Impression, projection :: une histoire médiatique entre cinéma et journalisme /
[Machine translated] The cinema and the press have always had a large number of elective affinities, just as they have always been in competition. Their broadcast channels and platforms are constantly intersecting, from the news filmed from the early 20th century to the participatory journalism of W...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | French |
| Veröffentlicht: |
Quebec :
Les Presses de l'Université Laval,
[2019]
|
| Schriftenreihe: | Littérature et imaginaire contemporain.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | [Machine translated] The cinema and the press have always had a large number of elective affinities, just as they have always been in competition. Their broadcast channels and platforms are constantly intersecting, from the news filmed from the early 20th century to the participatory journalism of Web 2.0. Their materials and language are also full of hybridities and exchanges, whether journalism invests small and large screens or that the cinema absorbs the journalistic matter. New cinematographic genres - such as cinematic and film-inquiry - and journalistic genres - such as film criticism - have emerged. To these remedies are added reciprocal representations, the cinema having continually put journalism to the test, journalism having participated in the advent as well as the institutionalization of the cinema. Through alliances and rivalries, correspondences and contradictions, simultaneities and reversals, this volume proposes to explore the continual redefinition of our media and their identities. The cinema and the press have always had a large number of elective affinities, just as they have always been in competition. Their broadcast channels and platforms are constantly intersecting, from the news filmed from the early 20th century to the participatory journalism of Web 2.0. Their materials and language are also full of hybridities and exchanges, whether journalism invests small and large screens or that the cinema absorbs the journalistic matter. New cinematographic genres - such as cinematic and film-inquiry - and journalistic genres - such as film criticism - have emerged. To these remedies are added reciprocal representations, the cinema having continually put journalism to the test, journalism having participated in the advent as well as the institutionalization of the cinema. Through alliances and rivalries, correspondences and contradictions, simultaneities and reversals, this volume proposes to explore the continual redefinition of our media and their identities. |
| Beschreibung: | 1 online resource. |
| ISBN: | 2763745792 9782763745794 9782763745787 2763745784 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1128392011 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 191207s2019 quc o 000 0 fre d | ||
| 040 | |a EBLCP |b eng |e rda |e pn |c EBLCP |d P@U |d OCLCO |d YDXIT |d OCLCF |d YDX |d N$T |d OCLCQ |d UX1 |d VT2 |d JSTOR |d OCLCO |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d OCLCL |d OCLCA |d OCLCL |d OCLCQ |d OCLCO |d DEGRU | ||
| 019 | |a 1151975597 | ||
| 020 | |a 2763745792 |q (electronic book) | ||
| 020 | |a 9782763745794 |q (electronic bk.) | ||
| 020 | |a 9782763745787 | ||
| 020 | |a 2763745784 | ||
| 035 | |a (OCoLC)1128392011 |z (OCoLC)1151975597 | ||
| 037 | |a 22573/ctv1g1csrq |b JSTOR | ||
| 050 | 4 | |a P91 |b .I46 2019 | |
| 072 | 7 | |a LAN |x 008000 |2 bisacsh | |
| 082 | 7 | |a 302.23 |2 23 | |
| 049 | |a MAIN | ||
| 245 | 0 | 0 | |a Impression, projection : |b une histoire médiatique entre cinéma et journalisme / |c sous la direction de Richard Bégin, Thomas Carrier-LaFleur et Mélodie Simard-Houde. |
| 264 | 1 | |a Quebec : |b Les Presses de l'Université Laval, |c [2019] | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Collection littérature et imaginaire contemporain | |
| 520 | |a [Machine translated] The cinema and the press have always had a large number of elective affinities, just as they have always been in competition. Their broadcast channels and platforms are constantly intersecting, from the news filmed from the early 20th century to the participatory journalism of Web 2.0. Their materials and language are also full of hybridities and exchanges, whether journalism invests small and large screens or that the cinema absorbs the journalistic matter. New cinematographic genres - such as cinematic and film-inquiry - and journalistic genres - such as film criticism - have emerged. To these remedies are added reciprocal representations, the cinema having continually put journalism to the test, journalism having participated in the advent as well as the institutionalization of the cinema. Through alliances and rivalries, correspondences and contradictions, simultaneities and reversals, this volume proposes to explore the continual redefinition of our media and their identities. The cinema and the press have always had a large number of elective affinities, just as they have always been in competition. Their broadcast channels and platforms are constantly intersecting, from the news filmed from the early 20th century to the participatory journalism of Web 2.0. Their materials and language are also full of hybridities and exchanges, whether journalism invests small and large screens or that the cinema absorbs the journalistic matter. New cinematographic genres - such as cinematic and film-inquiry - and journalistic genres - such as film criticism - have emerged. To these remedies are added reciprocal representations, the cinema having continually put journalism to the test, journalism having participated in the advent as well as the institutionalization of the cinema. Through alliances and rivalries, correspondences and contradictions, simultaneities and reversals, this volume proposes to explore the continual redefinition of our media and their identities. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on December 13, 2019). | |
| 505 | 0 | 0 | |t Front Matter -- |t Table des matières -- |t Cinéma et journalisme : les affinités médiatiques -- |t Le Cinéma écrit par le journalisme -- |t Les Nouvelles littéraires et le cinéma -- |t Popular Film face à la féminité -- |t Voir l'Amérique, écrire le cinéma -- |t Le Journalisme vu par le cinéma -- |t « Love Is News » -- |t Les Newspaper comedies des années 1930-1940 -- |t L'uvre de Dieu, la part du diable -- |t Métier d'homme, métier de femme ? -- |t Le Cinéma comme journalisme -- |t Le « Tourneur de manivelle » -- |t Les Combattants de l'insolence (1984) -- |t Mafia, Sicile et cinéma -- |t Témoin 2.0 et humiliation -- |t Le Cinéma contre le journalisme -- |t L'Alternative « Television » -- |t Krzysztof Kieślowski -- |t Les Revues clandestines cinématographiques (1943-1944) -- |t Notices biobibliographiques des auteurs |
| 650 | 0 | |a Mass media. |0 http://id.loc.gov/authorities/subjects/sh85081863 | |
| 650 | 0 | |a World Wide Web. |0 http://id.loc.gov/authorities/subjects/sh95000541 | |
| 650 | 0 | |a Journalism. |0 http://id.loc.gov/authorities/subjects/sh85070736 | |
| 650 | 0 | |a Motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85088084 | |
| 650 | 0 | |a Identity (Philosophical concept) |0 http://id.loc.gov/authorities/subjects/sh85064150 | |
| 650 | 0 | |a Digital media. |0 http://id.loc.gov/authorities/subjects/sh98006600 | |
| 650 | 2 | |a Internet |0 https://id.nlm.nih.gov/mesh/D020407 | |
| 650 | 2 | |a Journalism |0 https://id.nlm.nih.gov/mesh/D020452 | |
| 650 | 2 | |a Motion Pictures | |
| 650 | 6 | |a Médias. | |
| 650 | 6 | |a Web. | |
| 650 | 6 | |a Journalisme. | |
| 650 | 6 | |a Identité. | |
| 650 | 6 | |a Médias numériques. | |
| 650 | 6 | |a Cinéma. | |
| 650 | 7 | |a mass media. |2 aat | |
| 650 | 7 | |a World Wide Web. |2 aat | |
| 650 | 7 | |a journalism. |2 aat | |
| 650 | 7 | |a identity. |2 aat | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Journalism. |2 bisacsh | |
| 650 | 7 | |a Digital media |2 fast | |
| 650 | 7 | |a Identity (Philosophical concept) |2 fast | |
| 650 | 7 | |a Journalism |2 fast | |
| 650 | 7 | |a Mass media |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a World Wide Web |2 fast | |
| 700 | 1 | |a Bégin, Richard, |e editor. | |
| 700 | 1 | |a Carrier-Lafleur, Thomas, |d 1986- |e editor |1 https://id.oclc.org/worldcat/entity/E39PBJwthPwYMqqxMGTGtkb68C |0 http://id.loc.gov/authorities/names/no2011119151 | |
| 700 | 1 | |a Simard-Houde, Mélodie, |d 1986- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjHkCpm4R4PXHJ7dbTdw3P |0 http://id.loc.gov/authorities/names/no2018153086 | |
| 758 | |i has work: |a Impression, projection (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGQKHtW9tQrVvqVH9qX8G3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Bégin, Richard. |t Impression, Projection. une Histoire Médiatique Entre Cinéma et Journalisme. |d Quebec : Les Presses de l'Université Laval, ©2019 |z 9782763745787 |
| 830 | 0 | |a Littérature et imaginaire contemporain. |0 http://id.loc.gov/authorities/names/no2015145213 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2295192 |3 Volltext |
| 938 | |a De Gruyter |b DEGR |n 9782763745794 | ||
| 938 | |a EBSCOhost |b EBSC |n 2295192 | ||
| 938 | |a Project MUSE |b MUSE |n muse81679 | ||
| 938 | |a YBP Library Services |b YANK |n 16530687 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1128392011 |
|---|---|
| _version_ | 1816882505650798592 |
| adam_text | |
| any_adam_object | |
| author2 | Bégin, Richard Carrier-Lafleur, Thomas, 1986- Simard-Houde, Mélodie, 1986- |
| author2_role | edt edt edt |
| author2_variant | r b rb t c l tcl m s h msh |
| author_GND | http://id.loc.gov/authorities/names/no2011119151 http://id.loc.gov/authorities/names/no2018153086 |
| author_facet | Bégin, Richard Carrier-Lafleur, Thomas, 1986- Simard-Houde, Mélodie, 1986- |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | P91 |
| callnumber-raw | P91 .I46 2019 |
| callnumber-search | P91 .I46 2019 |
| callnumber-sort | P 291 I46 42019 |
| callnumber-subject | P - Philology and Linguistics |
| collection | ZDB-4-EBA |
| contents | Front Matter -- Table des matières -- Cinéma et journalisme : les affinités médiatiques -- Le Cinéma écrit par le journalisme -- Les Nouvelles littéraires et le cinéma -- Popular Film face à la féminité -- Voir l'Amérique, écrire le cinéma -- Le Journalisme vu par le cinéma -- « Love Is News » -- Les Newspaper comedies des années 1930-1940 -- L'uvre de Dieu, la part du diable -- Métier d'homme, métier de femme ? -- Le Cinéma comme journalisme -- Le « Tourneur de manivelle » -- Les Combattants de l'insolence (1984) -- Mafia, Sicile et cinéma -- Témoin 2.0 et humiliation -- Le Cinéma contre le journalisme -- L'Alternative « Television » -- Krzysztof Kieślowski -- Les Revues clandestines cinématographiques (1943-1944) -- Notices biobibliographiques des auteurs |
| ctrlnum | (OCoLC)1128392011 |
| dewey-full | 302.23 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 302 - Social interaction |
| dewey-raw | 302.23 |
| dewey-search | 302.23 |
| dewey-sort | 3302.23 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06689cam a2200817 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1128392011</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">191207s2019 quc o 000 0 fre d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">EBLCP</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">EBLCP</subfield><subfield code="d">P@U</subfield><subfield code="d">OCLCO</subfield><subfield code="d">YDXIT</subfield><subfield code="d">OCLCF</subfield><subfield code="d">YDX</subfield><subfield code="d">N$T</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UX1</subfield><subfield code="d">VT2</subfield><subfield code="d">JSTOR</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCA</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">DEGRU</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1151975597</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">2763745792</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9782763745794</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9782763745787</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">2763745784</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1128392011</subfield><subfield code="z">(OCoLC)1151975597</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv1g1csrq</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">P91</subfield><subfield code="b">.I46 2019</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LAN</subfield><subfield code="x">008000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">302.23</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Impression, projection :</subfield><subfield code="b">une histoire médiatique entre cinéma et journalisme /</subfield><subfield code="c">sous la direction de Richard Bégin, Thomas Carrier-LaFleur et Mélodie Simard-Houde.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Quebec :</subfield><subfield code="b">Les Presses de l'Université Laval,</subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Collection littérature et imaginaire contemporain</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">[Machine translated] The cinema and the press have always had a large number of elective affinities, just as they have always been in competition. Their broadcast channels and platforms are constantly intersecting, from the news filmed from the early 20th century to the participatory journalism of Web 2.0. Their materials and language are also full of hybridities and exchanges, whether journalism invests small and large screens or that the cinema absorbs the journalistic matter. New cinematographic genres - such as cinematic and film-inquiry - and journalistic genres - such as film criticism - have emerged. To these remedies are added reciprocal representations, the cinema having continually put journalism to the test, journalism having participated in the advent as well as the institutionalization of the cinema. Through alliances and rivalries, correspondences and contradictions, simultaneities and reversals, this volume proposes to explore the continual redefinition of our media and their identities. The cinema and the press have always had a large number of elective affinities, just as they have always been in competition. Their broadcast channels and platforms are constantly intersecting, from the news filmed from the early 20th century to the participatory journalism of Web 2.0. Their materials and language are also full of hybridities and exchanges, whether journalism invests small and large screens or that the cinema absorbs the journalistic matter. New cinematographic genres - such as cinematic and film-inquiry - and journalistic genres - such as film criticism - have emerged. To these remedies are added reciprocal representations, the cinema having continually put journalism to the test, journalism having participated in the advent as well as the institutionalization of the cinema. Through alliances and rivalries, correspondences and contradictions, simultaneities and reversals, this volume proposes to explore the continual redefinition of our media and their identities.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from digital title page (viewed on December 13, 2019).</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Front Matter --</subfield><subfield code="t">Table des matières --</subfield><subfield code="t">Cinéma et journalisme : les affinités médiatiques --</subfield><subfield code="t">Le Cinéma écrit par le journalisme --</subfield><subfield code="t">Les Nouvelles littéraires et le cinéma --</subfield><subfield code="t">Popular Film face à la féminité --</subfield><subfield code="t">Voir l'Amérique, écrire le cinéma --</subfield><subfield code="t">Le Journalisme vu par le cinéma --</subfield><subfield code="t">« Love Is News » --</subfield><subfield code="t">Les Newspaper comedies des années 1930-1940 --</subfield><subfield code="t">L'uvre de Dieu, la part du diable --</subfield><subfield code="t">Métier d'homme, métier de femme ? --</subfield><subfield code="t">Le Cinéma comme journalisme --</subfield><subfield code="t">Le « Tourneur de manivelle » --</subfield><subfield code="t">Les Combattants de l'insolence (1984) --</subfield><subfield code="t">Mafia, Sicile et cinéma --</subfield><subfield code="t">Témoin 2.0 et humiliation --</subfield><subfield code="t">Le Cinéma contre le journalisme --</subfield><subfield code="t">L'Alternative « Television » --</subfield><subfield code="t">Krzysztof Kieślowski --</subfield><subfield code="t">Les Revues clandestines cinématographiques (1943-1944) --</subfield><subfield code="t">Notices biobibliographiques des auteurs</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Mass media.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85081863</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">World Wide Web.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh95000541</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Journalism.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85070736</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088084</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Identity (Philosophical concept)</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85064150</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Digital media.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh98006600</subfield></datafield><datafield tag="650" ind1=" " ind2="2"><subfield code="a">Internet</subfield><subfield code="0">https://id.nlm.nih.gov/mesh/D020407</subfield></datafield><datafield tag="650" ind1=" " ind2="2"><subfield code="a">Journalism</subfield><subfield code="0">https://id.nlm.nih.gov/mesh/D020452</subfield></datafield><datafield tag="650" ind1=" " ind2="2"><subfield code="a">Motion Pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Médias.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Web.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Journalisme.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Identité.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Médias numériques.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">mass media.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">World Wide Web.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">journalism.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">identity.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LANGUAGE ARTS & DISCIPLINES</subfield><subfield code="x">Journalism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Digital media</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Identity (Philosophical concept)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Journalism</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Mass media</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">World Wide Web</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bégin, Richard,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Carrier-Lafleur, Thomas,</subfield><subfield code="d">1986-</subfield><subfield code="e">editor</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJwthPwYMqqxMGTGtkb68C</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2011119151</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Simard-Houde, Mélodie,</subfield><subfield code="d">1986-</subfield><subfield code="e">editor.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjHkCpm4R4PXHJ7dbTdw3P</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2018153086</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Impression, projection (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGQKHtW9tQrVvqVH9qX8G3</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Bégin, Richard.</subfield><subfield code="t">Impression, Projection. une Histoire Médiatique Entre Cinéma et Journalisme.</subfield><subfield code="d">Quebec : Les Presses de l'Université Laval, ©2019</subfield><subfield code="z">9782763745787</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Littérature et imaginaire contemporain.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2015145213</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2295192</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9782763745794</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">2295192</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">muse81679</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">16530687</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| id | ZDB-4-EBA-on1128392011 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:41Z |
| institution | BVB |
| isbn | 2763745792 9782763745794 9782763745787 2763745784 |
| language | French |
| oclc_num | 1128392011 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource. |
| psigel | ZDB-4-EBA |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Les Presses de l'Université Laval, |
| record_format | marc |
| series | Littérature et imaginaire contemporain. |
| series2 | Collection littérature et imaginaire contemporain |
| spelling | Impression, projection : une histoire médiatique entre cinéma et journalisme / sous la direction de Richard Bégin, Thomas Carrier-LaFleur et Mélodie Simard-Houde. Quebec : Les Presses de l'Université Laval, [2019] 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier Collection littérature et imaginaire contemporain [Machine translated] The cinema and the press have always had a large number of elective affinities, just as they have always been in competition. Their broadcast channels and platforms are constantly intersecting, from the news filmed from the early 20th century to the participatory journalism of Web 2.0. Their materials and language are also full of hybridities and exchanges, whether journalism invests small and large screens or that the cinema absorbs the journalistic matter. New cinematographic genres - such as cinematic and film-inquiry - and journalistic genres - such as film criticism - have emerged. To these remedies are added reciprocal representations, the cinema having continually put journalism to the test, journalism having participated in the advent as well as the institutionalization of the cinema. Through alliances and rivalries, correspondences and contradictions, simultaneities and reversals, this volume proposes to explore the continual redefinition of our media and their identities. The cinema and the press have always had a large number of elective affinities, just as they have always been in competition. Their broadcast channels and platforms are constantly intersecting, from the news filmed from the early 20th century to the participatory journalism of Web 2.0. Their materials and language are also full of hybridities and exchanges, whether journalism invests small and large screens or that the cinema absorbs the journalistic matter. New cinematographic genres - such as cinematic and film-inquiry - and journalistic genres - such as film criticism - have emerged. To these remedies are added reciprocal representations, the cinema having continually put journalism to the test, journalism having participated in the advent as well as the institutionalization of the cinema. Through alliances and rivalries, correspondences and contradictions, simultaneities and reversals, this volume proposes to explore the continual redefinition of our media and their identities. Online resource; title from digital title page (viewed on December 13, 2019). Front Matter -- Table des matières -- Cinéma et journalisme : les affinités médiatiques -- Le Cinéma écrit par le journalisme -- Les Nouvelles littéraires et le cinéma -- Popular Film face à la féminité -- Voir l'Amérique, écrire le cinéma -- Le Journalisme vu par le cinéma -- « Love Is News » -- Les Newspaper comedies des années 1930-1940 -- L'uvre de Dieu, la part du diable -- Métier d'homme, métier de femme ? -- Le Cinéma comme journalisme -- Le « Tourneur de manivelle » -- Les Combattants de l'insolence (1984) -- Mafia, Sicile et cinéma -- Témoin 2.0 et humiliation -- Le Cinéma contre le journalisme -- L'Alternative « Television » -- Krzysztof Kieślowski -- Les Revues clandestines cinématographiques (1943-1944) -- Notices biobibliographiques des auteurs Mass media. http://id.loc.gov/authorities/subjects/sh85081863 World Wide Web. http://id.loc.gov/authorities/subjects/sh95000541 Journalism. http://id.loc.gov/authorities/subjects/sh85070736 Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Identity (Philosophical concept) http://id.loc.gov/authorities/subjects/sh85064150 Digital media. http://id.loc.gov/authorities/subjects/sh98006600 Internet https://id.nlm.nih.gov/mesh/D020407 Journalism https://id.nlm.nih.gov/mesh/D020452 Motion Pictures Médias. Web. Journalisme. Identité. Médias numériques. Cinéma. mass media. aat World Wide Web. aat journalism. aat identity. aat LANGUAGE ARTS & DISCIPLINES Journalism. bisacsh Digital media fast Identity (Philosophical concept) fast Journalism fast Mass media fast Motion pictures fast World Wide Web fast Bégin, Richard, editor. Carrier-Lafleur, Thomas, 1986- editor https://id.oclc.org/worldcat/entity/E39PBJwthPwYMqqxMGTGtkb68C http://id.loc.gov/authorities/names/no2011119151 Simard-Houde, Mélodie, 1986- editor. https://id.oclc.org/worldcat/entity/E39PCjHkCpm4R4PXHJ7dbTdw3P http://id.loc.gov/authorities/names/no2018153086 has work: Impression, projection (Text) https://id.oclc.org/worldcat/entity/E39PCGQKHtW9tQrVvqVH9qX8G3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Bégin, Richard. Impression, Projection. une Histoire Médiatique Entre Cinéma et Journalisme. Quebec : Les Presses de l'Université Laval, ©2019 9782763745787 Littérature et imaginaire contemporain. http://id.loc.gov/authorities/names/no2015145213 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2295192 Volltext |
| spellingShingle | Impression, projection : une histoire médiatique entre cinéma et journalisme / Littérature et imaginaire contemporain. Front Matter -- Table des matières -- Cinéma et journalisme : les affinités médiatiques -- Le Cinéma écrit par le journalisme -- Les Nouvelles littéraires et le cinéma -- Popular Film face à la féminité -- Voir l'Amérique, écrire le cinéma -- Le Journalisme vu par le cinéma -- « Love Is News » -- Les Newspaper comedies des années 1930-1940 -- L'uvre de Dieu, la part du diable -- Métier d'homme, métier de femme ? -- Le Cinéma comme journalisme -- Le « Tourneur de manivelle » -- Les Combattants de l'insolence (1984) -- Mafia, Sicile et cinéma -- Témoin 2.0 et humiliation -- Le Cinéma contre le journalisme -- L'Alternative « Television » -- Krzysztof Kieślowski -- Les Revues clandestines cinématographiques (1943-1944) -- Notices biobibliographiques des auteurs Mass media. http://id.loc.gov/authorities/subjects/sh85081863 World Wide Web. http://id.loc.gov/authorities/subjects/sh95000541 Journalism. http://id.loc.gov/authorities/subjects/sh85070736 Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Identity (Philosophical concept) http://id.loc.gov/authorities/subjects/sh85064150 Digital media. http://id.loc.gov/authorities/subjects/sh98006600 Internet https://id.nlm.nih.gov/mesh/D020407 Journalism https://id.nlm.nih.gov/mesh/D020452 Motion Pictures Médias. Web. Journalisme. Identité. Médias numériques. Cinéma. mass media. aat World Wide Web. aat journalism. aat identity. aat LANGUAGE ARTS & DISCIPLINES Journalism. bisacsh Digital media fast Identity (Philosophical concept) fast Journalism fast Mass media fast Motion pictures fast World Wide Web fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85081863 http://id.loc.gov/authorities/subjects/sh95000541 http://id.loc.gov/authorities/subjects/sh85070736 http://id.loc.gov/authorities/subjects/sh85088084 http://id.loc.gov/authorities/subjects/sh85064150 http://id.loc.gov/authorities/subjects/sh98006600 https://id.nlm.nih.gov/mesh/D020407 https://id.nlm.nih.gov/mesh/D020452 |
| title | Impression, projection : une histoire médiatique entre cinéma et journalisme / |
| title_alt | Front Matter -- Table des matières -- Cinéma et journalisme : les affinités médiatiques -- Le Cinéma écrit par le journalisme -- Les Nouvelles littéraires et le cinéma -- Popular Film face à la féminité -- Voir l'Amérique, écrire le cinéma -- Le Journalisme vu par le cinéma -- « Love Is News » -- Les Newspaper comedies des années 1930-1940 -- L'uvre de Dieu, la part du diable -- Métier d'homme, métier de femme ? -- Le Cinéma comme journalisme -- Le « Tourneur de manivelle » -- Les Combattants de l'insolence (1984) -- Mafia, Sicile et cinéma -- Témoin 2.0 et humiliation -- Le Cinéma contre le journalisme -- L'Alternative « Television » -- Krzysztof Kieślowski -- Les Revues clandestines cinématographiques (1943-1944) -- Notices biobibliographiques des auteurs |
| title_auth | Impression, projection : une histoire médiatique entre cinéma et journalisme / |
| title_exact_search | Impression, projection : une histoire médiatique entre cinéma et journalisme / |
| title_full | Impression, projection : une histoire médiatique entre cinéma et journalisme / sous la direction de Richard Bégin, Thomas Carrier-LaFleur et Mélodie Simard-Houde. |
| title_fullStr | Impression, projection : une histoire médiatique entre cinéma et journalisme / sous la direction de Richard Bégin, Thomas Carrier-LaFleur et Mélodie Simard-Houde. |
| title_full_unstemmed | Impression, projection : une histoire médiatique entre cinéma et journalisme / sous la direction de Richard Bégin, Thomas Carrier-LaFleur et Mélodie Simard-Houde. |
| title_short | Impression, projection : |
| title_sort | impression projection une histoire mediatique entre cinema et journalisme |
| title_sub | une histoire médiatique entre cinéma et journalisme / |
| topic | Mass media. http://id.loc.gov/authorities/subjects/sh85081863 World Wide Web. http://id.loc.gov/authorities/subjects/sh95000541 Journalism. http://id.loc.gov/authorities/subjects/sh85070736 Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Identity (Philosophical concept) http://id.loc.gov/authorities/subjects/sh85064150 Digital media. http://id.loc.gov/authorities/subjects/sh98006600 Internet https://id.nlm.nih.gov/mesh/D020407 Journalism https://id.nlm.nih.gov/mesh/D020452 Motion Pictures Médias. Web. Journalisme. Identité. Médias numériques. Cinéma. mass media. aat World Wide Web. aat journalism. aat identity. aat LANGUAGE ARTS & DISCIPLINES Journalism. bisacsh Digital media fast Identity (Philosophical concept) fast Journalism fast Mass media fast Motion pictures fast World Wide Web fast |
| topic_facet | Mass media. World Wide Web. Journalism. Motion pictures. Identity (Philosophical concept) Digital media. Internet Journalism Motion Pictures Médias. Web. Journalisme. Identité. Médias numériques. Cinéma. mass media. journalism. identity. LANGUAGE ARTS & DISCIPLINES Journalism. Digital media Mass media Motion pictures World Wide Web |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2295192 |
| work_keys_str_mv | AT beginrichard impressionprojectionunehistoiremediatiqueentrecinemaetjournalisme AT carrierlafleurthomas impressionprojectionunehistoiremediatiqueentrecinemaetjournalisme AT simardhoudemelodie impressionprojectionunehistoiremediatiqueentrecinemaetjournalisme |