Focal impulse theory :: musical expression, meter, and the body /
"Music is surrounded by movement, from the blues guitarist tapping his foot to the violinist swaying with each bow stroke. To John Paul Ito, these actions are more than just a performance gimmick; rather, they are directly linked to the generation of sound and, importantly, the feeling that sou...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Bloomington, Indiana :
Indiana University Press,
[2020]
|
Schriftenreihe: | Musical meaning and interpretation.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "Music is surrounded by movement, from the blues guitarist tapping his foot to the violinist swaying with each bow stroke. To John Paul Ito, these actions are more than just a performance gimmick; rather, they are directly linked to the generation of sound and, importantly, the feeling that sound produces. By developing "focal impulse theory," Ito shows how the expressive shaping of sound informs meaning within each individual musical piece. Ito reveals that music not only begins in motion with the performer, but it also returns to motion, since the universal response to music is to move. As Focal Impulse Theory deftly illustrates, these movements are not merely physical reactions; they carry meaning and, in a very real sense, are meaning"-- |
Beschreibung: | 1 online resource (xx, 376 pages) : illustrations. |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 0253049946 9780253049940 |
Internformat
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264 | 1 | |a Bloomington, Indiana : |b Indiana University Press, |c [2020] | |
300 | |a 1 online resource (xx, 376 pages) : |b illustrations. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
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490 | 1 | |a Musical meaning and interpretation | |
504 | |a Includes bibliographical references and index. | ||
520 | |a "Music is surrounded by movement, from the blues guitarist tapping his foot to the violinist swaying with each bow stroke. To John Paul Ito, these actions are more than just a performance gimmick; rather, they are directly linked to the generation of sound and, importantly, the feeling that sound produces. By developing "focal impulse theory," Ito shows how the expressive shaping of sound informs meaning within each individual musical piece. Ito reveals that music not only begins in motion with the performer, but it also returns to motion, since the universal response to music is to move. As Focal Impulse Theory deftly illustrates, these movements are not merely physical reactions; they carry meaning and, in a very real sense, are meaning"-- |c Provided by publisher. | ||
588 | |a Description based on online resource; title from digital title page (viewed on December 23, 2020). | ||
505 | 0 | |a 9. Anticipations and Secondary Focal Impulses -- 10. Inflecting Focal Impulses Downward and Upward -- 11. More Advanced Uses of Inflected Impulse Cycles -- 12. Performing Metrical Dissonance -- Part 4. Connecting Focal Impulse Theory -- 13. Connections with Psychology -- 14. Connections with Other Music Scholarship -- Part 5. Applying Focal Impulse Theory -- 15. Metrical Dissonance in Brahms -- 16. The First Movements of the Brahms Sonatas op. 120 -- Conclusions: Placing Focal Impulse Theory in Larger Contexts -- Glossary: Focal Impulse Symbols and Their Definitions -- References -- Discography | |
505 | 0 | |a Cover -- Title Page -- Copyright -- Contents -- Accessing Audiovisual Materials -- Preface -- Copyright Acknowledgments -- Part 1. Introduction -- 1. Introducing the Focal Impulse and Its Theory -- 2. Foundations in Music Theory and Cognitive Science -- Part 2. Basic Focal Impulse Theory -- 3. The Basic Concept of the Focal Impulse -- 4. Focal Impulses and Meter: The Simplest Cases -- 5. The Sound of Focal Impulses -- 6. More on Focal Impulses and Meter -- 7. Focal Impulses and Characters of Syncopation -- Part 3. Expanding Focal Impulse Theory -- 8. Special Cases of Focal Impulse Placement | |
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776 | 0 | 8 | |i Print version: |a Ito, John Paul. |t Focal impulse theory |d Bloomington : Indiana University Press, 2020. |z 9780253049957 |w (DLC) 2019050618 |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-on1128887612 |
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adam_text | |
any_adam_object | |
author | Ito, John Paul |
author_GND | http://id.loc.gov/authorities/names/no2019161740 |
author_facet | Ito, John Paul |
author_role | aut |
author_sort | Ito, John Paul |
author_variant | j p i jp jpi |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | ML3813 |
callnumber-raw | ML3813 .I86 2020 |
callnumber-search | ML3813 .I86 2020 |
callnumber-sort | ML 43813 I86 42020 |
callnumber-subject | ML - Literature on Music |
collection | ZDB-4-EBA |
contents | 9. Anticipations and Secondary Focal Impulses -- 10. Inflecting Focal Impulses Downward and Upward -- 11. More Advanced Uses of Inflected Impulse Cycles -- 12. Performing Metrical Dissonance -- Part 4. Connecting Focal Impulse Theory -- 13. Connections with Psychology -- 14. Connections with Other Music Scholarship -- Part 5. Applying Focal Impulse Theory -- 15. Metrical Dissonance in Brahms -- 16. The First Movements of the Brahms Sonatas op. 120 -- Conclusions: Placing Focal Impulse Theory in Larger Contexts -- Glossary: Focal Impulse Symbols and Their Definitions -- References -- Discography Cover -- Title Page -- Copyright -- Contents -- Accessing Audiovisual Materials -- Preface -- Copyright Acknowledgments -- Part 1. Introduction -- 1. Introducing the Focal Impulse and Its Theory -- 2. Foundations in Music Theory and Cognitive Science -- Part 2. Basic Focal Impulse Theory -- 3. The Basic Concept of the Focal Impulse -- 4. Focal Impulses and Meter: The Simplest Cases -- 5. The Sound of Focal Impulses -- 6. More on Focal Impulses and Meter -- 7. Focal Impulses and Characters of Syncopation -- Part 3. Expanding Focal Impulse Theory -- 8. Special Cases of Focal Impulse Placement |
ctrlnum | (OCoLC)1128887612 |
dewey-full | 781.2/22 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.2/22 |
dewey-search | 781.2/22 |
dewey-sort | 3781.2 222 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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id | ZDB-4-EBA-on1128887612 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:29:41Z |
institution | BVB |
isbn | 0253049946 9780253049940 |
language | English |
lccn | 2019050619 |
oclc_num | 1128887612 |
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owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (xx, 376 pages) : illustrations. |
psigel | ZDB-4-EBA |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Indiana University Press, |
record_format | marc |
series | Musical meaning and interpretation. |
series2 | Musical meaning and interpretation |
spelling | Ito, John Paul, author. http://id.loc.gov/authorities/names/no2019161740 Focal impulse theory : musical expression, meter, and the body / John Paul Ito. Bloomington, Indiana : Indiana University Press, [2020] 1 online resource (xx, 376 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier Musical meaning and interpretation Includes bibliographical references and index. "Music is surrounded by movement, from the blues guitarist tapping his foot to the violinist swaying with each bow stroke. To John Paul Ito, these actions are more than just a performance gimmick; rather, they are directly linked to the generation of sound and, importantly, the feeling that sound produces. By developing "focal impulse theory," Ito shows how the expressive shaping of sound informs meaning within each individual musical piece. Ito reveals that music not only begins in motion with the performer, but it also returns to motion, since the universal response to music is to move. As Focal Impulse Theory deftly illustrates, these movements are not merely physical reactions; they carry meaning and, in a very real sense, are meaning"-- Provided by publisher. Description based on online resource; title from digital title page (viewed on December 23, 2020). 9. Anticipations and Secondary Focal Impulses -- 10. Inflecting Focal Impulses Downward and Upward -- 11. More Advanced Uses of Inflected Impulse Cycles -- 12. Performing Metrical Dissonance -- Part 4. Connecting Focal Impulse Theory -- 13. Connections with Psychology -- 14. Connections with Other Music Scholarship -- Part 5. Applying Focal Impulse Theory -- 15. Metrical Dissonance in Brahms -- 16. The First Movements of the Brahms Sonatas op. 120 -- Conclusions: Placing Focal Impulse Theory in Larger Contexts -- Glossary: Focal Impulse Symbols and Their Definitions -- References -- Discography Cover -- Title Page -- Copyright -- Contents -- Accessing Audiovisual Materials -- Preface -- Copyright Acknowledgments -- Part 1. Introduction -- 1. Introducing the Focal Impulse and Its Theory -- 2. Foundations in Music Theory and Cognitive Science -- Part 2. Basic Focal Impulse Theory -- 3. The Basic Concept of the Focal Impulse -- 4. Focal Impulses and Meter: The Simplest Cases -- 5. The Sound of Focal Impulses -- 6. More on Focal Impulses and Meter -- 7. Focal Impulses and Characters of Syncopation -- Part 3. Expanding Focal Impulse Theory -- 8. Special Cases of Focal Impulse Placement Musical meter and rhythm. http://id.loc.gov/authorities/subjects/sh85089010 Music Interpretation (Phrasing, dynamics, etc.) http://id.loc.gov/authorities/subjects/sh85088799 Music Performance Physiological aspects. Musique Mesure et rythme. Musique Exécution Aspect physiologique. MUSIC / Instruction & Study / Theory bisacsh Music Interpretation (Phrasing, dynamics, etc.) fast Music Performance Physiological aspects fast Musical meter and rhythm fast has work: Focal impulse theory (Text) https://id.oclc.org/worldcat/entity/E39PCGD68kRh3cCGQVxXKpRmgq https://id.oclc.org/worldcat/ontology/hasWork Print version: Ito, John Paul. Focal impulse theory Bloomington : Indiana University Press, 2020. 9780253049957 (DLC) 2019050618 Musical meaning and interpretation. http://id.loc.gov/authorities/names/n2004068861 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2708163 Volltext |
spellingShingle | Ito, John Paul Focal impulse theory : musical expression, meter, and the body / Musical meaning and interpretation. 9. Anticipations and Secondary Focal Impulses -- 10. Inflecting Focal Impulses Downward and Upward -- 11. More Advanced Uses of Inflected Impulse Cycles -- 12. Performing Metrical Dissonance -- Part 4. Connecting Focal Impulse Theory -- 13. Connections with Psychology -- 14. Connections with Other Music Scholarship -- Part 5. Applying Focal Impulse Theory -- 15. Metrical Dissonance in Brahms -- 16. The First Movements of the Brahms Sonatas op. 120 -- Conclusions: Placing Focal Impulse Theory in Larger Contexts -- Glossary: Focal Impulse Symbols and Their Definitions -- References -- Discography Cover -- Title Page -- Copyright -- Contents -- Accessing Audiovisual Materials -- Preface -- Copyright Acknowledgments -- Part 1. Introduction -- 1. Introducing the Focal Impulse and Its Theory -- 2. Foundations in Music Theory and Cognitive Science -- Part 2. Basic Focal Impulse Theory -- 3. The Basic Concept of the Focal Impulse -- 4. Focal Impulses and Meter: The Simplest Cases -- 5. The Sound of Focal Impulses -- 6. More on Focal Impulses and Meter -- 7. Focal Impulses and Characters of Syncopation -- Part 3. Expanding Focal Impulse Theory -- 8. Special Cases of Focal Impulse Placement Musical meter and rhythm. http://id.loc.gov/authorities/subjects/sh85089010 Music Interpretation (Phrasing, dynamics, etc.) http://id.loc.gov/authorities/subjects/sh85088799 Music Performance Physiological aspects. Musique Mesure et rythme. Musique Exécution Aspect physiologique. MUSIC / Instruction & Study / Theory bisacsh Music Interpretation (Phrasing, dynamics, etc.) fast Music Performance Physiological aspects fast Musical meter and rhythm fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85089010 http://id.loc.gov/authorities/subjects/sh85088799 |
title | Focal impulse theory : musical expression, meter, and the body / |
title_auth | Focal impulse theory : musical expression, meter, and the body / |
title_exact_search | Focal impulse theory : musical expression, meter, and the body / |
title_full | Focal impulse theory : musical expression, meter, and the body / John Paul Ito. |
title_fullStr | Focal impulse theory : musical expression, meter, and the body / John Paul Ito. |
title_full_unstemmed | Focal impulse theory : musical expression, meter, and the body / John Paul Ito. |
title_short | Focal impulse theory : |
title_sort | focal impulse theory musical expression meter and the body |
title_sub | musical expression, meter, and the body / |
topic | Musical meter and rhythm. http://id.loc.gov/authorities/subjects/sh85089010 Music Interpretation (Phrasing, dynamics, etc.) http://id.loc.gov/authorities/subjects/sh85088799 Music Performance Physiological aspects. Musique Mesure et rythme. Musique Exécution Aspect physiologique. MUSIC / Instruction & Study / Theory bisacsh Music Interpretation (Phrasing, dynamics, etc.) fast Music Performance Physiological aspects fast Musical meter and rhythm fast |
topic_facet | Musical meter and rhythm. Music Interpretation (Phrasing, dynamics, etc.) Music Performance Physiological aspects. Musique Mesure et rythme. Musique Exécution Aspect physiologique. MUSIC / Instruction & Study / Theory Music Performance Physiological aspects Musical meter and rhythm |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2708163 |
work_keys_str_mv | AT itojohnpaul focalimpulsetheorymusicalexpressionmeterandthebody |