhmQ8YP Straub, Jean-Marie fast https://id.oclc.org/worldcat/entity/E39PBJrmchjppQcjcqRckDXyBP Films, cinema. bicssc Individual film directors, film-makers. bicssc Literature: history and criticism. bicssc PERFORMING ARTS Individual Director. bisacsh |
| title | Danièle Huillet, Jean-Marie Straub : objectivists in cinema / |
| title_alt | Danièle Huillet, Jean-Marie Straub. |
| title_auth | Danièle Huillet, Jean-Marie Straub : objectivists in cinema / |
| title_exact_search | Danièle Huillet, Jean-Marie Straub : objectivists in cinema / |
| title_full | Danièle Huillet, Jean-Marie Straub : objectivists in cinema / Benoît Turquety ; translated from the French by Ted Fendt. |
| title_fullStr | Danièle Huillet, Jean-Marie Straub : objectivists in cinema / Benoît Turquety ; translated from the French by Ted Fendt. |
| title_full_unstemmed | Danièle Huillet, Jean-Marie Straub : objectivists in cinema / Benoît Turquety ; translated from the French by Ted Fendt. |
| title_short | Danièle Huillet, Jean-Marie Straub : |
| title_sort | daniele huillet jean marie straub objectivists in cinema |
| title_sub | objectivists in cinema / |
| topic | Straub, Jean-Marie Criticism and interpretation. Huillet, Danièle Criticism and interpretation. Huillet, Danièle fast https://id.oclc.org/worldcat/entity/E39PBJrwV9WhmtYktCTfhmQ8YP Straub, Jean-Marie fast https://id.oclc.org/worldcat/entity/E39PBJrmchjppQcjcqRckDXyBP Films, cinema. bicssc Individual film directors, film-makers. bicssc Literature: history and criticism. bicssc PERFORMING ARTS Individual Director. bisacsh |
| topic_facet | Straub, Jean-Marie Criticism and interpretation. Huillet, Danièle Criticism and interpretation. Huillet, Danièle Straub, Jean-Marie Films, cinema. Individual film directors, film-makers. Literature: history and criticism. PERFORMING ARTS Individual Director. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2368011 |
| work_keys_str_mv | AT turquetybenoit danielehuilletjeanmariestraub AT fendtted danielehuilletjeanmariestraub AT turquetybenoit danielehuilletjeanmariestraubobjectivistsincinema AT fendtted danielehuilletjeanmariestraubobjectivistsincinema |