Neorealist Film Culture, 1945-1954 :: Rome, Open Cinema.
Unique, truthful, brutal ... Neorealism is often associated with adjectives stressing its peculiarities in representing the real, its lack of antecedents, and its legacy in terms of film style. While this is useful when confronting auteurs such as De Sica, Rossellini or Visconti, it becomes problema...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam :
Amsterdam University Press,
2019.
|
| Schriftenreihe: | Film Culture in Transition Ser.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Unique, truthful, brutal ... Neorealism is often associated with adjectives stressing its peculiarities in representing the real, its lack of antecedents, and its legacy in terms of film style. While this is useful when confronting auteurs such as De Sica, Rossellini or Visconti, it becomes problematic when examining a widespread cultural practice that realistic modes deeply affected. This cultural production included filmmaking, literature, visual culture and photography, as well as media discourses. It was internally contradictory but fruitful inasmuch as its legacy influenced national culture for many decades to come. [-][-]The volume spotlights post-war Italian film culture by locating a series of crossroads, i.e. topics barely examined when discussing neorealism: nation, memory and trauma, visual culture, stardom, and performance. The aim is to deconstruct neorealism as a monument and to open up its cultural history. |
| Beschreibung: | 1 online resource (386 pages) |
| Bibliographie: | Includes bibliographical references (pages 337-367) and indexes. |
| ISBN: | 9048526256 9789048526253 |
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| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Acknowledgements -- |t Introduction: An Uncertain Direction. Neorealist Cinema and Transitional Culture -- |t 1. Locating the Real -- |t 2. Lies of Memory -- |t 3. Looking at the Images -- |t 4. Actors, Non-professional Actors, Starlets, and Stars -- |t Bibliography -- |t About the Author -- |t Name Index -- |t Film Index |
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| contents | Frontmatter -- Table of Contents -- Acknowledgements -- Introduction: An Uncertain Direction. Neorealist Cinema and Transitional Culture -- 1. Locating the Real -- 2. Lies of Memory -- 3. Looking at the Images -- 4. Actors, Non-professional Actors, Starlets, and Stars -- Bibliography -- About the Author -- Name Index -- Film Index |
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| spelling | Pitassio, Francesco. Neorealist Film Culture, 1945-1954 : Rome, Open Cinema. Amsterdam : Amsterdam University Press, 2019. 1 online resource (386 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Film Culture in Transition Ser. Print version record. Frontmatter -- Table of Contents -- Acknowledgements -- Introduction: An Uncertain Direction. Neorealist Cinema and Transitional Culture -- 1. Locating the Real -- 2. Lies of Memory -- 3. Looking at the Images -- 4. Actors, Non-professional Actors, Starlets, and Stars -- Bibliography -- About the Author -- Name Index -- Film Index Unique, truthful, brutal ... Neorealism is often associated with adjectives stressing its peculiarities in representing the real, its lack of antecedents, and its legacy in terms of film style. While this is useful when confronting auteurs such as De Sica, Rossellini or Visconti, it becomes problematic when examining a widespread cultural practice that realistic modes deeply affected. This cultural production included filmmaking, literature, visual culture and photography, as well as media discourses. It was internally contradictory but fruitful inasmuch as its legacy influenced national culture for many decades to come. [-][-]The volume spotlights post-war Italian film culture by locating a series of crossroads, i.e. topics barely examined when discussing neorealism: nation, memory and trauma, visual culture, stardom, and performance. The aim is to deconstruct neorealism as a monument and to open up its cultural history. Includes bibliographical references (pages 337-367) and indexes. In English. Realism in motion pictures. http://id.loc.gov/authorities/subjects/sh85111771 Motion pictures Italy History. Réalisme au cinéma. Cinéma Italie Histoire. Film theory and criticism. bicssc Western philosophy, from c 1900 - bicssc PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures fast Realism in motion pictures fast Italy fast https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP Italian Neorealism - Film Culture - Cultural History. History fast has work: Neorealist film culture, 1945-1954 (Text) https://id.oclc.org/worldcat/entity/E39PCGg9FdD4pdKFkBP8jGgyv3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Pitassio, Francesco. Neorealist Film Culture, 1945-1954 : Rome, Open Cinema. Amsterdam : Amsterdam University Press, ©2019 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2368018 Volltext |
| spellingShingle | Pitassio, Francesco Neorealist Film Culture, 1945-1954 : Rome, Open Cinema. Film Culture in Transition Ser. Frontmatter -- Table of Contents -- Acknowledgements -- Introduction: An Uncertain Direction. Neorealist Cinema and Transitional Culture -- 1. Locating the Real -- 2. Lies of Memory -- 3. Looking at the Images -- 4. Actors, Non-professional Actors, Starlets, and Stars -- Bibliography -- About the Author -- Name Index -- Film Index Realism in motion pictures. http://id.loc.gov/authorities/subjects/sh85111771 Motion pictures Italy History. Réalisme au cinéma. Cinéma Italie Histoire. Film theory and criticism. bicssc Western philosophy, from c 1900 - bicssc PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures fast Realism in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85111771 |
| title | Neorealist Film Culture, 1945-1954 : Rome, Open Cinema. |
| title_alt | Frontmatter -- Table of Contents -- Acknowledgements -- Introduction: An Uncertain Direction. Neorealist Cinema and Transitional Culture -- 1. Locating the Real -- 2. Lies of Memory -- 3. Looking at the Images -- 4. Actors, Non-professional Actors, Starlets, and Stars -- Bibliography -- About the Author -- Name Index -- Film Index |
| title_auth | Neorealist Film Culture, 1945-1954 : Rome, Open Cinema. |
| title_exact_search | Neorealist Film Culture, 1945-1954 : Rome, Open Cinema. |
| title_full | Neorealist Film Culture, 1945-1954 : Rome, Open Cinema. |
| title_fullStr | Neorealist Film Culture, 1945-1954 : Rome, Open Cinema. |
| title_full_unstemmed | Neorealist Film Culture, 1945-1954 : Rome, Open Cinema. |
| title_short | Neorealist Film Culture, 1945-1954 : |
| title_sort | neorealist film culture 1945 1954 rome open cinema |
| title_sub | Rome, Open Cinema. |
| topic | Realism in motion pictures. http://id.loc.gov/authorities/subjects/sh85111771 Motion pictures Italy History. Réalisme au cinéma. Cinéma Italie Histoire. Film theory and criticism. bicssc Western philosophy, from c 1900 - bicssc PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion pictures fast Realism in motion pictures fast |
| topic_facet | Realism in motion pictures. Motion pictures Italy History. Réalisme au cinéma. Cinéma Italie Histoire. Film theory and criticism. Western philosophy, from c 1900 - PERFORMING ARTS Film & Video History & Criticism. Motion pictures Realism in motion pictures Italy History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2368018 |
| work_keys_str_mv | AT pitassiofrancesco neorealistfilmculture19451954romeopencinema |